| balance engineered |
|---|
| 1987-03 | Piano Quartet in E-flat major, K. 493: I. Allegro | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 14:56 |
| 1987-03 | Piano Quartet in E-flat major, K. 493: II. Larghetto | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 10:22 |
| 1987-03 | Piano Quartet in E-flat major, K. 493: III. Allegretto | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 8:53 |
| 1987-03 | Piano Quartet in G minor, K. 478: I. Allegro | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 11:10 |
| 1987-03 | Piano Quartet in G minor, K. 478: II. Andante | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 7:27 |
| 1987-03 | Piano Quartet in G minor, K. 478: III. Rondo: Allegro moderato | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 7:53 |
| 1987-12 | Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato | | The Chamber Orchestra of Europe, Claudio Abbado | 15:00 |
| 1987-12 | Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto | | The Chamber Orchestra of Europe, Claudio Abbado | 11:37 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 1. Andante - Allegro ma non troppo | | The Chamber Orchestra of Europe, Claudio Abbado | 16:43 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 2. Andante con moto | | The Chamber Orchestra of Europe, Claudio Abbado | 15:26 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 3. Scherzo. Allegro vivace | | The Chamber Orchestra of Europe, Claudio Abbado | 14:00 |
| 1987-12 | Symphony no. 9 in C major "Great", D. 944: 4. Allegro vivace | | The Chamber Orchestra of Europe, Claudio Abbado | 15:28 |
| 1991-08 | Piano Sonata No. 19 in D major: III. Finale. Allegro assai | | Ivo Pogorelich | 3:13 |
| 1991-09 | Sonata in D minor, K. 9: Allegro moderato | piano | Ivo Pogorelich | 4:14 |
| 1992-11 | Finlandia, op. 26 no. 7 | | Berliner Philharmoniker, James Levine | 8:32 |
| 1992-11 | Symphony no. 2 in D major, op. 43: I. Allegretto | | Berliner Philharmoniker, James Levine | 9:07 |
| 1992-11 | Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato | | Berliner Philharmoniker, James Levine | 12:43 |
| 1992-11 | Symphony no. 2 in D major, op. 43: III. Vivacissimo | | Berliner Philharmoniker, James Levine | 5:51 |
| 1992-11 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | | Berliner Philharmoniker, James Levine | 12:32 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente - Allegro moderato - Presto | | Berliner Philharmoniker, James Levine | 7:40 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto | | Berliner Philharmoniker, James Levine | 4:52 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | | Berliner Philharmoniker, James Levine | 8:11 |
| 1992-11 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | | Berliner Philharmoniker, James Levine | 8:38 |
| 1992-11 | Valse Triste, op. 44 | | Berliner Philharmoniker, James Levine | 6:39 |
| 1993-04 | Così fan tutte: Act II. "Una donna a quindici anni" (Despina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:26 |
| 1993-04 | Die Entführung aus dem Serail - Ach ich liebte (Constanze) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 5:16 |
| 1993-04 | Die Entführung aus dem Serail - Welcher Kummer herrscht in meiner Seele...Traurigkeit ward mir zum Lose (Constanze) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 8:29 |
| 1993-04 | Die Entführung aus dem Serail: Welche Wonne, welche Lust | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 2:45 |
| 1993-04 | Die Zauberflöte - Ach, ich fühl's, es ist verschwunden (Pamina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 4:02 |
| 1993-04 | Die Zauberflöte - Bald prangt, den Morgen zu verkünden (Pamina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 5:50 |
| 1993-04 | Don Giovanni - Batti, batti, o bel Masetto (Zerlina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:59 |
| 1993-04 | Don Giovanni - Vedrai, carino (Zerlina) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:47 |
| 1993-04 | La Clemenza di Tito: Act II. "S'altro che lagrime" (Servilia) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 2:53 |
| 1993-04 | Le nozze di Figaro - Giunse alfin il momento...Deh vieni, non tardar (Susanna) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 4:42 |
| 1993-04 | Le nozze di Figaro - Non so più cosa son, cosa faccio (Cherubino) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 3:12 |
| 1993-04 | Le nozze di Figaro - Porgi amor, qualche ristoro (Countess) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 4:12 |
| 1993-04 | Zaïde - Ruhe sanft, mein holdes Leben (Zaide) | | Kathleen Battle, Metropolitan Opera Orchestra, James Levine | 6:30 |
| 1993-11 | Adagio for Violin and Orchestra in E, K. 261: Adagio | | David Garrett, Alexander Markovich | 8:40 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande | | David Garrett | 5:18 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Corrente | | David Garrett | 3:02 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande | | David Garrett | 5:42 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Giga | | David Garrett | 3:32 |
| 1993-11 | Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Ciaccona | | David Garrett | 19:53 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": I. Allegro | | David Garrett, Alexander Markovich | 10:52 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": II. Adagio molto espressivo | | David Garrett, Alexander Markovich | 7:09 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": III. Scherzo (Allegro molto) | | David Garrett, Alexander Markovich | 1:19 |
| 1993-11 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": IV. Rondo (Allegro ma non troppo) | | David Garrett, Alexander Markovich | 6:50 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | | Berliner Philharmoniker, James Levine | 11:23 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | | Berliner Philharmoniker, James Levine | 4:57 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | | Berliner Philharmoniker, James Levine | 11:30 |
| 1994-02 | Symphony no. 4 in A minor, op. 63: IV. Allegro | | Berliner Philharmoniker, James Levine | 9:38 |
| 1996-12 | Violin Concerto no. 3 in G major, K. 216: I. Allegro aperto | | Augustin Dumay, Camerata Salzburg | 9:19 |
| 1996-12 | Violin Concerto no. 3 in G major, K. 216: II. Adagio | | Augustin Dumay, Camerata Salzburg | 7:33 |
| 1996-12 | Violin Concerto no. 3 in G major, K. 216: III. Rondeau | | Augustin Dumay, Camerata Salzburg | 6:31 |
| 1996-12 | Violin Concerto no. 4 in D major, K. 218: I. Allegro aperto | | Augustin Dumay, Camerata Salzburg | 9:15 |
