| vocals |
|---|
| 1989-10 | Requiem: I. Morti, moriamo ancora... | alto vocals | Ensemble vocal européen, Ralf Popken, Philippe Herreweghe | 2:10 |
| 1989-10 | Requiem: II. Bambino, quando moriro | alto vocals | Ensemble vocal européen, Ralf Popken, Philippe Herreweghe | 4:41 |
| 1989-10 | Requiem: III. Prendimi fra le tue braccia | alto vocals | Ensemble vocal européen, Ralf Popken, Philippe Herreweghe | 2:19 |
| 1989-10 | Requiem: IV. Lieve, lieve, molto lieve | alto vocals | Ensemble vocal européen, Ralf Popken, Philippe Herreweghe | 1:57 |
| 1989-10 | Requiem: V. Padre, Padre | alto vocals | Ensemble vocal européen, Ralf Popken, Philippe Herreweghe | 2:49 |
| 1993-04 | Himmelfahrts-Oratorium, BWV 11: 4. Arie (Altus) «Ach, bleibe doch, mein leibstes Leben» | alto vocals | Ralf Popken, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 6:59 |
| 1993-04 | Himmelfahrts-Oratorium, BWV 11: 7b. Rezitativ (Altus) «Ach ja! So komme bald zurück» | alto vocals | Ralf Popken, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:35 |
| 1993-04 | Oster-Oratorium, BWV 249: 1. Sinfonia | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 4:11 |
| 1993-04 | Oster-Oratorium, BWV 249: 2. Adagio | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 4:13 |
| 1993-04 | Oster-Oratorium, BWV 249: 3. Chor und Duett (Tenor, Baß) «Kommt, eilet und laufet» | alto vocals | Choir of the Age of Enlightenment, Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:37 |
| 1993-04 | Oster-Oratorium, BWV 249: 4. Rezitativ (Altus, Sopran, Tenor, Baß) «O kalter Männer Sinn» | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:55 |
| 1993-04 | Oster-Oratorium, BWV 249: 5. Arie (Sopran) «Seele, deine Spezereien» | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 10:51 |
| 1993-04 | Oster-Oratorium, BWV 249: 6. Rezitativ (Tenor, Baß, Altus) «Hier ist die Gruft» | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:42 |
| 1993-04 | Oster-Oratorium, BWV 249: 7. Arie (Tenor) «Sanfte soll mein Todeskummer» | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 7:28 |
| 1993-04 | Oster-Oratorium, BWV 249: 8. Rezitativ und Arioso (Sopran, Altus) «Indessen seufzen wir mit brennender Begier» | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:53 |
| 1993-04 | Oster-Oratorium, BWV 249: 9. Arie (Altus) «Saget, saget mir geschwinde» | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:52 |
| 1993-04 | Oster-Oratorium, BWV 249: 10. Rezitativ (Baß) «Wir sind erfreut» | alto vocals | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:38 |
| 1993-04 | Oster-Oratorium, BWV 249: 11. Chor und Allegro «Preis und Dank» | alto vocals | Choir of the Age of Enlightenment, Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 2:35 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 1. Chorus: "Lasst uns sorgen, lasst uns wachen" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:55 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 2. Recitative: "Und wo? Wo ist die rechte Bahn" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:41 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 3. AriaL "Schlafe, mein Liebster" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 9:44 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 4. Recitative: "Auf! Folge meiner Bahn" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 1:19 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 5. Aria: "Treues Echo dieser Orten" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:20 