| 5 Songs for Contralto: No. 1. Little Four Paws | | | | Song | | | |
| 5 Songs for Contralto: No. 2. Little Christmas Tree | | | | Song | | | |
| 5 Songs for Contralto: No. 3. In Just-Spring | | | | Song | | | |
| 5 Songs for Contralto: No. 4. Hist Whist | | | | Song | | | |
| 5 Songs for Contralto: No. 5. Another Comes | | | | Song | | | |
| A Flower | | | | Song | | | |
| A Room | | | | | | | |
| Abschied, S. 251 | | | | | | | |
| Adagio and Fugue in C minor, K. 546: I. Adagio | | | | | | | |
| Adagio and Fugue in C minor, K. 546: II. Fugue | | | | | | | |
| Allegro for Piano in G minor, K. 590d/312 | | | | | | | |
| Allemande in D minor | | | | | | | |
| Allemande in G minor | | | | | | | |
| Ballade no. 1 in G minor, op. 23 | | | | | | - 0O5-1249-6 (JASRAC ID)
- G minor (Key)
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| Ballade no. 2 in F major, op. 38 | | | | | | | |
| Ballade no. 3 in A-flat major, op. 47 | | | | | | | |
| Ballade no. 4 in F minor, op. 52 | | | | | | | |
| Barcarolle in F-sharp major, op. 60 | | | | | | | |
| Berceuse héroïque, L. 132, CD 140 | | | | | | | |
| Berceuse in D-flat major, op. 57 | | | | | | | |
| Canarie in D minor | | | | | | | |
| Chaconne in D minor | | | | | | | |
| Chaconne in G minor | | | | | | | |
| Clavierstück für die rechte oder linke Hand allein, Wq 117 no. 1, H 241 | | | | | | | |
| Concertino bianco: I. Con intenerimento | | | | | | | |
| Concertino bianco: II. Con venerazione | | | | | | | |
| Concertino bianco: III. Con anima | | | | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | | | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Malcolm Bilson, Robert Levin, English Baroque Soloists, John Eliot Gardiner
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 42 more)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Malcolm Bilson, Robert Levin, English Baroque Soloists, John Eliot Gardiner
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 40 more)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | | | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | | | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
- (show 54 more)
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| Concerto for 2 Solo Pianos: I. Con moto | | | | | | | |
| Concerto for 2 Solo Pianos: II. Notturno. Adagietto | | | | | | | |
| Concerto for 2 Solo Pianos: III. Quattro variazioni | | | | | | | |
| Concerto for 2 Solo Pianos: IV. Preludio e fuga | | | | | | | |
| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: I. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Semyon Bychkov, Katia Labèque, Marielle Labèque, Berliner Philharmoniker
- (show 29 more)
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: II. Adagio | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Semyon Bychkov, Katia Labèque, Marielle Labèque, Berliner Philharmoniker
- (show 27 more)
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: III. Rondo. Tempo di minuetto | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Semyon Bychkov, Katia Labèque, Marielle Labèque, Berliner Philharmoniker
- (show 27 more)
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| Concerto for Piano and Orchestra, op. 42 | | | | Concerto | | | 5 |
| Concerto for Piano and Strings, op. 40: I. Allegro molto - | | - Alexei Lubimov, Deutsche Kammerphilharmonie Bremen, Heinrich Schiff
- Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit, Anna Gorécka
- Amadeus Chamber Orchestra, Agnieszka Duczmal, Anna Górecka
- Anna Górecka, Śląska Orkiestra Kameralna, Mirosław Jacek Błaszczyk
- Julian Gallant, Oxford Orchestra da Camera, Stefan Asbury
| | | | | |
| Concerto for Piano and Strings, op. 40: II. Vivace marcatissimo | | - Alexei Lubimov, Deutsche Kammerphilharmonie Bremen, Heinrich Schiff
- Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit, Anna Gorécka