| 1996-12 | Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile | | Augustin Dumay, Camerata Salzburg | 6:45 |
| 1996-12 | Violin Concerto no. 4 in D major, K. 218: III. Rondeau | | Augustin Dumay, Camerata Salzburg | 7:24 |
| 1996-12 | Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto | | Augustin Dumay, Camerata Salzburg | 10:02 |
| 1996-12 | Violin Concerto no. 5 in A major, K. 219: II. Adagio | | Augustin Dumay, Camerata Salzburg | 9:33 |
| 1996-12 | Violin Concerto no. 5 in A major, K. 219: III. Rondeau | | Augustin Dumay, Camerata Salzburg | 8:44 |
| “Porgy and Bess” Suite | | Chicago Symphony Orchestra, James Levine | 23:26 |
| 2 Pieces for Cello and Piano: I. Langsam | | Clemens Hagen, Oleg Maisenberg | 2:05 |
| 2 Pieces for Cello and Piano: II. Langsam | | Clemens Hagen, Oleg Maisenberg | 3:07 |
| A Set of Pieces: I. In the Cage | | Orpheus Chamber Orchestra | 1:01 |
| A Set of Pieces: II. In the Inn | | Orpheus Chamber Orchestra | 4:23 |
| A Set of Pieces: III. In the Night | | Orpheus Chamber Orchestra | 2:52 |
| An American in Paris | | Chicago Symphony Orchestra, James Levine | 17:33 |
| Aria variata alla maniera italiana in A minor, (Aria)[without tempo indication] | | Kenneth Gilbert | 2:10 |
| Aria variata alla maniera italiana in A minor, Variatio Aria variata alla maniera italiana in A minor, Variatio IV. Allegro | | Kenneth Gilbert | 1:51 |
| Aria variata alla maniera italiana in A minor, Variatio I. Largo | | Kenneth Gilbert | 1:23 |
| Aria variata alla maniera italiana in A minor, Variatio II | | Kenneth Gilbert | 1:13 |
| Aria variata alla maniera italiana in A minor, Variatio III | | Kenneth Gilbert | 1:09 |
| Aria variata alla maniera italiana in A minor, Variatio IX | | Kenneth Gilbert | 1:11 |
| Aria variata alla maniera italiana in A minor, Variatio V. Un poco allegro | | Kenneth Gilbert | 1:04 |
| Aria variata alla maniera italiana in A minor, Variatio VI. Andante | | Kenneth Gilbert | 1:45 |
| Aria variata alla maniera italiana in A minor, Variatio VII. Un poco allegro | | Kenneth Gilbert | 1:12 |
| Aria variata alla maniera italiana in A minor, Variatio VIII. Allegro | | Kenneth Gilbert | 1:03 |
| Aria variata alla maniera italiana in A minor, Variatio X | | Kenneth Gilbert | 1:54 |
| Atlas Eclipticalis | | Chicago Symphony Orchestra, James Levine | 14:19 |
| Atmosphères | | Wiener Philharmoniker, Claudio Abbado | 9:06 |
| Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 5:39 |
| Benvenuto Cellini, op. 23 | | Berliner Philharmoniker, James Levine | 10:22 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: 1b. Arie (soprano) "Fliesse, Wonnezähre, fliesse!" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 12:08 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) "Er schlummert" - "Lasst sanft den grossen Fürsten ruhen!" | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 4:23 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) "Ihr staunt, Völker der Erde!" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 0:50 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) "Wie bebt mein Herz vor Wonne!" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 0:56 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIb. Trio (tenor, bass, soprano) "Ihr, die Joseph ihren vater nannten" | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 4:15 |
| Cantata on the Accession of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir "Heil! Stürzet nieder, Millionen'" | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 5:10 |
| Capriccio in B flat major, [without tempo indication] | | Kenneth Gilbert | 0:34 |
| Capriccio in B flat major, [without tempo indication] | | Kenneth Gilbert | 1:39 |
| Capriccio in B flat major, Adagiosissimo | | Kenneth Gilbert | 2:31 |
| Capriccio in B flat major, Aria di Postiglione. Allegro poco | | Kenneth Gilbert | 1:08 |
| Capriccio in B flat major, Arioso. Adagio | | Kenneth Gilbert | 2:00 |
| Capriccio in B flat major, Fuga all'imitatione di Posta | | Kenneth Gilbert | 2:47 |
| Cello Sonata "Sehr bewegt" | | Clemens Hagen, Oleg Maisenberg | 1:51 |
| Certes mon oueil | | Orlando Consort | 5:37 |
| Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio | | Gidon Kremer, Oleg Maisenberg, Sabine Meyer | 12:30 |
| Christe Fili Dei – J’ay pris amours (à 4) | | Orlando Consort | 3:00 |
| Comment puet on | | Orlando Consort | 4:29 |
| Concerto Grosso in B minor, Op. 6 No. 12, HWV 330: I. Largo | | Orpheus Chamber Orchestra | 2:18 |
| See all 468 relationships |
| edited |
|---|
| Adagio in E major, K. 261 | | Itzhak Perlman, Wiener Philharmoniker, James Levine | 8:08 |
| Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 5:39 |
| Concerto a Due Cori No. 2: I. Pomposo | | The English Concert, Trevor Pinnock | 1:46 |
| Concerto a due cori No. 2: II. Allegro | | The English Concert, Trevor Pinnock | 2:10 |
| Concerto a due cori No. 2: III. A tempo giusto | | The English Concert, Trevor Pinnock | 2:50 |
| Concerto a due cori No. 2: IV. Largo | | The English Concert, Trevor Pinnock | 2:25 |
| Concerto a due cori No. 2: V. Allegro ma non troppo | | The English Concert, Trevor Pinnock | 4:04 |
| Concerto a due cori No. 2: VI. A tempo ordinario | | The English Concert, Trevor Pinnock | 3:33 |
| Concerto a due cori No. 3: I. Ouverture | | The English Concert, Trevor Pinnock | 1:53 |
| Concerto a due cori No. 3: II. Allegro | | The English Concert, Trevor Pinnock | 3:06 |
| Concerto a due cori No. 3: III. Allegro ma non troppo | | The English Concert, Trevor Pinnock | 3:16 |
| Concerto a due cori No. 3: IV. Adagio | | The English Concert, Trevor Pinnock | 1:21 |
| Concerto a due cori No. 3: V. Andante larghetto | | The English Concert, Trevor Pinnock | 4:02 |
| Concerto a due cori No. 3: VI. Allegro | | The English Concert, Trevor Pinnock | 4:29 |
| Concerto for 2 cellos, strings and basso continuo in G minor, RV 531: I. Allegro | | Thomas Demenga, Regula Häusler, Camerata Bern, Thomas Füri | 3:50 |
| Concerto for 2 cellos, strings and basso continuo in G minor, RV 531: II. Largo | | Thomas Demenga, Regula Häusler, Camerata Bern, Thomas Füri | 3:08 |
| Concerto for 2 cellos, strings and basso continuo in G minor, RV 531: III. Allegro | | Thomas Demenga, Regula Häusler, Camerata Bern, Thomas Füri | 3:09 |
| Concerto for 2 violins, strings and basso continuo in B major RV 524: I. | | Patrick Genet, Karen Turpie, Camerata Bern, Thomas Füri | 4:22 |
| Concerto for 2 violins, strings and basso continuo in B major RV 524: II. | | Patrick Genet, Karen Turpie, Camerata Bern, Thomas Füri | 3:56 |
