| vocals |
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2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene V. Recitativo "O dell'Italo soglio, eccelso nume" (Ugone, Flavio, Teodata) | countertenor vocals | Thomas Walker, Tim Mead, Hilary Summers, Early Opera Company, Christian Curnyn | 1:35 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene VI. Recitativo "Della mia prole Emilia" (Lotario, Flavio, Vitige) / Scene VII. Recitativo "Di qual sovrano e riverito impero" (Ugone, Flavio, Lotario) | countertenor vocals | Andrew Foster-Williams, Tim Mead, Renata Pokupić, Thomas Walker, Early Opera Company, Christian Curnyn | 2:13 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene VIII. Aria "Di quel che m'innamora" (Flavio) | countertenor vocals | Tim Mead, Early Opera Company, Christian Curnyn | 2:49 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act I, Scene VIII. Recitativo "Vitige!" (Flavio, Vitige) | countertenor vocals | Tim Mead, Renata Pokupić, Early Opera Company, Christian Curnyn | 0:45 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act II, Scene I. Recitativo "Al tuo cenno reale ubbidiente" (Teodata, Flavio) / Scene II. Recitativo "Dove, dove mi celo?" (Ugone, Flavio, Teodata) / Scene III. Recitativo "Ah! Teodata, Teodata!" (Ugone, Teodata) | countertenor vocals | Hilary Summers, Tim Mead, Thomas Walker, Early Opera Company, Christian Curnyn | 2:36 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act II, Scene VII. Aria "Chi può mirare" (Flavio) | countertenor vocals | Tim Mead, Early Opera Company, Christian Curnyn | 3:46 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act II, Scene VII. Recitativo "Di Teodata assai men vago splende" (Flavio, Vitige) | countertenor vocals | Tim Mead, Renata Pokupić, Early Opera Company, Christian Curnyn | 0:55 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene I. Recitativo "Alma, tu non m'intendi (Flavio) | countertenor vocals | Tim Mead, Early Opera Company, Christian Curnyn | 1:28 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene II. Aria "Starvi accanto e non languire" (Flavio) | countertenor vocals | Tim Mead, Early Opera Company, Christian Curnyn | 3:20 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene II. Arioso e recitativo "Corrispondi a chi ti adora" (Vitige, Flavio, Teodata) | countertenor vocals | Renata Pokupić, Tim Mead, Iestyn Davies, Early Opera Company, Christian Curnyn | 2:15 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene II. Recitativo "Guido, Lotario uccise? (Flavio, Vitige, Teodata) | countertenor vocals | Tim Mead, Renata Pokupić, Iestyn Davies, Early Opera Company, Christian Curnyn | 1:06 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene V. Recitativo "Vitige!" (Teodata, Vitige, Flavio) / Scene VI. Recitativo "Signore, se il mio delitto" (Guido, Ugone, Flavio) / Recitativo "Al tuo piede, o regnante" (Emilia, Flavio, Ugone, Vitige, Guido) | countertenor vocals | Hilary Summers, Renata Pokupić, Tim Mead, Iestyn Davies, Thomas Walker, Tim Mead, Rosemary Joshua, Early Opera Company, Christian Curnyn | 3:01 |
2010-02-08 – 2010-02-12 | Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Recitativo "E tu, Vitige, in pena" (Flavio, Vitige, Teodata, Ugone, Guido) | countertenor vocals | Tim Mead, Renata Pokupić, Hilary Summers, Thomas Walker, Iestyn Davies, Early Opera Company, Christian Curnyn | 0:37 |
2013-10-06 – 2013-10-08 | Mass in B minor, BWV 232: Part 1, Missa: Aria. Qui sedes ad dexteram Patris | alto vocals | Tim Mead, Arcangelo, Jonathan Cohen | 4:34 |
2013-10-06 – 2013-10-08 | Mass in B minor, BWV 232: Part 2, Symbolum Nicenum: Duet. Et in unum Dominum | alto vocals | Ida Falk Winland, Tim Mead, Arcangelo, Jonathan Cohen | 4:31 |
2013-10-06 – 2013-10-08 | Mass in B minor, BWV 232: Part 4: Aria. Agnus Dei | alto vocals | Tim Mead, Arcangelo, Jonathan Cohen | 5:43 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: I. Duo Stabat Mater dolorosa | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 4:25 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: III. Duo O quam tristis et afflicta | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 1:58 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: IV. Aria (alto) Quae moerebat et dolebat | alto vocals | Tim Mead, La Nuova Musica, David Bates | 1:36 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: IX. Duo Sancta mater, jstud agas | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 4:36 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: V. Duo Quis