| edited |
|---|
| …D’un cahier d’esquisses | Jean-Efflam Bavouzet | 4:27 |
| "Volochayev Days", op. 48: I. Overture. Allegretto | BBC Philharmonic, Василий Серафимович Синайский | 2:05 |
| "Volochayev Days", op. 48: II. The Japanese Attack. Allegretto | BBC Philharmonic, Василий Серафимович Синайский | 3:34 |
| "Volochayev Days", op. 48: III. [Fragment] Allegro - Maestoso - Meno mosso | BBC Philharmonic, Василий Серафимович Синайский | 3:36 |
| “Ah! Belinda, I am prest with torment” | Margaret Faultless, Orchestra of the Age of Enlightenment | 6:40 |
| “Behold, upon my bending spear” – “Haste, haste to town” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:23 |
| “Cupid only throws the dart” | Margaret Faultless, Orchestra of the Age of Enlightenment | 0:40 |
| “Great minds against themselves conspire” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:01 |
| “Grief increases by concealing” | Margaret Faultless, Orchestra of the Age of Enlightenment | 0:51 |
| “If not for mine, for Empire’s sake” – “Pursue thy conquest, love” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:10 |
| “In our deep vaulted cell, the charm we’ll prepare” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:19 |
| “Oft she visits this lone mountain” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:48 |
| “Our next motion” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:16 |
| “Ruin’d ’ere the set of sun?” – “Ho ho ho!” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 2:27 |
| “See the flags and streamers curling” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:02 |
| “See, your royal guest appears” | Margaret Faultless, Orchestra of the Age of Enlightenment | 0:53 |
| “Shake the cloud from off your brow” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:08 |
| “Stay, Prince, and hear great Jove’s command” | Margaret Faultless, Orchestra of the Age of Enlightenment | 2:39 |
| “Thanks to these lonesome vales” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 3:00 |
| “The Queen of Carthage” – “Ho ho ho!” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 0:41 |
| “Then since our charms have sped” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:32 |
| “Thy hand, Belinda, darkness shades me” – “When I am laid in earth” | Margaret Faultless, Orchestra of the Age of Enlightenment | 5:05 |
| “To the hills and vales” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:04 |
| “Whence could so much virtue spring?” | Margaret Faultless, Orchestra of the Age of Enlightenment | 4:22 |
| “With drooping wings ye cupids come” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 4:53 |
| 3 Pieces for a Chamber Organ, Book 2: No. 2. Larghetto in F-Sharp Minor | John Challenger | 5:54 |
| A Boy Was Born, op. 3: Theme. A Boy Was Bor | The Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer | 2:05 |
| A Boy Was Born, op. 3: Variation I. Lullay, Jesu | The Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer | 4:39 |
| A Boy Was Born, op. 3: Variation II. Herod | The Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer | 2:15 |
| A Boy Was Born, op. 3: Variation III. Jesu, As Thou Art Our Saviour | The Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer | 2:56 |
| A Boy Was Born, op. 3: Variation IV. The Three Kings | The Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer | 4:15 |
| A Boy Was Born, op. 3: Variation V. In the Bleak Mid-winter | The Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer | 5:29 |