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 6. Recitative: "Mein hoffnungsvoller Held" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:54 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 7. Aria: "Auf meinen Flügeln sollst du schweben" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 5:31 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 8. Recitative: "Die weiche Wollust locket zwar" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:37 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 9. Aria: "Ich will dich nicht hören, ich will dich nicht wissen" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 4:28 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 10. Recitative: "Geliebte Tugend, du allein" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 0:46 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 11. Duet: "Ich bin deine" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 8:26 |
| 1994-01 | "Lasst uns sorgen, lasst uns wachen", BWV 213: 12. Accompagnato: "Schaut, Götter, dieses ist ein Bild" | countertenor vocals [countertenor - Hercules] | Barbara Bonney, Choir of the Age of Enlightenment, Ralf Popken, Christoph Prégardien, Richard Wyn Roberts, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | 1:08 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Aria “E vanita d’un cor” (Daliso) | countertenor vocals | Ralf Popken, Capella Savaria, Pál Németh | 4:43 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Aria “Pietoso sguardo” (Daliso) | countertenor vocals | Ralf Popken, Capella Savaria, Pál Németh | 3:21 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Arioso “Si, si lasciami, ingrata” (Daliso) | countertenor vocals | Ralf Popken, Capella Savaria, Pál Németh | 0:37 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Duetto “Si, si / Su, su”: ritornello (Daliso, Amarilli) | countertenor vocals | Ralf Popken, Mária Zádori, Capella Savaria, Pál Németh | 1:17 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Amarilli vezzosa” (Daliso) | countertenor vocals | Ralf Popken, Capella Savaria, Pál Németh | 0:33 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Amarilli, Amarilli” (Daliso) | countertenor vocals | Ralf Popken, Capella Savaria, Pál Németh | 0:32 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Or su gia che ostinato” (Amarilli, Daliso) | countertenor vocals | Ralf Popken, Mária Zádori, Capella Savaria, Pál Németh | 1:35 |
| 1995 | Cantata, HWV 82 “Il duello amoroso”: Recitativo “Si, si crudel” (Daliso, Amarilli) | countertenor vocals | Ralf Popken, Mária Zádori, Capella Savaria, Pál Németh | 0:43 |
| 'Qual nave smarrita' from 'Radamisto' | countertenor vocals | Ralf Popken, Freiburger Barockorchester, Nicholas McGegan | 5:36 |
| Agrippina, Act 1. Aria: Volo pronto (Narciso)/ Recit: Quanto fà (Agrippina) | countertenor vocals [Narciso] | Sally Bradshaw, Ralf Popken, Capella Savaria, Nicholas McGegan | 3:45 |
| Agrippina, Act 1. Arioso: Qual piacer (Nerone) / Recit: Amici al sen (Nerone, Pallante, Narciso, Agrippina) | countertenor vocals [Narciso] | Sally Bradshaw, Michael Dean, Wendy Hill, Ralf Popken, Capella Savaria, Nicholas McGegan | 5:18 |
| Agrippina, Act 1. Recit: Alle tue piante (Ottone, Agrippina, Nerone, Pallante, Narciso) | countertenor vocals [Narciso] | Sally Bradshaw, Michael Dean, Wendy Hill, Drew Minter, Ralf Popken, Capella Savaria, Nicholas McGegan | 3:21 |
