| arranged |
---|
| Hirta | | | Scottish Festival Orchestra, James MacMillan | 2:22 |
| O, chì, chì mI na mòrbheanna | | | The King’s Singers | 3:14 |
| conducted |
---|
1993-05-13 – 1993-05-14 | "...as others see us...": I. Henry VIII (1491-1547) | | | Scottish Chamber Orchestra, James MacMillan | 3:38 |
1993-05-13 – 1993-05-14 | "...as others see us...": II. John Wilmot (1647-1680) | | | Scottish Chamber Orchestra, James MacMillan | 4:34 |
1993-05-13 – 1993-05-14 | "...as others see us...": III. John Churchill (1650-1722) | | | Scottish Chamber Orchestra, James MacMillan | 4:14 |
1993-05-13 – 1993-05-14 | "...as others see us...": IV. George Gordon (1788-1824) and William Wordsworth (1770-1850) | | | Scottish Chamber Orchestra, James MacMillan | 3:35 |
1993-05-13 – 1993-05-14 | "...as others see us...": V. Thomas Stearns Eliot (1888-1965) | | | Scottish Chamber Orchestra, James MacMillan | 4:14 |
1993-05-13 – 1993-05-14 | "...as others see us...": VI. Dorothy Mary Hodgkin (b. 1910) | | | Scottish Chamber Orchestra, James MacMillan | 4:40 |
1993-05-13 – 1993-05-14 | Three Dawn Rituals: I. Larghetto | | | Scottish Chamber Orchestra, James MacMillan | 2:06 |
1993-05-13 – 1993-05-14 | Three Dawn Rituals: II. Allegro moderato | | | Scottish Chamber Orchestra, James MacMillan | 3:43 |
1993-05-13 – 1993-05-14 | Three Dawn Rituals: III. Andante | | | Scottish Chamber Orchestra, James MacMillan | 1:46 |
1993-05-13 – 1993-05-14 | Untold | | | Scottish Chamber Orchestra, James MacMillan | 6:54 |
1993-09-21 – 1993-09-23 | Búsqueda | | | Ruth Anderson, Anna Bentley, Charlotte Spink, Juliet Stevenson, Scottish Chamber Orchestra, James MacMillan | 28:42 |
1994-09-28 – 1994-09-30 | Cantos Sagrados: I. Identity | | | Polyphony, Christopher Bowers-Broadbent, James MacMillan | 8:41 |
1994-09-28 – 1994-09-30 | Cantos Sagrados: II. Virgin of Guadelupe | | | Polyphony, Christopher Bowers-Broadbent, James MacMillan | 7:36 |
1994-09-28 – 1994-09-30 | Cantos Sagrados: III. Sun Stone | | | Polyphony, Christopher Bowers-Broadbent, James MacMillan | 5:49 |
1994-09-28 – 1994-09-30 | Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | | | Polyphony, London Chamber Orchestra, James MacMillan | 6:10 |
1994-09-28 – 1994-09-30 | Seven Last Words from the Cross: II. Woman, Behold Thy Son! | | | Polyphony, London Chamber Orchestra, James MacMillan | 5:47 |
1994-09-28 – 1994-09-30 | Seven Last Words from the Cross: III. Verily, I Say UntoThee, Today Thou Shalt be with Me in Paradise | | | Polyphony, London Chamber Orchestra, James MacMillan | 8:23 |
1994-09-28 – 1994-09-30 | Seven Last Words from the Cross: IV. Eli, Eli, Lama Sabachthani | | | Polyphony, London Chamber Orchestra, James MacMillan | 6:38 |
1994-09-28 – 1994-09-30 | Seven Last Words from the Cross: V. I Thirst | | | Polyphony, London Chamber Orchestra, James MacMillan | 4:57 |
1994-09-28 – 1994-09-30 | Seven Last Words from the Cross: VI. It Is Finished | | | Polyphony, London Chamber Orchestra, James MacMillan | 6:34 |
1994-09-28 – 1994-09-30 | Seven Last Words from the Cross: VII. Father, into Thy Hands I Commend My Spirit | | | Polyphony, London Chamber Orchestra, James MacMillan | 7:22 |
2001-11-13 – 2001-11-14 | Exsultet | | | Jonathan Scott, BBC Philharmonic, James MacMillan | 8:10 |
2001-11-13 – 2001-11-14 | Magnificat | | | BBC Singers, Jonathan Scott, James MacMillan | 13:10 |
2001-11-13 – 2001-11-14 | Màiri | | | BBC Singers, James MacMillan | 10:03 |
