| arranged |
---|
| Hawaiian Carol | | | Counterpoint | 2:33 |
| Jerusalem | | | Royal Choral Society, New Philharmonia Orchestra, Sir Arthur Bliss | 3:10 |
| Messiah, HWV 56: Amen (Chorus) | | | Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:36 |
| Messiah, HWV 56: And the glory of the Lord | | | Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:24 |
| Messiah, HWV 56: Behold the lamb of God (Chorus) | | | Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:42 |
| Messiah, HWV 56: Behold, I tell you a mystery (Bass recit.) | | | James Milligan, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:47 |
| Messiah, HWV 56: Comfort ye, my people | | | Richard Lewis, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:45 |
| Messiah, HWV 56: Ev'ry valley shall be exalted | | | Richard Lewis, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:41 |
| Messiah, HWV 56: For unto us a child is born | | | Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 4:44 |
| Messiah, HWV 56: Hallelujah (Chorus) | | | Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 4:43 |
| Messiah, HWV 56: He shall feed his flock | | | Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 6:32 |
| Messiah, HWV 56: He that dwelleth in heaven (Tenor recit.) | | | Richard Lewis, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:17 |
| Messiah, HWV 56: He was despised (Alto) | | | Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 6:00 |
| Messiah, HWV 56: His yoke is easy | | | Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:36 |
| Messiah, HWV 56: I know that my redeemer liveth (Soprano) | | | Herbert Bardgett, Elsie Morison, Royal Liverpool Philharmonic Orchestra, Malcolm Sargent | 7:49 |
| Messiah, HWV 56: Pifa | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 4:42 |
| Messiah, HWV 56: Since by Man came death (Chorus) | | | Huddersfield Choral Society, Richard Lewis, James Milligan, Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:21 |
| Messiah, HWV 56: Sinfony | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 5:20 |
| Messiah, HWV 56: The trumpet shall sound (Bass) | | | James Milligan, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 4:17 |
| Messiah, HWV 56: Then shall the eyes of the blind | | | Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:35 |
| Messiah, HWV 56: Thou shalt break them with a rod of iron (Tenor) | | | Richard Lewis, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:05 |
| Messiah, HWV 56: Worthy is the lamb (Chorus) | | | Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 4:09 |
| Rule, Britannia! | | | Anne Collins, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | 6:01 |
| String Quartet No. 2 in D: Nocturne | | | Boston Pops Orchestra, John Williams | 7:43 |
| Taivaalla tähti | Malcolm Sargent | | Akateeminen Mieskuoro Psaldo, Matti Apajalahti | 2:37 |
| conducted |
---|
1929 | Iolanthe: Finale: Soon As We May | | | Sir Malcolm Sargent, Full Cast & Chorus | 2:04 |
1929 | Iolanthe: If You Go In | | | George Baker, Darrell Fancourt, Derek Oldham, Sir Malcolm Sargent | 2:11 |
1929 | Iolanthe: March and Entry of the Peers | | | Chorus, Sir Malcolm Sargent | 5:28 |
1929 | Iolanthe: Nightmare Song | | | George Baker, Sir Malcolm Sargent | 3:33 |
1929 | Iolanthe: Oh Foolish Fay | | | Bertha Lewis, Chorus, Sir Malcolm Sargent | 3:01 |
1929 | Iolanthe: The Law Is the True Embodiment | | | George Baker, Chorus, Sir Malcolm Sargent | 2:41 |
1929 | Iolanthe: When All Night Long | | | Sydney Granville, Sir Malcolm Sargent | 4:07 |
1929 | Iolanthe: When Britain Really Ruled the Waves | | | Darrell Fancourt, Chorus, Sir Malcolm Sargent | 3:05 |
1929 | Iolanthe: When I Went to the Bar | | | George Baker, Sir Malcolm Sargent | 1:51 |
1929 | The Pirates of Penzance: A Policeman’s Lot Is Not a Happy One | | | Leo Sheffield, Chorus, Sir Malcolm Sargent | 2:17 |
1929 | The Pirates of Penzance: Ah! Leave Me Not to Pine Alone | | | Elsie Griffin, Derek Oldham, Sir Malcolm Sargent | 3:02 |
1929 | The Pirates of Penzance: How Beautifully Blue the Sky | | | Elsie Griffin, Derek Oldham, Chorus, Sir Malcolm Sargent | 1:59 |
1929 | The Pirates of Penzance: I Am the Very Model of a Modern Major General | | | George Baker, Chorus, Sir Malcolm Sargent | 2:50 |
1929 | The Pirates of Penzance: Oh Is There Not One Maiden Breast? / Poor Wandering One | | | Elsie Griffin, Derek Oldham, Chorus, Sir Malcolm Sargent | 6:26 |
1929 | The Pirates of Penzance: Pirate King’s Song | | | Darrell Fancourt, Chorus, Sir Malcolm Sargent | 2:15 |
1929 | The Pirates of Penzance: When the Foeman Bears His Steel | | | Nellie Briercliffe, Elsie Griffin, Leo Sheffield, Chorus, Sir Malcolm Sargent | 4:34 |
1929 | The Pirates of Penzance: When You Had Left Our Pirate Fold | | | Darrell Fancourt, Bertha Lewis, Derek Oldham, Sir Malcolm Sargent | 3:34 |
1929 | The Pirates of Penzance: With Catlike Tread | | | Stuart Robertson, Chorus, Sir Malcolm Sargent | 2:36 |