| A Boy Was Born, op. 3: Variation VI. Noel! (Finale) | The Finzi Singers, Lichfield Cathedral Choristers, Paul Spicer | 9:39 |
| A Ceremony of Carols, op. 28: I. Procession | The Finzi Singers, Susan Drake, Paul Spicer | 1:29 |
| A Ceremony of Carols, op. 28: II. Wolcum Yole! | The Finzi Singers, Susan Drake, Paul Spicer | 1:23 |
| A Ceremony of Carols, op. 28: III. There is no Rose | The Finzi Singers, Susan Drake, Paul Spicer | 2:26 |
| A Ceremony of Carols, op. 28: IVa. That yongë child | The Finzi Singers, Susan Drake, Paul Spicer | 1:41 |
| A Ceremony of Carols, op. 28: IVb. Balulalow | The Finzi Singers, Susan Drake, Paul Spicer | 1:15 |
| A Ceremony of Carols, op. 28: IX. Spring Carol | The Finzi Singers, Susan Drake, Paul Spicer | 1:07 |
| A Ceremony of Carols, op. 28: V. As dew in Aprile | The Finzi Singers, Susan Drake, Paul Spicer | 0:55 |
| A Ceremony of Carols, op. 28: VI. This little Babe | The Finzi Singers, Susan Drake, Paul Spicer | 1:26 |
| A Ceremony of Carols, op. 28: VII. Interlude | Susan Drake | 3:52 |
| A Ceremony of Carols, op. 28: VIII. In Freezing Winter Night | The Finzi Singers, Susan Drake, Paul Spicer | 3:31 |
| A Ceremony of Carols, op. 28: X. Deo Gracias | The Finzi Singers, Susan Drake, Paul Spicer | 1:10 |
| A Ceremony of Carols, op. 28: XI. Recession | The Finzi Singers, Susan Drake, Paul Spicer | 1:38 |
| A Colour Symphony: I. Purple. Andante maestoso | BBC National Orchestra of Wales, Richard Hickox | 6:52 |
| A Colour Symphony: II. Red. Allegro vivace | BBC National Orchestra of Wales, Richard Hickox | 6:55 |
| A Colour Symphony: III. Blue. Gently Flowing | BBC National Orchestra of Wales, Richard Hickox | 9:34 |
| A Colour Symphony: IV. Green. Moderato | BBC National Orchestra of Wales, Richard Hickox | 8:28 |
| A London Symphony (Symphony no. 2): II. Lento (excerpt) | London Symphony Orchestra, Richard Hickox | 3:22 |
| A Song of the Night, Op. 19, No. 1 | Northern Sinfonia, Richard Hickox, Lesley Hatfield | 8:39 |
| A Wedding Anthem, op. 46 | The Finzi Singers, Andrew Lumsden, Paul Spicer | 9:50 |
| Adagio in F major, Hob. XVII:9 | Jean-Efflam Bavouzet | 4:33 |
| Adagio ma non troppo (original slow movement of Piano Trio no. 36, Hob. XV:22) | Jean-Efflam Bavouzet | 4:51 |
| Advance Democracy | The Finzi Singers, Paul Spicer | 3:00 |
| Albert Herring: Act I, Scene 1. "Begging your pardon" | City of London Sinfonia, Richard Hickox | 4:24 |
| Albert Herring: Act I, Scene 1. "Doctor Jessop's midwife..." | City of London Sinfonia, Richard Hickox | 2:33 |
| Albert Herring: Act I, Scene 1. "I hope we're not too early" | City of London Sinfonia, Richard Hickox | 2:42 |
| Albert Herring: Act I, Scene 1. "Interlude" | City of London Sinfonia, Richard Hickox | 3:09 |
| Albert Herring: Act I, Scene 1. "Is this all you can bring?" | City of London Sinfonia, Richard Hickox | 3:12 |
| Albert Herring: Act I, Scene 1. "Now then! Notebook, Florence!" | City of London Sinfonia, Richard Hickox | 2:50 |
| Albert Herring: Act I, Scene 1. "Right! We'll have him!" | City of London Sinfonia, Richard Hickox | 3:04 |
| Albert Herring: Act I, Scene 1. "Stuffy! Tobacco stink!" | City of London Sinfonia, Richard Hickox | 2:46 |
| Albert Herring: Act I, Scene 1. "The first suggestion on my list" | City of London Sinfonia, Richard Hickox | 4:47 |
| Albert Herring: Act I, Scene 1. "The morning room at Lady Billows' house in Loxford" | City of London Sinfonia, Richard Hickox | 2:02 |
| Albert Herring: Act I, Scene 1. "Virtue, says Holy Writ" | City of London Sinfonia, Richard Hickox | 2:04 |
