| Aria for Bass and Orchestra, WoO 89 "Prüfung des Küssens" | | | | | | | |
| Aria for Bass and Orchestra, WoO 90 "Mit Mädeln sich vertragen" | | | | Aria | | | |
| Aria for Soprano and Orchestra, WoO 92 - "Primo Amore" | | | | | | | |
| Aria for Soprano and Strings, WoO 92a "No, non turbati" | | | | | | | |
| Aria from "Die schöne Schüsterin" for Soprano and Orchestra, WoO 91 No. 2 "Soll ein Schuh nicht drücken" | | | | | | | |
| Aria from "Die schöne Schüsterin" for Tenor and Orchestra, WoO 91 No. 1 "O welch ein Leben!" | | | | | | | |
| Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) | | - Cvetka Ahlin, Hildegard Hillebrecht, Friedrich Lenz, Roberta Peters, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm
- Peter Klein, Wilma Lipp, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
- English Baroque Soloists, Sir John Eliot Gardiner
- (show 36 more)
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| Duet for Soprano and Tenor accompanied by Orchestra, WoO 93 "Ne' giorni tuoi felici" | | | | | | | |
| Duet for Soprano, Tenor and Orchestra, WoO 93 "Nei giorni tuoi felice" | | | | | | | |
| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo | | - Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
- Wilhelm Pitz, Theo Altmeyer, Elly Ameling, Janet Baker, New Philharmonia Chorus, Marius Rintzler, New Philharmonia Orchestra, Carlo Maria Giulini
- (show 20 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio | | - Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 18 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio | | - Bach‐Collegium Stuttgart, Helmuth Rilling
- Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- (show 18 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro | | - Bach‐Collegium Stuttgart, Helmuth Rilling
- Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- (show 19 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie | | - Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 17 more)
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| Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" | | - Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
- Philharmonia Orchestra, Herbert von Karajan, Elisabeth Schwarzkopf
- Cheryl Studer, Berliner Philharmoniker, Claudio Abbado
- Eberhard Büchner, Hanne-Lore Kuhse, Siegfried Vogel, Staatskapelle Berlin, Arthur Apelt
- (show 23 more)
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| Scene and Aria for Soprano and Orchestra, WoO 92 "Primo amore" | | | | | | | |
| Scene and Aria for Soprano and Orchestra, WoO 92a "No, non turbarti" | | | | | | | |
| Three Fragments from "Wozzeck": I. (Akt I, Szene 2 & 3) | | | | | | | |
| Three Fragments from "Wozzeck": II. (Akt III, Szene 1) | | | | | | | |
| Three Fragments from "Wozzeck": III. (Akt III, Szene 4 & 5) | | | | | | | |
| Tremate, empi tremate, op. 116 | | - Eberhard Büchner, Hanne-Lore Kuhse, Siegfried Vogel, Staatskapelle Berlin, Arthur Apelt
- Eberhard Büchner, Hanne-Lore Kuhse, Staatskapelle Berlin, Arthur Apelt
- Staatskapelle Berlin, Arthur Apelt
- Kevin Greenlaw, Reetta Haavisto, Dan Karlström, Turun filharmoninen orkesteri, Leif Segerstam
- Ludwig van Beethoven
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