As pessoas | Rodrigo Leão, Orquestra Gulbenkian & Coro Gulbenkian | | | 3:35 | |
Bússola | Rodrigo Leão, Orquestra Gulbenkian & Coro Gulbenkian | | | 3:39 | |
Florestas submersas | Rodrigo Leão, Orquestra Gulbenkian & Coro Gulbenkian | | | 12:30 | |
Gloria in G Major for Soprano Solo, Mixed Chorus & Orchestra: Domine Deus, Agnus Dei (Soprano) (Brigitte Fournier, Gulbenkian Foundation Orchestra, Lisbon and Gulbenkian Foundation Chorus, Lisbon feat. conductor Michel Corboz) | Coro Gulbenkian, Brigitte Fournier, Orquestra Gulbenkian, Michel Corboz | | | 4:43 | |
Idmen: Chœur A | Les Pléïades, Chœur Gulbenkian, Sylvio Gualda | | | 2:11 | |
Idmen: Chœur B | Les Pléïades, Chœur Gulbenkian, Sylvio Gualda | | | 4:43 | |
Idmen: Chœur C | Les Pléïades, Chœur Gulbenkian, Sylvio Gualda | | | 9:00 | |
Idmen: Percussion A | Les Pléïades, Chœur Gulbenkian, Sylvio Gualda | | | 5:35 | |
Idmen: Percussion B | Les Pléïades, Chœur Gulbenkian, Sylvio Gualda | | | 4:58 | |
Idmen: Percussion C | Les Pléïades, Chœur Gulbenkian, Sylvio Gualda | | | 3:03 | |
Inverno triste | Rodrigo Leão, Orquestra Gulbenkian & Coro Gulbenkian | | | 4:22 | |
Jardim misterioso | Rodrigo Leão, Orquestra Gulbenkian & Coro Gulbenkian | | | 3:31 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène IV: “Christ vient de ressusciter !” | Coro Gulbenkian, Michael Spyres, Orchestre philharmonique de Strasbourg, John Nelson | | | 5:46 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VI: “À boire encor ! ... Oh ! qu’il fait bon” | Coro Gulbenkian, Nicolas Courjal, Alexandre Duhamel, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:55 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VI: “Amen” | Alexandre Duhamel, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:28 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VI: “Certain rat, dans une cuisine” | Alexandre Duhamel, Coro Gulbenkian, Nicolas Courjal, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:20 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VI: “Une puce gentille” | Nicolas Courjal, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:37 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VI: “Vrai Dieu, messieurs” | Nicolas Courjal, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:17 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VII: “Dors, dors, heureux Faust” | Coro Gulbenkian, Nicolas Courjal, Michael Spyres, Orchestre philharmonique de Strasbourg, John Nelson | | | 6:10 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VIII – Final: “Jam nox stellata velamina pandit” | Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:07 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VIII – Final: “Villes entourées ... Jam nox stellata” | Coro Gulbenkian, Michael Spyres, Nicolas Courjal, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:23 | |
La Damnation de Faust, op. 24, H. 111: Deuxième Partie, Scène VIII – Final: “Villes entourées” | Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:27 | |
La Damnation de Faust, op. 24, H. 111: Épilogue: “Alors l’enfer se tut” | Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:20 | |
La Damnation de Faust, op. 24, H. 111: Épilogue: “Laus ! Laus ! Hosanna ! Hosanna !” | Coro Gulbenkian, Verónica Silva, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:10 | |
La Damnation de Faust, op. 24, H. 111: Épilogue: “Remonte au ciel, âme naïve” | Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:03 | |
La Damnation de Faust, op. 24, H. 111: Épilogue: “Viens, les vierges divines” | Coro Gulbenkian, Verónica Silva, Les Petits Chanteurs de Strasbourg, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:22 | |
La Damnation de Faust, op. 24, H. 111: Première Partie, Scène II: “Les bergers laissent leurs troupeaux” | Coro Gulbenkian, Michael Spyres, Orchestre philharmonique de Strasbourg, John Nelson | | | 3:32 | |
La Damnation de Faust, op. 24, H. 111: Quatrième Partie, Scène XIX: “Ha ! Irimiru Karabrao !” | Coro Gulbenkian, Nicolas Courjal, Orchestre philharmonique de Strasbourg, John Nelson | | | 1:55 | |
La Damnation de Faust, op. 24, H. 111: Quatrième Partie, Scène XIX: “Tradioun Marexil fir trudinxé burrudixé !” | Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:15 | |
La Damnation de Faust, op. 24, H. 111: Quatrième Partie, Scène XV: “Au son des trompettes” | Coro Gulbenkian, Joyce DiDonato, Orchestre philharmonique de Strasbourg, Joyce DiDonato | | | 2:09 | |
La Damnation de Faust, op. 24, H. 111: Quatrième Partie, Scène XVIII: “Dans mon cœur retentit sa voix désespérée” | Michael Spyres, Coro Gulbenkian, Nicolas Courjal, Orchestre philharmonique de Strasbourg, John Nelson | | | 3:47 | |