| Albert Herring: Act I, Scene 2. "Bounce me high" | City of London Sinfonia, Richard Hickox | 2:27 |
| Albert Herring: Act I, Scene 2. "Did you ever have a pint at the local?" | City of London Sinfonia, Richard Hickox | 1:41 |
| Albert Herring: Act I, Scene 2. "Good morning, young man!" | City of London Sinfonia, Richard Hickox | 1:42 |
| Albert Herring: Act I, Scene 2. "He's much too busy" | City of London Sinfonia, Richard Hickox | 2:09 |
| Albert Herring: Act I, Scene 2. "Mum wants two penn'oth of potherbs" | City of London Sinfonia, Richard Hickox | 1:36 |
| Albert Herring: Act I, Scene 2. "Shop! Hi! Albert!" | City of London Sinfonia, Richard Hickox | 1:58 |
| Albert Herring: Act I, Scene 2. "Sid I'm sorry but..." | City of London Sinfonia, Richard Hickox | 3:36 |
| Albert Herring: Act I, Scene 2. "We bring great news to you" | City of London Sinfonia, Richard Hickox | 2:50 |
| Albert Herring: Act I, Scene 2. "We'll walk to the spinney" | City of London Sinfonia, Richard Hickox | 2:00 |
| Albert Herring: Act I, Scene 2. "Well, think of that, my lad" | City of London Sinfonia, Richard Hickox | 2:53 |
| Albert Herring: Act II Scene 1. "Albert the Good!" | City of London Sinfonia, Richard Hickox | 2:34 |
| Albert Herring: Act II Scene 1. "As representing our local Council" | City of London Sinfonia, Richard Hickox | 2:03 |
| Albert Herring: Act II Scene 1. "Bring the plates! Quickly now!" | City of London Sinfonia, Richard Hickox | 7:34 |
| Albert Herring: Act II Scene 1. "Erhumph..." | City of London Sinfonia, Richard Hickox | 1:16 |
| Albert Herring: Act II Scene 1. "Go on, Albert!" | City of London Sinfonia, Richard Hickox | 2:08 |
| Albert Herring: Act II Scene 1. "I'm full of happiness" | City of London Sinfonia, Richard Hickox | 3:50 |
| Albert Herring: Act II Scene 1. "My heart leaps up with joy to see" | City of London Sinfonia, Richard Hickox | 2:12 |
| Albert Herring: Act II Scene 2. "Albert the Good!" | City of London Sinfonia, Richard Hickox | 4:51 |
| Albert Herring: Act II Scene 2. "Albert! Albert? Fast asleep, poor kid!" | City of London Sinfonia, Richard Hickox | 3:09 |
| Albert Herring: Act II Scene 2. "Come along, darling" | Richard Hickox | 2:17 |
| Albert Herring: Act II Scene 2. "Heaven helps those who help themselves" | City of London Sinfonia, Richard Hickox | 5:25 |
| Albert Herring: Act II Scene 2. "Why did she stare...?" | City of London Sinfonia, Richard Hickox | 2:51 |
| Albert Herring: Act II Scene 2. "You oughtn't to whistle" | City of London Sinfonia, Richard Hickox | 1:47 |
| Albert Herring: Act II, Scene 1. "Come, let's sit down" | City of London Sinfonia, Richard Hickox | 1:26 |
| Albert Herring: Act II, Scene 1. "For three precious weeks" | City of London Sinfonia, Richard Hickox | 0:54 |
| Albert Herring: Act II, Scene 1. "Husssh!... Harold Wood!" | City of London Sinfonia, Richard Hickox | 1:34 |
| Albert Herring: Act II, Scene 1. "I don't think you ought!" | City of London Sinfonia, Richard Hickox | 1:04 |
| Albert Herring: Act II, Scene 1. "Inside a marquee..." | City of London Sinfonia, Richard Hickox | 2:22 |
| Albert Herring: Act II, Scene 1. "Quick, here they are!" | City of London Sinfonia, Richard Hickox | 2:40 |
| Albert Herring: Act II, Scene 1. "Quickly, quickly" | City of London Sinfonia, Richard Hickox | 3:27 |
| Albert Herring: Act II, Scene 1. "That's a fine sight for sore eyes!" | City of London Sinfonia, Richard Hickox | 2:42 |
| Albert Herring: Act III. "Albert...?" | City of London Sinfonia, Richard Hickox | 2:58 |
