| vocals |
|---|
| 1998-09-26 – 1998-09-27 | Qual per ignoto calle, Cantata for Alto and Continuo, RV 677: I. Recit: Qual per ignoto calle | alto vocals | Matthew White, Four Nations Ensemble | 1:36 |
| 1998-09-26 – 1998-09-27 | Qual per ignoto calle, Cantata for Alto and Continuo, RV 677: II. Aria: Quel passegier son io | alto vocals | Matthew White, Four Nations Ensemble | 5:00 |
| 1998-09-26 – 1998-09-27 | Qual per ignoto calle, Cantata for Alto and Continuo, RV 677: III. Recit: Deh più non regni | alto vocals | Matthew White, Four Nations Ensemble | 0:59 |
| 1998-09-26 – 1998-09-27 | Qual per ignoto calle, Cantata for Alto and Continuo, RV 677: IV. Aria: Qual doppo lampi | alto vocals | Matthew White, Four Nations Ensemble | 4:47 |
| 1998-10-15 | Mi palpita il cor, Cantata for Alto, Flute, and Continuo: I. Recit: Mi palpita il cor | alto vocals | Matthew White, Four Nations Ensemble | 1:49 |
| 1998-10-15 | Mi palpita il cor, Cantata for Alto, Flute, and Continuo: II. Aria: Ho tanti affanni in petto | alto vocals | Matthew White, Four Nations Ensemble | 7:08 |
| 1998-10-15 | Mi palpita il cor, Cantata for Alto, Flute, and Continuo: III. Recit: Clori di te mi lagno | alto vocals | Matthew White, Four Nations Ensemble | 0:52 |
| 1998-10-15 | Mi palpita il cor, Cantata for Alto, Flute, and Continuo: IV. Se un di m’adora | alto vocals | Matthew White, Four Nations Ensemble | 3:29 |
| 2002-05-13 – 2002-05-16 | In te, Domine, speravi, BuxWV 53 | countertenor vocals | Paul Grindlay, Katherine Hill, Matthew White, Aradia Ensemble, Kevin Mallon | 2:09 |
| 2002-05-13 – 2002-05-16 | Jesu, meine Freud und Lust, BuxWV 59 | countertenor vocals | Matthew White, Aradia Ensemble, Kevin Mallon | 6:49 |
| 2002-05-13 – 2002-05-16 | Jubilate Domino, BuxWV 64 | countertenor vocals | Matthew White, Aradia Ensemble, Kevin Mallon | 9:07 |
| 2002-05-13 – 2002-05-16 | Was frag' ich nach der Welt, BuxWV 104 | countertenor vocals | Paul Grindlay, Katherine Hill, Matthew White, Aradia Ensemble, Kevin Mallon | 7:58 |
| 2002-05-13 – 2002-05-16 | Wenn ich, Herr Jesu, habe dich, BuxWV 107 | countertenor vocals | Matthew White, Aradia Ensemble, Kevin Mallon | 8:28 |
| 2002-05-13 – 2002-05-16 | Wie schmeckt es so lieblich und wohl, BuxWV 108 | countertenor vocals | Paul Grindlay, Katherine Hill, Matthew White, Aradia Ensemble, Kevin Mallon | 9:52 |
| 2002-05-31 – 2002-06-04 | Cantata, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Corale (Alto, Tenore) "Er denket der Barmherzigkeit" | countertenor vocals | Makoto Sakurada, Matthew White, Masaaki Suzuki, Bach Collegium Japan | 1:54 |
| 2002-05-31 – 2002-06-04 | Cantata, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria Duetto (Soprano, Alto) "Er kennt die rechten Freudesstunden" | countertenor vocals | Yukari Nonoshita, Matthew White, Masaaki Suzuki, Bach Collegium Japan | 2:34 |
| 2002-05-31 – 2002-06-04 | Cantata, BWV 178 "Wo Gott der Herr nich bei uns hält": II. Recitativo [& Choral] (Alto) "Was Menschenkraft und -witz anfäht" | countertenor vocals | Matthew White, Masaaki Suzuki, Bach Collegium Japan | 2:15 |
| 2002-05-31 – 2002-06-04 | Cantata, BWV 178 "Wo Gott der Herr nich bei uns hält": V. Choral et Recitativo (Alto, Tenore, Basso) "Auf sperren sie den Rachen weit" | countertenor vocals | Peter Kooij, Makoto Sakurada, Matthew White, Masaaki Suzuki, Bach Collegium Japan | 1:33 |
| 2004-10-20 – 2004-10-23 | Cantata “Bella quanto crudel spietata Irene”: I. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 0:42 |
| 2004-10-20 – 2004-10-23 | Cantata “Bella quanto crudel spietata Irene”: II. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 3:35 |
| 2004-10-20 – 2004-10-23 | Cantata “Bella quanto crudel spietata Irene”: III. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 0:41 |
