| vocals |
|---|
| 1961 – 1974 | Das Rheingold: Einzug der Götter in Walhall | soprano vocals | Symphony of the Air, Leopold Stokowski | 8:03 |
| 1961 – 1974 | Die Walküre: Walkürenritt | soprano vocals | Symphony of the Air, Leopold Stokowski | 5:47 |
| 1963-04-09 | Andromache's Farewell, Op. 39 | soprano vocals | Martina Arroyo, New York Philharmonic, Thomas Schippers | 12:13 |
| 1964-05-18 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai | soprano vocals | New York Philharmonic, Leonard Bernstein | 26:18 |
| 1964-05-18 | Symphony no. 9 in D minor, op. 125: IVb. Rezitativo: "O freunde, nicht diese töne!", allegro assai | soprano vocals | New York Philharmonic, Leonard Bernstein | 19:08 |
| 1967-02 – 1967-03 | »Wolfgang Amadeus Mozart gilt meine große Liebe«: Don Giovanni: Act I. No. 13 Finale (Excerpt): “Grazie di tanto onore” (Don Ottavio, Leporello, Donna Anna, Donna Elvira) | soprano vocals [Donna Elvira] | Karl Böhm | 1:18 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Air, 1st verse: “To fleeting pleasures make your court” (Dalila) | soprano vocals [Dalila] | George Frideric Handel | 2:25 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Air, 2nd verse: “How charming is domestic ease!” (Dalila) | soprano vocals [Dalila] | George Frideric Handel | 2:26 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Duet: “My faith and truth” (Dalila, Virgin) | soprano vocals [Dalila] | George Frideric Handel | 5:39 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Duet: “Traitor to love!” (Dalila, Samson) | soprano vocals [Dalila] | George Frideric Handel | 1:46 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Recitative: “Forgive what's done” (Dalila) | soprano vocals [Dalila] | George Frideric Handel | 0:41 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Recitative: “Ne'er think of that!” (Samson, Dalila) | soprano vocals [Dalila] | George Frideric Handel | 1:45 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Recitative: “With doubtful feet” (Dalila, Samson) | soprano vocals [Dalila] | George Frideric Handel | 1:45 |
| 1970-02-25 | Requiem: I. Requiem & Kyrie | solo and soprano vocals | Arthur Oldham, Martina Arroyo, Plácido Domingo, London Symphony Chorus, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 10:42 |
| 1970-02-25 | Requiem: II. Dies Irae:Lacrymosa Dies Illa | solo and soprano vocals | Arthur Oldham, Martina Arroyo, Plácido Domingo, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 7:04 |
| 1970-02-25 | Requiem: II. Dies Irae:Quid Sum Miser | solo and soprano vocals | Martina Arroyo, Plácido Domingo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 4:00 |
| 1970-02-25 | Requiem: II. Dies Irae:Recordare, Jesu Pie | solo and soprano vocals | Martina Arroyo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 4:34 |
| 1970-02-25 | Requiem: II. Dies Irae:Rex Tremendae Majestatis | solo and soprano vocals | Arthur Oldham, Martina Arroyo, Plácido Domingo, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 4:05 |
| 1970-02-25 | Requiem: III. Offertorio | solo and soprano vocals | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 11:44 |
| 1970-02-25 | Requiem: V. Agnus Dei | solo and soprano vocals | Arthur Oldham, Martina Arroyo, London Symphony Chorus, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 5:55 |
| 1970-02-25 | Requiem: VII. Libera Me | solo and soprano vocals | Arthur Oldham, Martina Arroyo, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 13:39 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": b. "Imple superna gratia" | solo and soprano vocals [Soprano II] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 3:33 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": c. "Infirma nostri corporis" | solo and soprano vocals [Soprano II] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 2:23 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": e. "Infirma nostri corporis" | solo and soprano vocals [Soprano II] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 2:39 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": f. "Accende lumen sensibus" | solo and soprano vocals [Soprano II] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 5:02 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": g. "Qui Paraclitus diceris" | solo and soprano vocals [Soprano II] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 2:42 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": h. "Gloria sit Patri Domino" | solo and soprano vocals [Soprano II] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 3:02 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": k. "Bei der Liebe, die den Füßen" | solo and soprano vocals [Magna Peccatrix] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 6:12 |