1932-03-23 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 16:58 |
1932-03-23 | Piano Concerto no. 1 in C major, op. 15: II. Largo | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 12:29 |
1932-03-23 | Piano Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 8:46 |
1932-03-24 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": Adagio un poco mosso | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 8:10 |
1932-03-24 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": Allegro | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 19:08 |
1932-03-24 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": Rondo (Allegro) | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 9:23 |
1933-02-16 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 17:22 |
1933-02-16 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 4:42 |
1933-02-16 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 9:02 |
1933-02-16 | Piano Concerto no. 4 in G major, op. 58: Allegro moderato | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 17:36 |
1933-02-16 | Piano Concerto no. 4 in G major, op. 58: Andante con moto | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 4:49 |
1933-02-16 | Piano Concerto no. 4 in G major, op. 58: Rondo (Vivace) | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 9:14 |
1933-02-17 | Piano Concerto no. 3 in C minor, op. 37: Allegro con brio | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 15:08 |
1933-02-17 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 15:06 |
1933-02-17 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 10:44 |
1933-02-17 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 8:03 |
1933-02-17 | Piano Concerto no. 3 in C minor, op. 37: Largo | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 10:45 |
1933-02-17 | Piano Concerto no. 3 in C minor, op. 37: Rondo (Allegro) | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 8:01 |
1935-04-05 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 13:26 |
1935-04-05 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 9:11 |
1935-04-05 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | | | Artur Schnabel, London Philharmonic Orchestra, Sir Malcolm Sargent | 5:37 |
1935-11-25 | Cello Concerto in D major, op. 101: I. Allegro moderato | | | Emanuel Feuermann, [unknown], Malcolm Sargent | 14:24 |
1935-11-25 | Cello Concerto in D major, op. 101: II. Adagio | | | Emanuel Feuermann, [unknown], Malcolm Sargent | 5:32 |
1935-11-25 | Cello Concerto in D major, op. 101: III. Rondo (Allegro) | | | Emanuel Feuermann, [unknown], Malcolm Sargent | 5:21 |
1935-11 | Cello Concerto No. 2 in D major, Hob. VIIb:2: I. Allegro moderato | | | Emanuel Feuermann, Sir Malcolm Sargent | 14:21 |
1935-11 | Cello Concerto No. 2 in D major, Hob. VIIb:2: II. Adagio | | | Emanuel Feuermann, Sir Malcolm Sargent | 5:28 |
1935-11 | Cello Concerto No. 2 in D major, Hob. VIIb:2: III. Allegro | | | Emanuel Feuermann, Sir Malcolm Sargent | 5:14 |
1937-01-12 | Piano Concerto no. 21 in C major, KV 467: I. Allegro maestoso | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 13:32 |
1937-01-12 | Piano Concerto no. 21 in C major, KV 467: II. Andante | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 8:19 |
1937-01-12 | Piano Concerto no. 21 in C major, KV 467: III. Allegro vivace assai | | | Artur Schnabel, London Symphony Orchestra, Sir Malcolm Sargent | 6:45 |
1937-01-12 | Piano Concerto no. 24 in C minor, KV 491: I. Allegro | | | Artur Schnabel, Philharmonia Orchestra, Walter Süsskind | 12:57 |
1937-01-12 | Piano Concerto no. 24 in C minor, KV 491: II. Larghetto | | | Artur Schnabel, Philharmonia Orchestra, Walter Süsskind | 8:30 |
1937-01-12 | Piano Concerto no. 24 in C minor, KV 491: III. Allegretto | | | Artur Schnabel, Philharmonia Orchestra, Walter Süsskind | 9:09 |
1938-06-20 | Rückert Lieder: Ich atmet' einen linden Duft | | | Charles Kullman, Sir Malcolm Sargent | 2:51 |
1938 | Funf Lieder - Ich amtmet' einen linden Duft | | | Charles Kullman, Sir Malcolm Sargent | 2:50 |
1938 | Lieder nach Rückert: No. 1. Ich atmet’ einen Lindenduft | Malcolm Sargent | | Charles Kullman, Malcolm Sargent | 2:57 |
1943-03-31 | Violin Concerto No. 4 in D, KV 218: I. Allegro | | | Yehudi Menuhin, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 8:59 |
1943-03-31 | Violin Concerto No. 4 in D, KV 218: II. Andante Cantabile | | | Yehudi Menuhin, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 8:33 |
1943-03-31 | Violin Concerto No. 4 in D, KV 218: III. Rondeau: Andante Grazioso - Allegro Ma Non Troppo | | | Yehudi Menuhin, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 7:39 |
1943-06-21 | Horn Concerto no. 4 in E-flat, K495: I. Allegro moderato | | | Dennis Brain, Hallé Orchestra, Sir Malcolm Sargent | 8:40 |
1943-06-21 | Horn Concerto no. 4 in E-flat, K495: II. Romanza: Andante | | | Dennis Brain, Hallé Orchestra, Sir Malcolm Sargent | 4:40 |