| Concerto for 2 violins, strings and basso continuo in B major RV 524: III. | | Patrick Genet, Karen Turpie, Camerata Bern, Thomas Füri | 2:58 |
| Concerto for lute, violins and basso continuo in D major, RV 93: I. (Allegro giusto) | | Göran Söllscher, Camerata Bern, Thomas Füri | 3:30 |
| Concerto for Lute, Violins and Basso continuo in D major, RV 93: II. Largo | | Göran Söllscher, Camerata Bern, Thomas Füri | 5:05 |
| Concerto for lute, violins and basso continuo in D major, RV 93: III. Allegro | | Göran Söllscher, Camerata Bern, Thomas Füri | 2:06 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 10:31 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 6:01 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Rondeau. Allegro di molto | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 6:25 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 11:27 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 10:30 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 8:11 |
| Concerto per 2 mandolini, archi e cembalo in Do maggiore, RV 532: I. Allegro molto | | Göran Söllscher, Camerata Bern, Thomas Füri | 4:01 |
| Concerto per 2 mandolini, archi e cembalo in Do maggiore, RV 532: II. Andante | | Göran Söllscher, Camerata Bern, Thomas Füri | 4:31 |
| Concerto per 2 mandolini, archi e cembalo in Do maggiore, RV 532: III. Allegro | | Göran Söllscher, Camerata Bern, Thomas Füri | 3:23 |
| Episoden, op. 115: I. Andante | | Markus Becker | 3:40 |
| Episoden, op. 115: II. Andantino con moto | | Markus Becker | 3:15 |
| Episoden, op. 115: III. Allegretto | | Markus Becker | 3:30 |
| Episoden, op. 115: IV. Andante sostenuto | | Markus Becker | 4:16 |
| Episoden, op. 115: V. Larghetto | | Markus Becker | 5:13 |
| Freue dich des Weibes deiner Jugend, SWV 453 | | Frieder Lang, The Monteverdi Choir, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 4:23 |
| Ist nicht Ephraim mein teurer Sohn, SWV 40 | | Ruth Holton, The Monteverdi Choir, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 6:18 |
| L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker | 3:28 |
| L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker, Nigel Robson, Michael Chance, Simon Birchall | 5:09 |
| L'Orfeo: Atto primo. "Rosa del ciel" / "Io non dirò qual sia" / Balletto. "Lasciate i monti" / "Vieni, Imeneo" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Anthony Rolfe Johnson, Julianne Baird | 4:27 |
| L'Orfeo: Atto primo. Balletto. "Lasciate i monti" / "Ma tu, gentil cantor" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Michael Chance | 2:34 |
| L'Orfeo: Atto quarto. "Ahi, vista troppo dolce" / "Torn'a l'ombra" / "Dove ten vai" | | John Eliot Gardiner, The English Baroque Soloists; Anthony Rolfe Johnson, Julianne Baird, Howard Milner | 2:34 |
| L'Orfeo: Atto quarto. "È la virtute un raggio" (Coro di spiriti) | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 2:29 |
| L'Orfeo: Atto quarto. "Pietade, oggi, e amore" / "Ecco il gentil cantor" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Howard Milner | 0:40 |
| L'Orfeo: Atto quarto. "Qual onor di te" / "O dolcissimi lumi" / "Rotto haila legge" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, John Tomlinson | 3:15 |
| L'Orfeo: Atto quarto. "Signor, quel infelice" / "Benché severo" / "O degli abitator" / "Quali grazie ti rendo" / "Tue soavi parole" | | John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson | 6:54 |
| L'Orfeo: Atto quinto. "Questi i campi di Tracia" (Orfeo, Eco) | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mark Tucker | 8:09 |
| L'Orfeo: Atto quinto. "Vanne Orfeo" (Coro di ninfe e pastori) | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 0:59 |
| L'Orfeo: Atto quinto. Moresca | | John Eliot Gardiner, The English Baroque Soloists | 1:18 |
| L'Orfeo: Atto quinto. Sinfonia / "Perché a lo sdegno" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Nigel Robson | 5:47 |
| L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "In un fiorito prato" | | Michael Chance, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | 9:28 |
| L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "Ma io, che in questa lingua" | | Monteverdi Choir, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | 2:49 |
| L'Orfeo: Atto secondo. "Mira che sé n'alletta" / "Dunque fa degni, Orfeo" | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Mark Tucker, Nigel Robson | 2:15 |
| L'Orfeo: Atto secondo. "Vi ricorda, o bosch'ombrosi" (Orfeo, Pastore I) | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | 2:51 |
| L'Orfeo: Atto secondo. Sinfonia / "Chi ne consola, ahi lassi?" / "Ahi, caso acerbo" / "Ma dove, ah dove" / "Ahi, caso acerbo" | | Monteverdi Choir, Nigel Robson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | 7:09 |
| L'Orfeo: Atto secondo. Sinfonia / "Ecco pur ch'a voi ritorno" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | 0:49 |
| L'Orfeo: Atto terzo. "Ben mi lusinga" | | John Eliot Gardiner, Anthony Rolfe Johnson, Nicolas Robertson | 5:21 |
| L'Orfeo: Atto terzo. "Nulla impresa per uom" (Coro di spiriti) | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 2:48 |
| L'Orfeo: Atto terzo. "O tu, ch'inanzi morte" (Caronte) | | The English Baroque Soloists, John Tomlinson | 2:13 |
| L'Orfeo: Atto terzo. Sinfonia / "Scorto da te, mio Nume" / "Ecco l'atra palude" / "Dove, ah dove ten vai" | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mary Nichols | 6:29 |
| L'Orfeo: Prologo. "Dal mio Permesso" (La Musica) | | John Eliot Gardiner, The English Baroque Soloists, Lynne Dawson | 5:44 |
| L’Orfeo: Toccata | | His Majestys Sagbutts and Cornetts, English Baroque Soloists, Sir John Eliot Gardiner | 1:37 |
| Lose Blätter, op. 13: XII. Choral | | Markus Becker | 1:31 |
| Mass in B minor BWV 232: I. Kyrie: Kyrie eleison | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 9:29 |
| Mass in B minor BWV 232: II. Kyrie: Christe eleison | | Lynne Dawson, Carol Hall, English Baroque Soloists, Sir John Eliot Gardiner | 4:52 |
| Mass in B minor BWV 232: III. Kyrie: Kyrie eleison | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:32 |
| Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 1:43 |
| Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:19 |
| Mass in B minor BWV 232: V. Gloria: Et in terra pax | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 4:05 |
| Mass in B minor BWV 232: VI. Gloria: Laudamus te | | Nancy Argenta, Elizabeth Wilcock, English Baroque Soloists, Sir John Eliot Gardiner | 3:53 |
| Mass in B minor BWV 232: VII. Gloria: Gratias agimus tibi | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:03 |
| Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca) | | Nancy Argenta, Howard Milner, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | 5:18 |
| Mass in B minor BWV 232: XI. Gloria: Quoniam tu solus sanctus (attacca) | | Stephen Varcoe, Michael Thompson, English Baroque Soloists, Sir John Eliot Gardiner | 4:24 |
| Mass in B minor BWV 232: XII. Gloria: Cum Sancto Spiritu | | Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | 3:48 |
| Mass in B minor BWV 232: XIII. Credo: Credo in unum Deum | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 1:55 |
| Mass in B minor BWV 232: XIV. Credo: Credo in unum Deum / Patrem omnipotentem | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 1:53 |
| Mass in B minor BWV 232: XIX. Credo: Et in Spiritum Sanctum | | Richard Lloyd-Morgan, Valerie Darke, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner | 5:30 |
| Mass in B minor BWV 232: XV. Credo: Et in unum Dominum | | Patrizia Kwella, Mary Nichols, English Baroque Soloists, Sir John Eliot Gardiner | 4:11 |
| Mass in B minor BWV 232: XVI. Credo: Et incarnatus est | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:26 |
| Mass in B minor BWV 232: XVII. Credo: Crucifixus | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:09 |
| Mass in B minor BWV 232: XVIII. Credo: Et resurrexit | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:49 |
| Mass in B minor BWV 232: XX. Credo: Confiteor (attacca) | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 2:32 |
| Mass in B minor BWV 232: XXI: Credo: Et exspecto resurrectionem | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:34 |
| Mass in B minor BWV 232: XXIV. Sanctus: Benedictus, qui venit | | Wynford Evans, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | 4:48 |
| Mass in B minor BWV 232: XXV. Sanctus: Osanna (da capo) | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 2:36 |
| Mass in B minor BWV 232: XXVII. Agnus Dei: Dona nobis pacem | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:20 |
| Mass in B Minor, BWV 232: Aria 'Agnus Dei' | | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | 5:47 |
| Mass in B Minor, BWV 232: Aria 'Qui sedes ad dextram Patris' | | Michael Chance, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner | 4:24 |
| Mass in B minor, BWV 232: No. 22 Chorus: »Sanctus« | | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | 5:26 |
| Mass in B minor, BWV 232: No. 23 Chorus I/II: »Osanna in excelsis« | | Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists | 2:36 |
| Music for the Royal Fireworks: Suite HWV 351: I. Ouverture | | The English Concert, Trevor Pinnock | 7:21 |
| Music for the Royal Fireworks: Suite HWV 351: II. Bourrée | | The English Concert, Trevor Pinnock | 1:37 |
| Music for the Royal Fireworks: Suite HWV 351: III. La paix | | The English Concert, Trevor Pinnock | 4:11 |
| Music for the Royal Fireworks: Suite HWV 351: IV. La réjouissance | | The English Concert, Trevor Pinnock | 2:09 |
| Music for the Royal Fireworks: Suite HWV 351: V. Menuet I | | The English Concert, Trevor Pinnock | 1:30 |
| Music for the Royal Fireworks: Suite HWV 351: VI. Menuet II | | The English Concert, Trevor Pinnock | 1:38 |
| Musikalische Exequien: I. Concert in Form einer teutschen Begräbnis-Missa, SWV 279 | | Stephen Charlesworth, The Monteverdi Choir, Rachel Platt, Nicolas Robertson, Mary Seers, Ashley Stafford, Lawrence Wallington, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 22:52 |
| Musikalische Exequien: II. Motette "Herr, wenn ich nur dich habe", SWV 280 | | The Monteverdi Choir, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 3:05 |
| See all 115 relationships |
| engineered |
|---|
| 1992-11 | Swan Lake, suite from ballet, op. 20: I. Scène | | Wiener Philharmoniker, James Levine | 2:48 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: II. Valse | | Wiener Philharmoniker, James Levine | 6:47 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: III. Danse des cygnes | | Wiener Philharmoniker, James Levine | 1:32 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: IV. Scène | | Wiener Philharmoniker, James Levine | 6:57 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: V. Danse hongroise (Czardas) | | Wiener Philharmoniker, James Levine | 3:00 |
| 1992-11 | Swan Lake, suite from ballet, op. 20: VI. Scène (finale) | | Wiener Philharmoniker, James Levine | 9:38 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: I. Ouverture miniature | | Wiener Philharmoniker, James Levine | 3:08 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: a. Marche | | Wiener Philharmoniker, James Levine | 2:25 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: b. Danse de la Fée Dragée | | Wiener Philharmoniker, James Levine | 1:41 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: c. Danse russe Trépack | | Wiener Philharmoniker, James Levine | 1:09 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: d. Danse arabe | | Wiener Philharmoniker, James Levine | 3:36 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: e. Danse chinoise | | Wiener Philharmoniker, James Levine | 1:02 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: II. Danses Caractéristiques: f. Danse des mirlitons | | Wiener Philharmoniker, James Levine | 2:06 |
| 1992-11 | The Nutcracker, suite from ballet, op. 71a: III. Valse des fleures | | Wiener Philharmoniker, James Levine | 6:27 |
| 1992-11 | The Sleeping Beauty, op. 66a: I. Introduction - La Fée des lilas | | Wiener Philharmoniker, James Levine | 4:29 |
| 1992-11 | The Sleeping Beauty, op. 66a: II. Adagio - Pas d'action | | Wiener Philharmoniker, James Levine | 6:15 |
| 1992-11 | The Sleeping Beauty, op. 66a: III. Pas de caractère - Le Chat botté et la Chatte blanche | | Wiener Philharmoniker, James Levine | 1:49 |
| 1992-11 | The Sleeping Beauty, op. 66a: IV. Panorama | | Wiener Philharmoniker, James Levine | 3:11 |
| 1992-11 | The Sleeping Beauty, op. 66a: V. Valse | | Wiener Philharmoniker, James Levine | 4:20 |
| Agnus dei | | Charles Daniels, Donald Greig, Robert Harre-Jones, Angus Smith | 6:24 |
| Ariodante, HWV 33, Act 1: "Ami dunque, o signora?": "Ginevra?" | | Veronica Cangemi, Lynne Dawson, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:53 |
| Ariodante, HWV 33, Act 1: "Apri le luci, e mira" | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 3:15 |
| Ariodante, HWV 33, Act 1: "Conosco il merto tuo" | | Veronica Cangemi, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 1:25 |
| Ariodante, HWV 33, Act 1: "Coperta la frode" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:29 |
