| arranged |
|---|
| Ave Maria | | The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris | 4:22 |
| Jericho (Negro Spiritual) | | The Ambrosian Singers, Stuart Burrows, Wyn Morris | 2:33 |
| Steal Away (Negro Spiritual) | | The Ambrosian Singers, Stuart Burrows, Wyn Morris | 3:27 |
| Suo Gân | | James Rainbird, The Ambrosian Junior Choir, John McCarthy | 2:22 |
| Suo Gân (extended version) | | [traditional] | 3:30 |
| The Little Drummer Boy | | The King’s Singers | 2:42 |
| chorus master |
|---|
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. III. “So pray for me … Kyrie eleison … Holy Mary, pray for him” (Gerontius, semi-chorus, chorus) | | Sir Edward Elgar | 2:21 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. IV. “Rouse thee, my fainting soul” (Gerontius, chorus) | | Sir Edward Elgar | 1:00 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. IX. “… Novissima hora est” (semi-chorus, chorus, Gerontius) | | Sir Edward Elgar | 1:32 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. V. “Be merciful” (Gerontius, chorus) | | Sir Edward Elgar | 3:21 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. VII. “I can no more” (Gerontius, chorus) | | Sir Edward Elgar | 2:07 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. VIII. “Rescue him, O Lord… Noe from the waters” (Gerontius, chorus) | | Sir Edward Elgar | 2:11 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) | | Sir Edward Elgar | 4:43 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. VI. “But hark! … Low-born clods of brute earth” (Soul, Angel, chorus) | | Sir Edward Elgar | 1:35 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus) | | Sir Edward Elgar | 1:24 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. VIII. “The Mind Bold And Independent” (chorus) | | Sir Edward Elgar | 2:18 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. X. “Praise to the Holiest” (Angel, semi-chorus, chorus, Soul) | | Sir Edward Elgar | 3:20 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. XI. “Glory To Him… But hark! A grand mysterious harmony” (Soul, Angel, chorus) | | Sir Edward Elgar | 2:20 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. XII. “And now The Threshold… Praise for the Holiest” (Soul, Angel, chorus) | | Sir Edward Elgar | 8:06 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. XIV. “Jesu! By that shuddering dread” (Angel of the Agony, Soul, semi-chorus, chorus) | | Sir Edward Elgar | 4:11 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. XV. “I Go Before My Judge…Be Merciful, Be gracious” (Angel of the Agony, Soul, semi-chorus, chorus) | | Sir Edward Elgar | 1:34 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. XVI. “Praise to His Name! … Take me away” (Angel, Soul, chorus) | | Sir Edward Elgar | 4:57 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. XVII. “Lord, Thou Hast been our Refuge” (Angel, Soul, chorus) | | Sir Edward Elgar | 1:07 |
| 1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part Two. XVIII. “Softly and gently” (Angel, chorus, semi-chorus) | | Sir Edward Elgar | 6:55 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Banish sorrow, banish care” (Chorus) | | Henry Purcell | 0:37 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Cupid only throws the dart” (Chorus) | | Henry Purcell | 0:43 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Fear no danger to ensue” (Belinda, 2nd Woman, Chorus) | | Henry Purcell | 1:45 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “The the hills and the vales” (Chorus) | | Henry Purcell | 1:24 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “When monarchs unite” (Chorus) | | Henry Purcell | 0:16 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Harm's our delight and mischief all our skill” (Chorus) | | Henry Purcell | 0:17 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “In our deep vaulted cell” (Chorus) | | Henry Purcell | 1:40 