| Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida) | | | | Aria | | | |
| An English Requiem, op. 45: V. Ye now are sorrowful | | - The Choir of St John’s College, Cambridge, Peter White, George Guest
- Florence Austral, Royal Opera Chorus, Covent Garden, Royal Opera Orchestra, Covent Garden, Sir John Barbirolli
- Joseph Fort, Mary Bevan, Choir of King’s College, London, James Baillieu, Richard Uttley
- Jeremy Budd, St Paul’s Cathedral Choir, Andrew Lucas, John Scott
| | | | | |
| Der fliegende Holländer: Act 2. “Yo-Ho-He” (Senta's Ballad) | | | | | | | |
| Götterdämmerung, WWV 86D: Vorspiel | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) | | | | | | | |
| Oberon: Act 2. “Ocean! Thou might monster” (Reiza) | | | | | | | |
| Stabat Mater: VIII. Aria - Inflammatus et accensus (soprano, coro) | | - Coro del Maggio Musicale Fiorentino, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti
- Montserrat Caballé, Orchestra della RCA Italiana, Carlo Felice Cillario
- Arthur Oldham, London Symphony Chorus, Pilar Lorengar, London Symphony Orchestra, István Kertész
- RIAS Kammerchor, Krassimira Stoyanova, Akademie für Alte Musik Berlin, Marcus Creed
- (show 19 more)
| | Aria | | | |
| The Golden Legend: Prologue. “The Night is calm” (Elsie) | | | | | | | |
