Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Norbert Balatsch, Paolo Lucci, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell’Arcum, Franz Hawlata, Timothy Robinson, 정명훈
- The Collegiate Chorale, Vagabond Children's Ensemble, Krista Bennion Feeney, Orchestra of St. Luke’s, Robert Bass
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Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- Claire Rutter, Matilde Wallevik, Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Orchestra of St. Luke’s, Robert Bass
- Norbert Balatsch, Paolo Lucci, Franz Hawlata, Ľuba Orgonášová, Timothy Robinson, Iris Vermillion, 정명훈
- (show 2 more)
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Hodie: II. Narration: Now the Birth of Jesus Christ | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Peter Hoare, St Catherine's School Middle Chamber Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
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Hodie: VI. Narration: And There Were in the Same Country | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Guildford Choral Society, Peter Hoare, St Catherine's School Middle Chamber Choir, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
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Hodie: XII. Hymn: Bright Portals of the Sky | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Peter Hoare, Royal Philharmonic Orchestra, Hilary Davan Wetton
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Hodie: XIV. The March of the Three Kings: From Kingdoms of Wisdom | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Stephen Gadd, Guildford Choral Society, Peter Hoare, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
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Hodie: XVI. Epilogue: In the Beginning Was the Word | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Stephen Gadd, Guildford Choral Society, Peter Hoare, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
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The Gospel According to the Other Mary: Act I, Scene IV. "For the grave cannot praise thee" | | | | | | | |
The Gospel According to the Other Mary: Act I, Scene V. "And there were some who had indignation within themselves" | | - Daniel Bubeck, Brian Cummings, Nathan Medley, Russell Thomas, Los Angeles Philharmonic, Gustavo Dudamel
- Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Berliner Philharmoniker, Simon Rattle
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The Gospel According to the Other Mary: Act I, Scene V. "Tell me: how is this night different from all other night?" | | | | | | | |
The Gospel According to the Other Mary: Act I, Scene V. "We know there will be no utopias" | | | | | | | |
The Song of the High Hills: I. With quiet easy movement-Tranquillo | | | | | | | |
The Song of the High Hills: II. Very slow ('The wide, far distance'-'The great solitude') | | | | | | | |