| Ariodante, HWV 33, Act 1: "Dalinda, in occidente" | | Veronica Cangemi, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 0:31 |
| Ariodante, HWV 33, Act 1: "Del mio sol vezzosi rai" | | Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 4:43 |
| Ariodante, HWV 33, Act 1: "Mie speranze, che fate?" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:28 |
| Ariodante, HWV 33, Act 1: "Orgogliosa beltade!" | | Ewa Podleś, Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 0:27 |
| Ariodante, HWV 33, Act 1: "Orrida agli occhi miei" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 2:13 |
| Ariodante, HWV 33, Act 1: "Pare, ovunque m'aggiri": "E qual propizia stella" | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 0:46 |
| Ariodante, HWV 33, Act 1: "Qui d'amor" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 2:11 |
| Ariodante, HWV 33, Act 1: "Si godete al vostro amor" | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 1:01 |
| Ariodante, HWV 33, Act 1: "Spero per voi" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:27 |
| Ariodante, HWV 33, Act 1: "T'amerò dunque sempre" | | Anne Sofie von Otter, Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 0:40 |
| Ariodante, HWV 33, Act 1: "Vanne pronto, Odoardo" | | Denis Sedov, Luc Coadou, Les Musiciens du Louvre, Marc Minkowski | 0:39 |
| Ariodante, HWV 33, Act 1: "Vezzi, lusinghe, e brio" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 2:19 |
| Ariodante, HWV 33, Act 1: "Volate, amori" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 3:30 |
| Ariodante, HWV 33, Act 1: "Voli colla sua tromba" | | Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 3:41 |
| Ariodante, HWV 33, Act 1: Ah! che quest'alma amante | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 0:11 |
| Ariodante, HWV 33, Act 1: Allegro | | Les Musiciens du Louvre, Marc Minkowski | 1:33 |
| Ariodante, HWV 33, Act 1: Ballo: (Gavotte) | | Les Musiciens du Louvre, Marc Minkowski | 0:56 |
| Ariodante, HWV 33, Act 1: Con l'ali di costanza | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 6:16 |
| Ariodante, HWV 33, Act 1: Il primo ardor | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 3:00 |
| Ariodante, HWV 33, Act 1: Musette I (Lentement) | | Les Musiciens du Louvre, Marc Minkowski | 2:02 |
| Ariodante, HWV 33, Act 1: Musette II (Andante) | | Les Musiciens du Louvre, Marc Minkowski | 0:49 |
| Ariodante, HWV 33, Act 1: Non vi turbate | | Denis Sedov, Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:15 |
| Ariodante, HWV 33, Act 1: Oh! felice mio core! | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 0:11 |
| Ariodante, HWV 33, Act 1: Prendi da questa mano | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:36 |
| Ariodante, HWV 33, Act 1: Se rinasce nel mio cor | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:04 |
| Ariodante, HWV 33, Act 1: Sì godete al vostro amor | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 0:55 |
| Ariodante, HWV 33, Act 1: Sinfonia pastorale | | Les Musiciens du Louvre, Marc Minkowski | 0:45 |
| Ariodante, HWV 33, Act 2: "A me impudica?" | | Lynne Dawson, Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 2:08 |
| Ariodante, HWV 33, Act 2: "Andiam, fidi, al consiglio" | | Luc Coadou, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 1:20 |
| Ariodante, HWV 33, Act 2: "Di Dalinda l'amore": "Eccolo o amico" | | Ewa Podleś, Anne Sofie von Otter, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 1:33 |
| Ariodante, HWV 33, Act 2: "E vivo ancora?" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 0:24 |
| Ariodante, HWV 33, Act 2: "Ginevra?" | | Veronica Cangemi, Ewa Podleś, Anne Sofie von Otter, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 0:24 |
| Ariodante, HWV 33, Act 2: "Il mio crudel martoro" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 9:24 |
| Ariodante, HWV 33, Act 2: "Il tuo sangue" | | Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 3:48 |
| Ariodante, HWV 33, Act 2: "Invida sorte avara" | | Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 5:33 |
| Ariodante, HWV 33, Act 2: "Lo stral ferì nel segno" | | Veronica Cangemi, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:36 |
| Ariodante, HWV 33, Act 2: "Mi palpita il core" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 2:12 |
| Ariodante, HWV 33, Act 2: "Quante sventure un giorno sol ne porta!" | | Lynne Dawson, Veronica Cangemi, Luc Coadou, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 0:22 |
| Ariodante, HWV 33, Act 2: "Scherza infida in grembo al drudo" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 11:52 |
| Ariodante, HWV 33, Act 2: "Se tanto piace al cor" | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 3:01 |
| Ariodante, HWV 33, Act 2: "Sta'lieta, o principessa!": "Mio Re!" | | Veronica Cangemi, Lynne Dawson, Richard Croft, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 2:24 |
| Ariodante, HWV 33, Act 2: "Tu preparati a morire" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 3:51 |
| Ariodante, HWV 33, Act 2: "Tu vivi, e punito" | | Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 3:14 |
| Ariodante, HWV 33, Act 2: Entrée des Songes agréables | | Les Musiciens du Louvre, Marc Minkowski | 1:56 |
| Ariodante, HWV 33, Act 2: Entrée des Songes agréables affligés | | Les Musiciens du Louvre, Marc Minkowski | 0:50 |
| Ariodante, HWV 33, Act 2: Entrée des Songes funestes | | Les Musiciens du Louvre, Marc Minkowski | 1:31 |
| Ariodante, HWV 33, Act 2: Felice fu il mio inganno | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:13 |
| Ariodante, HWV 33, Act 2: Le combat des songes funestes et agréables / "Che vidi?" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:41 |
| Ariodante, HWV 33, Act 2: Se l'inganno sortisce felice | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:55 |
| Ariodante, HWV 33, Act 2: Sinfonia | | Les Musiciens du Louvre, Marc Minkowski | 1:11 |
| Ariodante, HWV 33, Act 3: "Al sen ti stringo" | | Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 3:37 |
| Ariodante, HWV 33, Act 3: "Arrida il cielo alla giustizia": "Ferma, signor" - "E Dalinda dov'è?" | | Veronica Cangemi, Ewa Podleś, Anne Sofie von Otter, Richard Croft, Luc Coadou, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 2:40 |
| Ariodante, HWV 33, Act 3: "Bramo aver mille vite..." | | Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 4:29 |
| Ariodante, HWV 33, Act 3: "Cieca notte, infidi sguardi" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 6:09 |
| Ariodante, HWV 33, Act 3: "Così mi lascia il padre?" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 0:22 |
