| vocals |
|---|
| 1960 | Liebeslieder, Walzer Op. 52 / Nr 1. Rede, Madchen, allzu liebes | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 2. Am Gesteine rauscht die Flut | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 3. O die Frauen (Tenor und Bass) | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 4. Wie des Abends schone Rote (Sopran und Alt) | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 5. Die grune Hopfenranke | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 6. Ein kleiner hubscher Vogel | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 7. Wohl schon bewandt war es (Soprano oder Alt) | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 8. Wenn so lind dein Auge mir | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 9. Am Donaustrande | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 10. O wie sanft die Quelle | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 11. Nein, es ist nicht auszukommen | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 12. Schlosser auf, und mache Schlosser | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 13. Vogelein durchrauscht die Luft (Spran und Alt) | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 14. Sieh, wei ist die Welle klar (Tenor und Bass) | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 15. Nachtigall, sei singt so schon | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 16. Ein dunkeler Schacht ist Liebe | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 17. Nicht wandle, mein Licht (Tenor) | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1960 | Liebeslieder, Walzer Op. 52 / Nr. 18. Es bebet das Gestrauche | | Marlena Kleinman, Martial Singher, Benita Valente, Leon Fleisher, Rudolf Serkin | ?:?? |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Accende lumen sensibus | alto vocals [Alto II] and solo | Utah Symphony, Maurice Abravanel | 2:27 |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Chorus Mysticus | alto vocals [Alto II] and solo | Utah Symphony, Maurice Abravanel | 4:57 |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Gloria Patri Domino | alto vocals [Alto II] and solo | Utah Symphony, Maurice Abravanel | 3:01 |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Imple superna gratia | alto vocals [Alto II] and solo | Utah Symphony, Maurice Abravanel | 4:08 |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Infirma nostri corporis | alto vocals [Alto II] and solo | Utah Symphony, Maurice Abravanel | 5:32 |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Magna Peccatrix | contralto vocals [Maria Aegyptiaca] and solo | Utah Symphony, Maurice Abravanel | 5:19 |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Tu Septiformis Munere | alto vocals [Alto II] and solo | Utah Symphony, Maurice Abravanel | 6:16 |
| 1963-12-09 – 1963-12-11 | Symphony no. 8 "Symphony of a Thousand": Veni Creator Spiritus | alto vocals [Alto II] and solo | Utah Symphony, Maurice Abravanel | 1:33 |
| 1966-12 | Oratorio: “The Seasonings”, S. 1/2 tsp.: Duet: “Bide thy thyme” | alto vocals and solo | P.D.Q. Bach; The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester, John Nelson, Lorna Haywood, Marlena Kleinman, John Ferrante | 2:15 |
| 1966-12 | Oratorio: “The Seasonings”, S. 1/2 tsp.: Duet: “Summer is a cumin seed” | alto vocals and solo | P.D.Q. Bach; The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester, John Nelson, Lorna Haywood, Marlena Kleinman | 1:42 |
| 1966-12 | Oratorio: “The Seasonings”, S. 1/2 tsp.: Recitative: “So saying” | alto vocals and solo | P.D.Q. Bach; The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester, John Nelson, Lorna Haywood, Marlena Kleinman, John Ferrante, William Woolf | 1:01 |
| 1966-12 | Oratorio: “The Seasonings”, S. 1/2 tsp.: Recitative: “Then asked he” | alto vocals and solo | P.D.Q. Bach; The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester, John Nelson, Lorna Haywood, Marlena Kleinman, John Ferrante, William Woolf | 1:54 |
| 1966-12 | Oratorio: The Seasonings (S. 1/2 tsp.) | alto vocals and solo | P.D.Q. Bach; The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester, The Okay Chorale, John Nelson, Lorna Haywood, Marlena Kleinman, John Ferrante, William Woolf | 23:42 |
