| vocals |
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1995-11 | Cantata no. 71, BWV 71 "Gott ist mein König": V. Aria | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 1:18 |
1995-11 | Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 2:21 |
1995-11 | Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso - Choral | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Gerd Türk, Masaaki Suzuki, Bach Collegium Japan | 3:34 |
1995-11 | Cantata no. 131, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir": IV. Aria | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Gerd Türk, Masaaki Suzuki, Bach Collegium Japan | 5:12 |
1995-11 | Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Aria - Arioso - Chorale: In deine Hande | | countertenor vocals | Bach Collegium Japan, Masaaki Suzuki | 6:02 |
1996-04 | Cantata "Widerstehe doch der Sünde": Aria. Wer Sündetut | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 3:16 |
1996-04 | Cantata "Widerstehe doch der Sünde": Aria. Widerstehe doch der Sünde | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 6:06 |
1996-04 | Cantata "Widerstehe doch der Sünde": Rezitativ. Die Art verruchter Sünde | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 1:23 |
1996-04 | Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo: "Wir müssen durch viel Trubsal in das Reich" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 0:47 |
1996-04 | Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria: "Kreuz und Krone sind verbunden" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 6:04 |
1996-04 | Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo: "Mein Jesu, lass mir nicht" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 1:42 |
1996-04 | Cantata no. 162, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe": V. Duett-Aria: "In meinem Gott bin ich erfreut!" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 3:51 |
1996-04 | Cantata no. 182, BWV 182 "Himmelskönig, sei willkommen": V. Aria: "Leget euch dem Heiland unter" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 8:58 |
1996-04 | Kantate "Ach, ich sehe, itzt...": Aria. In meinem Gott | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Makoto Sakurada, Bach Collegium Japan, Masaaki Suzuki | 3:53 |
1996-04 | Kantate "Ach, ich sehe, itzt...": Rezitativ. Mein Jesu, laß mich nicht | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 1:43 |
1996-04 | Kantate "Weinen, Klagen, Sorgen, Zagen": Aria. Kreuz und Krone | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Taka Kitazato, Bach Collegium Japan, Masaaki Suzuki | 6:08 |
1996-04 | Kantate "Weinen, Klagen, Sorgen, Zagen": Rezitativ. Wir müssen durch viel Trübsal | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 0:48 |
1996-09 | Jesu dulcis memoria: Prima pars | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Concerto Palatino, Bach Collegium Japan, Masaaki Suzuki | 3:14 |
1996-09 | Jesu dulcis memoria: Secunda pars | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Concerto Palatino, Bach Collegium Japan, Masaaki Suzuki | 2:58 |
1996-12 | Messiah: Air and Chorus. O Thoun that tellest | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 5:41 |
1996-12 | Messiah: Air. But who may abide | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 4:26 |
1996-12 | Messiah: Air. He was despised | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 11:11 |
1996-12 | Messiah: Air. Thou art gone up on high | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 2:59 |
1996-12 | Messiah: Recitative. Behold, a virgin | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 0:30 |
1997-02 – 1997-03 | Auf dem Gebirge hat man ein Geschrei gehöret | Yoshikazu Mera | countertenor vocals | Yuko Anazawa, Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 5:45 |
1997-02 – 1997-07 | Cantata, BWV 155 "Mein Gott, wie lang, ach lange": II. Arie (Duett) "Du mußt glauben, du mußt hoffen" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Makoto Sakurada, Masaaki Suzuki, Bach Collegium Japan | 5:07 |
1997-02 – 1997-07 | Cantata, BWV 161 "Komm, du süße Todesstunde": I. Arie mit Choral "Komm, du süße Todesstunde" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 5:24 |
1997-02 – 1997-07 | Cantata, BWV 161 "Komm, du süße Todesstunde": IV. Rezitativ "Der Schluß ist schon gemacht" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 2:28 |
1997-05 | Cherry Blossoms Lane | | countertenor vocals | 米良美一, Kikuko Ogura | 4:34 |