est homo qui non fleret | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 2:17 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: VII. Aria (alto) Eja, mater, fons amoris | alto vocals | Tim Mead, La Nuova Musica, David Bates | 2:29 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: VIII. Duo Fac, ut ardeat cor meum | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 2:02 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: X. Aria (alto) Fac, ut portem Christi mortem | alto vocals | Tim Mead, La Nuova Musica, David Bates | 3:15 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: XI. Duo Inflammatus et accensus | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 1:36 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: XII. Duo Quando corpus morietur | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 3:17 |
2016-04 | Stabat Mater for Soprano, alto, strings and basso continuo: XIII. Duo Amen | alto vocals | Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | 1:08 |
2016-04 | Vergnügte Ruh! beliebte Seelenlust! BWV 170 Cantata for alto solo: I. Aria Vergnügte Ruh! beliebte Seelenlust! | alto vocals | Tim Mead, La Nuova Musica, David Bates | 6:24 |
2016-04 | Vergnügte Ruh! beliebte Seelenlust! BWV 170 Cantata for alto solo: II. Recitativo Die Welt, das Sündenhaus | alto vocals | Tim Mead, La Nuova Musica, David Bates | 1:11 |
2016-04 | Vergnügte Ruh! beliebte Seelenlust! BWV 170 Cantata for alto solo: III. Aria Wie jammern mich doch die verkehrten Herzen | alto vocals | Tim Mead, La Nuova Musica, David Bates | 6:05 |
2016-04 | Vergnügte Ruh! beliebte Seelenlust! BWV 170 Cantata for alto solo: IV. Recitativo Wer sollte sich demnach | alto vocals | Tim Mead, La Nuova Musica, David Bates | 1:08 |
2016-04 | Vergnügte Ruh! beliebte Seelenlust! BWV 170 Cantata for alto solo: V. Aria Mir ekelt mehr zu leben | alto vocals | Tim Mead, La Nuova Musica, David Bates | 5:16 |
2016-04 | Widerstehe doch der Sünde BWV 54 Cantata for alto solo: I. Aria Widerstehe doch der Sünde | alto vocals | Tim Mead, La Nuova Musica, David Bates | 7:04 |
2016-04 | Widerstehe doch der Sünde BWV 54 Cantata for alto solo: II. Recitativo Die Art verruchter Sünden | alto vocals | Tim Mead, La Nuova Musica, David Bates | 1:14 |
2016-04 | Widerstehe doch der Sünde BWV 54 Cantata for alto solo: III. Aria Wer Sünde tut, der ist vom Teufel | alto vocals | Tim Mead, La Nuova Musica, David Bates | 2:45 |
2018-04 | “’Twas Within a Furlong of Edinboro’ Town” (Scots Song), Z.605/2 | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 3:14 |
2018-04 | “O Solitude, My Sweetest Choice”, Z.406 | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 5:21 |
2018-04 | “We the Spirits of the Air”, The Indian Queen, Z.630: Song Tune | countertenor vocals | Les Musiciens de Saint-Julien, François Lazarevitch | 1:42 |
2018-04 | Come Ye Sons of Art (Birthday Ode for Queen Mary), Z.323/5: “Strike the Viol, Touch the Lute” | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 3:40 |
2018-04 | Fantazia Upon a Ground, Z.731 | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 4:46 |
2018-04 | If Ever I More Riches Did Desire, Cantata, Z.544: “Here Let My Life With as Much Silence Slide” | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 3:04 |
2018-04 | King Arthur Z.628: “Fairest Isle” | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 4:19 |
2018-04 | King Arthur Z.628: “What Power Art Thou” | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 2:46 |
2018-04 | Love’s Goddess Sure Was Blind (Birthday Ode for Queen Mary), Z.331: May Her Blest Example Chase / Jig (Tune: “Hey Boys, Up Go We”) / Suite in G major, Z.770: Borry | countertenor vocals | Les Musiciens de Saint-Julien, François Lazarevitch | 3:11 |
2018-04 | Ode for St. Cecilia’s Day, Z.328: “’Tis Nature’s Voice” | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 4:49 |
2018-04 | Ode for St. Cecilia’s Day, Z.339: “Here the Deities Approve” | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 4:22 |
2018-04 | The Fairy Queen, Z.629: “One Charming Night” | countertenor vocals | Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | 2:15 |
2018-04 | The Virtous Wife, Z.611: Aire | countertenor vocals | Les Musiciens de Saint-Julien, François Lazarevitch | 1:10 |
2021-04 | Matthäus-Passion, BWV 244, Seconda parte: 33. Und wiewohl viel falsche Zeugen herzutraten (Evangelista, Testis I & II, Pontifex) | alto vocals [Testis I] and solo | Emiliano Gonzalez‐Toro, Christian Immler, Tim Mead, Julian Prégardien, Pygmalion, Raphaël Pichon | 1:16 |