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Ruin'd ere the set of sun?” (1st & 2nd Witches, Sorceress, Chorus) | | Henry Purcell | 1:36 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “The Queen of Carthage, whom we hate” (Sorceress, Chorus) | | Henry Purcell | 0:47 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Haste, haste to town” (Belinda, Chorus) | | Henry Purcell | 0:53 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Thanks to these lonesome vales” (Belinda, Chorus) | | Henry Purcell | 1:37 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Come away, fellow sailors” (Sailor, Chorus) | | Henry Purcell | 1:43 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Destruction's our delight” (Chorus) | | Henry Purcell | 0:46 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act III: The Palace. “Great minds against themselves conspire” (Chorus) | | Henry Purcell | 1:26 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act III: The Palace. “With drooping wings ye Cupids come” (Chorus) | | Henry Purcell | 3:09 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 3. "E quali? quali? spergiura! ingrata!" (Filippo, Beatrice) | | Cornelis Opthof, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 4:47 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 3. "Qui di ribelli sudditi" (Filippo, Beatrice) | | Cornelis Opthof, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 6:16 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 4. "Ah! tal onta io meritai..." (Beatrice, Agnese) | | John McCarthy, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 8:02 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 4. "Il mio dolore, e l'ira" (Beatrice, Orombello) | | Luciano Pavarotti, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 10:20 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 4. "Lo vedeste?" (uomini d'arme) | | Ambrosian Singers, London Symphony Orchestra, Richard Bonynge | 5:30 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 4. "Parti... Deh! perdona" (Beatrice, Orombello) | | Luciano Pavarotti, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:34 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 2. "Sì: rivale... rivale regnante" (Agnese, Orombello) | | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 6:58 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 2. "Silenzio e notte intorno" (Agnese, Orombello) | | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 5:00 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 3. "Ah! la pena in lor piombò" (Beatrice, Damigelle) | | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:55 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 3. "Respiro io qui" (Beatrice, Damigelle) | | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 7:29 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 3. "Vedi? La tua presenza" (Rizzardo, Filippo, Beatrice) | | Cornelis Opthof, Joan Sutherland, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 2:50 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I. "Ah! non pensar che pieno" (Agnese, Filippo) | | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 9:24 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I. "Tu, signor! lasciar si presto" (Cortigiani, Filippo) | | Cornelis Opthof, London Symphony Orchestra, Richard Bonynge | 5:00 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "[Oh, troppo a mie preghiere sordo...]" (Anichino, Agnese) | | Josephine Veasey, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 6:49 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Al tuo fallo ammenda festi" (Beatrice, Orombello) | | Luciano Pavarotti, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 9:02 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Filippo!... Tu! ti appressa" (Agnese, Filippo) | | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 2:08 