| 6 Chants polonais, S. 480: 5. Meine Freuden | | | | | | | |
| 6 Romances, op. 38: no. 2 "To Her" | | | | Song | | | |
| 12 Romances, op. 14: no. 2 "The Isle" | | | | Song | | | |
| 12 Romances, op. 21: no. 4 "They Answered" | | | | Song | | | |
| 14 Romances, op. 34 no. 1: The Muse | | | | Song | | | |
| A Mass of Life, part I: III. ‘In dein Auge schaute ich jüngst, O Leben.’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
| | | | | |
| A Mass of Life, part II: I. ‘Herauf! Nun herauf, du großer Mittag!’ | | - The Bach Choir, Andrew Kennedy, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bournemouth Symphony Orchestra, Richard Hickox
| | | | | |
| A Mass of Life, part II: III. ‘La, la, la!...’ | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Orchestra, Sir Charles Groves
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
| | | | | |
| A Mass of Life, part II: IV. ‘Heißer Mittag schläft auf den Fluren.’ – | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
| | | | | |
| A Mass of Life, part II: VI. ‘Kommt. Laßt uns jetzt wandeln!’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
| | | | | |
| Anna Bolena: Atto I | | - Beverly Sills, Shirley Verrett, Patricia Kern
- Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd
- Beverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Patricia Kern
- Beverly Sills, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
| | | | | |
| Anna Bolena: Atto I, Scena 2. “Desta si tosto” (Enrico, Anna, Percy, Rochefort, Hervey) | | - Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel
- Maria Callas, Plinio Clabassi, Gianni Raimondi, Nicola Rossi‐Lemeni, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Ernesto Gavazzi, Jerry Hadley, Samuel Ramey, Giorgio Surian, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
| | | | | |
| Anna Bolena: Atto I, Scena 2. “Io sentii sulla mia mano” (Anna, Enrico, Hervey, Percy, Rochefort) | | - Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel
- Maria Callas, Plinio Clabassi, Gianni Raimondi, Nicola Rossi‐Lemeni, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Ernesto Gavazzi, Jerry Hadley, Samuel Ramey, Giorgio Surian, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
| | | | | |
| Anna Bolena: Atto II | | - Beverly Sills, Shirley Verrett, Robert Tear
- Beverly Sills, Stuart Burrows, Paul Plishka, Robert Tear
- Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear
- Beverly Sills, Stuart Burrows, Patricia Kern, Robert Lloyd
- (show 2 more)
| | | | | |
| Anna Bolena: Atto II, Scena 1. “O mie fedeli” (Anna, Hervey, Coro) | | | | | | | |
| Anna Bolena: Atto II, Scena 2. "Ambo morrete, o perfidi" (Hervey, Enrico, Percy, Anna) | | - Stuart Burrows, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel
- Ernesto Gavazzi, Jerry Hadley, Samuel Ramey, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- Peter Jelosits, Francesco Meli, Anna Netrebko, Ildebrando d’Arcangelo, Orchester der Wiener Staatsoper, Evelino Pidò
| | | | | |
| Anna Bolena: Atto II, Scena 2. "Ebben? Dinanzi ai guidici" (Coro I, Coro II, Tutti, Hervey) | | - John Aldis, The John Alldis Choir, Robert Tear, London Symphony Orchestra, Julius Rudel
- Coro del Teatro alla Scala di Milano, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Chorus of the Welsh National Opera, Ernesto Gavazzi, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 3 more)
| | | | | |
| Anna Bolena: Atto II, Scena 3. “Qual mesto suon? …” (Anna, Hervey, Percy, Rochefort, Smeton, Coro) | | - Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel
- Maria Callas, Gabriella Carturan, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Gianni Raimondi, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Maria Callas
- Chorus of the Welsh National Opera, Ernesto Gavazzi, Jerry Hadley, Bernadette Manca di Nissa, Giorgio Surian, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- (show 5 more)
| | | | | |
| Anna Bolena: Atto II, Scena II. "Stolta! Non sai.." (Enrico, Giovanna, Hervey) | | - Paul Plishka, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel
- Ernesto Gavazzi, Susanne Mentzer, Samuel Ramey, Welsh National Orchestra, Richard Bonynge
- Nicola Rossi‐Lemeni, Luigi Rumbo, Giulietta Simionato, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- Mario Carlin, Plinio Clabassi, Giulietta Simionato, Orchestra sinfonica di Milano della RAI, Gianandrea Gavazzeni
| | | | | |
| Anna Bolena: Atto II, Scena II. “Scostatevi … il Re giunge” (Hervey, Enrico, Anna, Percy) | | - Maria Callas, Gianni Raimondi, Nicola Rossi‐Lemeni, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Stuart Burrows, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel
- Ernesto Gavazzi, Jerry Hadley, Samuel Ramey, Joan Sutherland, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- (show 2 more)
| | | | | |
| Anna Bolena: Atto II, Scena III. "Vivi tu, te ne scongiuro" (Giovanna, Rochefort, Percy, Hervey) | | - Stuart Burrows, Robert Lloyd, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel
- Ernesto Gavazzi, Jerry Hadley, Susanne Mentzer, Giorgio Surian, Welsh National Orchestra, Richard Bonynge
- Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso
- Dan Paul Dumitrescu, Elīna Garanča, Peter Jelosits, Francesco Meli, Orchester der Wiener Staatsoper, Evelino Pidò
