| conducted |
---|
1970-06-08 | False Relationships and the Extended Ending | | Seymour Barab, Richard Fitz, Arnold Fromme, Paul Jacobs, Matthew Raimondi, Yuji Takahashi, Morton Feldman | 16:11 |
1970-12-07 | The Viola in My Life: Part I | | Karen Phillips, Paula Robison, Raymond DesRoches, David Tudor, Anahid Ajemian, Seymour Barab, Morton Feldman | 12:15 |
1970-12-07 | The Viola in My Life: Part II | | Karen Phillips, Paula Robison, Arthur Bloom, Raymond DesRoches, David Tudor, Anahid Ajemian, Seymour Barab, Morton Feldman | 9:55 |
| instruments |
---|
1978-12-17 | Why Patterns? | piano | Eberhard Blum, Jan Williams, Morton Feldman | 30:27 |
| Between Categories | piano | Michael Dietz, Morton Feldman, Hans-Peter Friedrich, Christoph Keller, Ulf Klausenitzer, Wilhelm Schulz, Burkhard Wissemann, Frank Wolff | ?:?? |
| Extensions 3 | piano | Morton Feldman | 7:55 |
| Intermission 5 | piano | Morton Feldman | 3:42 |
| Piano (Three Hands) | piano | Morton Feldman, John Tilbury | 7:54 |
| Piece for Four Pianos | piano | David Tudor, Edwin Hymovitz, Russell Sherman, Morton Feldman | 7:25 |
| vocals |
---|
| Morton Feldman, Earle Brown and Heinz-Klaus Metzger in discussion | spoken vocals | Earle Brown, Morton Feldman, Heinz-Klaus Metzger | ?:?? |
| liner notes |
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1984 | Turfan Fragments | | Morton Feldman; The Orchestra of the S.E.M. Ensemble, Petr Kotik | |
| arranged |
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1960 | Ixion | | | |
| composed |
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1943 | First Piano Sonata (To Bela Bartok) | | | |
1944 | Preludio | | | |
1945 | [Sonata] | | | |
1945 | [Sonata]: I. Allegro | | | |
1945 | [Sonata]: II. Andante affettuoso | | | |
1945 | [Sonata]: III. Allegro vivace | | | |
1945 | Self Portrait | | | |
1947 | Journey to the End of the Night | | | |
1947 | Journey to the End of the Night: I | | | |
1947 | Journey to the End of the Night: II | | | |
1947 | Journey to the End of the Night: III | | | |
1947 | Journey to the End of the Night: IV | | | |
1947 | Only | | | |
1948 | Illusions | | | |
1948 | Illusions: I. Very Fast | | | |
1948 | Illusions: II. Slow & Tranquil | | | |
1948 | Illusions: III. Very Fast | | | |
1948 | Illusions: IV. Very Fast | | | |
1948 | Two Pieces | | | |
1948 | Two Pieces: I. Allegro | | | |
1948 | Two Pieces: II. Intermezzo | | | |
1950 | Composition: 8 Little Pieces | | | |
1950 | Piece for Violin and Piano | | | |
1950 | Projection 1 | | | |
1950 | Three Dances | | | |
1950 | Three Dances: I | | | |
1950 | Three Dances: II | | | |
1950 | Three Dances: III | | | |
1950 | Two Intermissions | | | |
1950 | Two Intermissions: I | | | |
1950 | Two Intermissions: II | | | |
1950 | Wind | | | |
1951 | Extensions 1 | | | |
1951 | Four Songs to e.e. cummings | | | |
1951 | Four Songs to e.e. cummings: !Blac | | | |
1951 | Four Songs to e.e. cummings: (Moan) | | | |
1951 | Four Songs to e.e. cummings: (Sitting in a Tree) | | | |
1951 | Four Songs to e.e. cummings: Air | | | |
1951 | Intermission III | | | |
1951 | Intersection 1 | | | |
1951 | Intersection 2 | | | |
1951 | Jackson Pollock 51 | | | |
1951 | Marginal Intersection | | | |
1951 | Music for "Jackson Pollock" | | | |
1951 | Nature Pieces | | | |
1951 | Nature Pieces: I | | | |
1951 | Nature Pieces: II | | | |
1951 | Nature Pieces: III | | | |
1951 | Nature Pieces: IV | | | |
1951 | Nature Pieces: V | | | |
1951 | Projection 2 | | | |
1951 | Projection 3 | | | |
1951 | Projection 4 | | | |
1951 | Projection 5 | | | |
1951 | Structures for String Quartet | | | |
1951 | Variations | | | |
1952 | Extensions 3 | | | |
1952 | Intermission IV | | | |
1952 | Intermission V | | | |
1952 | Piano Piece (1952) | | | |
1953 | Extensions 4 | | | |
1953 | Extensions 5 | | | |
1953 | Intermission VI | | | |
1953 | Intermission VI | | | |
1953 | Intersection | | | |
1953 | Intersection 3 | | | |
1953 | Intersection 4 | | | |
1954 | Figure of Memory | | | |
1954 | Music for the film "Sculpture by Lipton" | | | |
1954 | Three Pieces | | | |
1954 | Three Pieces: I | | | |
1954 | Three Pieces: II | | | |
1954 | Three Pieces: III | | | |
1954 | Two Pieces for Two Pianos | | | |
1954 | Two Pieces for Two Pianos: I | | | |
1954 | Two Pieces for Two Pianos: II | | | |
1955 | Piano Piece (1955) | | | |
1956 | Piano Piece (1956 A) | | | |
1956 | Piano Piece (1956 B) | | | |
1956 | Three Pieces for String Quartet | | | |
1956 | Three Pieces for String Quartet: I | | | |
1956 | Three Pieces for String Quartet: II | | | |
1956 | Three Pieces for String Quartet: III | | | |
1956 | Two Pieces for Six Instruments | | | |
1956 | Two Pieces for Six Instruments: 1 | | | |
1956 | Two Pieces for Six Instruments: 2 | | | |
1957 | Piano Three Hands | | | |
1957 | Piece for Four Pianos | | | |
1957 | Two Pianos | | | |
1958 | Ixion | | | |
1958 | Ixion | | | |
1958 | Piano Four Hands | | | |
1958 | Two Instruments | | | |
1958 | Work for Two Pianists | | | |
1959 | Atlantis | | | |
1959 | Last Pieces | | | |
1959 | Last Pieces: I | | | |
1959 | Last Pieces: II | | | |
1959 | Last Pieces: III | | | |
1959 | Last Pieces: IV | | | |
| See all 219 relationships |
| dedicated works |
---|
| ...but to fashion a lullaby for you... | | | |
| Companion Piece (for Morton Feldman) | | | |
| Forms: Form 4 | | | |
| Music for Piano 3 | | | |
| Twill by Twilight | | | |
| wrote |
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1968 | Give My Regards to Eighth Street | | | |