| 1970-06-24 | Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": n. "Alles Vergängliche ist nur ein Gleichnis" | solo and soprano vocals [Soprano II] | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 4:58 |
| 1970-06-24 | Symphony no. 8 in E-flat major: Part I: Hymnus „Veni, creator spiritus“: 1. Allegro Impetuoso | solo and soprano vocals [Soprano II] | Martina Arroyo, Chor des Bayerischen Rundfunks, Franz Crass, Dietrich Fischer‐Dieskau, Donald Grobe, Júlia Hamari, Münchner MotettenChor, Chor des Norddeutschen Rundfunks, Norma Procter, Regensburger Domspatzen, Erna Spoorenberg, Chor des Westdeutschen Rundfunks, Eberhard Kraus, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 21:31 |
| 1970-06-24 | Symphony no. 8 in E-flat major: Part II: Schlußszene aus „Faust“: 3. Äußerst langsam. Adagissimo | solo and soprano vocals [Magna Peccatrix, Soprano I] | Martina Arroyo, Chor des Bayerischen Rundfunks, Franz Crass, Dietrich Fischer‐Dieskau, Donald Grobe, Júlia Hamari, Edith Mathis, Münchner MotettenChor, Chor des Norddeutschen Rundfunks, Norma Procter, Regensburger Domspatzen, Erna Spoorenberg, Chor des Westdeutschen Rundfunks, Eberhard Kraus, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 24:51 |
| 1970-06 | Symphonie no. 8 “Symphonie der Tausend”, Part I Hymnus “Veni, creator spiritus”: I. Allegro Impetuoso “Veni, creator spiritus” | soprano vocals | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 22:09 |
| 1970-06 | Symphonie no. 8 “Symphonie der Tausend”, Part II Schlußszene aus Goethes “Faust”: IIb. Äusserst langsam. Adagissimo “Dir, der Unberührbaren” | soprano vocals | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 24:23 |
| 1973-05 | Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” / “Non sperar, se non m’uccidi” / “Lasciala, indegno!” / “Ah soccorso! son tradito…” / Recitativo “Leporello, ove sei?” (Leporello, Donna Anna, Don Giovanni, Leporello, Il Commendatore) | soprano vocals [Donna Anna] | Martina Arroyo, Wladimiro Ganzarolli, Luigi Roni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:41 |
| 1973-05 | Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:30 |
| 1973-05 | Don Giovanni: Atto I. No. 9 Quartetto “Non ti fidar, oh misera” (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) / Recitativo “Povera sventurata!” (Don Giovanni) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:22 |
| 1973-05 | Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) | soprano vocals [Donna Anna] | Martina Arroyo, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:09 |
| 1973-05 | Don Giovanni: Atto I. No. 10 Recitativo accompagnato “Don Ottavio…son morta!” (Donna Anna, Don Ottavio) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:19 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Bisogna aver coraggio” / No. 13 Finale “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Don Giovanni) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:06 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Ecco il birbo” / No. 13 Finale “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals [Donna Anna] | Richard van Allan, Martina Arroyo, Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:37 |
| 1973-05 | Don Giovanni: Atto I. No. 13 Finale “Venite, pur avanti” / No. 13 Finale Minuetto “Da bravi, via, ballate!” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni) | soprano vocals [Donna Anna] | Richard van Allan, Martina Arroyo, Stuart Burrows, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:57 |
| 1973-05 | Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) / No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:44 |
| 1973-05 | Don Giovanni: Atto I. Recitativo “Mi par ch’ oggi il demonio si diverta” (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, Kiri Te Kanawa, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:03 |
| 1973-05 | Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” / Recitativo “Dunque quello sei tu” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) | soprano vocals [Donna Anna] | Richard van Allan, Martina Arroyo, Stuart Burrows, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 7:34 |
| 1973-05 | Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! – Ah no, mio bene!” (Donna Anna) | soprano vocals [Donna Anna] | Martina Arroyo, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:43 |
| 1973-05 | Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) / Recitativo “Ah, si segua il suo passo” (Don Ottavio) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:24 |