| 2004-10-20 – 2004-10-23 | Cantata “Bella quanto crudel spietata Irene”: IV. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 3:59 |
| 2004-10-20 – 2004-10-23 | Cantata “Ombre tacite e sole”: I. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 2:11 |
| 2004-10-20 – 2004-10-23 | Cantata “Ombre tacite e sole”: II. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 3:58 |
| 2004-10-20 – 2004-10-23 | Cantata “Ombre tacite e sole”: III. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 1:37 |
| 2004-10-20 – 2004-10-23 | Cantata “Ombre tacite e sole”: IV. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 4:37 |
| 2004-10-20 – 2004-10-23 | Cantata pastorale “Non so qual più m’ingombra”: I. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 2:43 |
| 2004-10-20 – 2004-10-23 | Cantata pastorale “Non so qual più m’ingombra”: II. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 5:05 |
| 2004-10-20 – 2004-10-23 | Cantata pastorale “Non so qual più m’ingombra”: III. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 1:09 |
| 2004-10-20 – 2004-10-23 | Cantata pastorale “Non so qual più m’ingombra”: IV. Aria pastorale | countertenor vocals | Matthew White, Les Voix Baroques | 6:11 |
| 2004-10-20 – 2004-10-23 | Motetto “Infirmata, vulnerata”: I. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 5:31 |
| 2004-10-20 – 2004-10-23 | Motetto “Infirmata, vulnerata”: II. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 0:31 |
| 2004-10-20 – 2004-10-23 | Motetto “Infirmata, vulnerata”: III. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 3:07 |
| 2004-10-20 – 2004-10-23 | Motetto “Infirmata, vulnerata”: IV. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 2:19 |
| 2004-10-20 – 2004-10-23 | Motetto “Infirmata, vulnerata”: V. Recitativo | countertenor vocals | Matthew White, Les Voix Baroques | 0:34 |
| 2004-10-20 – 2004-10-23 | Motetto “Infirmata, vulnerata”: VI. Aria | countertenor vocals | Matthew White, Les Voix Baroques | 1:53 |
| 2006-06-18 – 2006-06-21 | Herz und Mund und Tat und Leben, BWV 147: Air:Schäme dich, o Seele, nicht | countertenor vocals | Matthew White, Montréal Baroque, Eric Milnes | 4:01 |
| 2006-06-18 – 2006-06-21 | Herz und Mund und Tat und Leben, BWV 147: Récitatif: Der höchsten Allmacht Wunderhand | countertenor vocals | Matthew White, Montréal Baroque, Eric Milnes | 2:14 |
| 2006-12 | Agnus Dei | countertenor vocals [Alto] and solo | Matthew White, The Netherlands Bach Society, Jos van Veldhoven | 5:11 |
| 2006-12 | Crucifixus | countertenor vocals [Alto] and solo | Charles Daniels, Peter Harvey, Matthew White, Johannette Zomer, The Netherlands Bach Society, Jos van Veldhoven | 3:21 |
| 2006-12 | Et in unum Dominum | countertenor vocals [Alto] and solo | Dorothee Mields, Matthew White, The Netherlands Bach Society, Jos van Veldhoven | 4:39 |
| 2006-12 | Qui sedes ad dexteram Patris | countertenor vocals [Alto] and solo | Matthew White, The Netherlands Bach Society, Jos van Veldhoven | 4:18 |
| 2006-12 | Qui tollis peccata mundi | countertenor vocals [Alto] and solo | Charles Daniels, Peter Harvey, Matthew White, Johannette Zomer, The Netherlands Bach Society, Jos van Veldhoven | 3:06 |
| Cain, overo il primo omicidio: Aria "Bramo, insieme, e morte e vita" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 2:54 |
| Cain, overo il primo omicidio: Aria "Mascheratevi, o miei sdegni" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 2:22 |
| Cain, overo il primo omicidio: Aria "Miei genitori, addio" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 4:24 |
| Cain, overo il primo omicidio: Aria "Perchè mormora il ruscello" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 4:39 |
