| "My beloved spake" (Z.28) | Charles Brett, Robert Tear, Christopher Bevan, Christopher Keyte, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 10:45 | |
| Agnus Dei | James Bowman, Choir of King’s College, Cambridge, Christopher Keyte, Ian Partridge, English Chamber Orchestra, Sir David Willcocks | | | 2:55 | |
| Alceste: I. Overture | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 5:42 | |
| Alceste: II. Grand Entrée | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:09 | |
| Alceste: III. Ye Happy People | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 0:23 | |
| Alceste: IV. Triumph, Hymen, in the Pair | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:32 | |
| Alceste: IX. Ye Fleeting Shades, I Come | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 4:27 | |
| Alceste: V. Still Caressing, and Caress'd | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:37 | |
| Alceste: VI. Ye Swift Minutes as ye Fly | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 3:23 | |
| Alceste: VII. O Bless, ye Powers Above | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:49 | |
| Alceste: VIII. Gentle Morpheus, Son of Night | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 7:23 | |
| Alceste: X. Thrice Happy Who in Life Excel | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:52 | |
| Alceste: XI. Enjoy the Sweet Elysian Grove | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 5:45 | |
| Alceste: XII. Thrice Happy | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:51 | |
| Alceste: XIII. Come Fancy, Empress of the Brain | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 5:45 | |
| Alceste: XIV. Symphony; XV. He Comes He Rises From Below | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:30 | |
| Alceste: XIX. Tune Your Harps, All ye Nine; XX. First Dance | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 3:02 | |
| Alceste: XVI. All Hail, Thou Mighty Son of Jove! | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:15 | |
| Alceste: XVII. Symphony | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 1:50 | |
| Alceste: XVIII. From High Olympus' Top | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 0:44 | |
| Alceste: XXI. The Last Dance; XXII. Triumph, Thou Glorious Son of Jove | Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood | | | 2:14 | |
| Bonduca: Divine Andate, presidents of war | Andrew Parrott, James Bowman, Martyn Hill, Christopher Keyte, Taverner Choir, Academy of Ancient Music, Christopher Hogwood | | | 5:53 | |
| By the Waters of Babylon | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | | | 13:16 | |
| Deuxieme Lecon | Maurice Bevan, Alfred Deller, Mark Deller, Neil Jenkins, Christopher Keyte | | | 13:31 | |
| Hear O Heav'ns | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | | | 4:48 | |
| I'll Sing and Dance | Ursula Connors, Edward Darling, Ian Humphris, Christopher Keyte, John Hollingsworth, Sinfonia of London | | | 2:10 | |
| Israel in Egypt, HWV 54, Part II - Moses' Song: 17. Duet (Bass I & II): The Lord is a man of war | Christopher Keyte, Michael Rippon, English Chamber Orchestra, Charles Mackerras | | | 6:18 | |
| Jephtha, Act I: No. 3. Recitative: It Must Be So – or These Vile Ammonites (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 1:27 | |
| Jephtha, Act I: No. 4. Air: Pour Forth No More Unheeded Pray’Rs (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 3:16 | |
| Jephtha, Act I: No. 6. Recitative: But Jephtha Comes. Kind Heaven, Assist Our Plea (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 1:01 | |
| Jephtha, Act I: No. 22. Recitative: Such, Jephtha, Was the Haughty King’s Reply (Zebul) / No. 23. Chorus: When His Loud Voice in Thunder Spoke | Academy of St. Martin in the Fields Chorus, Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 5:14 | |
| Jephtha, Act II: No. 29. Recitative: Again Heav’n Smiles on His Repentant People (Zebul) / No. 30. Air: Freedom Now Once More Possessing (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 4:05 | |
| Jephtha, Act II: No. 31. Recitative: Zebul, Thy Deeds Were Valiant (Jephtha) / No. 32. Air: His Mighty Arm, With Sudden Blow (Fephtha) | Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 6:05 | |
| Jephtha, Act II: No. 39. Recitative: Why Is My Brother Thus Afflicted? (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 1:15 | |
| Jephtha, Act II: No. 43. Quartet: O Spare Your Daughter (Zebul, Storgè, Hamor, Jephtha) | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 2:40 | |