1997-05 | Cherry Blossoms Lane | | countertenor vocals | 米良美一, Kikuko Ogura | 2:31 |
1997-05 | Four Songs of Dusk: Dusk is a huge book... | | countertenor vocals | 米良美一, Kikuko Ogura | 1:42 |
1997-05 | Four Songs of Dusk: For the night to receive the dead... | | countertenor vocals | 米良美一, Kikuko Ogura | 2:11 |
1997-05 | Four Songs of Dusk: In the next room with nobody in... | | countertenor vocals | 米良美一, Kikuko Ogura | 3:05 |
1997-05 | Four Songs of Dusk: Who turns the light off... | | countertenor vocals | 米良美一, Kikuko Ogura | 3:39 |
1997-05 | Japanese Flute: Ina | | countertenor vocals | 米良美一, Kikuko Ogura | 2:44 |
1997-05 | Japanese Flute: Sailing Out | | countertenor vocals | 米良美一, Kikuko Ogura | 6:19 |
1997-05 | Japanese Flute: Yanshichi of Yabe | | countertenor vocals | 米良美一, Kikuko Ogura | 1:55 |
1997-05 | Six Songs for Children: Autumn Fields | | countertenor vocals | 米良美一, Kikuko Ogura | 2:52 |
1997-05 | Six Songs for Children: Gourds | | countertenor vocals | 米良美一, Kikuko Ogura | 1:47 |
1997-05 | Six Songs for Children: Karariko | | countertenor vocals | 米良美一, Kikuko Ogura | 1:41 |
1997-05 | Six Songs for Children: Saury Fish | | countertenor vocals | 米良美一, Kikuko Ogura | 1:40 |
1997-05 | Six Songs for Children: The Snow Maiden | | countertenor vocals | 米良美一, Kikuko Ogura | 2:50 |
1997-05 | Six Songs for Children: The Weasel | | countertenor vocals | 米良美一, Kikuko Ogura | 1:50 |
1997-05 | Song of AIYAN: Caprice | | countertenor vocals | 米良美一, Kikuko Ogura | 2:18 |
1997-05 | Song of AIYAN: Higanbana (Amaryllises) | | countertenor vocals | 米良美一, Kikuko Ogura | 3:47 |
1997-05 | Song of AIYAN: NOSKAI | | countertenor vocals | 米良美一, Kikuko Ogura | 2:05 |
1997-05 | Song of AIYAN: Rabbit-Ear Irides | | countertenor vocals | 米良美一, Kikuko Ogura | 1:39 |
1997-05 | Song of AIYAN: Song of AIYAN | | countertenor vocals | 米良美一, Kikuko Ogura | 1:33 |
1997-05 | Uguisu | | countertenor vocals | 米良美一, Kikuko Ogura | 4:27 |
1997-06 – 1997-07 | Kantate "Komm, du süße Todesstunde": Aria (mit Choral). Komm, du süße Todesstunde | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 5:29 |
1997-07 | Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Rezitativ "O selger Tag! o ungemeines Heute" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 3:04 |
1997-07 | Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Arie (Duett) "Ruft und fleht den Himmel an" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Makoto Sakurada, Masaaki Suzuki, Bach Collegium Japan | 3:52 |
1997-07 | Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Rezitativ "Ich will, mein Gott, dir frei heraus bekennen" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 2:08 |
1997-07 | Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Arie "Christi Glieder, ach bedenket" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 3:43 |
1997-07 | Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Arie (Duett) "Komm, lass mich nicht laenger warten" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Ingrid Schmithüsen, Masaaki Suzuki, Bach Collegium Japan | 3:43 |
1997 | Cantata "Bereitet die Wege": Rezitativ. Ich will, mein Gott | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 2:03 |
1997 | Kantate "Bereitet die Wege": Aria. Christi Glieder, ach bedenket | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Natsumi Wakamatsu, Bach Collegium Japan, Masaaki Suzuki | 3:51 |
1998-05 | Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria (alto) "Mein Jesu, ziehe mich nach dir…" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 4:43 |
1998-05 | Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Duet (soprano, alto) "Du wahrer Gott und Davids Sohn…" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Midori Suzuki, Masaaki Suzuki, Bach Collegium Japan | 7:01 |
1998-05 | Kantate, BWV 75 "Die Elenden sollen essen, Zweiter Teil": IX. Recitative (alto) "Nur eines kränkt ein christliches Gemüte…" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 0:48 |
1998-05 | Kantate, BWV 75 "Die Elenden sollen essen, Zweiter Teil": X. Aria (alto) "Jesus macht mich geistlich reich…" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Masaaki Suzuki, Bach Collegium Japan | 2:28 |
1998-10-05 | Cantata No. 78: „Wir eilen mit schwachen, doch emsigen Schritten” | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 5:23 |
1998-10-05 | King Arthur: “Shepherd, Shepherd, Leave Decoying” | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 2:39 |