2001-11-13 – 2001-11-14 | Nunc dimittis | | | BBC Singers, Jonathan Scott, James MacMillan | 7:19 |
2001-11-13 – 2001-11-14 | The Birds of Rhiannon: ♩ = c. 60-63 | | | BBC Singers, BBC Philharmonic, James MacMillan | 5:45 |
2001-11-13 – 2001-11-14 | The Birds of Rhiannon: Andante | | | BBC Singers, BBC Philharmonic, James MacMillan | 3:14 |
2001-11-13 – 2001-11-14 | The Birds of Rhiannon: Chorus "Hauls, Hauls of Fish" | | | BBC Singers, BBC Philharmonic, James MacMillan | 6:27 |
2001-11-13 – 2001-11-14 | The Birds of Rhiannon: Largo: Andante - Tempo di reel - Allegro - Presto | | | BBC Singers, BBC Philharmonic, James MacMillan | 7:18 |
2001-11-13 – 2001-11-14 | The Birds of Rhiannon: Tempo I (Largo) | | | BBC Singers, BBC Philharmonic, James MacMillan | 1:27 |
2001-11-13 – 2001-11-14 | The Gallant Weaver | | | BBC Singers, Margaret Feaviour, Micaela Haslam, Amanda Morrison, James MacMillan | 6:36 |
2002-12-03 – 2002-12-04 | Britannia | | | BBC Philharmonic, James MacMillan | 12:42 |
2002-12-03 – 2002-12-04 | Into the Ferment: Finale | | | BBC Philharmonic, James MacMillan | 2:18 |
2002-12-03 – 2002-12-04 | Into the Ferment: Here are we met, three merry boys | | | BBC Philharmonic, James MacMillan | 2:26 |
2002-12-03 – 2002-12-04 | Into the Ferment: In dispraise of whisky | | | BBC Philharmonic, James MacMillan | 1:56 |
2002-12-03 – 2002-12-04 | Into the Ferment: It is the moon, I ken her horn | | | BBC Philharmonic, James MacMillan | 2:57 |
2002-12-03 – 2002-12-04 | Into the Ferment: Man to man… shall brithers be… | | | BBC Philharmonic, James MacMillan | 3:41 |
2002-12-03 – 2002-12-04 | Into the Ferment: The Storm | | | BBC Philharmonic, James MacMillan | 1:43 |
2002-12-03 – 2002-12-04 | Into the Ferment: Three merry boys again (sometime later) | | | BBC Philharmonic, James MacMillan | 2:25 |
2002-12-03 – 2002-12-04 | Into the Ferment: We are na’ fou! | | | BBC Philharmonic, James MacMillan | 3:03 |
2002-12-03 – 2002-12-04 | Into the Ferment: Wha’ first shall rise to gang awa’ | | | BBC Philharmonic, James MacMillan | 2:58 |
2002-12-03 – 2002-12-04 | The Berserking: ♩ = 60 - | | | Martin Roscoe, BBC Philharmonic, James MacMillan | 12:52 |
2002-12-03 – 2002-12-04 | The Berserking: ♪ = 104 | | | Martin Roscoe, BBC Philharmonic, James MacMillan | 9:20 |
2002-12-03 – 2002-12-04 | The Berserking: ♪ = 140+ Energico - | | | Martin Roscoe, BBC Philharmonic, James MacMillan | 9:10 |
2003-09-16 – 2003-09-18 | Symphony no. 3 "Silence" | | | BBC Philharmonic, James MacMillan | 37:50 |
2003-09-16 – 2003-09-18 | The Confession of Isobel Gowdie | | | BBC Philharmonic, James MacMillan | 24:58 |
2006-01-26 – 2006-01-27 | Adagio for Violin and Orchestra in E major, K. 261 | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 6:45 |
2006-01-26 – 2006-01-27 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 13:02 |
2006-01-26 – 2006-01-27 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 8:36 |
2006-01-26 – 2006-01-27 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 6:04 |
2006-01-26 – 2006-01-27 | From Ayrshire | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 5:33 |
2006-01-26 – 2006-01-27 | From Ayrshire | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 1:37 |
2006-01-26 – 2006-01-27 | Rondo for Violin and Orchestra in C major, K. 373 | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 5:33 |