| Jephtha, Act III: No. 58. Recitative: Let Me Congratulate This Happy Turn (Zebul) / No. 59. Air: Laud Her, All Ye Virgin Train (Zebul) | Christopher Keyte, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 1:45 | |
| Jephtha, Act III: No. 64. Recitative: My Faithful Hamor, May That Providence (Iphis) / No. 65. Quintet: All That Is in Hamor Mine (Iphis, Hamor, Storgè, Jephtha, Zebul) | Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner | | | 4:21 | |
| Judas Maccabaeus, HWV 63: Act III, no. 63: Recitative "Peace to my countrymen; peace, and liberty" (Eupolemus) | Christopher Keyte, English Chamber Orchestra, Charles Mackerras | | | 0:50 | |
| La Traviata: “Noi siamo zingarelle” (Chœur des bohémiennes) | Christopher Keyte | | | 2:57 | |
| La traviata: Atto Secondo, Scena Prima: Scena & Aria: "Ah, vive sol quel core" | Renato Bruson, Max-René Cosotti, Christopher Keyte, Alfredo Kraus, Philharmonia Orchestra, Riccardo Muti | | | 2:37 | |
| Lord, how long wilt thou be angry? (Z.25) | Charles Brett, Wilfred Brown, Christopher Keyte, Choir of St John’s College, Cambridge, Brian Runnett, George Guest | | | 3:48 | |
| Madama Butterfly: Atto I. “Tutti zitti!” | Florindo Andreolli, Christopher Keyte, Philharmonia Orchestra, Lorin Maazel | | | 3:10 | |
| Magnificat in C major: IV. "Suscepit Israel" | Choir of King’s College, Cambridge, Christopher Keyte, Ian Partridge, Academy of St Martin in the Fields, Sir David Willcocks | | | 1:50 | |
| Mass in A flat, D. 678: Agnus Dei | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | | | 3:45 | |
| Mass in A flat, D. 678: Credo: Et resurrexit | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | | | 4:20 | |
| Mass in A flat, D. 678: Dona nobis pacem | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | | | 2:51 | |
| Mass in A flat, D. 678: Gloria: Domine Deus, Agnus Dei | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | | | 8:18 | |
| Mass in A flat, D. 678: Gloria: Gloria in excelsis Deo | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | | | 2:53 | |
| Mass in A flat, D. 678: Gloria: Gratias agimus | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | | | 4:11 | |
| Mass in A flat, D. 678: Kyrie | Neville Marriner, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Bernadette Greevy, Christopher Keyte, John Scott, Academy of St Martin in the Fields, George Guest | | | 5:56 | |
| Mass in B-flat major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10, Ed. Landon, Füssl & Landon: II. Gloria | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 9:20 | |
| Mass in B-flat major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10, Ed. Landon, Füssl & Landon: III. Credo | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, Choir of St John’s College, Cambridge, George Guest | | | 10:05 | |
| Mass in B-flat major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10, Ed. Landon, Füssl & Landon: III. Credo (continued) | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, Choir of St John’s College, Cambridge, George Guest | | | ?:?? | |
| Mass in C, op. 86: Agnus Dei | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | | | 7:57 | |
| Mass in C, op. 86: Benedictus | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | | | 9:10 | |
| Mass in C, op. 86: Credo | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | | | 12:40 | |
| Mass in C, op. 86: Gloria | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | | | 10:29 | |
| Mass in C, op. 86: Kyrie | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | | | 4:16 | |
| Mass in C, op. 86: Sanctus | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | | | 3:14 | |
| Mass no. 6 in E-flat major, D.950: Benedictus | Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 5:56 | |
| Mass no. 6 in E-flat major, D.950: Dona nobis pacem | Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 5:10 | |
| Mass of the Sea, op. 47: Agnus Dei | László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon | | | 6:34 | |
| Mass of the Sea, op. 47: Flood | László Heltay, Brighton Festival Chorus, Christopher Keyte, Royal Philharmonic Orchestra, Geoffrey Simon | | | 8:55 | |
| Mass of the Sea, op. 47: Gloria | László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon | | | 6:40 | |
| Mass of the Sea, op. 47: Kyrie | László Heltay, Brighton Festival Chorus, Christopher Keyte, Ann Mackay, Royal Philharmonic Orchestra, Geoffrey Simon | | | 9:33 | |