1943-10-25 | BWV 249, Osteroratorium: Sinfonia(rec 1943) | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 4:45 |
1944-03-21 | Messiah "If God be for us" | Malcolm Sargent | | Isobel Baillie | 4:38 |
1944-07-04 | Violin Concerto: Slower | | | Albert Sammons, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 8:04 |
1944-07-04 | Violin Concerto: Tempo I - Allegretto - Più moderato | | | Albert Sammons, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 9:44 |
1944-07-04 | Violin Concerto: With moderate tempo | | | Albert Sammons, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 6:00 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part One: I can no more (Gerontius / Chorus / Semi-chorus) | | | Heddle Nash, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 5:02 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part One: Jesu, Maria - I am near to death (Gerontius) | | | Heddle Nash, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:01 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part One: Prelude (Orchestra) | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 9:16 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part One: Profiscere, anima christiana (Priest / Chorus / Semi-chorus) | | | Dennis Noble, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 6:21 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part One: Rouse thee, my fainting soul (Gerontius) | | | Heddle Nash, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:44 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part One: Sanctus fortis, sanctus seus (Gerontius) | | | Heddle Nash, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 5:44 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part One: So part for Me... Kyrie Eleison... Holy Mary, pray for him (Gerontius / Semi-chorus / Chorus) | | | Heddle Nash, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:29 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: Another marvel... My work is done (Soul / Angel) | | | Heddle Nash, Gladys Ripley, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:12 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: But hark! ... Low-born clods of brute earth (Soul / Angel / Chorus) | | | Heddle Nash, Gladys Ripley, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 1:27 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: But hark! a grand mysterious harmony (Soul / Angel / Chorus) | | | Heddle Nash, Gladys Ripley, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 9:07 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: Dispossessed / Aside thrust (Chorus) | | | The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:40 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: I see not those false spirits (Soul / Angel) | | | Heddle Nash, Gladys Ripley, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:03 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: I went to sleep (Gerontius) | | | Heddle Nash, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:56 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: It is a member of that family (Soul / Angel) | | | Heddle Nash, Gladys Ripley, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 5:32 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: Jesu! by that shuddering dread (Angel of the Agony / Soul / Semi-chorus / Chorus) | | | Norman Walker, Heddle Nash, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 5:00 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: Praise to His Name! Take me away (Angel / Soul / Chorus) | | | Gladys Ripley, Heddle Nash, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 5:49 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: Prelude (Orchestra) | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:14 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: Softly and gently (Angel / Chorus / Semi-chorus) | | | Gladys Ripley, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 6:16 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: There was a mortal... Praise to the Holiest (Angel / Semi-chorus / Chorus / Soul) | | | Gladys Ripley, Heddle Nash, The Huddersfield Choral Society, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 5:52 |
1945-04-08 – 1945-04-12 | The Dream of Gerontius, op. 38: Part Two: Thy judgment now is near (Angel / Soul) | | | Gladys Ripley, Heddle Nash, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:34 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Fugue | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:57 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Theme: Full Orchestra, Woodwind, Brass, Strings, Percussion | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 1:56 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation A: Flutes & Piccolo | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:35 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation B: Oboes | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 1:00 