2006-01-26 – 2006-01-27 | Serenade (Leise flehen meine Lieder, D957) | | | Nicola Benedetti, Academy of St Martin in the Fields, James MacMillan | 4:08 |
2008-06 | Visitatio Sepulchri: Scene 1 | | | Celso Antunes, Netherlands Radio Choir, Netherlands Radio Chamber Philharmonic, James MacMillan | 7:53 |
2008-06 | Visitatio Sepulchri: Scene 2 | | | Celso Antunes, Netherlands Radio Choir, Netherlands Radio Chamber Philharmonic, James MacMillan | 15:28 |
2008-06 | Visitatio Sepulchri: Scene 3 | | | Celso Antunes, Netherlands Radio Choir, Netherlands Radio Chamber Philharmonic, James MacMillan | 21:32 |
2014-02 | Oboe Concerto: I. [marcato e ritmico] | | | Nicholas Daniel, Britten Sinfonia, James MacMillan | 5:50 |
2014-02 | Oboe Concerto: II. Largo | | | Nicholas Daniel, Britten Sinfonia, James MacMillan | 10:29 |
2014-02 | Oboe Concerto: III. Allegro | | | Nicholas Daniel, Britten Sinfonia, James MacMillan | 7:42 |
2014-02 | One for chamber orchestra | | | Britten Sinfonia, James MacMillan | 4:49 |
2014-02 | Suite on English Folk Tunes: A Time There Was, op. 90: I. Cakes and Ale | | | Britten Sinfonia, James MacMillan | 2:34 |
2014-02 | Suite on English Folk Tunes: A Time There Was, op. 90: II. The bitter whey | | | Britten Sinfonia, James MacMillan | 3:02 |
2014-02 | Suite on English Folk Tunes: A Time There Was, op. 90: III. Hankin Booby | | | Britten Sinfonia, James MacMillan | 2:28 |
2014-02 | Suite on English Folk Tunes: A Time There Was, op. 90: IV. Hunt the squirrel | | | Britten Sinfonia, James MacMillan | 1:28 |
2014-02 | Suite on English Folk Tunes: A Time There Was, op. 90: V. Lord Melbourne | | | Nicholas Daniel, Britten Sinfonia, James MacMillan | 6:58 |
2015-02-15 | Shadows and Shields | | | Christian Stene, Bergen filharmoniske orkester, James MacMillan | 16:46 |
| A Deep but Dazzling Darkness | | | Gordon Nikolic, Netherlands Radio Chamber Philharmonic, James MacMillan | 23:50 |
| Dùn | | | Scottish Festival Orchestra, James MacMillan | 4:33 |
| Hirta | | | Scottish Festival Orchestra, James MacMillan | 2:22 |
| Í (A Meditation on Iona) | | | Colin Currie, Netherlands Radio Chamber Philharmonic, James MacMillan | 16:25 |
| Seven Last Words From the Cross (Excerpt) | | | Polyphony, London Chamber Orchestra, James MacMillan | 4:11 |
| Soay | | | Scottish Festival Orchestra, James MacMillan | 3:50 |
| Stac Dona | | | Scottish Festival Orchestra, James MacMillan | 4:04 |
| Stac Lee – Dawn | | | Scottish Festival Orchestra, James MacMillan | 5:16 |
| Stac Lee – Dusk | | | Scottish Festival Orchestra, James MacMillan | 4:06 |
| Veni, Veni, Emmanuel | | | Colin Currie, Netherlands Radio Chamber Philharmonic, James MacMillan | 30:12 |
| Verily, I say unto thee, today thou shalt be with me in Paradise | | | London Chamber Orchestra, James MacMillan | 8:24 |
| Violin Concerto in E minor: Allegro molto appassionato (excerpt) | | | Nicola Benedetti, Academy of St Martin-in-the-Fields, James MacMillan | 4:08 |
| instruments |
---|
1993-05-13 – 1993-05-14 | After the Tryst | | piano | Ruth Crouch, James MacMillan | 3:05 |
| After the Tryst | | piano | Ruth Crouch, James MacMillan | 3:03 |
| Psalm 5: Vroeg in de morgen | | bass | Psalmen voor nu | 4:26 |
| Psalm 8: De handtekening van de HEER | | bass | Psalmen voor nu | 4:27 |
| Psalm 16: Ik val niet uit zijn hand | | bass | Psalmen voor nu | 3:32 |
| Psalm 20: Voor de koning | | bass | Psalmen voor nu | 4:01 |
| Psalm 25: Les van God voor onderweg | | bass | Psalmen voor nu | 6:07 |