La Damnation de Faust, op. 24, H. 111: Troisième Partie, Scène XII: “Devant la maison” | Nicolas Courjal, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:09 | |
La Damnation de Faust, op. 24, H. 111: Troisième Partie, Scène XIV: “Allons, il est trop tard !” | Nicolas Courjal, Joyce DiDonato, Michael Spyres, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:48 | |
La Damnation de Faust, op. 24, H. 111: Troisième Partie, Scène XIV: “Je connais donc enfin” | Michael Spyres, Nicolas Courjal, Joyce DiDonato, Coro Gulbenkian, Orchestre philharmonique de Strasbourg, John Nelson | | | 2:16 | |
Liturgien | Romain Bischoff, Gulbenkian Chorus, Martyn Hill, Wout Oosterkamp, Saarbrücken Radio Symphony Orchestra, Mauricio Kagel | | | 23:01 | |
Machina mundi: I. A Largada - Abrimos as asas | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:27 | |
Machina mundi: I. A Largada - Febo nas águas encerrou | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:51 | |
Machina mundi: I. A Largada - Haverá rasgões no espaço | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:26 | |
Machina mundi: I. A Largada - No mais interno fundo | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:03 | |
Machina mundi: I. A Largada - O Mundo, que co tempo se consume | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:47 | |
Machina mundi: I. A Largada - O vento dorme - Deus ao Mar | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 3:09 | |
Machina mundi: I. A Largada - Orquestra | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:55 | |
Machina mundi: I. A Largada - Quarteto Instrumental | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:42 | |
Machina mundi: I. A Largada - Tenham longos tempos | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:56 | |
Machina mundi: II. «Possessio Maris» - A gente | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:11 | |
Machina mundi: II. «Possessio Maris» - A orla branca: Golpes de idolatras e de mounos | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:25 | |
Machina mundi: II. «Possessio Maris» - Alerta estai | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:54 | |
Machina mundi: II. «Possessio Maris» - As forçosas raízes | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:56 | |
Machina mundi: II. «Possessio Maris» - Às ondas torna | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:03 | |
Machina mundi: II. «Possessio Maris» - Linha severa | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:19 | |
Machina mundi: II. «Possessio Maris» - O inteiro mar | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:02 | |
Machina mundi: II. «Possessio Maris» - Orquestra | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:58 | |
Machina mundi: II. «Possessio Maris» - Que influição de sinos | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:07 | |
Machina mundi: II. «Possessio Maris» - Vi claramente visto | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:51 | |
Machina mundi: III. As duas visões - Abraçados | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:36 | |
Machina mundi: III. As duas visões - Converte-se-me a carne | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:05 | |
Machina mundi: III. As duas visões - E verão, Os dous amanttes | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:25 | |
Machina mundi: III. As duas visões - Entre a Zona | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 2:04 | |
Machina mundi: III. As duas visões - Morfeu em várias formas | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 2:32 | |
Machina mundi: III. As duas visões - Navegar meus longos mares | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:25 | |
Machina mundi: III. As duas visões - Onde a terra | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:25 | |
Machina mundi: III. As duas visões - Onde o Céu volubil | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:47 | |
Machina mundi: III. As duas visões - Tingindo, a que deixou | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:29 | |
Machina mundi: IV. A Guerra - Aparelhámos a alma | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:06 | |
Machina mundi: IV. A Guerra - Cordas | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:52 | |
Machina mundi: IV. A Guerra - Instrumentos solistas e orquestra | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:04 | |
Machina mundi: IV. A Guerra - No mar, tanta tormenta | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:15 | |
Machina mundi: IV. A Guerra - Quarteto Instrumental, solistas | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 2:22 | |
Machina mundi: IV. A Guerra - Que o corpo, que em pedaços se apresenta | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:39 | |
