| 12 Deutsche Tänze sammt Trios und Coda | | | | | | | |
| 50 Veränderungen über einen Walzer von Anton Diabelli: Var. XXVI | | | | | | | |
| Anticipations of Scotland, op. 75 "A Grand Fantasia" | | | | | | | |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": I. Introduction. Adagio ma non troppo | | | | | | | |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": II. Kelvin Grove. Andantino con moto | | | | | | | |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": III. Auld Robin Gray. Adagio espressivo | | | | | | | |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": IV. Lord Moira's Strathspey. Allegro moderato | | | | | | | |
| Anticipations of Scotland, op. 75 "A Grand Fantasia": V. Finale. Allegro vivace | | | | | | | |
| Cadenza for Beethoven's Piano Concerto no. 3 in C minor (op. 37), Anh. 4/7 | | | | | | | |
| Cello Sonata no. 2 in E major, op. 121 | | | | Sonata | | | |
| Cello Sonata no. 2 in E major, op. 121: I. Allegro espressivo e appassionato | | | | | | | |
| Cello Sonata no. 2 in E major, op. 121: II. Scherzo. Ballabile. Allegretto quasi Allegro | | | | | | | |
| Cello Sonata no. 2 in E major, op. 121: III. Ballade (in Böhmischer Weise). Andantino | | | | | | | |
| Cello Sonata no. 2 in E major, op. 121: IV. Finale. Allegro vivace, ma non troppo | | | | | | | |
| Characteristic Studies, op. 95 | | | | | | | |
| Characteristic Studies, op. 95: No. 1. Wrath | | | | | | | |
| Characteristic Studies, op. 95: No. 2. Reconciliation | | | | | | | |
| Characteristic Studies, op. 95: No. 3. Contradiction | | | | | | | |
| Characteristic Studies, op. 95: No. 4. Juno | | | | | | | |
| Characteristic Studies, op. 95: No. 5. A Children’s Tale | | | | | | | |
| Characteristic Studies, op. 95: No. 6. Bacchanale | | | | | | | |
| Characteristic Studies, op. 95: No. 7. Affection | | | | | | | |
| Characteristic Studies, op. 95: No. 8. Carnival Scenes “Alla Napolitana’” | | | | | | | |
| Characteristic Studies, op. 95: No. 9. Moonlight on the Sea-Shore | | | | | | | |
| Characteristic Studies, op. 95: No. 10. Terpsichore | | | | | | | |
| Characteristic Studies, op. 95: No. 11. A Dream | | | | | | | |
| Characteristic Studies, op. 95: No. 12. Terror | | | | | | | |
| Concertante for Flute, Oboe and Orchestra in F major | | | | | | | |
| Concertante for Flute, Oboe and Orchestra in F major: I. Adagio patetico | | | | | | | |
| Concertante for Flute, Oboe and Orchestra in F major: II. Rondo (Allegretto grazioso) | | | | | | | |
| Deux Études, op. 98 | | | | | | | |
| Deux Études, op. 98: No. 1. L’Enjouement | | | | | | | |
| Deux Études, op. 98: No. 2. L’Ambition | | | | | | | |
| Deux Études, op. 105 | | | | | | | |
| Deux Études, op. 105: No. 1. Allegro scherzoso | | | | | | | |
| Deux Études, op. 105: No. 2. Allegro feroce | | | | | | | |
| Duo Concertant en Variations Brilliantes | | | | Concerto | | | |
| Étude in F minor, MWV U 125 | | | | | | | |
| Grande Étude de Concert, op. 126 | | | | | | | |
| Les Contrastes, op. 115 | | | | | | | |
| Les Contrastes, op. 115: I. Andante con moto, ma ben accentuato | | | | | | | |
| Les Contrastes, op. 115: II. Fuga. Allegro maestoso | | | | | | | |
| Les Contrastes, op. 115: III. Andante religioso | | | | | | | |
| Les Contrastes, op. 115: IV. Allegretto | | | | | | | |
| Melodisch-Kontrapunktische Studien, op. 137 | | | | | | | |
| Melodisch-Kontrapunktische Studien, op. 137: Nr. 1. Präludium in C major | | | | | | | |
| Melodisch-Kontrapunktische Studien, op. 137: Nr. 4. Präludium in E-flat major | | | | | | | |