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation C: Clarinets | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:37 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation D: Bassoons | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:52 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation E: Violins | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:38 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation F: Violas | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 1:13 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation G: Cellos | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 1:18 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation H: Double Basses | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:54 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation I: Harp | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:52 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation J: Horns | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:44 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation K: Trumpets | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:35 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation L: Trombones & Bass Tuba | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:58 |
1946 | Young Person’s Guide to the Orchestra, op. 34: Variation M: Percussion | | | Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 1:34 |
1947-05-29 – 1947-06-01 | Elijah, op. 70: Part One | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 1:04:26 |
| See all 928 relationships |
| instruments |
---|
1961-05-30 | Don Carlo: Atto IV. “Tu che le vanità” | | piano | Maria Callas, Sir Malcolm Sargent | 7:21 |
1961-05-30 | Le Cid : Acte III. « De cet affreux combat » … « Pleurez, pleurez mes yeux » | | piano | Maria Callas, Sir Malcolm Sargent | 5:11 |
1961-05-30 | Mefistofele: “L'altra notte in fondo al mare” | | piano | Maria Callas, Sir Malcolm Sargent | 4:31 |
| orchestra |
---|
| When Britain really ruled the waves | | | Glyndebourne Festival Chorus, Ian Wallace, Pro Arte Orchestra, Sir Malcolm Sargent | 3:04 |
| performed |
---|
2003-12-21 | Zither Carol | | | Children's Chorus of Washington, Joan Gregoryk, Sir Malcolm Sargent | 2:12 |
| Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Adagio | | | Jascha Heifetz, London Symphony Orchestra, Sir Malcolm Sargent | 3:33 |
| Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Allegro con fuoco | | | Jascha Heifetz, London Symphony Orchestra, Sir Malcolm Sargent | 1:13 |
| Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Allegro non troppo | | | Jascha Heifetz, London Symphony Orchestra, Sir Malcolm Sargent | 9:22 |
| Concerto for Violin and Orchestra no. 5 in A minor, op. 37: Cadenza | | | Jascha Heifetz, London Symphony Orchestra, Sir Malcolm Sargent | 2:56 |
| The Young Person’s Guide to the Orchestra, op. 34: Fugue | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:08 |
| The Young Person’s Guide to the Orchestra, op. 34: Theme and Variations | | | Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 14:19 |
| vocals |
---|
1961-09-16 | Announcement / Request for Silence | Malcolm Sargent | spoken vocals | Malcolm Sargent, Roy Williamson | 2:14 |
1961-09-16 | Malcolm Sargent's Speech | Malcolm Sargent | spoken vocals | Malcolm Sargent | 4:19 |
| conducted |
---|
1958 | The Yeomen of the Guard (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | | Gilbert & Sullivan | |
| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | | Gilbert & Sullivan | |
| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | | Gilbert & Sullivan | |
| Treasury of Golden Classics | | | Various Artists | |
| performed |
---|
| The World of Gilbert & Sullivan | | | Gilbert, Sullivan; The D’Oyly Carte Opera Company, Sir Malcolm Sargent | |
| arranged |
---|
| A Cowboy Carol | | | | |
| Academic Festival Overture, op. 80 | | | | |
| Dark the Night | | | | |
| De Virgin Mary Had a Baby Boy | | | | |
| Greensleeves | | | | |
| Hawaiian Lullaby | | | | |
| Henry V Suite | | | | |
| Henry V Suite: Agincourt Song | | | | |
| Henry V Suite: Passacaglia: The Death of Falstaff | | | | |
| Henry V Suite: Prelude: The Globe | | | | |
| Henry V Suite: Touch her soft lips and part | | | | |
| Little David, Play on Yo' Harp | | | | |
| Mary Had a Baby | | | | |
| Praise Ye the Lord! | | | | |
| Silent Night, Holy Night | | | | |
| Star in the South | | | | |
| The Boar's Head Carol | | | | |
| The Cherry-Tree Carol | | | | |
| Three Far Eastern Carols: 2, Lullaby | | | | |
| Zither Carol | | | | |
| composed |
---|
| An Impression on a Windy Day | | | | |
| Lullaby | | | | |
| My Heart Has a Quiet Sadness | | | | |
| Nocturne and Scherzo | | | | |
| Valsette in A minor | | | | |
| orchestrated |
---|
| Nocturne for Strings | | | | |
| Orchestral Suite no. 3 in D major, BWV 1068: Air on the G String | | | | |
| Rule, Britannia! | | | | |
| Vier ernste Gesänge, op. 121 | | | | |