1998-10-05 | La clemenza di Tito: ”Come ti piace imponi” | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 2:56 |
1998-10-05 | Les Contes d'Hoffmann: « Belle nuit » | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 3:47 |
1998-10-05 | Mitridate: ”Va, l'error mio palese” | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 3:26 |
1998-10-05 | No, di voi non vuo fidarmi | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 3:10 |
1998-10-05 | Semiramide: “Giorno d'orror” | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 4:32 |
1998-10-05 | Tancredi: “Lasciami” | Yoshikazu Mera | countertenor vocals | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 9:20 |
1998-10-05 | Tancredi: Sinfonia | Yoshikazu Mera | countertenor vocals [Yoshikazu Mera] | Edita Gruberová, Yoshikazu Mera, Faolini Chamber Orchestra, Friedrich Haider | 5:05 |
| Allerseelen, op. 10 no. 8 | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 3:14 |
| Auf Flügeln des Gesanges, op. 34 no. 2 | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 3:34 |
| Ave Maria | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Hisako Matsui, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 2:47 |
| Christmas Oratorio: Flösst mein Heiland, flösst dein Namen | Yoshikazu Mera | countertenor vocals | Monika Frimmer, Peter Kooy, Yoshikazu Mera, Gerd Türk, Bach Collegium Japan, Masaaki Suzuki | 5:30 |
| Greensleeves | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 5:34 |
| Je te veux | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 3:41 |
| Když mne stará matka zpívat, op. 55 no. 4 | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 2:09 |
| Lascia ch'io pianga from "Rinaldo" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 3:52 |
| Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 4:20 |
| Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 0:29 |
| Messiah, HWV 56: Part I, VIII. Air (Alto) "O thou that tellest good tidings to Zion", Chorus "O thou that tellest good tidings to Zion" | Yoshikazu Mera | alto vocals | Bach Collegium Japan, Yoshikazu Mera, Masaaki Suzuki | 5:38 |
| Messiah, HWV 56: Part II, XX. Air (Alto) "He was despised and rejected of men" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 11:12 |
| Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written" | Yoshikazu Mera | alto vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 0:17 |
| Messiah, HWV 56: Part III, XLIV. Duet (Alto, Tenor) "O Death, where is thy sting?" | Yoshikazu Mera | alto vocals | John Elwes, Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 1:46 |
| Morgen, op. 27 no. 4 | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 3:51 |
| Ombra mai fu from "Serse" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 3:04 |
| Peer Gynt, Op. 23: Solveig's Song | | countertenor vocals and solo | 米良美一, 日本フィルハーモニー交響楽団, 現田茂夫 | 5:18 |
| Princess Mononoke Theme Song | Yoshikazu Mera | countertenor vocals | 久石譲 | 1:27 |
| Rinaldo, HWV 7: "Lascia ch'io pianga" | | | 米良美一, Japan Philharmonic Orchestra, Shigeo Genda | 3:49 |
| Rinaldo, HWV 7: "Lascia ch'io pianga" | | countertenor vocals and solo | 米良美一, Japan Philharmonic Orchestra, Shigeo Genda | 3:49 |
| Rinaldo, HWV 7: "Lascia ch'io pianga" | | countertenor vocals | 米良美一, Japan Philharmonic Orchestra, Shigeo Genda | 3:49 |
| Romance from "Faust" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 2:58 |
| Solveigs sang from "Peer Gynt", op. 23 | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 5:18 |
| Vocalise, op. 34 no. 14 | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Japan Philharmonic Symphony Orchestra, Shigeo Genda | 3:42 |
| Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) "Nun wird mein liebster Bräutigam" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 0:55 |
| Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 5:05 |
| Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 9:33 |
| Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) "Schließe, mein Herze" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 4:51 |
| Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) "Ja, ja, mein Herz soll es bewahren" | Yoshikazu Mera | countertenor vocals | Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki | 0:25 |
| Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen" | Yoshikazu Mera | countertenor vocals | Monika Frimmer, Yoshikazu Mera, Gerd Türk, Bach Collegium Japan, Masaaki Suzuki | 5:16 |
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