| engineered |
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| “Maslenitsa” Overture, op. 36: Lento – Allegro brillante – Presto festivo – Moderato maestoso – Poco meno mosso – Presto festivo | assistant | Orchestre de la Francophonie, Jean‐Philippe Tremblay | 3:08 |
| “Maslenitsa” Overture, op. 36: Lento religioso – Poco più mosso – Allegro brillante – Maestoso – | assistant | Orchestre de la Francophonie, Jean‐Philippe Tremblay | 8:30 |
| “Youth” Overture, op. 50: [Allegro vivace] – Poco meno mosso – Più mosso, accelerando poco a poco – Più mosso | assistant | Orchestre de la Francophonie, Jean‐Philippe Tremblay | 5:48 |
| “Youth” Overture, op. 50: Adagio magnifico – Allegro maestoso – Tempo I – Allegro maestoso – Allegro vivace – Scherzoso – Maestoso – | assistant | Orchestre de la Francophonie, Jean‐Philippe Tremblay | 8:04 |
| Concerto de Québec : I. Allegro moderato | assistant | Jean-Philippe Sylvestre, Orchestre Métropolitain, Alain Trudel | 6:44 |
| Concerto de Québec : II. Andante | assistant | Jean-Philippe Sylvestre, Orchestre Métropolitain, Alain Trudel | 10:12 |
| Concerto de Québec : III. Allegro con brio | assistant | Jean-Philippe Sylvestre, Orchestre Métropolitain, Alain Trudel | 6:12 |
| Concerto pour piano no. 2 en do mineur, op. 18 : I. Moderato | assistant | Jean-Philippe Sylvestre, Orchestre Métropolitain, Alain Trudel | 9:38 |
| Concerto pour piano no. 2 en do mineur, op. 18 : II. Adagio sostenuto | assistant | Jean-Philippe Sylvestre, Orchestre Métropolitain, Alain Trudel | 10:30 |
| Concerto pour piano no. 2 en do mineur, op. 18 : III. Allegro scherzando | assistant | Jean-Philippe Sylvestre, Orchestre Métropolitain, Alain Trudel | 11:15 |
| Symphony, op. 55 “On the Ruins of an Ancient Fort”: I. Andante – Moderato espressivo | assistant | Olivier Charetter, Orchestre de la Francophonie, Jean‐Philippe Tremblay | 15:50 |
| Symphony, op. 55 “On the Ruins of an Ancient Fort”: II. Allegro scherzando | assistant | Olivier Charetter, Orchestre de la Francophonie, Jean‐Philippe Tremblay | 5:51 |
| Symphony, op. 55 “On the Ruins of an Ancient Fort”: III. Largo | assistant | Daniel Venglar, Orchestre de la Francophonie, Jean‐Philippe Tremblay | 13:58 |
| Symphony, op. 55 “On the Ruins of an Ancient Fort”: IV. Allegro con fuoco – Andante misterioso | assistant | Patrick Namur, Orchestre de la Francophonie, Jean‐Philippe Tremblay | 11:59 |
| recording engineer for |
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| Into the Wonder: I. An Infinite Range | assistant | Thunder Bay Symphony Orchestra, Arthur Post | 12:19 |
| Into the Wonder: II. Birth and Death | assistant | Thunder Bay Symphony Orchestra, Arthur Post | 9:41 |
| Into the Wonder: III. That Drives Us Forth... (Ebulient) | assistant | Thunder Bay Symphony Orchestra, Arthur Post | 6:50 |
| Starling: I. Allegro non assai, ma con spontaneita | assistant | Gryphon Trio, Thunder Bay Symphony Orchestra, Arthur Post | 15:21 |
| Starling: II. Largo nobile | assistant | Gryphon Trio, Thunder Bay Symphony Orchestra, Arthur Post | 13:38 |
| Starling: III. Presto, Electric & Wild | assistant | Gryphon Trio, Thunder Bay Symphony Orchestra, Arthur Post | 5:37 |
| sound engineered |
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| 24 Préludes, op. 28, no. 1 in C major. Agitato | assistant | Charles Richard-Hamelin | 0:45 |
| 24 Préludes, op. 28, no. 2 in A minor. Lento | assistant | Charles Richard-Hamelin | 2:34 |
| 24 Préludes, op. 28, no. 3 in G major. Vivace | assistant | Charles Richard-Hamelin | 0:59 |
| 24 Préludes, op. 28, no. 4 in E minor. Largo | assistant | Charles Richard-Hamelin | 2:27 |
| 24 Préludes, op. 28, no. 5 in D major. Allegro molto | assistant | Charles Richard-Hamelin | 0:37 |
