| Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) | | | | Aria | | | |
| Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) | | - Orchestre du Théâtre National de l'Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Nicolai Gedda, Giulietta Simionato, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wilhelm Pitz, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan
- (show 25 more)
| | | | | |
| Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) | | | | Aria | | | |
| Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) | | - Jane Berbié, Maria Callas, Chœur René Duclos, Nicolai Gedda, Nadine Sautereau, Orchestre de l’Opéra national de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado
- Marcia Baldwin, Colette Boky, Marilyn Horne, Metropolitan Opera Orchestra, Leonard Bernstein
- Monique Linval, Geneviève Macaux, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- (show 56 more)
| | | | | |
| Concerto in D minor, Wq. 23, H 427: I. Allegro | | | | | | | |
| Concerto in D minor, Wq. 23, H 427: II. Poco andante | | | | | | | |
| Concerto in D minor, Wq. 23, H 427: III. Allegro assai | | | | | | | |
| Concierto de Aranjuez: I. Allegro con spirito | | | | | | | |
| Concierto de Aranjuez: II. Adagio | | | | | | | |
| Concierto de Aranjuez: III. Allegro gentile | | | | | | | |
| Don Quichotte : Acte I. « Quand la femme a vingt ans » (Dulcinée, chœur) | | | | Aria | | | |
| El combat del somni: I. Damunt de tu, només les flors | | | | | | | |
| El combat del somni: II. Aquesta nit un mateix vent | | | | | | | |
| El combat del somni: III. Jo et pressentia com la mar | | | | | | | |
| El combat del somni: IV. Fes-me la vida transparent | | | | | | | |
| El combat del somni: V. Ara no sé si et veig encar | | | | | | | |
| El desdichado | | | | Song | | | |
| L'Heure espagnole: Scène XVII. « Oh ! la pitoyable aventure ! » | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Dame Janet Baker, Yvonne Minton, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Magdalena Kožená, Hillevi Martinpelto, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras
- (show 7 more)
| | | | | |
| La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia da capo | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Wiener Staatsopernorchester, István Kertész
- Musica ad Rhenum, Jed Wentz
- (show 9 more)
| | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Annio, Sesto, Tito) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Stuart Burrows, Yvonne Minton, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Magdalena Kožená, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
- (show 5 more)
| | Opera | | | |
| La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Servilia! Augusta!" (Tito, Servilia) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Stuart Burrows, Lucia Popp, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Lisa Milne, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
- Academy of Ancient Music, Christopher Hogwood
- Chiara Skerath, Nicky Spence, Orchestre de l’Opéra de Rouen Normandie, Ben Glassberg
| | | | | |
| La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Dame Janet Baker, Robert Lloyd, Yvonne Minton, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Magdalena Kožená, Hillevi Martinpelto, John Relyea, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras
- (show 6 more)
| | | | | |
| La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Dame Janet Baker, Robert Lloyd, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Hillevi Martinpelto, John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
- (show 7 more)
| | | | | |
| La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Dame Janet Baker, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Scottish Chamber Chorus, Scottish Chamber Orchestra, Charles Mackerras
- (show 8 more)
| | | | | |
| La clemenza di Tito, K. 621: Act II, No. 12 Recitativo "Sesto, come tu credi" (Annio, Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Scottish Chamber Chorus, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
- (show 7 more)
| | | | | |
| La clemenza di Tito, K. 621: Act II, No. 15 Recitativo "Già de' pubblici giuochi" (Publio, Tito) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 18 Recitativo "Odimi, oh Sesto; siam soli" (Tito, Sesto) | | - Stuart Burrows, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Magdalena Kožená, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
- Wiener Staatsopernorchester, István Kertész
- Nicky Spence, Anna Stéphany, Orchestre de l’Opéra de Rouen Normandie, Ben Glassberg
| | | | | |
| La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 19 Recitativi "Dove s'intese mai più contumace infedeltà? ... Publio. - Cesare." (Tito, Publio) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, No. 20 Recitativo "Non giova lusingarsi" (Vitellia, Servilia, Annio) | | - Dame Janet Baker, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Hillevi Martinpelto, Lisa Milne, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras
- Academy of Ancient Music, Christopher Hogwood
- Orchester der Oper Zürich, Nikolaus Harnoncourt
- (show 2 more)
| | | | | |
| La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Dame Janet Baker, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Magdalena Kožená, Hillevi Martinpelto, John Relyea, Scottish Chamber Orchestra, Charles Mackerras
- (show 8 more)
| | | | | |
| La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Stuart Burrows, Robert Lloyd, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Magdalena Kožená, John Relyea, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
- (show 9 more)
| | | | | |
| La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Dame Janet Baker, Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Yvonne Minton, Lucia Popp, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Musica ad Rhenum, Jed Wentz
- Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Scottish Chamber Chorus, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras
- (show 7 more)
| | | | | |
| La clemenza di Tito, K. 621: Ouverture | | - London Festival Orchestra, National Symphony Orchestra Olsztyn, Simfonični orkester RTV Slovenija, Igor Gogol, Anton Nanut, Kurt Redel, Alfred Scholz
- English Baroque Soloists, Sir John Eliot Gardiner
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Staatskapelle Dresden, Karl Böhm
- (show 43 more)
| | Overture | | | |
| La Périchole : Acte I. No 5 Séguedille: Le muletier et la jeune personne « Vous a-t-on dit souvent » (Piquillo, La Périchole) | | | | | | | |
| La Périchole : Acte I. No. 4 Complainte de l'Espagnol et de la jeune Indienne « Le conquérant dit à la jeune Indienne » (Piquillo, La Périchole) | | | | | | | |
| La vida breve: Acto I. "Vivan los que ríen" | | - Patricia Petibon, Orquesta Nacional de España, Josep Pons
- Victoria de los Ángeles, Philharmonia Orchestra, Stanford Robinson
- Pilar Lorengar, London Philharmonic Orchestra, Jesús López-Cobos
- Marianne Crebassa, Stanislas de Barbeyrac, Chœur du Capitole de Toulouse, Orchestre national du Capitole de Toulouse, Ben Glassberg
| | | | | |
| Musique de cour d'après Robert de Visée: I. Entrée | | | | | | | |
| Musique de cour d'après Robert de Visée: II. Menuet | | | | | | | |
| Musique de cour d'après Robert de Visée: III. Sarabande | | | | | | | |
| Musique de cour d'après Robert de Visée: IV. Gavotte et Musette | | | | | | | |
| Musique de cour d'après Robert de Visée: V. Passacaille | | | | | | | |
| Musique de cour d'après Robert de Visée: VI. Gigue | | | | | | | |
| Musique de cour d'après Robert de Visée: VII. Air | | | | | | | |
| Musique de cour d'après Robert de Visée: VIII. Finale | | | | | | | |
| The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess) | | | | | | | |
| The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess) | | | | | | | |
| The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess) | | | | | | | |
| The Turn of the Screw: Act I, Variation III / Act I, Scene 4. Air "The Tower" (Governess) | | | | | | | |
| The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose) | | | | | | | |
| The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess) | | | | | | | |
| The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles) | | | | | | | |
| The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose) | | | | | | | |
| The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess | | | | | | | |
| The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess) | | | | | | | |
| The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel) | | | | | | | |
| The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint) | | | | | | | |
| The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint) | | | | | | | |
| The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora) | | | | | | | |
| The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | | | | | | | |
| The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | | | | | | | |
| The Turn of the Screw: Prologue (The Prologue) | | | | | | | |
