| A quest olmo, a quest ombre et a quest onde, SV. 119 | | | | | | | |
| Amor vittorioso | | | | | | | |
| Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 9 Andantino | | | | | | | |
| Canon for 4 Voices in 1 in F minor, K. 557: Adagio. "Nascoso è il mio sol" | | | | | | | |
| Canto d'Amore | | | | | | | |
| Ciaccona, Op.12 No.20 | | | | | | | |
| Concerto grosso no. 1 in F minor: I. Grave | | | | | | | |
| Concerto grosso no. 1 in F minor: II. Allegro | | | | | | | |
| Concerto grosso no. 1 in F minor: III. Largo | | | | | | | |
| Concerto grosso no. 1 in F minor: IV. Allemande. Allegro | | | | | | | |
| Concerto Per Archi G minor: Affettuoso-Presto | | | | | | | |
| Concerto Per Archi G minor: Allegro | | | | | | | |
| Concerto Per Archi G minor: Largo Affettuoso | | | | | | | |
| Contredanse for Orchestra in G major, K. 610 "Les filles malicieuses": Contredanse | | | | | | | |
| Credo in F major: Credo | | | | | | | |
| Credo in F major: Crucifixus | | | | | | | |
| Credo in F major: Et Resurexit (Presto) | | | | | | | |
| Credo in F major: Et Vitam | | | | | | | |
| Credo in F major: Sanctus (Allegro) | | | | | | | |
| Crucifixus a 8 | | | | | | | |
| Crucifixus a 16 | | | | | | | |
| Damigella tutta bella, SV 235 | | | | Song | | | |
| Davide penitente, K. 469: VIII. Andante, allegro: Aria "Tra l'oscure ombre" | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: I. Die Vorstellung des Chaos | | | | Overture | | | |
| Die Schöpfung, Hob XXI:2: Part I: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grun | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: V. Solo mit Chor: Mit staunen sieht das Wunderwerk | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: VII. Rollend in schäumenden Wellen | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes | | - Gundula Janowitz, Christa Ludwig, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
- Choir of King’s College, Cambridge, Heather Harper, John Shirley‐Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
- Wiener Philharmoniker, Herbert von Karajan
- Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein
- (show 56 more)
| | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XXIII. Rezitativ: Und Gott schuf den Menschen | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XXV. Rezitativ: Und Gott sah jedes Ding | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part III: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part III: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part III: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort | | | | | | | |
| Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen | | | | Cantata | | | |
| Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) | | | | Aria | | | |
| Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus" | | | | | | | |
| Dixit Dominus in G minor, HWV 232: II. Aria "Virgam virtutus tuae" | | | | Aria | | | |
| Dixit Dominus in G minor, HWV 232: III. Aria "Tecum principium" | | | | Aria | | | |
| Dixit Dominus in G minor, HWV 232: IV. Chorus "Juravit Dominus" | | - Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 18 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: IX. Chorus "Gloria Patri, et Filio" | | - Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 18 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: V. Chorus "Tu es sacerdos in aeternum" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 18 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: VI. "Dominus a dextris tuis" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Margaret Marshall, Monteverdi Choir, Richard Morton, Felicity Palmer, Alastair Thompson, David Wilson‐Johnson, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 18 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: VIII. Duet & Chorus "De torrente in via bibet" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- (show 21 more)
| | | | | |
| Festa Riso | | | | | | | |
| Funeral Music on the Death of Queen Mary: I. March, Z. 860 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- The Taverner Choir, Consort & Players, Andrew Parrott
- The King’s Consort, Robert King
- Baroque Brass of London, David Hill
- (show 21 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- Henry Purcell
- The Taverner Choir, Consort & Players, Andrew Parrott
- (show 17 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
- Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- English Baroque Soloists, John Eliot Gardiner
- (show 6 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- The Taverner Choir, Consort & Players, Andrew Parrott
- Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- (show 13 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- Oxford Camerata, Jeremy Summerly, Laurence Cummings
- The King’s Consort, Robert King
- (show 5 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
- The Cambridge Singers, John Rutter
- Oxford Camerata, Jeremy Summerly, Laurence Cummings
- (show 21 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: VII. March, Z. 860 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- The King’s Consort, Robert King
- The Choir of Clare College, Cambridge, Timothy Brown
- (show 3 more)
| | | | | |
| Hear My Prayer, O Lord, Z. 15 | | | | | | | |
| Ich suchte des Nachts in meinem Bette | | | | | | | |
| Il bell'humore | | | | | | | |
| Indica mihi à 6 | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia e Coro "Aus der Tiefen rufe ich, Herr, zu dir" | | - Netherlands Bach Collegium, Pieter Jan Leusink
- Edmund Brownless, Ann Monoyios, Jan Opalach, Steven Rickards, Joshua Rifkin, The Bach Ensemble
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Gerhard Schmidt‐Gaden, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 14 more)
| | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Bass) con Choral "So du willst, Herr, Sünde zurechnen" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn, meine Seele harret" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel hoffe auf den Herrn" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" | | | | | | | |
| L'innamorato | | | | | | | |
| La Didone: Atto Primo: Prologue: Fortuna | | | | | | | |
| La Didone: Atto Primo: Scena Nona: Venere, Fortuna | | | | | | | |
| La Didone: Atto Primo: Scena Ottava: Enea, Ombra Di Ceusa | | | | | | | |