| Melodisch-Kontrapunktische Studien, op. 137: Nr. 8. Präludium in D minor | | | | | | | |
| Melodisch-Kontrapunktische Studien, op. 137: Nr. 9. Präludium in C-sharp minor | | | | | | | |
| Piano Concerto no. 1 in F major, op. 45 | | | | Concerto | | | |
| Piano Concerto no. 1 in F major, op. 45: I. Allegro maestoso | | | | | | | |
| Piano Concerto no. 1 in F major, op. 45: II. Adagio | | | | | | | |
| Piano Concerto no. 1 in F major, op. 45: III. Rondo: Allegro vivace | | | | | | | |
| Piano Concerto no. 2 in E-flat major, op. 56 | | | | Concerto | | | |
| Piano Concerto no. 2 in E-flat major, op. 56: I. Allegro moderato | | | | | | | |
| Piano Concerto no. 2 in E-flat major, op. 56: II. Adagio | | | | | | | |
| Piano Concerto no. 2 in E-flat major, op. 56: III. Allegretto. Tempo di polacca | | | | | | | |
| Piano Concerto no. 3 in G major, op. 45 | | | | Concerto | | | |
| Piano Concerto no. 3 in G minor, op. 58 | | | | Concerto | | | |
| Piano Concerto no. 3 in G minor, op. 58: I. Allegro moderato | | | | | | | |
| Piano Concerto no. 3 in G minor, op. 58: II. Adagio | | | | | | | |
| Piano Concerto no. 3 in G minor, op. 58: III. Allegro agitato | | | | | | | |
| Piano Concerto no. 4 in E major, op. 64 | | | | Concerto | | | |
| Piano Concerto no. 4 in E major, op. 64: I. Allegro maestoso | | | | | | | |
| Piano Concerto no. 4 in E major, op. 64: II. Adagio | | | | | | | |
| Piano Concerto no. 4 in E major, op. 64: III. Rondo. Allegretto - Tempo di marcia | | | | | | | |
| Piano Concerto no. 5 in C major, op. 87 | | | | Concerto | | | |
| Piano Concerto no. 5 in C major, op. 87: I. Allegro moderato | | | | | | | |
| Piano Concerto no. 5 in C major, op. 87: II. Adagio non troppo | | | | | | | |
| Piano Concerto no. 5 in C major, op. 87: III. Allegro vivace | | | | | | | |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique" | | | | Concerto | | | |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": I. Allegro con spirito - | | | | | | | |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": II. Andante espressivo - | | | | | | | |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": III. Allegro agitato - | | | | | | | |
| Piano Concerto no. 6 in B-flat major, op. 90 "Fantastique": IV. Vivace | | | | | | | |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique" | | | | Concerto | | | |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique": I. [] | | | | | | | |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique": II. Allegro agitato - | | | | | | | |
| Piano Concerto no. 7 in C minor, op. 93 "Pathétique": III. Allegro con brio | | | | | | | |
| Piano Quintet no. 2 in E major, op. 69 | | | | | | | |
| Quatre Grandes Études de Concert, op. 111 | | | | | | | |
| Quatre Grandes Études de Concert, op. 111: No. 1. Rêverie et Allégresse | | | | | | | |
| Quatre Grandes Études de Concert, op. 111: No. 2. Le Carrillon | | | | | | | |
| Quatre Grandes Études de Concert, op. 111: No. 3. Tendresse et Exaltation | | | | | | | |
| Quatre Grandes Études de Concert, op. 111: No. 4. La Fougue | | | | | | | |
| Recollections of Ireland, op. 69 | | | | | | | |
| Recollections of Ireland, op. 69: I. Fantasia. Allegro moderato | | | | | | | |
| Recollections of Ireland, op. 69: II. The Groves of Blarney. Andante sostenuto espressivo | | | | | | | |
| Recollections of Ireland, op. 69: III. Garry Owen. Allegro | | | | | | | |
| Recollections of Ireland, op. 69: IV. St Patrick's Day | | | | | | | |
| Romance et Tarantelle Brillante, op. 101 | | | | | | | |