| Ariodante, HWV 33, Act 3: "Da dubbia infausta sorte" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 0:50 |
| Ariodante, HWV 33, Act 3: "Dalinda! ecco risorge" | | Veronica Cangemi, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 0:26 |
| Ariodante, HWV 33, Act 3: "Dite spera, e son contento" | | Veronica Cangemi, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 4:29 |
| Ariodante, HWV 33, Act 3: "Dopo notte, atra e funesta" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 6:45 |
| Ariodante, HWV 33, Act 3: "Dover, giustizia, amor" | | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:07 |
| Ariodante, HWV 33, Act 3: "Figlia, da dubbia sorte" | | Lynne Dawson, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 0:33 |
| Ariodante, HWV 33, Act 3: "Figlia! innocente figlia!" | | Veronica Cangemi, Lynne Dawson, Anne Sofie von Otter, Richard Croft, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 1:06 |
| Ariodante, HWV 33, Act 3: "Io ti bacio" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 3:20 |
| Ariodante, HWV 33, Act 3: "Manca, oh Dei!" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:21 |
| Ariodante, HWV 33, Act 3: "Numi! Lasciarmi vivere" | | Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:44 |
| Ariodante, HWV 33, Act 3: "Ognuno acclami bella virtute" | | Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 2:00 |
| Ariodante, HWV 33, Act 3: "Or venga a me la figlia": "Ecco la figlia" | | Denis Sedov, Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:13 |
| Ariodante, HWV 33, Act 3: "Perfidi! io son tradita!" | | Veronica Cangemi, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:17 |
| Ariodante, HWV 33, Act 3: "Sa trionfar ognor" | | Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre | 1:35 |
| Ariodante, HWV 33, Act 3: "Si, morrò, ma l'onor mio" | | Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski | 1:28 |
| Ariodante, HWV 33, Act 3: "Sire, deh, non negare" | | Ewa Podleś, Luc Coadou, Denis Sedov, Marc Minkowski, Les Musiciens du Louvre | 0:28 |
| Ariodante, HWV 33, Act 3: Alla gavotta | | Les Musiciens du Louvre, Marc Minkowski | 1:17 |
| Ariodante, HWV 33, Act 3: Ingrato Polinesso! | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 0:15 |
| Ariodante, HWV 33, Act 3: Neghittosi, or voi che fate? | | Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 2:32 |
| Ariodante, HWV 33, Act 3: Rondeau | | Les Musiciens du Louvre, Marc Minkowski | 0:50 |
| Ariodante, HWV 33: Overture I | | Les Musiciens du Louvre, Marc Minkowski | 3:29 |
| See all 134 relationships |
| produced |
|---|
| Episoden, op. 115: I. Andante | | Markus Becker | 3:40 |
| Episoden, op. 115: II. Andantino con moto | | Markus Becker | 3:15 |
| Episoden, op. 115: III. Allegretto | | Markus Becker | 3:30 |
| Episoden, op. 115: IV. Andante sostenuto | | Markus Becker | 4:16 |
| Episoden, op. 115: V. Larghetto | | Markus Becker | 5:13 |
| Lose Blätter, op. 13: XII. Choral | | Markus Becker | 1:31 |
| recording engineer for |
|---|
| Certes mon oueil | | Orlando Consort | 5:37 |
| Christmas Oratorio, BWV 248: no. 2. Evangelista: "Es begab sich aber zu der Zeit" | | English Baroque Soloists & John Eliot Gardiner | 1:11 |
| Christmas Oratorio, BWV 248: no. 3. Recitativo (Alto): "Nun wird mein liebster Bräutigam" | | English Baroque Soloists, John Eliot Gardiner | 0:51 |
| Christmas Oratorio, BWV 248: no. 4. Aria (Alto): "Bereite dich, Zion, mit zärtlichen Trieben" | | English Baroque Soloists, John Eliot Gardiner | 5:03 |
| Christmas Oratorio, BWV 248: no. 5. Choral: "Wie soll ich dich empfangen" | | English Baroque Soloists, John Eliot Gardiner | 1:04 |
| Christmas Oratorio, BWV 248: no. 6. Evangelista: "Und sie gebar ihren ersten Sohn" | | English Baroque Soloists, John Eliot Gardiner | 0:21 |
| Christmas Oratorio, BWV 248: no. 7. Choral (Soprani): "Er ist auf Erden kommen arm" / Recitativo (Basso): "Wer will die Liebe recht erhöhn" | | English Baroque Soloists, John Eliot Gardiner | 2:57 |
| Christmas Oratorio, BWV 248: no. 8. Aria (Basso): "Großer Herr, o starker König" | | English Baroque Soloists, John Eliot Gardiner | 4:22 |
| Christmas Oratorio, BWV 248: no. 9. Choral: "Ach mein herzliebes Jesulein" | | English Baroque Soloists, John Eliot Gardiner | 1:20 |
| Christmas Oratorio, BWV 248: no. 10. Sinfonia | | English Baroque Soloists, John Eliot Gardiner | 5:18 |
| Christmas Oratorio, BWV 248: no. 11. Evangelista: "Und es waren Hirten in derselben Gegend" | | English Baroque Soloists, John Eliot Gardiner | 0:34 |
| Christmas Oratorio, BWV 248: no. 12. Choral: "Brich an, o schönes Morgenlicht" | | English Baroque Soloists, John Eliot Gardiner | 1:01 |
| Christmas Oratorio, BWV 248: no. 13. Evangelista: "Und der Engel sprach zu ihnen" / Angelus: "Fürchtet euch nicht" | | English Baroque Soloists, John Eliot Gardiner | 0:38 |
| Christmas Oratorio, BWV 248: no. 14. Recitativo (Basso): "Was Gott dem Abraham verheißen" | | English Baroque Soloists, John Eliot Gardiner | 0:42 |
| Christmas Oratorio, BWV 248: no. 15. Aria (Tenore): "Frohe Hirten, eilt, ach eilet" | | English Baroque Soloists, John Eliot Gardiner | 3:19 |
| Christmas Oratorio, BWV 248: no. 16. Evangelista: "Und das habt zum Zeichen" | | English Baroque Soloists, John Eliot Gardiner | 0:22 |
| Christmas Oratorio, BWV 248: no. 17. Choral: "Schaut hin, dort liegt im finstern Stall" | | English Baroque Soloists, John Eliot Gardiner | 0:39 |
| Christmas Oratorio, BWV 248: no. 18. Recitativo (Basso): "So geht denn hin" | | English Baroque Soloists, John Eliot Gardiner | 0:49 |
| Christmas Oratorio, BWV 248: no. 19. Aria (Alto): "Schlafe, mein Liebster, genieße der Ruh" | | English Baroque Soloists, John Eliot Gardiner | 9:21 |
| Christmas Oratorio, BWV 248: no. 20. Evangelista: "Und alsobald war da bei dem Engel" | | English Baroque Soloists, John Eliot Gardiner | 0:15 |
| Christmas Oratorio, BWV 248: no. 21. Coro: "Ehre sei Gott in der Höhe" | | English Baroque Soloists, John Eliot Gardiner | 2:27 |
| Christmas Oratorio, BWV 248: no. 22. Recitativo (Basso): "So recht, ihr Engel, jauchzt und singet" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 23. Choral: "Wir singen dir in deinem Heer" | | English Baroque Soloists, John Eliot Gardiner | 1:17 |
| Christmas Oratorio, BWV 248: no. 24. Coro de capo: "Herrscher des Himmels, erhöre das Lallen" | | English Baroque Soloists, John Eliot Gardiner | 1:56 |
| Christmas Oratorio, BWV 248: no. 25. Evangelista: "Und da die Engel von ihnen gen Himmel fuhren" | | English Baroque Soloists, John Eliot Gardiner | 0:09 |