| 24 Préludes, op. 28, no. 6 in B minor. Lento assai | assistant | Charles Richard-Hamelin | 2:18 |
| 24 Préludes, op. 28, no. 7 in A major. Andantino | assistant | Charles Richard-Hamelin | 1:04 |
| 24 Préludes, op. 28, no. 8 in F-sharp minor. Molto agitato | assistant | Charles Richard-Hamelin | 2:02 |
| 24 Préludes, op. 28, no. 9 in E major. Largo | assistant | Charles Richard-Hamelin | 1:46 |
| 24 Préludes, op. 28, no. 10 in C-sharp minor. Allegro molto | assistant | Charles Richard-Hamelin | 0:34 |
| 24 Préludes, op. 28, no. 11 in B major. Vivace | assistant | Charles Richard-Hamelin | 0:40 |
| 24 Préludes, op. 28, no. 12 in G-sharp minor. Presto | assistant | Charles Richard-Hamelin | 1:16 |
| 24 Préludes, op. 28, no. 13 in F-sharp major. Lento | assistant | Charles Richard-Hamelin | 3:29 |
| 24 Préludes, op. 28, no. 14 in E-flat minor. Allegro | assistant | Charles Richard-Hamelin | 0:34 |
| 24 Préludes, op. 28, no. 15 in D-flat major. Sostenuto | assistant | Charles Richard-Hamelin | 5:55 |
| 24 Préludes, op. 28, no. 16 in B-flat minor. Presto con fuoco | assistant | Charles Richard-Hamelin | 1:08 |
| 24 Préludes, op. 28, no. 17 in A-flat major. Allegretto | assistant | Charles Richard-Hamelin | 3:05 |
| 24 Préludes, op. 28, no. 18 in F minor. Allegro molto | assistant | Charles Richard-Hamelin | 1:05 |
| 24 Préludes, op. 28, no. 19 in E-flat major. Vivace | assistant | Charles Richard-Hamelin | 1:26 |
| 24 Préludes, op. 28, no. 20 in C minor. Largo | assistant | Charles Richard-Hamelin | 1:52 |
| 24 Préludes, op. 28, no. 21 in B-flat major. Cantabile | assistant | Charles Richard-Hamelin | 1:58 |
| 24 Préludes, op. 28, no. 22 in G minor. Molto agitato | assistant | Charles Richard-Hamelin | 0:51 |
| 24 Préludes, op. 28, no. 23 in F major. Moderato | assistant | Charles Richard-Hamelin | 1:08 |
| 24 Préludes, op. 28, no. 24 in D minor. Allegro appassionato | assistant | Charles Richard-Hamelin | 2:53 |
| Andante spianato et Grande polonaise brillante, op. 22: Andante spianato | assistant | Charles Richard-Hamelin | 4:41 |
| Andante spianato et Grande polonaise brillante, op. 22: Grande polonaise brillante | assistant | Charles Richard-Hamelin | 9:14 |
| Beim Abschied | | Adrianne Pieczonka, Liz Upchurch | 5:06 |
| Der Mond kommt still gegangen, op. 13 no. 4 | | Adrianne Pieczonka, Liz Upchurch | 2:17 |
| Die gute Nacht, die ich dir sage | | Adrianne Pieczonka, Liz Upchurch | 2:40 |
| Die stille Lotosblume, op. 13 no. 6 | | Adrianne Pieczonka, Liz Upchurch | 2:44 |
| Er ist gekommen, op. 12 no. 1 | | Adrianne Pieczonka, Liz Upchurch | 2:31 |
| Ich hab' in deinem Auge, op. 13 no. 5 | | Adrianne Pieczonka, Liz Upchurch | 2:07 |
| Ich stand in dunklen Träumen, op. 13 no. 1 | | Adrianne Pieczonka, Liz Upchurch | 2:32 |
| Liebeszauber, op. 13 no. 3 | | Adrianne Pieczonka, Liz Upchurch | 2:28 |
| Liebst du um Schönheit, op. 12 no. 2 | | Adrianne Pieczonka, Liz Upchurch | 2:28 |
| Mein Stern | | Adrianne Pieczonka, Liz Upchurch | 2:27 |
| Sie liebten sich beide, op. 13 no. 2 | | Adrianne Pieczonka, Liz Upchurch | 1:57 |
| Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt. | assistant | Orchestre symphonique de Montréal, Rafael Payare | 12:05 |
| Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz | assistant | Orchestre symphonique de Montréal, Rafael Payare | 14:06 |
| Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | assistant | Orchestre symphonique de Montréal, Rafael Payare | 17:47 |
| Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam. | assistant | Orchestre symphonique de Montréal, Rafael Payare | 8:56 |
| Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro | assistant | Orchestre symphonique de Montréal, Rafael Payare | 15:06 |
| Warum willst du and’re fragen, op. 12 no. 3 | | Adrianne Pieczonka, Liz Upchurch | 2:32 |