Machina mundi: IV. A Guerra - Seguindo a vitória | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:10 | |
Machina mundi: IV. A Guerra - Tuba solo | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 4:04 | |
Machina mundi: V. «A Máquina do Mundo» - O que é Deus | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:48 | |
Machina mundi: V. «A Máquina do Mundo» - Orquestra | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 2:43 | |
Machina mundi: V. «A Máquina do Mundo» - Orquestra | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 2:21 | |
Machina mundi: V. «A Máquina do Mundo» - Percussão Solo e percussões | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 3:15 | |
Machina mundi: V. «A Máquina do Mundo» - Sigue-me | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:02 | |
Machina mundi: V. «A Máquina do Mundo» - Uniforme perfeito | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:19 | |
Machina mundi: V. «A Máquina do Mundo» - Vês aqui | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:33 | |
Machina mundi: VI «Mísera sorte! Estranha condição!» - A alma é divina | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 0:57 | |
Machina mundi: VI «Mísera sorte! Estranha condição!» - A branca areia, ó tu geração | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 2:04 | |
Machina mundi: VI «Mísera sorte! Estranha condição!» - Buscas o incerto | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:09 | |
Machina mundi: VI «Mísera sorte! Estranha condição!» - Flauta contrabaixo e octobaixo, clarinete contrabaixo | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 2:49 | |
Machina mundi: VI «Mísera sorte! Estranha condição!» - Mísera sorte | Coro Gulbenkian, Pierre-Yves Artaud, Gérard Buquet, Ernesto Molinari, Claire Talibart, Orquestra Gulbenkian, Fabrice Bollon | | | 1:17 | |
Madama Butterfly, Act I: Ed eccoci in famiglia (Pinkerton, Chorus, Lo Zio Bonzo, Butterfly, Goro, Suzuki) | Coro Gulbenkian, Alexander Kaimbacher, Elisabeth Kulman, Melody Moore, Stefano Secco, Kevin Short, Orquestra Gulbenkian, Lawrence Foster | | | 5:32 | |
Madama Butterfly, Act I: Gran ventura (Butterfly, Chorus, Pinkerton, Sharpless, Goro) | Coro Gulbenkian, Alexander Kaimbacher, Lester Lynch, Melody Moore, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | | | 3:59 | |
Madama Butterfly, Act I: Ieri son salita tutta sola (Butterfly, Goro, Il Commissario Imperiale, Chorus, Sharpless, L’Ufficiale del registro, Pinkerton) | Coro Gulbenkian, Alexander Kaimbacher, Florian Köfler, Jorge Leiria, Lester Lynch, Melody Moore, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | | | 4:45 | |
Madama Butterfly, Act I: L’Imperial Commissario (Goro, Pinkerton, Chorus, Butterfly, Cugina, Madre, Yakusidé, Zia, Sharpless) | Tiago Batista, Coro Gulbenkian, Alexander Kaimbacher, Lester Lynch, Sara Marques, Melody Moore, Filipa Passos, Cecília Rodrigues, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | | | 2:58 | |
Madama Butterfly, Act I: Quale smania vi prende! (Sharpless, Pinkerton, Chorus, Goro) | Coro Gulbenkian, Alexander Kaimbacher, Lester Lynch, Stefano Secco, Orquestra Gulbenkian, Lawrence Foster | | | 4:17 | |
Madama Butterfly, Act I: Quanto cielo! … Ancora un passo or via (Chorus, Butterfly, Sharpless) | Coro Gulbenkian, Lester Lynch, Melody Moore, Orquestra Gulbenkian, Lawrence Foster | | | 3:09 | |
Madama Butterfly, Act II: Coro a bocca chiusa (Humming Chorus) | Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster | | | 2:47 | |
Madama Butterfly, Act II: Oh eh! Oh eh! Oh eh! (Chorus) | Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster | | | 7:52 | |
Mass in C major, Op. 86: I. Kyrie | Lilia Bizimeche-Eisinger, Michel Brodard, Coro Gulbenkian, Audrey Michael, Markus Schäfer, Orquestra Gulbenkian, Michel Corboz | | | 4:49 | |
Mass in C minor, op. 147: I. Kyrie | Coro Gulbenkian, Orquestra Gulbenkian, Michel Corboz | | | 4:51 | |
Mass in C minor, op. 147: II. Gloria | Coro Gulbenkian, Audrey Michael, Orquestra Gulbenkian, Michel Corboz | | | 9:48 | |
Mass in C minor, op. 147: III. Credo | Coro Gulbenkian, Orquestra Gulbenkian, Michel Corboz | | | 7:26 | |
Mass in C minor, op. 147: V. Sanctus | Michel Brodard, Coro Gulbenkian, Markus Schäfer, Orquestra Gulbenkian, Michel Corboz | | | 11:02 | |
Mass in C minor, op. 147: VI. Agnus Dei | Coro Gulbenkian, Orquestra Gulbenkian, Michel Corboz | | | 5:15 | |
Melancolia | Rodrigo Leão, Orquestra Gulbenkian & Coro Gulbenkian | | | 5:25 | |
Messa da Requiem: Libera me | Angela Maria Blasi, Coro Gulbenkian, Orquestra Gulbenkian, Michel Corboz | | | 12:10 | |
Messe De Requiem Consacree a Luis De Camoes: Sanctus | Chorus of the Gulbenkian Foundation, Orchestra of the Gulbenkian Foundation, Michel Corboz | | | 2:42 | |