| 1973-05 | Don Giovanni: Atto II. No. 24 Finale “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | soprano vocals [Donna Anna] | Richard van Allan, Martina Arroyo, Stuart Burrows, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:38 |
| 1973-05 | Don Giovanni: Atto II. No. 24 Finale “Or che tutti, o mio tesoro” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) | soprano vocals [Donna Anna] | Richard van Allan, Martina Arroyo, Stuart Burrows, Chorus of the Royal Opera House, Covent Garden, Mirella Freni, Wladimiro Ganzarolli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:05 |
| 1973-05 | Don Giovanni: Atto II. No. 24 Finale “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) | soprano vocals [Donna Anna] | Richard van Allan, Martina Arroyo, Stuart Burrows, Mirella Freni, Wladimiro Ganzarolli, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:42 |
| 1973-05 | Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) | soprano vocals [Donna Anna] | Martina Arroyo, Stuart Burrows, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 0:44 |
| 1973 | I vespri siciliani: Atto I. “Assai nappi vuotammo” | soprano vocals [Elena] | Martina Arroyo, Kenneth Collins, Maria Ewing, James Morris, New Philharmonia Orchestra, James Levine | 1:09 |
| 1973 | I vespri siciliani: Atto I. “D’ira fremo all’aspetto tremendo” | soprano vocals [Elena] | Martina Arroyo, Maria Ewing, Leo Goeke, Sherrill Milnes, New Philharmonia Orchestra, James Levine | 2:24 |
| 1973 | I vespri siciliani: Atto I. “Egli! Oh, ciel!” | soprano vocals [Elena] | Martina Arroyo, Kenneth Collins, Plácido Domingo, Leo Goeke, The John Alldis Choir, James Morris, New Philharmonia Orchestra, James Levine | 0:37 |
| 1973 | I vespri siciliani: Atto I. “In alto mare”; “Deh! tu calma, O Dio possente” | soprano vocals [Elena] | Martina Arroyo, Kenneth Collins, Maria Ewing, Leo Goeke, James Morris, New Philharmonia Orchestra, James Levine | 6:19 |
| 1973 | I vespri siciliani: Atto I. “O donna!” | soprano vocals [Elena] | Martina Arroyo, Maria Ewing, Leo Goeke, Sherrill Milnes, New Philharmonia Orchestra, James Levine | 2:01 |
| 1973 | I vespri siciliani: Atto I. “O mio fratel, Federigo!” | soprano vocals [Elena] | Martina Arroyo, New Philharmonia Orchestra, James Levine | 0:50 |
| 1973 | I vespri siciliani: Atto II. “Cavalier, questo foglio” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Terence Sharpe, New Philharmonia Orchestra, James Levine | 1:35 |
| 1973 | I vespri siciliani: Atto II. “Del piacer s’avanza l’ora!” | soprano vocals [Elena] | Martina Arroyo, Alan Byers, Leo Goeke, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 3:17 |
| 1973 | I vespri siciliani: Atto II. “Miei fidi amici” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:05 |
| 1973 | I vespri siciliani: Atto II. “Per lui non ebbi oltraggio!” | soprano vocals [Elena] | Martina Arroyo, Alan Byers, Leo Goeke, The John Alldis Choir, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:14 |
| 1973 | I vespri siciliani: Atto II. “Presso alla tomba ch’apresi” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 4:20 |
| 1973 | I vespri siciliani: Atto II. “Quale, o prode, al tuo coraggio” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 1:49 |
| 1973 | I vespri siciliani: Atto III, scena 2. “Ah, donna! pietade, amici!” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Leo Goeke, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 2:25 |
| 1973 | I vespri siciliani: Atto III, scena 2. “Arrigo, su te veglia l’amistade!” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 2:43 |
| 1973 | I vespri siciliani: Atto III, scena 2. “Fra ceppi, olà s’adduca ognun” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Leo Goeke, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 3:39 |
| 1973 | I vespri siciliani: Atto IV. “Addio, mia patria amata” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 2:25 |
| 1973 | I vespri siciliani: Atto IV. “Addio, mia patria, invendicato” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:35 |
| 1973 | I vespri siciliani: Atto IV. “Amica man” | soprano vocals [Elena] | Martina Arroyo, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:14 |
| 1973 | I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 3:41 |
| 1973 | I vespri siciliani: Atto IV. “De profundis clamavi ad te” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 2:08 |
| 1973 | I vespri siciliani: Atto IV. “Mi reggi tu, gran Dio!” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:59 |
| 1973 | I vespri siciliani: Atto IV. “Ministro di morte, arresta!” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 0:52 |
| 1973 | I vespri siciliani: Atto IV. “Non fu tua mano, o indegno” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 1:30 |
