| conducted |
|---|
| 1922 | Fidelio, Akt I: "Ha, welch ein Augenblick" | Friedrich Schorr, New Symphony Orchestra of London, Albert Coates | 2:35 |
| 1923-04-27 – 1923-05-11 | Tod und Verklärung, op. 24 | Albert Coates, Symphony Orchestra | 17:43 |
| 1923-10 – 1923-11 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Albert Coates | 14:01 |
| 1923-10 – 1923-11 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Albert Coates | 12:01 |
| 1923-10 – 1923-11 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Albert Coates | 14:29 |
| 1923-10 – 1923-11 | Symphony no. 9 in D minor, op. 125: IV. Presto; Allegro assai | Albert Coates | 24:19 |
| 1926 | Die Walküre: Act I: “Schläfst du, Gast” | Göta Ljungberg, Walter Widdop, Albert Coates | 4:48 |
| 1928-10-18 | Götterdämmerung - Prelude - Zu neuen Taten" (Florence Austral, Walter Widdop, 1928) | Florence Austral, Walter Widdop, London Symphony Orchestra, Albert Coates | 8:33 |
| 1929-05-16 – 1929-05-17 | Siegfried, Acte I, Scène 3: "Notung ! Notung ! Neidliches Schwert !" (Scène de la Forge) | Lauritz Melchior | 12:17 |
| 1929-05-17 – 1929-05-22 | Siegfried, Acte II, Scène 3: "Da lieg auch du, dunker Wurm !" | Lauritz Melchior | 7:53 |
| 1929-05-17 – | Siegfried, Acte II, Scène 2: "Dass der mein Vater nicht ist" (Scène des Murmures de la Forêt) | Lauritz Melchior | 9:09 |
| 1929-05-22 – | Siegfried, Acte III, Scène 2 et Interlude orchestral: "Kenntest du mich, Kühner Spross" | Lauritz Melchior | 8:41 |
| 1929-09-13 | Tristan und Isolde: II. Aufzug "Isolde! Tristan! Geliebter!... O sink hernieder" (Lauritz Melchior, Frida Leider, 1929) | Frida Leider, Lauritz Melchior, London Symphony Orchestra, Orchester der Deutschen Oper Berlin, Albert Coates | 16:40 |
| 1929-10-22 – 1929-10-23 | Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo | Arthur Rubinstein, London Symphony Orchestra, Albert Coates | 14:38 |
| 1929-10-22 – 1929-10-23 | Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro appassionato | Arthur Rubinstein, London Symphony Orchestra, Albert Coates | 8:15 |
| 1929-10-22 – 1929-10-23 | Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante | Arthur Rubinstein, London Symphony Orchestra, Albert Coates | 9:17 |
| 1929-10-22 – 1929-10-23 | Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso | Arthur Rubinstein, London Symphony Orchestra, Albert Coates | 8:00 |
| 1929 | BWV 232, Et in spiritum sanctum Dominum | Friedrich Schorr | 6:15 |
| 1930-05-10 | Die Meistersinger von Nürnberg: II. Aufzug "Was duftet doch der Flieder" (Friedrich Schorr,1930) | Friedrich Schorr, London Symphony Orchestra, Albert Coates | 6:11 |
| 1930-12-29 – 1930-12-30 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo | Vladimir Horowitz, London Symphony Orchestra, Albert Coates | 14:29 |
| 1930-12-29 – 1930-12-30 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio | Vladimir Horowitz, London Symphony Orchestra, Albert Coates | 8:06 |
| 1930-12-29 – 1930-12-30 | Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve | Vladimir Horowitz, London Symphony Orchestra, Albert Coates | 11:13 |
| Mass in b, BWV232: Agnus Dei: Agnus Dei | Elisabeth Schumann | 4:20 |
| Mass in b, BWV232: Agnus Dei: Dona Nobis Pacem | Elisabeth Schumann | 4:19 |
| Mass in b, BWV232: Credo: Confeteor Una Baptisma | Elisabeth Schumann | 7:57 |
| Mass in b, BWV232: Credo: Credo In Unum Deum | Elisabeth Schumann | 2:59 |
| Mass in b, BWV232: Credo: Crucifixus | Elisabeth Schumann | 4:07 |
| Mass in b, BWV232: Credo: Et In Spiritum Sanctum | Elisabeth Schumann | 6:15 |
| Mass in b, BWV232: Credo: Et In Unum Dominum | Elisabeth Schumann | 4:44 |
| Mass in b, BWV232: Credo: Et Incarnatus Est | Elisabeth Schumann | 3:33 |
| Mass in b, BWV232: Credo: Et Resurrexit | Elisabeth Schumann | 4:19 |
| Mass in b, BWV232: Credo: Patrem Omnipotentem | Elisabeth Schumann | 2:45 |
| Mass in b, BWV232: Gloria: Cum Sancto Spiritu | Elisabeth Schumann | 4:18 |
| Mass in b, BWV232: Gloria: Domine Deus | Elisabeth Schumann | 5:46 |
| Mass in b, BWV232: Gloria: Gloria In Excelsis Deo | Elisabeth Schumann | 7:30 |
| Mass in b, BWV232: Gloria: Gratias Agimus Tibi | Elisabeth Schumann | 3:13 |
| Mass in b, BWV232: Gloria: Laudamus Te | Elisabeth Schumann | 6:29 |
| Mass in b, BWV232: Gloria: Qui Sedes Ad Dexteram Patris | Elisabeth Schumann | 4:32 |
| Mass in b, BWV232: Gloria: Qui Tollis Peccata Mundi | Elisabeth Schumann | 4:04 |
| Mass in b, BWV232: Gloria: Quoniam Tu Solus Sanctus | Elisabeth Schumann | 5:44 |
| Mass in b, BWV232: Kyrie: Christe Eleison | Elisabeth Schumann | 5:54 |
| Mass in b, BWV232: Kyrie: Kyrie Eleison | Elisabeth Schumann | 4:08 |
| Mass in b, BWV232: Kyrie: Kyrie Eleison | Elisabeth Schumann | 12:01 |
| Mass in b, BWV232: Sanctus: Benedictus, Qui Venit | Elisabeth Schumann | 4:48 |
| Mass in b, BWV232: Sanctus: Osanna In Excelsis | Elisabeth Schumann | 3:13 |
| Mass in b, BWV232: Sanctus: Sanctus | Elisabeth Schumann | 6:02 |
| Ride of the Valkyries | London Symphony Orchestra, Albert Coates | 4:33 |
| Song of the Volga Boatmen | Fyodor Chaliapin, Albert Coates | 3:30 |
| arranged |
|---|
| Suite: I. Rondeau | | |
| Suite: II. Slow Air | | |
| Suite: III. Air | | |
| Suite: IV. Minuet | | |
| Suite: V. Allegro | | |
| dedicated works |
|---|
| Upmann, a Smoking Sketch | | |