| Albert Herring: Act III. "All that I did!" | City of London Sinfonia, Richard Hickox | 2:42 |
| Albert Herring: Act III. "Fools!" | City of London Sinfonia, Richard Hickox | 2:32 |
| See all 1,709 relationships |
| produced |
|---|
| 2010-02-01 – 2010-02-03 | Carmen Fantasy, op. 22 | Michael Collins, Piers Lane | 9:04 |
| 2010-02-01 – 2010-02-03 | Fantasia da concerto su motivi de ‘La traviata’ di G. Verdi, op. 45 | Michael Collins, Piers Lane | 10:09 |
| 2010-02-01 – 2010-02-03 | Grand Duo concertant, op. 48, J 204: I. Allegro con fuoco | Michael Collins, Piers Lane | 8:13 |
| 2010-02-01 – 2010-02-03 | Grand Duo concertant, op. 48, J 204: II. Andante con moto | Michael Collins, Piers Lane | 5:15 |
| 2010-02-01 – 2010-02-03 | Grand Duo concertant, op. 48, J 204: III. Rondo. Allegro | Michael Collins, Piers Lane | 5:58 |
| 2010-02-01 – 2010-02-03 | Il carnevale di Venezia | Michael Collins, Piers Lane | 6:53 |
| 2010-02-01 – 2010-02-03 | Scaramouche, op. 165b: I. Vif | Michael Collins, Piers Lane | 3:01 |
| 2010-02-01 – 2010-02-03 | Scaramouche, op. 165b: II. Modéré | Michael Collins, Piers Lane | 4:11 |
| 2010-02-01 – 2010-02-03 | Scaramouche, op. 165b: III. Brazileira. Mouvement de Samba | Michael Collins, Piers Lane | 2:29 |
| 2010-02-01 – 2010-02-03 | Solo de concours | Michael Collins, Piers Lane | 5:32 |
| 2010-02-01 – 2010-02-03 | Three Preludes: I. Allegro ben ritmato e deciso | Michael Collins, Piers Lane | 1:36 |
| 2010-02-01 – 2010-02-03 | Three Preludes: II. Andante con moto e poco rubato | Michael Collins, Piers Lane | 4:20 |
| 2010-02-01 – 2010-02-03 | Three Preludes: III. Allegro ben ritmato e deciso | Michael Collins, Piers Lane | 1:17 |
| 2010-02-01 – 2010-02-03 | Vocalise, op. 34 no. 14 | Michael Collins, Piers Lane | 5:55 |
| 2011-05-30 – 2011-06-01 | Alternative ending for Part II of Rhapsody no. 1: Agitato | James Ehnes, Andrew Armstrong | 1:23 |
| 2011-05-30 – 2011-06-01 | Andante in A major, BB 26b | James Ehnes, Andrew Armstrong | 4:00 |
| 2011-05-30 – 2011-06-01 | Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: I. “lassú”. Moderato | James Ehnes, Andrew Armstrong | 4:32 |
| 2011-05-30 – 2011-06-01 | Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: II. “friss”. Allegretto moderato | James Ehnes, Andrew Armstrong | 3:47 |
| 2011-05-30 – 2011-06-01 | Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: II. (alternate ending) Accelerando, a tempo | James Ehnes, Andrew Armstrong | 0:24 |
| 2011-05-30 – 2011-06-01 | Rhapsody No. 1 for Violin and Piano, Sz. 86, BB 94a: II. Agitato | James Ehnes, Andrew Armstrong | 2:06 |
| 2011-05-30 – 2011-06-01 | Rhapsody No. 2 for Violin and Piano, Sz. 89, BB 96a: I. “lassú”. Moderato | James Ehnes, Andrew Armstrong | 4:20 |
| 2011-05-30 – 2011-06-01 | Rhapsody No. 2 for Violin and Piano, Sz. 89, BB 96a: II. “friss”. Allegretto moderato | James Ehnes, Andrew Armstrong | 6:11 |
| 2011-05-30 – 2011-06-01 | Sonata No. 1 for Violin and Piano, Op. 21, Sz. 75, BB 84: I. Allegro appassionato | James Ehnes, Andrew Armstrong | 12:23 |
| 2011-05-30 – 2011-06-01 | Sonata No. 1 for Violin and Piano, Op. 21, Sz. 75, BB 84: II. Adagio | James Ehnes, Andrew Armstrong | 11:12 |
| 2011-05-30 – 2011-06-01 | Sonata No. 1 for Violin and Piano, Op. 21, Sz. 75, BB 84: III. Allegro | James Ehnes, Andrew Armstrong | 9:47 |
| 2011-05-30 – 2011-06-01 | Sonata No. 2 for Violin and Piano, Sz. 76, BB 85: I. Molto moderato | James Ehnes, Andrew Armstrong | 8:29 |