| | | | | |
| As I Walked Out | | | | Song | | | |
| Ballad de Jésus Christ | | | | Song | | | |
| Ballad of Heroes, op. 14: III. Recitative and Choral | | | | | | | |
| Be thou exalted, Lord (The King Shall Rejoice) | | - James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest
- Roger Barron, John Bernays, Thomas Carey, Philip Cave, Geoffrey Cryer, Howard Ferguson, Oliver Johnston, William Missin, Theresa Caudle, Paula Chateauneuf, Gary Cooper, Tim Crawford, Sarah Cunningham, Peter Holman, William Hunt, Pauline Nobes, Edward Higginbottom
| | Song | | | |
| Béatrice et Bénédict: Acte I | | - Orchestre de Paris, Daniel Barenboim, Chœur de l'Orchestre de Paris, Arthur Oldham
- Orchestre de Paris, Daniel Barenboim
- Gabriel Bacquier, Chœur de l’Opéra de Lyon, Orchestre de l’Opéra de Lyon, John Nelson
- Baker, Eda‐Pierre, Watts, Tear, Allen, Lloyd, Bastin, John Alldis Choir, London Symphony Orchestra, Colin Davis
- (show 20 more)
| | | | | |
| Béatrice et Bénédict: Acte II | | - Chœur de l’Opéra de Lyon, Orchestre de l’Opéra de Lyon, John Nelson
- Dietrich Fischer‐Dieskau, Orchestre de Paris, Daniel Barenboim, Chœur de l'Orchestre de Paris, Arthur Oldham
- Orchestre de l’Opéra de Lyon, John Nelson
- Susan Graham, Sylvia McNair, Catherine Robbin, Orchestre de l’Opéra de Lyon, John Nelson
- (show 13 more)
| | | | | |
| Béatrice et Bénédict: Overture | | | | Overture | | | |
| Billy Budd: Act I, Scene I. "Come along kid! Come along!" | | | | | | | |
| Billy Budd: Act I, Scene I. "Pull, my bantams!" | | - Eric Garrett, Norman Lumsden, Bryan Drake, David Bowman, Nigel Rogers, Delme Bryn-Jones, Robert Tear, Robert Bowman, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten
- Benjamin Britten
- London Symphony Orchestra, Daniel Harding
| | | | | |
| Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!" | | | | | | | |
| Billy Budd: Act I, Scene III. "Come here. Remember your promise" | | | | | | | |
| Bushes and Briars | | | | | | | |
| By the Waters of Babylon | | | | Song | | | |
| Canticle I, op. 40 "My Beloved Is Mine" | | | | | | | |
| Canticle II, op. 51 "Abraham and Isaac" | | | | | | | |
| Canticle III, op. 55 "Still Falls the Rain - the Raids, 1940, Night and Dawn" | | | | | | | |
| Chanson de quête | | | | Song | | | |
| Come Into the Garden Maud | | | | Song | | | |
| Das klagende Lied: I. Waldmärchen | | | | | | | |
| Das klagende Lied: Part I | | - City of Birmingham Symphony Orchestra, Simon Rattle
- Markus Baur, Susan Dunn, Brigitte Fassbaender, Werner Hollweg, Deutsches Symphonie‐Orchester Berlin, Riccardo Chailly
- San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas
- Arthur Oldham, Stuart Burrows, Grace Hoffman, Evelyn Lear, London Symphony Chorus, London Symphony Orchestra, Pierre Boulez
- (show 5 more)
| | | | | |
| Das klagende Lied: Part II | | - City of Birmingham Symphony Orchestra, Simon Rattle
- Markus Baur, Susan Dunn, Brigitte Fassbaender, Werner Hollweg, Deutsches Symphonie‐Orchester Berlin, Riccardo Chailly
- San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas
- Arthur Oldham, Stuart Burrows, Grace Hoffman, Evelyn Lear, London Symphony Chorus, London Symphony Orchestra, Pierre Boulez
- (show 4 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Stuart Burrows, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
- Martti Talvela, Gösta Winbergh, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti
- Günter von Kannen, Uwe Heilmann, Wilfried Gahmlich, Academy of Ancient Music, Christopher Hogwood
- (show 10 more)
| | | | | |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Academy of Ancient Music, Christopher Hogwood
- Norma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
- Fritz Wunderlich, Bavarian State Opera Orchestra, Erika Köth, Eugen Jochum, Friedrich Lenz, Lotte Schädle
- (show 14 more)
| | | | | |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" | | - English Baroque Soloists, Sir John Eliot Gardiner
- Academy of Ancient Music, Christopher Hogwood
- Norma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, The John Alldis Choir, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
- Kathleen Battle, Chor der Wiener Staatsoper, Edita Gruberová, Martti Talvela, Gösta Winbergh, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti
- (show 17 more)
| | | | | |
| Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange" | | - John McCarthy, Ambrosian Singers, Academy of St Martin in the Fields, Sir Neville Marriner
- Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti
- Norma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, The John Alldis Choir, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis
- The John Alldis Choir, Academy of St Martin in the Fields, Sir Colin Davis
- (show 13 more)
| | | | | |
| Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes | | - Gundula Janowitz, Christa Ludwig, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
- Choir of King’s College, Cambridge, Heather Harper, John Shirley‐Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
- Wiener Philharmoniker, Herbert von Karajan
- Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein
- (show 56 more)
| | | | | |
| Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, Bengt Forsberg, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 8 more)
| | | | | |
| Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 8 more)
| | | | | |
| Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 8 more)
| | | | | |
| Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, Bengt Forsberg, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, Simon Rattle
- Fritz Göllnitz, Julius Katona, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 8 more)
| | | | | |
| Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen
- (show 9 more)
| | | | | |
| Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen
- (show 8 more)
| | | | | |
| Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen
- (show 8 more)
| | | | | |
| Die Winterreise, op. 89, D. 911: I. Gute Nacht | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: II. Die Wetterfahne | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: III. Gefrorne Tränen | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: IV. Erstarrung | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: IX. Irrlicht | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: V. Der Lindenbaum | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: VI. Wasserflut | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: VII. Auf dem Flusse | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: VIII. Rückblick | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: X. Rast | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XI. Frühlingstraum | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XII. Einsamkeit | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XIII. Die Post | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XIV. Der greise Kopf | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XIX. Täuschung | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XV. Die Krähe | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XVI. Letzte Hoffnung | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XVII. Im Dorfe | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XVIII. Der stürmische Morgen | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XX. Der Wegweiser | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XXI. Das Wirtshaus | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XXII. Mut | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XXIII. Die Nebensonnen | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XXIV. Der Leiermann | | | | Song | | | |
| Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Bernard Haitink, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Lucia Popp
- Irmgard Seefried, Erich Kunz, Peter Klein, Wiener Philharmoniker, Herbert von Karajan
- Erich Kunz, Peter Klein, Wiener Philharmoniker, Herbert von Karajan
- (show 45 more)
| | | | | |
| Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) | | - Irmgard Seefried, Ludwig Weber, Wiener Philharmoniker, Herbert von Karajan
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- MDR Rundfunkchor Leipzig, Kurt Moll, Margaret Price, Peter Schreier, Robert Tear, Staatskapelle Dresden, Sir Colin Davis
- Norbert Balatsch, Stuart Burrows, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Gerhard Stolze, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- (show 18 more)
| | | | | |
| Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) | | - Peter Klein, Irmgard Seefried, Erich Kunz, Wiener Philharmoniker, Herbert von Karajan
- Dietrich Fischer‐Dieskau, Evelyn Lear, Friedrich Lenz, Berliner Philharmoniker, Karl Böhm
- English Baroque Soloists, Sir John Eliot Gardiner
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 35 more)
| | | | | |
| Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) | | - Günther Arndt, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm
- Ludwig Weber, Singverein der Gesellschaft der Musikfreunde in Wien, Wiener Philharmoniker, Herbert von Karajan
- Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 32 more)
| | | | | |
| Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) | | - Cvetka Ahlin, Hildegard Hillebrecht, Friedrich Lenz, Roberta Peters, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm
- Peter Klein, Wilma Lipp, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
- English Baroque Soloists, Sir John Eliot Gardiner
- (show 36 more)
| | | | | |
| Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) | | | | Aria | | | |
| Duet for 2 Tenors in E-flat major, K. 384a/389 (Erik Smith completion): "Welch ängstliches Beben" | | | | | | | |
| English Lyrics: Set II, I. "O mistress mine" | | | | | | | |
| English Lyrics: Set II, II. "Take, o take those lips away" | | | | | | | |
| English Lyrics: Set II, III. "No longer mourn for me" | | | | Song | | | |
| English Lyrics: Set II, IV. "Blow, blow, thou winter wind" | | | | | | | |
| English Lyrics: Set II, V. "When icicles hang by the wall" | | | | Song | | | |
| English Lyrics: Set IV, I. "Thine eyes still shine for me" | | | | Song | | | |
| English Lyrics: Set IV, II. "When lovers meet again" | | | | Song | | | |
| English Lyrics: Set IV, III. "When we two parted" | | | | | | | |
| English Lyrics: Set IV, IV. "Weep you no more" | | | | Song | | | |