| Mass of the Sea, op. 47: Recitative | László Heltay, Brighton Festival Chorus, Christopher Keyte, Royal Philharmonic Orchestra, Geoffrey Simon | | | 0:54 | |
| Mentre vaga Angioletta | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney | | | 9:04 | |
| Mentre Vaga Angioletta | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | | | 9:01 | |
| Messa di Santa Cecilia (1720): Agnus Dei | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 6:34 | |
| Messa di Santa Cecilia (1720): Credo - Et incarnatus est | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 8:10 | |
| Messa di Santa Cecilia (1720): Credo - Et vitam venturi | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 2:53 | |
| Messa di Santa Cecilia (1720): Credo in unum Deum | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 3:00 | |
| Messa di Santa Cecilia (1720): Gloria - Gratias agimus tibi | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 7:18 | |
| Messa di Santa Cecilia (1720): Gloria - Qui tollis peccata mundi | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 6:41 | |
| Messa di Santa Cecilia (1720): Gloria - Quoniam tu solus sanctus | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 4:37 | |
| Messa di Santa Cecilia (1720): Gloria in excelsis Deo | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 5:07 | |
| Messa di Santa Cecilia (1720): Kyrie | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 6:36 | |
| Messa di Santa Cecilia (1720): Sanctus | Margaret Cable, Choir of St John’s College, Cambridge, Wendy Eathorne, Wynford Evans, Elizabeth Harwood, Christopher Keyte, John Scott, The Wren Orchestra, George Guest | | | 2:10 | |
| Messe de Minuit pour Noel: Agnus Dei | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | | | 2:53 | |
| Messe de Minuit pour Noel: Credo | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | | | 11:26 | |
| Messe de Minuit pour Noel: Gloria | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | | | 6:12 | |
| Messe de Minuit pour Noel: Kyrie | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | | | 6:27 | |
| Messe de Minuit pour Noel: Sanctus | April Cantelo, Choir of King’s College, Cambridge, Helen Gelmar, Christopher Keyte, Ian Partridge, Andrew Davis, English Chamber Orchestra, Sir David Willcocks | | | 2:49 | |
| Ninfa Che Scalza Il Piede / Qui Deh Meco T'Arresta / Dell'Usate Mie Corde | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | | | 4:47 | |
| Non voglio amare | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney, Jürgen Jürgens | | | 1:13 | |
| O give thanks unto the Lord | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | | | 11:01 | |
| O mio bene | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney, Jürgen Jürgens | | | 4:01 | |
| O Mio Bene | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | | | 3:57 | |
| O mio bene, o mia vita | Christopher Keyte, Ian Partridge, Nigel Rogers, Colin Tilney | | | 4:01 | |
| O sing unto the Lord a new song, Z.44 | Roger Parker, Charles Brett, Wilfred Brown, Christopher Keyte, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 13:23 | |
| Premiere Lecon | Maurice Bevan, Alfred Deller, Mark Deller, Neil Jenkins, Christopher Keyte | | | 7:31 | |
| Requiem, op. 9: Domine Jesu Christe | Christopher Keyte, Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | | | 8:49 | |
| Requiem, op. 9: Libera me | Christopher Keyte, Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | | | 6:01 | |
| Se Vittorie Sì Belle | Christopher Keyte, Ian Partridge, Nigel Rogers, Jürgen Jürgens | | | 2:20 | |
| Serenade to Music | Alfreda Hodgson, Richard Angas, Kenneth Bowen, Norma Burrowes, John Carol Case, Bernard Dickerson, Meriel Dickinson, Wynford Evans, Marie Hayward, Sheila Armstrong, Gloria Jennings, Christopher Keyte, Susan Longfield, Shirley Minty, John Noble, Ian Partridge, London Philharmonic Orchestra, Sir Adrian Boult | | | 13:14 | |
| Sing unto the Lord, O ye Saints | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | | | 11:36 | |
| Stabat Mater: VIII. Juxta crucem tecum flere | Christopher Keyte, Philomusica of London, George Guest | | | 2:09 | |
| Stabat Mater: XII. Fac me cruce custodiri | Christopher Keyte, Philomusica of London, George Guest | | | 2:04 | |
| The Holly and the Ivy | Hazel Holt, Jennifer Barber, Kenneth Bowen, Christopher Keyte, The Elizabethan Singers of London, Simon Preston, Louis Halsey | | | 4:46 | |
| The King Shall Rejoice | James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | | | 11:41 | |