- Amadeus Chamber Orchestra, Agnieszka Duczmal, Anna Górecka
- Anna Górecka, Śląska Orkiestra Kameralna, Mirosław Jacek Błaszczyk
- Julian Gallant, Oxford Orchestra da Camera, Stefan Asbury
| | | | | |
| Concerto for Piano and Wind Instruments: I. Largo. Allegro - Maestoso | | | | | | | |
| Concerto for Piano and Wind Instruments: II. Largo | | | | | | | |
| Concerto for Piano and Wind Instruments: III. Allegro | | | | | | | |
| Concerto for Piano no. 1 in F major, K. 37: I. Allegro | | | | | | | |
| Concerto for Piano no. 1 in F major, K. 37: II. Andante | | | | | | | |
| Concerto for Piano no. 1 in F major, K. 37: III. Allegro | | | | | | | |
| Concerto for Piano no. 3 in D major, K. 40: I. Allegro maestoso | | | | | | | |
| Concerto for Piano no. 3 in D major, K. 40: II. Andante | | | | | | | |
| Concerto for Piano no. 3 in D major, K. 40: III. Presto | | | | | | | |
| Concerto for Piano no. 4 in G major, K. 41: I. Allegro | | | | | | | |
| Concerto for Piano no. 4 in G major, K. 41: II. Andante | | | | | | | |
| Concerto for Piano no. 4 in G major, K. 41: III. Allegro molto | | | | | | | |
| Concerto for Piano, String Orchestra and Timpani | | | | Concerto | | | |
| Concerto for Two Pianos in B-flat major, op. 63: I. Allegro moderato | | | | | | | |
| Concerto for Two Pianos in B-flat major, op. 63: II. Larghetto sostenuto | | | | | | | |
| Concerto for Two Pianos in B-flat major, op. 63: III. Allegro moderato | | | | | | | |
| Concerto in E-flat for chamber orchestra "Dumbarton Oaks": I. Tempo giusto | | | | | | | |
| Concerto in E-flat for chamber orchestra "Dumbarton Oaks": II. Allegretto | | | | | | | |
| Concerto in E-flat for chamber orchestra "Dumbarton Oaks": III. Con moto | | | | | | | |
| Concerto in F major, Wq 46, H 408: I. Allegro | | | | | | | |
| Concerto in F major, Wq 46, H 408: II. Largo | | | | | | | |
| Concerto in F major, Wq 46, H 408: III. Allegro assai | | | | | | | |
| Courante in D minor | | | | | | | |
| Courante in G minor | | | | | | | |
| D’un cahier d’esquisses, L. 99, CD 112 | | | | | | | |
| Der Bote | | | | | | | |
| Der Bote | | | | | | | |
| Divertissement à la hongroise, D. 818: II. Marcia. Andante con moto | | | | | | | |
| Divertissement à la hongroise, D. 818: III. Allegretto | | | | | | | |
| Dream | | | | | | | |
| Drei Klavierstücke, op. 11: I. Mäßig | | | | | | | |
| Drei Klavierstücke, op. 11: II. Mäßige Achtel | | | | | | | |
| Drei Klavierstücke, op. 11: III. Bewegt | | | | | | | |
| Elegie | | | | | | | |
| Élégie, L. 138, CD 146 | | | | | | | |
| Entr'acte symphonique de "Relâche" | | | | | | | |
| Epitaph for Piano and String Orchestra | | | | | | | |
| Fantaisie in F minor, op. 49 | | | | | | | |
| Fantasia in B major, Wq. 112 no. 8, H 146 | | | | | | | |
| Fantasia in C major, Wq. 59 no. 6 | | | | | | | |
| Fantasia in D major, Wq 117, no. 8 | | | | | | | |
| Fantasia in D minor, Wq 117 no. 12, H 224 | | | | | | | |
| Fantasia in G major, Wq 117 no. 11, H 223 | | | | | | | |
| Fantasie in F-sharp minor, H 300, Wq. 67 | | | | | | | |
| Fantasie Nr. 4 in c-Moll, KV 475 | | | | | | | |
| Five Preludes, op. 74: No. 1. Doloureux, déchirant | | | | | | | |
| Five Preludes, op. 74: No. 2. Très lent, contemplatif | | | | | | | |
| Five Preludes, op. 74: No. 3. Allegro drammatico | | | | | | | |
| Five Preludes, op. 74: No. 4. Lent, vague, indécis | | | | | | | |
| Five Preludes, op. 74: No. 5. Fier, belliqueux | | | | | | | |
| Four Dirges, Sz. 45, BB 58, No. 1: Adagio | | | | | | | |
| Four Postludes for Piano and String Orchestra | | | | | | | |
| Four Postludes: No. 1. Larghetto, Andante | | | | | | | |
| Four Postludes: No. 2. Moderato | | | | | | | |
| Four Postludes: No. 3. Larghetto | | | | | | | |
| Four Postludes: No. 4. Larghetto | | | | | | | |
| Fünf Klavierstücke, op. 23: I. Sehr langsam | | | | | | | |