| Christmas Oratorio, BWV 248: no. 26 Coro: "Lasset uns nun gehen gen Bethlehem" | | English Baroque Soloists, John Eliot Gardiner | 0:39 |
| Christmas Oratorio, BWV 248: no. 27. Recitativo (Basso): "Er hat sein Volk getröst'" | | English Baroque Soloists, John Eliot Gardiner | 0:36 |
| Christmas Oratorio, BWV 248: no. 28 Choral: "Dies hat er alles uns getan" | | English Baroque Soloists, John Eliot Gardiner | 0:44 |
| Christmas Oratorio, BWV 248: no. 29. Duetto (Soprano, Basso): "Herr, dein Mitleid, dein Erbarmen" | | English Baroque Soloists, John Eliot Gardiner | 6:49 |
| Christmas Oratorio, BWV 248: no. 30. Evangelista: "Und sie kamen eilend" | | English Baroque Soloists, John Eliot Gardiner | 1:09 |
| Christmas Oratorio, BWV 248: no. 31. Aria (Alto): "Schließe, mein Herze, dies selige Wunder" | | English Baroque Soloists, John Eliot Gardiner | 4:59 |
| Christmas Oratorio, BWV 248: no. 32. Recitativo (Alto): "Ja, ja, mein Herz soll es bewahren" | | English Baroque Soloists, John Eliot Gardiner | 0:21 |
| Christmas Oratorio, BWV 248: no. 33. Choral: "Ich will dich mit Fleiß bewahren" | | English Baroque Soloists, John Eliot Gardiner | 0:50 |
| Christmas Oratorio, BWV 248: no. 34. Evangelista: "Und die Hirten kehrten wieder um" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 35. Choral: "Seid froh dieweil" | | English Baroque Soloists, John Eliot Gardiner | 0:43 |
| Christmas Oratorio, BWV 248: no. 36. Coro: "Fallt mit Danken, fallt mit Loben" | | English Baroque Soloists, John Eliot Gardiner | 5:31 |
| Christmas Oratorio, BWV 248: no. 37. Evangelista: "Und da acht Tage um waren" | | English Baroque Soloists, John Eliot Gardiner | 0:32 |
| Christmas Oratorio, BWV 248: no. 38. Recitativo (Basso): "Immanuel, o süßes Wort" / Arioso (Soprani, Basso): "Jesu, du mein liebstes Leben" | | English Baroque Soloists, John Eliot Gardiner | 2:16 |
| Christmas Oratorio, BWV 248: no. 39. Aria (Soprano, Echo Soprano): "Flößt, mein Heiland, flößt dein Namen" | | English Baroque Soloists, John Eliot Gardiner | 5:40 |
| Christmas Oratorio, BWV 248: no. 40. Recitativo (Basso): "Wohlan, dein Name soll allein" / Choral (Soprani): "Jesu, meine Freud und Wonne" | | English Baroque Soloists, John Eliot Gardiner | 1:22 |
| Christmas Oratorio, BWV 248: no. 41. Aria (Tenore): "Ich will nur dir zu Ehren leben" | | English Baroque Soloists, John Eliot Gardiner | 4:23 |
| Christmas Oratorio, BWV 248: no. 42. Choral: "Jesus richte mein Beginnen" | | English Baroque Soloists, John Eliot Gardiner | 2:10 |
| Christmas Oratorio, BWV 248: no. 44. Evangelista: "Da Jesu geboren war zu Bethlehem" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 45. Coro: "Wo is der neugeborene König der Jüden" / Recitativo (Alto): "Sucht ihn in meiner Brust" | | English Baroque Soloists, John Eliot Gardiner | 1:40 |
| Christmas Oratorio, BWV 248: no. 46. Choral: "Dein Glanz all Finsternis verzehrt" | | English Baroque Soloists, John Eliot Gardiner | 0:45 |
| Christmas Oratorio, BWV 248: no. 47. Aria (Basso): "Erleucht auch meine finstre Sinnen" | | English Baroque Soloists, John Eliot Gardiner | 3:59 |
| Christmas Oratorio, BWV 248: no. 48. Evangelista: "Da das der König Herodes hörte" | | English Baroque Soloists, John Eliot Gardiner | 0:12 |
| Christmas Oratorio, BWV 248: no. 49. Recitativo (Alto): "Warum wollt ihr erschrecken" | | English Baroque Soloists, John Eliot Gardiner | 0:30 |
| Christmas Oratorio, BWV 248: no. 50. Evangelista: "Und ließ versammlen alle Hohepriester" | | English Baroque Soloists, John Eliot Gardiner | 1:24 |
| Christmas Oratorio, BWV 248: no. 51. Terzetto (Soprano, Alto, Tenore): "Ach, wenn wird die Zeit erscheinen" | | English Baroque Soloists, John Eliot Gardiner | 5:34 |
| Christmas Oratorio, BWV 248: no. 52. Recitativo (Alto): "Mein Liebster herrschet schon" | | English Baroque Soloists, John Eliot Gardiner | 0:25 |
| Christmas Oratorio, BWV 248: no. 54. Coro: "Herr, wenn die stolzen Feinde schnauben" | | English Baroque Soloists, John Eliot Gardiner | 4:59 |
| Christmas Oratorio, BWV 248: no. 55. Evangelista: "Da berief Herodes die Weisen heimlish" / Herodes: "Ziehet hin und forschet fleißig" | | English Baroque Soloists, John Eliot Gardiner | 0:42 |
| Christmas Oratorio, BWV 248: no. 56. Recitativo (Soprano): "Du Falscher, suche nur den Herrn zu fällen" | | English Baroque Soloists, John Eliot Gardiner | 0:56 |
| Christmas Oratorio, BWV 248: no. 57. Aria (Soprano): "Nur ein Wink von seinen Händen" | | English Baroque Soloists, John Eliot Gardiner | 4:25 |
| Christmas Oratorio, BWV 248: no. 58. Evangelista: "Als sie nun den König gehöret hatten" | | English Baroque Soloists, John Eliot Gardiner | 1:02 |
| Christmas Oratorio, BWV 248: no. 59. Choral: "Ich steh an deiner Krippen hier" | | English Baroque Soloists, John Eliot Gardiner | 1:02 |
| Christmas Oratorio, BWV 248: no. 60. Evangelista: "Und Gott befahl ihnen im Traum" | | English Baroque Soloists, John Eliot Gardiner | 0:23 |
| Christmas Oratorio, BWV 248: no. 61. Recitativo (Tenore): "So geht! Genug, mein Schatz geht nicht von hier" | | English Baroque Soloists, John Eliot Gardiner | 1:52 |
| Christmas Oratorio, BWV 248: no. 62. Aria (Tenore): "Nun mögt ihr stolzen Feinde schrecken" | | English Baroque Soloists, John Eliot Gardiner | 3:59 |
| Christmas Oratorio, BWV 248: no. 63. Recitativo (Soprano, Alto, Tenore, Basso): "Was will der Höllen Schrecken nun" | | English Baroque Soloists, John Eliot Gardiner | 0:37 |
| Christmas Oratorio, BWV 248: no. 64. Choral: "Nun seid ihr wohl gerochen" | | English Baroque Soloists, John Eliot Gardiner | 3:26 |
| Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 53. Chorale: “Zwar ist solche Herzensstube” | | Johann Sebastian Bach | 0:55 |
| Christmas Oratorio, BWV 248: Part I, No. 1 Chorus: »Jauchzet, frohlocket, auf, preiset die Tage« | | Olaf Bär, Anthony Rolfe Johnson, The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | 7:41 |
| Christmas Oratorio, BWV 248: Part III, No. 24 Chorus: »Herrscher des Himmels, erhöre das Lallen« | | English Baroque Soloists, John Eliot Gardiner | 1:50 |
| Christmas Oratorio, BWV 248: Part V, No. 43 Chorus »Ehre sei dir, Gott, gesungen« | | English Baroque Soloists, John Eliot Gardiner | 5:56 |
| Comment puet on | | Orlando Consort | 4:29 |
| De Fortune | | Orlando Consort | 5:53 |
| De toutes flours | | Orlando Consort | 6:46 |
| En amer a douce vie | | Orlando Consort | 5:59 |
| He ! Dame de valour | | Orlando Consort | 3:36 |
| Je ne cuit pas | | Orlando Consort | 5:20 |
| Je puis trop bien | | Orlando Consort | 4:19 |