2021-04 | Matthäus-Passion, BWV 244, Seconda parte: 51. Recitativo (Alt) “Erbarm es Gott” | alto vocals and solo | Tim Mead, Pygmalion, Raphaël Pichon | 0:52 |
2021-04 | Matthäus-Passion, BWV 244, Seconda parte: 52. Aria (Alt) “Können Tränen meiner Wangen” | alto vocals and solo | Tim Mead, Pygmalion, Raphaël Pichon | 6:30 |
2021-07-01 – 2021-07-04 | Amor hai vinto, RV 683: I. Recitativo “Amor, hai vinto” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:10 |
2021-07-01 – 2021-07-04 | Amor hai vinto, RV 683: II. Aria “Passo di pena in pena” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 6:32 |
2021-07-01 – 2021-07-04 | Amor hai vinto, RV 683: III. Recitativo “In che strano e confuso” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:39 |
2021-07-01 – 2021-07-04 | Amor hai vinto, RV 683: IV. Aria “Se a me rivolge il ciglio” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 5:11 |
2021-07-01 – 2021-07-04 | Cessate, omai cessate, RV 684: I. Recitativo accompagnato “Cessate, omai cessate” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 2:03 |
2021-07-01 – 2021-07-04 | Cessate, omai cessate, RV 684: II. Aria “Ah ch’infelice sempre” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 5:27 |
2021-07-01 – 2021-07-04 | Cessate, omai cessate, RV 684: III. Recitativo accompagnato “A voi dunque ricorro” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:28 |
2021-07-01 – 2021-07-04 | Cessate, omai cessate, RV 684: IV. Aria “Nell’orrido albergo” | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 3:31 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: I. Nisi dominus. Allegro | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 2:36 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: II. Vanum est vobis. Largo | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:23 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: III. Surgite postquam sederitis. Presto | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:36 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: IV. Cum dederit dilectis suis. Andante | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 4:54 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: IX. Amen. Allegro | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:47 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: V. Sicut sagittae. Allegro | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:42 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: VI. Beatus vir. Andante | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:22 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: VII. Gloria patri. Larghetto | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 4:38 |
2021-07-01 – 2021-07-04 | Nisi Dominus, RV 608: VIII. Sicut erat in principio. Allegro | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:05 |
2021-07-01 – 2021-07-04 | Salve Regina, RV 618: I. Salve regina. Andante molto | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 4:17 |
2021-07-01 – 2021-07-04 | Salve Regina, RV 618: II. Ad te clamamus. Allegro | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:29 |
2021-07-01 – 2021-07-04 | Salve Regina, RV 618: III. Ad te suspiramus. Larghetto | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 2:54 |
2021-07-01 – 2021-07-04 | Salve Regina, RV 618: IV. Eia ergo. Allegro | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:22 |
2021-07-01 – 2021-07-04 | Salve Regina, RV 618: V. Et Jesum benedictum. Andante | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 1:48 |
2021-07-01 – 2021-07-04 | Salve Regina, RV 618: VI. O clemens, O pia. Larghetto | countertenor vocals | Tim Mead, Arcangelo, Jonathan Cohen | 2:42 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 1: Recitativo “Or che di negro ammanto” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Hilary Summers, Early Opera Company, Christian Curnyn | 2:15 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 2: Accompagnato “Oh notte! oh cara notte” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 1:05 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 2: Cavatina ed Accompagnato “Notte, amica dei riposi” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 3:12 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 2: Recitativo “Ch’impedito è ogni passo” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 0:42 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 3: Aria “Non sa temere” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 3:50 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 