| 1973 | I vespri siciliani: Atto IV. “O sdegni miei”; “Ah! volgi il guardo” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 1:44 |
| 1973 | I vespri siciliani: Atto IV. “Oh, mia sorpresa, oh, giubilo” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:59 |
| 1973 | I vespri siciliani: Atto IV. “Omai rapito in estasi” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:57 |
| 1973 | I vespri siciliani: Atto IV. “Pensando a me” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 3:33 |
| 1973 | I vespri siciliani: Atto IV. “Se sincero è quell’accento” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 1:26 |
| 1973 | I vespri siciliani: Atto V. “Ah, vieni, il mio mortal dolore” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 2:06 |
| 1973 | I vespri siciliani: Atto V. “Ecco per l’aura spiegasi” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:34 |
| 1973 | I vespri siciliani: Atto V. “In fra noi due s’oppone” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, The John Alldis Choir, Sherrill Milnes, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 1:03 |
| 1973 | I vespri siciliani: Atto V. “La brezza aleggia intorno” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, James Levine | 3:12 |
| 1973 | I vespri siciliani: Atto V. “M’ingannasti, o traditrice” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 3:25 |
| 1973 | I vespri siciliani: Atto V. “Mercè, dilette amiche” | soprano vocals [Elena] | Martina Arroyo, New Philharmonia Orchestra, James Levine | 3:56 |
| 1973 | I vespri siciliani: Atto V. “Perchè? – Senza difesa” | soprano vocals [Elena] | Martina Arroyo, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 2:27 |
| 1973 | I vespri siciliani: Atto V. “Sorte fatal! Oh, fier cimento!” | soprano vocals [Elena] | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 2:51 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 2. “Che v'agita cosi?“ | soprano vocals [Amelia] | Martina Arroyo, Fiorenza Cossotto, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 1:24 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 2. “Consentimi, o Signore” | soprano vocals [Amelia] | Martina Arroyo, Fiorenza Cossotto, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 1:48 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 2. “Della città all'occaso“ | soprano vocals [Amelia] | Martina Arroyo, Fiorenza Cossotto, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 1:29 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 2. “Figlia d'averno, schiudi la chiostra” | soprano vocals [Amelia] | Martina Arroyo, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 0:25 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Ahimè! S'appressa alcun!” | soprano vocals [Amelia] | Martina Arroyo, Piero Cappuccilli, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 2:00 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Ecco l'orrido campo ove s'accoppia” | soprano vocals [Amelia] | Martina Arroyo, New Philharmonia Orchestra, Riccardo Muti | 1:30 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Ma dall'arido stelo divulsa” | soprano vocals [Amelia] | Martina Arroyo, New Philharmonia Orchestra, Riccardo Muti | 5:08 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Non sai tu che se l'anima mia” | soprano vocals [Amelia] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 4:19 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Odi tu come fremono cupi” | soprano vocals [Amelia] | Martina Arroyo, Piero Cappuccilli, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 1:54 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Oh, qual soave brivido” | soprano vocals [Amelia] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 3:39 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Seguitemi” | soprano vocals [Amelia] | Martina Arroyo, Piero Cappuccilli, New Philharmonia Orchestra, Riccardo Muti | 2:38 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Teco io sto” | soprano vocals [Amelia] | Martina Arroyo, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 1:26 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Ve', se di notte qui colla sposa” | soprano vocals [Amelia] | Richard van Allan, Martina Arroyo, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 5:06 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 1. “A tal colpa e nulla il pianto” | soprano vocals [Amelia] | Martina Arroyo, Piero Cappuccilli, New Philharmonia Orchestra, Riccardo Muti | 2:10 |
| See all 146 relationships |
| vocals |
|---|
| Gurrelieder / Suite for String Orchestra | soprano vocals | Schoenberg; János Ferencsik, Norman Del Mar | |
| Missa Solemnis | soprano vocals | Beethoven; Singing City Choirs, Philadelphia Orchestra, Eugene Ormandy | |