| Agrippina, Act 1. Recit: Mà qual di liete trombe (Agrippina, Lesbo, Pallante, Narciso, Nerone) | countertenor vocals [Narciso] | Sally Bradshaw, Michael Dean, Wendy Hill, Ralf Popken, Béla Szilágyi, Capella Savaria, Nicholas McGegan | 2:12 |
| Agrippina, Act 1. Recit: Or che Pallante è vinto (Agrippina, Narciso) | countertenor vocals [Narciso] | Sally Bradshaw, Ralf Popken, Capella Savaria, Nicholas McGegan | 1:57 |
| Agrippina, Act 2. Aria: Coronato il Crin (Ottone)/ Recit: Roma, più ch'il trionfo (Pallante, Narciso, Ottone) | countertenor vocals [Narciso] | Michael Dean, Drew Minter, Ralf Popken, Capella Savaria, Nicholas McGegan | 3:58 |
| Agrippina, Act 2. Aria: Sotto il lauro (Nerone)/ Recit: Scherzo son (Ottone, Narciso, Pallante, Lesbo) | countertenor vocals [Narciso] | Michael Dean, Wendy Hill, Drew Minter, Ralf Popken, Béla Szilágyi, Capella Savaria, Nicholas McGegan | 3:02 |
| Agrippina, Act 2. Aria: Spererò (Narciso)/ Recit: Per dar la pace (Agrippina) | countertenor vocals [Narciso] | Sally Bradshaw, Ralf Popken, Capella Savaria, Nicholas McGegan | 2:31 |
| Agrippina, Act 2. Prelude (Scene 3)/ Recit: (Ecco il superbo!) (Agrippina, Poppea, Nerone, Ottone, Narciso, Pallante) | countertenor vocals [Narciso] | Sally Bradshaw, Michael Dean, Wendy Hill, Drew Minter, Ralf Popken, Lisa Saffer, Capella Savaria, Nicholas McGegan | 1:19 |
| Agrippina, Act 2. Recit: Di giunger non dispero (Agrippina, Narciso) | countertenor vocals [Narciso] | Sally Bradshaw, Ralf Popken, Capella Savaria, Nicholas McGegan | 0:52 |
| Agrippina, Act 2. Recit: Dunque noi siam traditi? (Pallante, Narciso) | countertenor vocals [Narciso] | Michael Dean, Ralf Popken, Capella Savaria, Nicholas McGegan | 0:52 |
| Agrippina, Act 2. Recit: Signor, quanto il mio core (Agrippina, Claudio, Poppea, Nerone, Narciso, Pallante, Ottone) | countertenor vocals [Narciso] | Sally Bradshaw, Michael Dean, Wendy Hill, Nicholas Isherwood, Drew Minter, Ralf Popken, Lisa Saffer, Capella Savaria, Nicholas McGegan | 2:05 |
| Agrippina, Act 3. Recit: Adorato mio sposo (Agrippina, Claudio, Pallante, Narciso) | countertenor vocals [Narciso] | Sally Bradshaw, Michael Dean, Nicholas Isherwood, Ralf Popken, Capella Savaria, Nicholas McGegan | 5:01 |
| Agrippina, Act 3. Recit: Evvi donna più empia? (Pallante, Narciso, Claudio) | countertenor vocals [Narciso] | Michael Dean, Nicholas Isherwood, Ralf Popken, Capella Savaria, Nicholas McGegan | 2:23 |
| Graduale "Benedicta et venerabilis es": IV. Per te Dei genitrix | alto vocals | Antonio Caldara | 3:19 |
| Johannes-Passion BWV 245: "Es ist vollbracht" (Arie) | tenor vocals | Ralf Popken, Das Kleine Konzert, Hermann Max | 4:41 |
| Johannes-Passion BWV 245: "Von den Stricken meiner Sünden" (Arie) | tenor vocals | Ralf Popken, Das Kleine Konzert, Hermann Max | 4:02 |
| Missa Sanctorum Cosmae et Damiani: IId. Domine Deus | alto vocals | Antonio Caldara | 2:26 |
| Motetto "Caro mea vere est cibus" | alto vocals | Antonio Caldara | 3:45 |
| chorus master |
|---|
| 1995-06-07 – 1995-06-11 | Ariodante | | Handel; Lorraine Hunt, Juliana Gondek, Lisa Saffer, Jennifer Lane, Rufus Müller, Nicolas Cavallier, Wilhelmshavener Vokalensemble, Ralf Popken, Freiburger Barockorchester, Nicholas McGegan | |
| 1995-06-07 – 1995-06-11 | Ariodante | | Handel; Lorraine Hunt Lieberson, Juliana Gondek, Lisa Saffer, Jennifer Lane, Rufus Müller, Nicolas Cavallier, Freiburger Barockorchester, Nicholas McGegan | |
| vocals |
|---|
| Cleopatra & Cesare | countertenor vocals | Carl Heinrich Graun; Janet Williams, Iris Vermillion, Lynne Dawson, Robert Gambill, Concerto Köln, René Jacobs | |