| Du wahrer Gott und Davids Sohn, BWV 23: I. Aria Duetto "Du wahrer Gott und Davids Sohn" | alto vocals | Collegium Vocale Gent, Philippe Herreweghe | 5:51 |
| Gesù al Calvario: Aria "A che riserbano i cieli i fulmini" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 7:14 |
| Gesù al Calvario: Aria "Se in te fosse viva fede all veder" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 7:49 |
| Gesù al Calvario: Introduzione | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 4:09 |
| Herz und Mund und Tat und Leben, BWV 147: Chœur: Herz und Mund und Tat und Leben | alto vocals | Charles Daniels, Stephan MacLeod, Monika Mauch, Matthew White, Montréal Baroque, Eric Milnes | 4:01 |
| Herz und Mund und Tat und Leben, BWV 147: Choral: Jesus bleibet meine Freud | alto vocals | Charles Daniels, Stephan MacLeod, Monika Mauch, Matthew White, Montréal Baroque, Eric Milnes | 2:39 |
| Herz und Mund und Tat und Leben, BWV 147: Choral: Wohl mir, dass ich Jesum habe | alto vocals | Charles Daniels, Stephan MacLeod, Monika Mauch, Matthew White, Montréal Baroque, Eric Milnes | 3:43 |
| Jesus nahm zu sich die Zwölfe, BWV 22: II. Aria "Mein Jesu, ziehe mich nach dir" | alto vocals | Collegium Vocale Gent, Philippe Herreweghe | 4:27 |
| Juditha Triumphans: Aria "Agitata infido flatu diu" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 6:05 |
| Juditha Triumphans: Aria "Noli ò cara te adorantis" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 3:31 |
| Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" | alto vocals | Collegium Vocale Gent, Philippe Herreweghe | 3:47 |
| Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alto) "Komm, du süße Todesstunde" | alto vocals | Collegium Vocale Gent, Philippe Herreweghe | 4:42 |
| Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alto) "Der Schluß ist schon gemacht" | alto vocals | Collegium Vocale Gent, Philippe Herreweghe | 2:01 |
| La Passione di Gesù Cristo Signor Nostro: Aria "Giacchè mi tremi in seno" | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 8:05 |
| La Passione di Gesù Cristo Signor Nostro: Introduzione | countertenor vocals [countertenor] and solo | Matthew White, Tafelmusik, Jeanne Lamon | 2:56 |
| Part I: Aria: O thou that tellest (Alto, Chorus) | alto vocals | Tafelmusik Chamber Choir, Matthew White, Tafelmusik, Ivars Taurins | 4:57 |
| Part I: Recitative: Behold, a virgin shall conceive (Alto) | alto vocals | Matthew White, Tafelmusik, Ivars Taurins | 0:22 |
| Part III: O death, where is they sting (Alto, Tenor) | alto vocals | Benjamin Butterfield, Matthew White, Tafelmusik, Ivars Taurins | 1:09 |
| Part III: Recitative: Then shall be brought to pass (Alto) | alto vocals | Matthew White, Tafelmusik, Ivars Taurins | 0:16 |
| Sehet, wir gehn hinauf gen Jerusalem, BWV 159: I. Arioso + Recitativo "Sehet!" | alto vocals | Collegium Vocale Gent, Philippe Herreweghe | 2:51 |
| Sehet, wir gehn hinauf gen Jerusalem, BWV 159: II. Aria [+ Choral] "Ich folge dir nach" | alto vocals | Collegium Vocale Gent, Philippe Herreweghe | 3:55 |
| Wie schön leuchtet der Morgenstern, BWV 1: Choral: Wie bin ich doch so herzlich froh | alto vocals | Charles Daniels, Stephan MacLeod, Monika Mauch, Matthew White, Montréal Baroque, Eric Milnes | 1:20 |
| Wie schön leuchtet der Morgenstern, BWV 1: Choral: Wie schön leuchtet der Morgenstern | alto vocals | Charles Daniels, Stephan MacLeod, Monika Mauch, Matthew White, Montréal Baroque, Eric Milnes | 8:05 |
| vocals |
|---|
| O God, the King of Glory (Anthems) | | Henry Purcell; Matthew White, Julian Podger, Stephen Varcoe, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | |
| St. Matthew Passion, BWV 244 | alto vocals | J. S. Bach; De Nederlandse Bachvereniging | |