| Johannes-Passion, BWV 245: Teil I. Verleugnung: "Derselbige Jünger war dem Hohepriester bekannt" (Evangelista, Ancilla, Petrus, Jesus, Servus) | | English Baroque Soloists, Sir John Eliot Gardiner | 2:47 |
| Johannes-Passion, BWV 245: Teil I. Verleugnung: "Simon Petrus aber folgete Jesu nach" (Evangelista) | | English Baroque Soloists, Sir John Eliot Gardiner | 0:16 |
| Johannes-Passion, BWV 245: Teil I. Verleugnung: "Und Hannas sandte ihn gebunden zu dem Hohepriester Kaiphas" (Evangelista) - Chor "Bist du nicht seiner Jünger einer?" - "Er leugnete aber und sprach" (Evangelista, Petrus, Servus) | | English Baroque Soloists, Sir John Eliot Gardiner | 1:48 |
| Johannes-Passion, BWV 245: Teil I. Verleugnung: Arie (Sopran) "Ich folge dir gleichfalls mit freudigen Schritten" | | English Baroque Soloists, Sir John Eliot Gardiner | 3:24 |
| Johannes-Passion, BWV 245: Teil I. Verleugnung: Arie (Tenor) "Ach, mein Sinn, wo willt du endlich hin" | | English Baroque Soloists, Sir John Eliot Gardiner | 2:24 |
| Johannes-Passion, BWV 245: Teil I. Verleugnung: Choral "Petrus, der nicht denkt zurück" | | English Baroque Soloists, Sir John Eliot Gardiner | 1:18 |
| Johannes-Passion, BWV 245: Teil I. Verleugnung: Choral "Wer hat dich so geschlagen" | | English Baroque Soloists, Sir John Eliot Gardiner | 1:31 |
| Johannes-Passion, BWV 245: Teil I. Verrat und Gefangennahme: "Auf daß das Wort erfüllet würde" (Evangelista, Jesus) | | English Baroque Soloists, Sir John Eliot Gardiner | 1:01 |
| Johannes-Passion, BWV 245: Teil I. Verrat und Gefangennahme: "Die Schar aber und der Oberhauptmann und die Diener der Jüden nahmen Jesum" (Evangelista) | | English Baroque Soloists, Sir John Eliot Gardiner | 0:45 |
| Johannes-Passion, BWV 245: Teil I. Verrat und Gefangennahme: "Jesus ging mit seinen Jüngern über den Bach Kidron" (Evangelista, Jesus) - Chor "Jesum von Nazareth!" - "Jesus spricht zu ihnen" (Evangelista, Jesus) - Chor "Jesum von Nazareth!" - "Jesus antwortete" (Evangelista, Jesus) | | English Baroque Soloists, Sir John Eliot Gardiner | 2:14 |
| Johannes-Passion, BWV 245: Teil I. Verrat und Gefangennahme: Chor "Herr, unser Herrscher" | | English Baroque Soloists, Sir John Eliot Gardiner | 9:14 |
| Johannes-Passion, BWV 245: Teil I. Verrat und Gefangennahme: Choral "Dein Will gescheh, Herr Gott, zugleich" | | English Baroque Soloists, Sir John Eliot Gardiner | 0:50 |
| Johannes-Passion, BWV 245: Teil I. Verrat und Gefangennahme: Choral "O große Lieb, o Lieb ohn' alle Maße" | | English Baroque Soloists, Sir John Eliot Gardiner | 0:48 |
| Johannes-Passion, BWV 245: Teil II, XXII. Choral "Durch dein Gefängnis, Gottes Sohn" | | English Baroque Soloists, Sir John Eliot Gardiner | 0:49 |
| Johannes-Passion, BWV 245: Teil II, XXXV. Aria (Soprano) "Zerfließe, mein Herze, in Fluten" | | English Baroque Soloists, Sir John Eliot Gardiner | 6:57 |
| Johannes-Passion, BWV 245: Teil II. Grablegung: "Darnach bat Pilatum Joseph von Arimathia" (Evangelista) | | English Baroque Soloists, Sir John Eliot Gardiner | 2:10 |
| Johannes-Passion, BWV 245: Teil II. Grablegung: "Die Jüden aber, dieweil es der Rüsttag war" (Evangelista) | | English Baroque Soloists, Sir John Eliot Gardiner | 2:01 |
| Johannes-Passion, BWV 245: Teil II. Grablegung: "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) | | English Baroque Soloists, Sir John Eliot Gardiner | 0:25 |
| Johannes-Passion, BWV 245: Teil II. Grablegung: Arioso (Tenor) "Mein Herz, indem die ganze Welt" | | English Baroque Soloists, Sir John Eliot Gardiner | 0:56 |
| Johannes-Passion, BWV 245: Teil II. Grablegung: Choral "O hilf, Christe, Gottes Sohn" | | English Baroque Soloists, Sir John Eliot Gardiner | 1:03 |
| Johannes-Passion, BWV 245: Teil II. Tod Jesu: "Die Kriegsknechte aber, da sie Jesum gekreuziget hatten" (Evangelista) - Chor "Lasset uns den nicht zerteilen" - "Auf daß erfüllet würde die Schrift" (Evangelista, Jesus) | | English Baroque Soloists, Sir John Eliot Gardiner | 3:22 |
| Johannes-Passion, BWV 245: Teil II. Tod Jesu: "Und neiget das Haupt und verschied" (Evangelista) | | English Baroque Soloists, Sir John Eliot Gardiner | 0:24 |
| Johannes-Passion, BWV 245: Teil II. Tod Jesu: "Und von Stund an nahm sie der Jünger zu sich" (Evangelista, Jesus) | | English Baroque Soloists, Sir John Eliot Gardiner | 1:19 |
| Johannes-Passion, BWV 245: Teil II. Tod Jesu: Arie (Bass) mit Choral "Mein teurer Heiland, laß dich fragen" - "Jesu, der du warest tot" | | English Baroque Soloists, Sir John Eliot Gardiner | 4:02 |
| Johannes-Passion, BWV 245: Teil II. Tod Jesu: Choral "Er nahm alles wohl in acht" | | English Baroque Soloists, Sir John Eliot Gardiner | 1:02 |
| Johannes-Passion, BWV 245: Teil II. Verhör und Geißelung: "Da führeten sie Jesum von Kaiphas vor das Richthaus" (Evangelista, Pilatus) - Chor "Wäre dieser nicht ein Übeltäter" - "Da sprach Pilatus zu ihnen" (Evangelista, Pilatus) - Chor "Wir dürfen niemanden töten" - "Auf daß erfüllet würde das Wort Jesu" (Evangelista, Pilatus, Jesus) | | English Baroque Soloists, Sir John Eliot Gardiner | 3:55 |
| Johannes-Passion, BWV 245: Teil II. Verhör und Geißelung: "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus) - Chor "Nicht diesen, sondern Barrabam!" - "Barrabas aber war ein Mörder" (Evangelista) | | English Baroque Soloists, Sir John Eliot Gardiner | 1:52 |
| See all 119 relationships |
| sound engineered |
|---|
| Piano Sonata No. 19 in D major: I. Moderato | | Ivo Pogorelich | 9:46 |
| Piano Sonata No. 19 in D major: II. Andante | | Ivo Pogorelich | 11:49 |
| Piano Sonata No. 19 in D major: III. Finale. Allegro assai | | Ivo Pogorelich | 3:13 |
| Piano Sonata No. 46 in A-flat major: I. Allegro moderato | | Ivo Pogorelich | 9:57 |
| Piano Sonata No. 46 in A-flat major: II. Adagio | | Ivo Pogorelich | 13:15 |
| Piano Sonata No. 46 in A-flat major: III. Finale. Presto | | Ivo Pogorelich | 4:06 |
| balance engineered |
|---|
| 6 sonates, op. 3 | | Jean-Joseph de Mondonville; Les Musiciens du Louvre, Marc Minkowski | |
| Stravinsky: Oedipus Rex | | Игорь Фёдорович Стравинский; Philip Langridge, Florence Quivar, James Morris, Jan‐Hendrik Rootering, Donald Kaasch, Jules Bastin, Chicago Symphony Orchestra, Chicago Symphony Chorus & James Levine | |
| engineered |
|---|
| Symphony no. 1 "Classical" / Symphony no. 5 | | Serge Prokofiev; Chicago Symphony Orchestra, James Levine | |
| The Planets | | Gustav Holst; Chicago Symphony Orchestra, James Levine | |
| mastering |
|---|
| Das Lied von der Erde | | Mahler; King, Fischer‐Dieskau, Wiener Philharmoniker, Bernstein | |
| Piano Concertos 2 & 3 | | Rachmaninov; Ashkenazy | |