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Lassa! e può il ciel permettere" (Damigelle, Cortigiani) | | Ambrosian Singers, London Symphony Orchestra, Richard Bonynge | 6:38 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Omai del suo destino arbitra solo" (Filippo, Anichino) | | Cornelis Opthof, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 3:18 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Orombello!... [Oh! voce! e dessa!...]" (Beatrice, Orombello) | | Luciano Pavarotti, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:45 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Qui m'accolse oppresso, errante" (Filippo, Damigelle) | | Ambrosian Singers, Cornelis Opthof, London Symphony Orchestra, Richard Bonynge | 6:11 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Rimorso in lei?" (Filippo, Anichino) | | Cornelis Opthof, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 4:40 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 2. "Ah! se un'urna è a me concessa" (Beatrice, Anichino) | | Joan Sutherland, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 7:33 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 2. "Nulla io dissi" (Beatrice, Damigelle) | | Ambrosian Singers, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 10:53 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 2. "Prega! Ah no, non sia la misera" (Damigelle, Famigliari) | | Ambrosian Singers, London Symphony Orchestra, Richard Bonynge | 2:59 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto primo, Scene 3. "Ma la sola, ohimè! son io" (Beatrice, Damigelle) | | Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:50 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Preludio | | London Symphony Orchestra, Richard Bonynge | 2:58 |
| 1968-01-28 | Peer Gynt, Incidental Music, Op. 23: IV. In the Hall of the Mountain King | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 2:29 |
| 1968-01-28 – 1968-01-29 | Peer Gynt, Incidental Music, Op. 23: IV. In the Hall of the Mountain King | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 2:29 |
| 1968-01-28 – 1968-01-29 | Peer Gynt, Incidental Music, Op. 23: V. Dance of the Mountain King's Daughter | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 1:39 |
| 1968-01-28 – 1968-01-29 | Peer Gynt, Incidental Music, Op. 23: VI. Death of Ase | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 5:37 |
| 1968-01-28 – 1968-01-29 | Peer Gynt, Incidental Music, Op. 23: VII. Morning | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 4:13 |
| 1968-01-28 – 1968-01-29 | Peer Gynt, Incidental Music, Op. 23: VIII. Arabian Dance | | John McCarthy, Ambrosian Singers, Patricia Clark, Patricia Clark, Hallé Orchestra, Sir John Barbirolli | 5:02 |
| 1968-08-06 | Peer Gynt, Incidental Music, Op. 23: IV. In the Hall of the Mountain King | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 2:29 |
| 1968-08-06 | Peer Gynt, Incidental Music, Op. 23: V. Dance of the Mountain King's Daughter | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 1:39 |
| 1968-08-06 | Peer Gynt, Incidental Music, Op. 23: VI. Death of Ase | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 5:37 |
| 1968-08-06 | Peer Gynt, Incidental Music, Op. 23: VII. Morning | | John McCarthy, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli | 4:13 |
| 1968-08-06 | Peer Gynt, Incidental Music, Op. 23: VIII. Arabian Dance | | John McCarthy, Ambrosian Singers, Patricia Clark, Patricia Clark, Hallé Orchestra, Sir John Barbirolli | 5:02 |
| 1968-08-12 – 1968-08-14 | Otello: Atto I. “Capitano, v'attende la fazione si baluardi” (Montano/Cassio/Jago/Roderigo/Caprioti) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Leonardo Monreale, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:17 |
| 1968-08-12 – 1968-08-14 | Otello: Atto I. “Esultate!” (Otello/Ciprioti) | | Ambrosian Opera Chorus, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 2:19 |