| Psalm 26: Doe mij recht | | bass | Psalmen voor nu | 2:59 |
| Psalm 30: U hebt mij bevrijd | | bass | Psalmen voor nu | 5:06 |
| Psalm 46: Veilige hoogte | | bass | Psalmen voor nu | 4:10 |
| Psalm 52: Echte held | | bass | Psalmen voor nu | 3:28 |
| Psalm 56: Als ik roep | | bass | Psalmen voor nu | 6:49 |
| Psalm 59: Geef me de ruimte | | bass | Psalmen voor nu | 6:34 |
| Psalm 63: Liever uw liefde | | bass | Psalmen voor nu | 4:20 |
| Psalm 64: Hoe God heeft ingegrepen | | bass | Psalmen voor nu | 3:09 |
| Psalm 78: Geschiedenisles | | bass | Psalmen voor nu | 13:30 |
| Psalm 82: Oordeel zelf | | bass | Psalmen voor nu | 4:03 |
| Psalm 92: Wat u doet | | bass | Psalmen voor nu | 4:56 |
| Psalm 100: Juich aarde | | bass | Psalmen voor nu | 3:41 |
| Psalm 101: Goede mensen gezocht | | bass | Psalmen voor nu | 2:28 |
| Psalm 102: Vervlogen en voorbij | | bass | Psalmen voor nu | 6:01 |
| Psalm 105: Woorden en wonderen | | bass | Psalmen voor nu | 7:29 |
| Psalm 110: De koning drinkt | | bass | Psalmen voor nu | 3:12 |
| Psalm 120: Vrede ver te zoeken | | bass | Psalmen voor nu | 3:09 |
| Psalm 125: Vrede voor Gods volk | | bass | Psalmen voor nu | 3:27 |
| Psalm 127: Liefde, brood en slaap | | bass | Psalmen voor nu | 3:16 |
| Psalm 134: Zegen de HEER | | bass | Psalmen voor nu | 3:50 |
| Psalm 145: Adem om van u te zingen | | bass | Psalmen voor nu | 4:21 |
| Psalm 148: De hemel, de aarde | | bass | Psalmen voor nu | 8:08 |
| produced |
---|
| Fire Engine | | | Richard Lloyd | 3:30 |
| liner notes |
---|
2008 | St. John Passion | | | James MacMillan; London Symphony Orchestra, Sir Colin Davis | |
| Brahms: Symphony no. 4 / MacMillan: Larghetto for Orchestra | James MacMillan | | Brahms, MacMillan; Pittsburgh Symphony Orchestra, Manfred Honeck | |
| Veni, Veni, Emmanuel | | | James MacMillan; Evelyn Glennie | |
| composed |
---|
1977 | Missa Brevis | | | | |
1977 | Missa Brevis: I. Kyrie | | | | |
1977 | Missa Brevis: II. Gloria | | | | |
1977 | Missa Brevis: III. Sanctus | | | | |
1977 | Missa Brevis: IV. Agnus Dei | | | | |
1977 | Missa Brevis: V. At the Conclusion | | | | |
1978 | The Edinburgh Te Deum | | | | |
1983 | Three Dawn Rituals | | | | |
1983 | Three Dawn Rituals: I. Larghetto | | | | |
1983 | Three Dawn Rituals: II. Allegro moderato | | | | |
1983 | Three Dawn Rituals: III. Andante | | | | |
1985 | Piano Sonata | | | | |
1985 | Piano Sonata: I. Adagio | | | | |
1985 | Piano Sonata: II. Grandioso ed affrettando | | | | |
1985 | Piano Sonata: III. Adagio | | | | |
1987 | Untold | | | | |
1988 | After the Tryst | | | | |
1988 | Búsqueda | | | | |
1988 | Into the Ferment | | | | |
1988 | Into the Ferment: 1. The Storm | | | | |
1988 | Into the Ferment: 2. Here are we met, three merry boys | | | | |
1988 | Into the Ferment: 3. In dispraise of whisky | | | | |
1988 | Into the Ferment: 4. We are na’ fou! | | | | |
1988 | Into the Ferment: 5. It is the moon, I ken her horn | | | | |
1988 | Into the Ferment: 6. Three merry boys again (sometime later) | | | | |
1988 | Into the Ferment: 7. Wha’ first shall rise to gang awa’ | | | | |
1988 | Into the Ferment: 8. Man to man… shall brithers be… | | | | |
1988 | Into the Ferment: 9. Finale | | | | |
1988 | Visions of a November Spring, "String Quartet no. 1" | | | | |
1988 | Visions of a November Spring, "String Quartet no. 1": I. Crotchet = 60 | | | | |
