Das Wunder der Heliane, op. 20 | | | | Opera | | | |
Der Schneemann: Prelude & Serenade | | | | | | | |
Die tote Stadt: Akt II. Tanzlied des Pierrots | | | | Aria | | | |
Die tote Stadt: Mariettas Lied („Glück, das mir verblieb”) | | | | | | | |
Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace | | | | | | | |
Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march | | | | | | | |
Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow) | | | | | | | |
Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato | | | | | | | |
Plaintive Air | | | | | | | |
Romance in A major, op. 51 | | | | | | | |
Serenata | | | | | | | |
Short Dances from the Ballet "Doll Doctor": I. Tin Soldiers | | | | | | | |
Short Dances from the Ballet "Doll Doctor": II. Cossack Dance | | | | | | | |
Short Dances from the Ballet "Doll Doctor": III. Waltz | | | | | | | |
Short Dances from the Ballet "Doll Doctor": IV. Shepherd's Song | | | | | | | |
Short Dances from the Ballet "Doll Doctor": V. Farandole | | | | | | | |
Suite no. 1 for Violin and Piano, op. 11: I. Allegro | | | | | | | |
Suite no. 1 for Violin and Piano, op. 11: II. Andante sostenuto | | | | | | | |
Suite no. 1 for Violin and Piano, op. 11: III. Allegro ma non troppo | | | | | | | |
Suite no. 1 for Violin and Piano, op. 11: IV. Allegro moderato quasi Allegretto | | | | | | | |
Suite no. 1 for Violin and Piano, op. 11: V. Presto – Allegro vivace | | | | | | | |