| 1968-08-12 – 1968-08-14 | Otello: Atto I. “Fuoco di gioia!...” (Ciprioti) | | Ambrosian Opera Chorus, New Philharmonia Orchestra, Sir John Barbirolli | 2:58 |
| 1968-08-12 – 1968-08-14 | Otello: Atto I. “Inaffia l'ugola!” (Jago/Cassio/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 3:45 |
| 1968-08-12 – 1968-08-14 | Otello: Atto I. “Roderigo, beviam!” (Jago/Cassio/Ciprioti/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:39 |
| 1968-08-12 – 1968-08-14 | Otello: Atto I. “Una vela! Una vela! Un vessillo!...” (Ciprioti/Montano/Cassio/Jago/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Leonardo Monreale, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 4:18 |
| 1968-08-12 – 1968-08-14 | Otello: Atto II. “Dove guardi spendono raggi ”(Ciprioti/Jago/Donne/Fanciulli/Marinai/Desdemona/Otello) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, Gwyneth Jones, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 5:10 |
| 1968-08-12 – 1968-08-14 | Otello: Atto III. “A terra!... Sì... Nil livido fango... ”(Desdemona/Emilia/Cassio/Roderigo/L) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Alfredo Giacomotti, Gwyneth Jones, James McCracken, Piero de Palma, Anna di Stasio, New Philharmonia Orchestra, Sir John Barbirolli | 7:42 |
| 1968-08-12 – 1968-08-14 | Otello: Atto III. “Come la ucciderò?” (Otello/Jago/Ciprioti) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 1:21 |
| 1968-08-12 – 1968-08-14 | Otello: Atto III. “Fuggirmi io sol non so... Sangue!” (Otello/Jago/Ciprioti) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 1:41 |
| 1968-08-12 – 1968-08-14 | Otello: Atto III. “Messeri! Il doge...” (Otello/Roderigo/Jago/Lodovico) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Alfredo Giacomotti, James McCracken, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:50 |
| 1968-08-12 – 1968-08-14 | Otello: Atto III. “Viva! Evviva! Viva il leon di San Marco!” (Coro/Lodovico/Otello/Desdemona/Emilia/Jago) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, Alfredo Giacomotti, Gwyneth Jones, James McCracken, Anna di Stasio, New Philharmonia Orchestra, Sir John Barbirolli | 4:10 |
| 1968-08-16 – 1968-08-21 | Otello: Atto I. “Capitano, v'attende la fazione si baluardi” (Montano/Cassio/Jago/Roderigo/Caprioti) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Leonardo Monreale, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:17 |
| 1968-08-16 – 1968-08-21 | Otello: Atto I. “Esultate!” (Otello/Ciprioti) | | Ambrosian Opera Chorus, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 2:19 |
| 1968-08-16 – 1968-08-21 | Otello: Atto I. “Fuoco di gioia!...” (Ciprioti) | | Ambrosian Opera Chorus, New Philharmonia Orchestra, Sir John Barbirolli | 2:58 |
| 1968-08-16 – 1968-08-21 | Otello: Atto I. “Inaffia l'ugola!” (Jago/Cassio/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 3:45 |
| 1968-08-16 – 1968-08-21 | Otello: Atto I. “Roderigo, beviam!” (Jago/Cassio/Ciprioti/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:39 |
| 1968-08-16 – 1968-08-21 | Otello: Atto I. “Una vela! Una vela! Un vessillo!...” (Ciprioti/Montano/Cassio/Jago/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Leonardo Monreale, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 4:18 |
| 1968-08-16 – 1968-08-21 | Otello: Atto II. “Dove guardi spendono raggi ”(Ciprioti/Jago/Donne/Fanciulli/Marinai/Desdemona/Otello) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, Gwyneth Jones, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 5:10 |
| 1968-08-16 – 1968-08-21 | Otello: Atto III. “A terra!... Sì... Nil livido fango... ”(Desdemona/Emilia/Cassio/Roderigo/L) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Alfredo Giacomotti, Gwyneth Jones, James McCracken, Piero de Palma, Anna di Stasio, New Philharmonia Orchestra, Sir John Barbirolli | 7:42 |
| 1968-08-16 – 1968-08-21 | Otello: Atto III. “Come la ucciderò?” (Otello/Jago/Ciprioti) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 1:21 |