| 1970 | Half-Act Opera: The Stoned Guest, Completion: XI. Recitative: “I Hate to Interrupt” / XII. Quartet: “Don Octave” / XIII. Finale: “O saviour” / Announcement | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman, Lorna Haywood, John Ferrante, Bernice, Peter Schickele | 8:24 |
| 1970 | Plot Synopsis | mezzo-soprano vocals [mezzanine-soprano] and solo | Will Jordan | 4:01 |
| 1970 | The Stoned Guest (Part One) | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman, Lorna Haywood, John Ferrante | 23:47 |
| 1970 | The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman | 2:21 |
| 1970 | The Stoned Guest, Part 1: Aria: “Now is the season” | spoken vocals | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Lorna Haywood | 3:31 |
| 1970 | The Stoned Guest, Part 1: Duet: “Woe” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman, Lorna Haywood | 2:26 |
| 1970 | The Stoned Guest, Part 1: Recitative: “Boy!” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman | 1:15 |
| 1970 | The Stoned Guest, Part 1: Recitative: “Gesundheit!” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman, Lorna Haywood | 2:35 |
| 1970 | The Stoned Guest, Part 1: Recitative: “Hark!” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman, Lorna Haywood | 1:28 |
| 1970 | The Stoned Guest, Part 1: Recitative: “That’s the end” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, John Ferrante, Lorna Haywood, Marlena Kleinman | 2:17 |
| 1970 | The Stoned Guest, Part 1: Trio: “I’m sure I’d be” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Lorna Haywood, Marlena Kleinman, John Ferrante | 2:33 |
| 1970 | The Stoned Guest, Part 2: Finale: “O saviour” | mezzo-soprano vocals [mezzanine-soprano] | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman, Lorna Haywood, John Ferrante, Bernice, Peter Schickele | 1:01 |
| 1970 | The Stoned Guest, Part 2: Quartet: “Don Octave” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Peter Schickele, John Ferrante, Lorna Haywood, Marlena Kleinman | 3:48 |
| 1970 | The Stoned Guest, Part 2: Recitative: “I hate to interrupt” | mezzo-soprano vocals [mezzanine-soprano] and solo | P.D.Q. Bach; Orchestra of USNDH HOC, John Nelson, Marlena Kleinman, John Ferrante, Lorna Haywood, Bernice | 2:46 |
| 1970 | The Triumphs of Thusnelda: “My bonnie lass she smelleth” | alto vocals | P.D.Q. Bach; Lorna Haywood, Marlena Kleinman, John Ferrante, John Nelson, Peter Schickele | 2:36 |
| 1970 | The Triumphs of Thusnelda: “The queen to me a royal pain doth give” | alto vocals | P.D.Q. Bach; Lorna Haywood, Marlena Kleinman, John Ferrante, John Nelson, Peter Schickele | 3:21 |
| 1970 | Two Madrigals from The Triumphs of Thusnelda: “The Queen to me a royal pain doth give” / “My bonnie lass she smelleth” | alto vocals | P.D.Q. Bach; Lorna Haywood, Marlena Kleinman, John Ferrante, John Nelson, Peter Schickele | 6:25 |
| The Martyrdom of St. Sebastian: Fifth Window: Paradise - Chorus Of Martyrs: "Gloire !" | mezzo-soprano vocals and solo | Claude Debussy | 5:10 |
| The Martyrdom of St. Sebastian: First Window: The Court of the Lilies - Ecstatic Dance Of Sebastian On The Live Coals; "Oh, Twin Brothers, Sing Your Hymn..." - Twin Brothers: "Hymnes, Toute L'Ombre S'Efface" | mezzo-soprano vocals and solo | Claude Debussy | 6:57 |
| The Martyrdom of St. Sebastian: First Window: The Court of the Lilies - Twin Brothers: "Frère, Que Sera-T-Il Le Monde" | mezzo-soprano vocals and solo | Claude Debussy | 9:09 |
| The Martyrdom of St. Sebastian: Second Window: The Magic Chamber - "And Suddenly A New Voice Sings From Beyond The Magic Door" - Celestial Voice: "Qui Pleure Mon Enfant Si Doux" | mezzo-soprano vocals and solo | Claude Debussy | 5:28 |
| The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Caesar, I Refuse Your Lyre..." - The Women Of Byblos: "Ah ! Tu Pleures Le Bien-Aimé !" | mezzo-soprano vocals and solo | Claude Debussy | 7:52 |
| The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "He Dies, The Archer Of Lebanon." - Chorus Of Syrians: "Il Est Mort, Le Bel Adonis" | mezzo-soprano vocals and solo | Claude Debussy | 2:37 |
| The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Sing! Exult!" - Chorus Of Syrians: "Io ! Io ! Adoniastes !" | mezzo-soprano vocals and solo | Claude Debussy | 2:21 |
| The Martyrdom of St. Sebastian: Third Window: The Council of the False Gods - "Who Is The Young Man So White..." - Solo Voice: "Cessez, Ô Pleureuses !" | mezzo-soprano vocals and solo | Claude Debussy | 3:16 |