1988 | Visions of a November Spring, "String Quartet no. 1": II. Quaver = circa 90 | | | | |
1989 | Cantos Sagrados | | | | |
1989 | Cantos Sagrados: I. Identity | | | | |
1989 | Cantos Sagrados: II. Virgin of Guadelupe | | | | |
1989 | Cantos Sagrados: III. Sun Stone | | | | |
1989 | Tryst | | | | |
1990 | ...as others see us... | | | | |
1990 | ...as others see us...: I. Henry VIII | | | | |
1990 | ...as others see us...: II. John Wilmot | | | | |
1990 | ...as others see us...: III. John Churchill | | | | |
1990 | ...as others see us...: IV. George Byron and William Wordsworth | | | | |
1990 | ...as others see us...: V. T.S. Eliot | | | | |
1990 | ...as others see us...: VI. Dorothy Hodgkin | | | | |
1990 | Catherine's Lullabies | | | | |
1990 | Piano Concerto no. 1 “The Berserking” | | | | |
1990 | The Confession of Isobel Gowdie | | | | |
1991 | A Cecilian Variation for JFK | | | | |
1991 – 1992 | Veni, Veni, Emmanuel | | | | |
1992 | Barncleupédie | | | | |
1992 | So Deep | | | | |
1992 – 1993 | Visitatio Sepulchri | | | | |
1992 – 1993 | Visitatio Sepulchri: Scene 1 | | | | |
1992 – 1993 | Visitatio Sepulchri: Scene 2 | | | | |
1992 – 1993 | Visitatio Sepulchri: Scene 3 | | | | |
1993 | ...here in hiding... | | | | |
1993 | Angel | | | | |
1993 | Seven Last Words from the Cross | | | | |
1993 | Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | | | | |
1993 | Seven Last Words from the Cross: II. Woman, Behold Thy Son! | | | | |
1993 | Seven Last Words from the Cross: III. Verily, I Say Unto Thee, Today Thou Shalt be with Me in Paradise | | | | |
1993 | Seven Last Words from the Cross: IV. Eli, Eli, Lama Sabachthani | | | | |
1993 | Seven Last Words from the Cross: V. I Thirst | | | | |
1993 | Seven Last Words from the Cross: VI. It Is Finished | | | | |
1993 | Seven Last Words from the Cross: VII. Father, into Thy Hands I Commend My Spirit | | | | |
1993 | They Saw the Stone had been Rolled Away | | | | |
1994-08 | Kiss on Wood | | | | |
1994 | Britannia | | | | |
1994 | Christus vincit | | | | |
1995 | A Different World | | | | |
1995 | Adam’s Rib | | | | |
1995 | Màiri | | | | |
1995 | Seinte Mari moder milde | | | | |
1995 | The Children | | | | |
1995 – 1996 | The World’s Ransoming | | | | |
1996 | A Child's Prayer | | | | |
1996 | Cello Concerto | | | | |
1996 | Ì (A Meditation on Iona) | | | | |
1996 | On the Annunciation of the Blessed Virgin | | | | |
1997 | A New Song | | | | |
1997 | Birthday Present | | | | |
1997 | Changed | | | | |
1997 | Fourteen Little Pictures | | | | |
1997 | Lumen Christi | | | | |
1997 | Raising Sparks | | | | |
1997 | The Gallant Weaver | | | | |
1998 | Exsultet | | | | |
1998 | Gaudeamus in loci pace | | | | |
1998 | Quickening | | | | |
1998 | Why Is This Night Different?, "String Quartet no. 2" | | | | |
1999 | Cello Sonata no. 1 | | | | |
1999 | Cello Sonata no. 1: I. Face | | | | |
1999 | Cello Sonata no. 1: II. Image | | | | |
1999 | Cumnock Fair | | | | |
1999 | Magnificat | | | | |
2000 | For Ian | | | | |
2000 | From Galloway | | | | |
2000 | Mass | | | | |
2000 | Mass: Acclamations | | | | |
2000 | Mass: Agnus Dei | | | | |
2000 | Mass: Alleluia | | | | |
| See all 295 relationships |
| dedicated works |
---|
| Two Nocturnes, op. 307: No. 1 | | | | |
| lyrics |
---|
| Violin Concerto | | | | |
| revised |
---|
1991 | Untold | | | | |
| translated |
---|
| Màiri | | | | |
| wrote |
---|
2010 | Oboe Concerto | | | | |
| Mo Chuachag Laghach Thu | | | | |