| 2011-05-30 – 2011-06-01 | Sonata No. 2 for Violin and Piano, Sz. 76, BB 85: II. Allegretto | James Ehnes, Andrew Armstrong | 11:36 |
| 2014-11-03 – 2014-11-06 | Davidsbündlertänze, op. 6, Book II: X. Balladenmäßig. Sehr rasch | Imogen Cooper | 1:41 |
| “Ah! Belinda, I am prest with torment” | Margaret Faultless, Orchestra of the Age of Enlightenment | 6:40 |
| “Behold, upon my bending spear” – “Haste, haste to town” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:23 |
| “Cupid only throws the dart” | Margaret Faultless, Orchestra of the Age of Enlightenment | 0:40 |
| “Great minds against themselves conspire” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:01 |
| “Grief increases by concealing” | Margaret Faultless, Orchestra of the Age of Enlightenment | 0:51 |
| “If not for mine, for Empire’s sake” – “Pursue thy conquest, love” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:10 |
| “In our deep vaulted cell, the charm we’ll prepare” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:19 |
| “Oft she visits this lone mountain” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:48 |
| “Our next motion” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:16 |
| “Ruin’d ’ere the set of sun?” – “Ho ho ho!” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 2:27 |
| “See the flags and streamers curling” | Margaret Faultless, Orchestra of the Age of Enlightenment | 1:02 |
| “See, your royal guest appears” | Margaret Faultless, Orchestra of the Age of Enlightenment | 0:53 |
| “Shake the cloud from off your brow” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:08 |
| “Stay, Prince, and hear great Jove’s command” | Margaret Faultless, Orchestra of the Age of Enlightenment | 2:39 |
| “Thanks to these lonesome vales” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 3:00 |
| “The Queen of Carthage” – “Ho ho ho!” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 0:41 |
| “Then since our charms have sped” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:32 |
| “Thy hand, Belinda, darkness shades me” – “When I am laid in earth” | Margaret Faultless, Orchestra of the Age of Enlightenment | 5:05 |
| “To the hills and vales” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 1:04 |
| “Whence could so much virtue spring?” | Margaret Faultless, Orchestra of the Age of Enlightenment | 4:22 |
| “With drooping wings ye cupids come” | Margaret Faultless, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment | 4:53 |
| 2 Mazurkas, op. 40: No. 1 in D-flat major: Allegro | Andrey Gugnin | 1:51 |
| 2 Mazurkas, op. 40: No. 2 in F-sharp major: Piacevole | Andrey Gugnin | 1:18 |
| 6 Exotic Preludes, op. 17: Elegy | Nadejda Vlaeva | 5:48 |
| 6 Exotic Preludes, op. 17: Evening Song | Nadejda Vlaeva | 5:48 |
| 6 Exotic Preludes, op. 17: Exotic Dance | Nadejda Vlaeva | 7:49 |
| 6 Exotic Preludes, op. 17: Nocturne-serenade | Nadejda Vlaeva | 6:19 |
| 6 Exotic Preludes, op. 17: Prelude | Nadejda Vlaeva | 6:16 |
| 6 Exotic Preludes, op. 17: Prelude | Nadejda Vlaeva | 6:57 |
| 9 Mazurkas, op. 25: No. 1 in F minor: Allegro | Andrey Gugnin | 3:47 |
| 9 Mazurkas, op. 25: No. 2 in C major: Allegretto | Andrey Gugnin | 3:20 |
| 9 Mazurkas, op. 25: No. 3 in E minor: Lento | Andrey Gugnin | 2:32 |
| 9 Mazurkas, op. 25: No. 4 in E major: Vivo | Andrey Gugnin | 4:21 |
| 9 Mazurkas, op. 25: No. 5 in C-sharp minor: Agitato | Andrey Gugnin | 3:50 |
| 9 Mazurkas, op. 25: No. 6 in F-sharp major: Allegretto | Andrey Gugnin | 2:35 |
| 9 Mazurkas, op. 25: No. 7 in F-sharp minor: Moderato | Andrey Gugnin | 4:48 |