3: Recitativo “E tu cerchi fuggir? perfido, ingrato!” | countertenor vocals [Amadigi di Gaula] | Mary Bevan, Tim Mead, Early Opera Company, Christian Curnyn | 1:27 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 5: Aria “Vado, corro al mio tesoro” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 3:13 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 5: Recitativo “Risveglian queste fiamme il mio coraggio” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Hilary Summers, Early Opera Company, Christian Curnyn | 1:56 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 7: Aria “È sì dolce il mio contento” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 2:39 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 7: Recitativo “Cieli, che fia? qual rumore improvviso” | countertenor vocals [Amadigi di Gaula] | Anna Dennis, Tim Mead, Early Opera Company, Christian Curnyn | 1:17 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 7: Recitativo “In questo istante io provo” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Anna Dennis, Early Opera Company, Christian Curnyn | 0:28 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 8: Recitativo “Cieli! Numi! che miro?” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Hilary Summers, Mary Bevan, Anna Dennis, Early Opera Company, Christian Curnyn | 0:47 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 9: Aria “O rendetemi il mio bene” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 5:35 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 1 Scene 9: Recitativo “Ferma, deh! ferma, oh Dio!” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 0:26 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 1: Aria “Sussurrate, onde vezzose” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 3:15 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 1: Recitativo “Io ramingo men vado” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 0:45 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 1: Recitiativo “Numi! che veggio?” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 1:21 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 3: Aria “T’amai, quant’il mio cor” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Early Opera Company, Christian Curnyn | 5:10 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 3: Recitativo “Chi mai creduto avria” | countertenor vocals [Amadigi di Gaula] | Anna Dennis, Tim Mead, Early Opera Company, Christian Curnyn | 0:23 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 3: Recitativo “Ma qual scampo al mio affanno?” | countertenor vocals [Amadigi di Gaula] | Anna Dennis, Tim Mead, Early Opera Company, Christian Curnyn | 1:08 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 4: Duetto “Crudel, tu non farai” | countertenor vocals [Amadigi di Gaula] | Mary Bevan, Tim Mead, Early Opera Company, Christian Curnyn | 4:41 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 2 Scene 4: Recitativo “Dunque colei, da cui” | countertenor vocals [Amadigi di Gaula] | Tim Mead, Mary Bevan, Early Opera Company, Christian Curnyn | 2:23 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 3 Scene 3: Duetto “Cangia alfine il tuo rigore” | countertenor vocals [Amadigi di Gaula] | Anna Dennis, Tim Mead, Early Opera Company, Christian Curnyn | 5:08 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 3 Scene 3: Recitativo “Se t’offese Oriana” | countertenor vocals [Amadigi di Gaula] | Anna Dennis, Tim Mead, Mary Bevan, Early Opera Company, Christian Curnyn | 1:23 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 3 Scene 5: Recitativo “Che orrore!” | countertenor vocals [Amadigi di Gaula] | Anna Dennis, Tim Mead, Early Opera Company, Christian Curnyn | 0:25 |
2021-11-29 – 2021-12-03 | Amadigi di Gaula, HWV 11, Act 3 Scene 5: Recitativo “Cieli! ingiusti e inclementi!” | countertenor vocals [Amadigi di Gaula] | Mary Bevan, Anna Dennis, Tim Mead, Early Opera Company, Christian Curnyn | 0:48 |
| See all 140 relationships |
| liner notes |
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| Songs & Dances | | Purcell; Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | |
| Songs & Dances | | Purcell; Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch | |
| vocals |
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| Handel: Israel in Egypt | countertenor vocals | George Frideric Handel - Chamber Choir of Europe - Deutsche Händel-Solisten | |
| St. Matthew Passion, BWV 244 | alto vocals | J. S. Bach; De Nederlandse Bachvereniging | |