| 1968-08-16 – 1968-08-21 | Otello: Atto III. “Fuggirmi io sol non so... Sangue!” (Otello/Jago/Ciprioti) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 1:41 |
| 1968-08-16 – 1968-08-21 | Otello: Atto III. “Messeri! Il doge...” (Otello/Roderigo/Jago/Lodovico) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Alfredo Giacomotti, James McCracken, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:50 |
| 1968-08-16 – 1968-08-21 | Otello: Atto III. “Viva! Evviva! Viva il leon di San Marco!” (Coro/Lodovico/Otello/Desdemona/Emilia/Jago) | | Ambrosian Opera Chorus, Dietrich Fischer‐Dieskau, Alfredo Giacomotti, Gwyneth Jones, James McCracken, Anna di Stasio, New Philharmonia Orchestra, Sir John Barbirolli | 4:10 |
| 1968-08-23 | Otello: Atto I. “Capitano, v'attende la fazione si baluardi” (Montano/Cassio/Jago/Roderigo/Caprioti) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Leonardo Monreale, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:17 |
| 1968-08-23 | Otello: Atto I. “Esultate!” (Otello/Ciprioti) | | Ambrosian Opera Chorus, James McCracken, New Philharmonia Orchestra, Sir John Barbirolli | 2:19 |
| 1968-08-23 | Otello: Atto I. “Fuoco di gioia!...” (Ciprioti) | | Ambrosian Opera Chorus, New Philharmonia Orchestra, Sir John Barbirolli | 2:58 |
| 1968-08-23 | Otello: Atto I. “Inaffia l'ugola!” (Jago/Cassio/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 3:45 |
| 1968-08-23 | Otello: Atto I. “Roderigo, beviam!” (Jago/Cassio/Ciprioti/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 1:39 |
| 1968-08-23 | Otello: Atto I. “Una vela! Una vela! Un vessillo!...” (Ciprioti/Montano/Cassio/Jago/Roderigo) | | Ambrosian Opera Chorus, Florindo Andreolli, Dietrich Fischer‐Dieskau, Leonardo Monreale, Piero de Palma, New Philharmonia Orchestra, Sir John Barbirolli | 4:18 |
| See all 1,118 relationships |
| conducted |
|---|
| 1961-01 | Alleluia · Communions | | The Choir of the Carmelite Priory, John McCarthy | 6:40 |
| 1961-01 | Antiphon · Ave Verum | | The Choir of the Carmelite Priory, John McCarthy | 4:03 |
| 1961-01 | Antiphonal Psalmody | | The Choir of the Carmelite Priory, John McCarthy | 2:24 |
| 1961-01 | Antiphons | | The Choir of the Carmelite Priory, John McCarthy | 3:13 |
| 1961-01 | Gospel Tone | | The Choir of the Carmelite Priory, John McCarthy | 1:29 |
| 1961-01 | Gradual : Flores apparuerunt | | The Choir of the Carmelite Priory, John McCarthy | 2:54 |
| 1961-01 | Hymns | | The Choir of the Carmelite Priory, John McCarthy | 8:28 |
| 1961-01 | Laudes seu Acclamationes | | The Choir of the Carmelite Priory, John McCarthy | 3:07 |
| 1961-01 | Marian Antiphons | | The Choir of the Carmelite Priory, John McCarthy | 6:15 |
| 1961-01 | Responsories | | The Choir of the Carmelite Priory, John McCarthy | 13:00 |
| 1987-02 | Suo Gân | | James Rainbird, The Ambrosian Junior Choir, John McCarthy | 2:22 |
| 1987-02 | Suo Gân (extended version) | | [traditional] | 3:30 |
| Antiphonal Psalmody, Lumen ad revelationem, Nunc dimittis | | The Choir of the Carmelite Priory, John McCarthy | 2:19 |
| Blow the Wind Southerly | | Norma Procter, John McCarthy | 3:48 |
| Break Forth o Beauteous Heavenly Light | | The Ambrosian Singers, John McCarthy | 1:26 |
| Casanova: The Nuns’ Chorus / Laura’s Song | | Chandos Concert Orchestra, The Ambrosian Singers, John McCarthy, Marilyn Hill Smith | 4:16 |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | | John McCarthy | 3:06 |
| Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) | | John McCarthy | 4:08 |
| Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | | John McCarthy | 4:45 |
| Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano" | | John McCarthy | 3:15 |
| Drink to Me Only With Thine Eyes | | Margaret Price, John McCarthy | 3:10 |
| Elisabetta, regina d'Inghilterra: “Che intesi, oh, Annunzio” | | Rockwell Blake, London Symphony Orchestra, John McCarthy | 12:26 |