| 9 Mazurkas, op. 25: No. 8 in B major: Allegretto | Andrey Gugnin | 2:33 |
| 9 Mazurkas, op. 25: No. 9 in E-flat minor: Mesto | Andrey Gugnin | 2:46 |
| 10 Impressions, op. 9: Caress | Nadejda Vlaeva | 2:10 |
| 10 Impressions, op. 9: Confession | Nadejda Vlaeva | 2:15 |
| 10 Impressions, op. 9: Desire | Nadejda Vlaeva | 2:56 |
| 10 Impressions, op. 9: Elegance | Nadejda Vlaeva | 5:03 |
| 10 Impressions, op. 9: Embrace | Nadejda Vlaeva | 4:12 |
| 10 Impressions, op. 9: Laughter | Nadejda Vlaeva | 5:08 |
| 10 Impressions, op. 9: Passion | Nadejda Vlaeva | 5:26 |
| 10 Impressions, op. 9: Resignation | Nadejda Vlaeva | 4:03 |
| 10 Impressions, op. 9: Surprise | Nadejda Vlaeva | 6:13 |
| 10 Impressions, op. 9: Waltz-capriccio | Nadejda Vlaeva | 3:36 |
| 10 Mazurkas, op. 3: No. 1 in B minor: Tempo giusto | Andrey Gugnin | 4:13 |
| 10 Mazurkas, op. 3: No. 2 in F-sharp minor: Allegretto non tanto | Andrey Gugnin | 1:50 |
| 10 Mazurkas, op. 3: No. 3 in G minor: Allegretto | Andrey Gugnin | 1:31 |
| 10 Mazurkas, op. 3: No. 4 in E major: Moderato | Andrey Gugnin | 4:48 |
| 10 Mazurkas, op. 3: No. 5 in D-sharp minor: Doloroso | Andrey Gugnin | 5:02 |
| 10 Mazurkas, op. 3: No. 6 in C-sharp minor: Scherzando | Andrey Gugnin | 2:15 |
| 10 Mazurkas, op. 3: No. 7 in E minor: Con passione | Andrey Gugnin | 3:47 |
| 10 Mazurkas, op. 3: No. 8 in B-flat minor: Con moto | Andrey Gugnin | 2:49 |
| 10 Mazurkas, op. 3: No. 9 in G-sharp minor | Andrey Gugnin | 3:52 |
| 10 Mazurkas, op. 3: No. 10 in E-flat minor | Andrey Gugnin | 6:20 |
| 24 Preludes op. 34: I. Moderato | Andrey Gugnin | 1:50 |
| 24 Preludes op. 34: II. Allegretto | Andrey Gugnin | 0:47 |
| 24 Preludes op. 34: III. Andante | Andrey Gugnin | 2:07 |
| 24 Preludes op. 34: IV. Moderato | Andrey Gugnin | 3:02 |
| 24 Preludes op. 34: IX. Presto | Andrey Gugnin | 0:39 |
| 24 Preludes op. 34: V. Allegro vivace | Andrey Gugnin | 0:25 |
| 24 Preludes op. 34: VI. Allegretto | Andrey Gugnin | 1:17 |
| 24 Preludes op. 34: VII. Andante | Andrey Gugnin | 1:43 |
| 24 Preludes op. 34: VIII. Allegretto | Andrey Gugnin | 1:00 |
| 24 Preludes op. 34: X. Moderato non troppo | Andrey Gugnin | 1:56 |
| 24 Preludes op. 34: XI. Allegretto | Andrey Gugnin | 0:48 |
| 24 Preludes op. 34: XII. Allegro non troppo | Andrey Gugnin | 1:13 |
| 24 Preludes op. 34: XIII. Moderato | Andrey Gugnin | 2:13 |
| 24 Preludes op. 34: XIV. Adagio | Andrey Gugnin | 2:34 |
| See all 1,774 relationships |
| edited |
|---|
| A London Symphony | Ralph Vaughan Williams; London Symphony Orchestra, Richard Hickox | |
| Stokowski's Symphonic Baroque | Stokowski; BBC Philharmonic, Matthias Bamert | |
| Violin Concertos | John Veale, Benjamin Britten; Lydia Mordkovitch, BBC Symphony Orchestra, Richard Hickox | |
| mastering |
|---|
| Dvorák: Cello Concerto in B minor / Dohnányi: Konzertstück in D major | Dvořák, Dohnányi; Raphael Wallfisch, London Symphony Orchestra, Sir Charles Mackerras | |
| photography |
|---|
| British Works for Cello and Piano, Volume 4 | Lutyens, Hoddinott, Leighton, Bennett; Paul Watkins, Huw Watkins | |
| British Works for Cello and Piano, Volume 4 | Lutyens, Hoddinott, Leighton, Bennett; Paul Watkins, Huw Watkins | |
| Diabelli Variations / Bagatelles, op. 119 / Für Elise | Beethoven; Imogen Cooper | |
| Diabelli Variations / Bagatelles, op. 119 / Für Elise | Beethoven; Imogen Cooper | |
| produced |
|---|
| 2008-11 | French Bassoon Works | Karen Geoghegan, Philip Edward Fisher | |
| 2009-01-27 – 2009-01-29 | Sweet Torment | Claudio Monteverdi; I Fagiolini, Robert Hollingworth | |