| I Saw Three Ships | | The Ambrosian Singers, Leon Goossens, Marie Goossens, The Mighty Pipe Organ, John McCarthy | 2:16 |
| Il barbiere di Siviglia: “Cessa di più resistere” | | The Ambrosian Choir, Rockwell Blake, London Symphony Orchestra, John McCarthy | 8:12 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello) | | John McCarthy | 5:46 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio) | | John McCarthy | 4:07 |
| Il turco in Italia: “Tu seconda il mio disegno” | | Rockwell Blake, London Symphony Orchestra, John McCarthy | 6:02 |
| L'italiana in Algeri: “Languir per una bella” | | Rockwell Blake, London Symphony Orchestra, John McCarthy | 7:20 |
| La donna del lago: “O fiamma soave” | | Rockwell Blake, London Symphony Orchestra, John McCarthy | 8:56 |
| Le Comte Ory: “Astro sereno brilli” | | Rockwell Blake, London Symphony Orchestra, John McCarthy | 3:58 |
| Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | | John McCarthy | 3:53 |
| Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) | | John McCarthy | 2:58 |
| Mass - Sine Nomine: Kyrie | | Giovanni Pierluigi da Palestrina | 2:05 |
| Ode To Joy From "Symphony No. 9" | | Ambrosian Singers, Philharmonic Symphony Orchestra, John McCarthy | 2:49 |
| Pavane, OP. 50 | John McCarthy, Director | Ambrosian Singers, Philharmonia Orchestra, Andrew Davis, John McCarthy, Director | 6:04 |
| Symphony no. 4: I. Prelude: Maestoso | | The Ambrosian Singers, New Philharmonia Orchestra, Harold Farberman, John McCarthy | 3:19 |
| Symphony no. 4: IV. Largo maestoso | | The Ambrosian Singers, New Philharmonia Orchestra, Harold Farberman, John McCarthy | 9:28 |
| The Piper o’ Dundee | | John Lawrenson, John McCarthy Chorus, John McCarthy’s Orchestra, John McCarthy | 2:49 |
| creative direction |
|---|
| Pavane, Op. 50 | | Philharmonia Orchestra, Sir Andrew Davis, Ambrosian Singers | 6:08 |
| performed |
|---|
| Highlights from "Messiah" - Part One | | Georg Friedrich Händel | 27:31 |
| Highlights from "Messiah" - Part Two | | Georg Friedrich Händel | 29:17 |
| The Dream of Gerontius, op. 38, Part II: But Hark! A Grand Mysterious Harmony (Soul, Angel, Chorus) | | Sir John Barbirolli, Dame Janet Baker, Kim Borg, Eric Chadwick, Richard Lewis, John McCarthy, Martin Milner | 8:13 |
| The Dream of Gerontius, op. 38, Part II: Softly and Gently (Angel, Chorus, Semi-Chorus) | | The Ambrosian Singers, Dame Janet Baker, Kim Borg, Hallé Choir, Richard Lewis, Sir John Barbirolli, Eric Chadwick, John McCarthy, Martin Milner | 6:55 |
| chorus master |
|---|
| 1967-08 – 1967-09 | Così fan tutte | | Mozart; Leontyne Price, Tatiana Troyanos, Judith Raskin, Sherrill Milnes, George Shirley, Ezio Flagello, New Philharmonia Orchestra, Erich Leinsdorf | |
| 1987-06 | Stabat Mater | John Mc Carthy | Rossini; I Solisti Veneti, Claudio Scimone | |
| A Midsummer Night's Dream | | Mendelssohn; Philharmonia Orchestra, Neville Marriner | |
| Chess | | Björn Ulvaeus & Benny Andersson | |
| Damien: Omen II | | Jerry Goldsmith | |
| Dido and Aeneas | | Purcell; English Chamber Orchestra, Janet Baker, Anthony Lewis | |
| Fauré: Requiem, op. 48 / Duruflé: Requiem, op. 9 | | Fauré, Duruflé; Kiri Te Kanawa, Lucia Popp, Siegmund Nimsgern, Ambrosian Singers, Philharmonia Orchestra, Andrew Davis | |
| Meetings With Remarkable Men (Original Motion Picture Soundtrack) | | Thomas de Hartmann | |
| Sacred Songs | | Jessye Norman | |
| Semele | | George Frideric Handel; Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, John Nelson | |
| Spirituals | John Mc Carthy | Jessye Norman, Dalton Baldwin & Ambrosian Singers | |
| Tosca | | Puccini; Scotto, Domingo, Bruson, Ambrosian Opera Chorus, Philharmonia Orchestra, James Levine | |
| Tosca | | Puccini; Scotto, Domingo, Bruson, Ambrosian Opera Chorus, Philharmonia Orchestra, James Levine | |
| arranged |
|---|
| Little Drummer Boy | | | |
