3 Pieces for Cello and Piano | | | | | | | |
3 Pieces for Cello and Piano: No. 1 in E-flat minor. Modéré | | | | | | | |
3 Pieces for Cello and Piano: No. 2 in A minor. Sans vitesse et à l'aise | | | | | | | |
3 Pieces for Cello and Piano: No. 3 in C-sharp minor. Vite et nerveusement rythmé | | | | | | | |
3 Pieces for Organ | | | | | | | |
3 Pieces for Organ: I. Prélude | | | | | | | |
3 Pieces for Organ: II. Petit Canon | | | | | | | |
3 Pieces for Organ: III. Improvisation | | | | | | | |
16 Waltzes, op. 39 | | | | | | | |
16 Waltzes, op. 39: No. 1 in B major | | | | | | | |
16 Waltzes, op. 39: No. 2 in E major | | | | | | | |
16 Waltzes, op. 39: No. 5 in E major | | | | | | | |
16 Waltzes, op. 39: No. 6 in C-sharp major | | | | | | | |
16 Waltzes, op. 39: No. 10 in G major | | | | | | | |
16 Waltzes, op. 39: No. 14 in G-sharp minor | | | | | | | |
16 Waltzes, op. 39: No. 15 in A-flat major | | | | | | | |
Ach, die Augen sind es wieder | | | | Song | | | |
Allons voir sur le lac d’argent | | | | | | | |
Ardo, avvampo, mi struggo, ardo: accorrete | | | | | | | |
Au bord de la route | | | | | | | |
Aubade | | | | Song | | | |
Cantique | | | | | | | |
Cantique | | | | Song | | | |
Chanson | | | | Song | | | |
Chanson | | | | Song | | | |
Chiome d’oro, bel tesoro, SV 143 | | | | Madrigal | | | |
Doute | | | | Song | | | |
Ecco mormorar l'onde e tremolar le fronde, SV 51 | | | | Madrigal | | | |
Écoutez la chanson bien douce | | | | Song | | | |
Élégie | | | | Song | | | |
Extase | | | | Song | | | |
Fantaisie variée | | | | | | | |
Faust et Hélène | | - BBC Philharmonic, Yan Pascal Tortelier, Bonaventura Bottone, Jason Howard, Lynne Dawson
- Monte Carlo National Opera Orchestra, Monte Carlo National Opera Chorus, Igor Markevitch
- Bonaventura Bottone, Jason Howard, BBC Philharmonic, Yan Pascal Tortelier
- Katarina Dalayman, Benedict Nelson, Samuel Sakker, BBC Symphony Orchestra, James Gaffigan
| | Cantata | | | |
Heures ternes | | | | Song | | | |
Hor che’l ciel e la terra e’l vento tace SV 147 | | | | | | | |
Il ballo delle ingrate in genere representativo, SV 167 | | | | | | | |
Ilda | | | | Song | | | |
J'ai frappé | | | | Song | | | |
J’ai frappé | | | | Song | | | |
L’Échange | | | | Song | | | |
La Mer | | | | Song | | | |
Lamento d'Arianna: I. Lasciatemi morire | | | | | | | |
Lamento della ninfa: II. “Amor”, dicea | | | | | | | |
Le Beau Navire | | | | Song | | | |
Le Couteau | | | | Song | | | |
Les heures claires | | | | Song-cycle | | | |
Les heures claires: I. Le ciel en nuit s'est déplié | | | | Song | | | |
Les heures claires: II. Avec mes sens, avec mon cœur | | | | Song | | | |
Les heures claires: III. Vous m'avez dit | | | | Song | | | |
Les heures claires: IV. Que tes yeux clairs, tes yeux d'été | | | | Song | | | |
Les heures claires: V. C’était en juin… | | | | Song | | | |
Les heures claires: VI. Ta bonté | | | | Song | | | |
Les heures claires: VII. Roses de Juin | | | | Song | | | |
Les heures claires: VIII. S'il arrive jamais | | | | Song | | | |
Liebeslieder-Walzer, op. 52: Nr. 1. Rede, Mädchen, allzu liebes | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Gewandhausorchester, Riccardo Chailly
- (show 21 more)
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Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Gewandhausorchester, Riccardo Chailly
- (show 19 more)
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Liebeslieder-Walzer, op. 52: Nr. 3. O die Frauen | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Horst Günter, Julius Patzak, Clifford Curzon, Hans Gál
- (show 17 more)
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Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Gewandhausorchester, Riccardo Chailly
- (show 19 more)
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Liebeslieder-Walzer, op. 52: Nr. 5. Die grüne Hopfenranke | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Gewandhausorchester, Riccardo Chailly
- (show 19 more)
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Liebeslieder-Walzer, op. 52: Nr. 6. Ein kleiner, hübscher Vogel | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Gewandhausorchester, Riccardo Chailly
- (show 20 more)
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Liebeslieder-Walzer, op. 52: Nr. 7. Wohl schön bewandt war es | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Gabriele Hierdeis, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Irmgard Seefried, Clifford Curzon, Hans Gál
- (show 17 more)
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Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Gewandhausorchester, Riccardo Chailly
- (show 20 more)
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Liebeslieder-Walzer, op. 52: Nr. 9. Am Donaustrande | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- The Prince Consort, Philip Fowke
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- (show 22 more)
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Liebeslieder-Walzer, op. 52: Nr. 10. O, wie sanft die Quelle | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Kathleen Ferrier, Horst Günter, Julius Patzak, Irmgard Seefried, Clifford Curzon, Hans Gál
- (show 18 more)
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Liebeslieder-Walzer, op. 52: Nr. 11. Nein, es ist nicht auszukommen | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Gewandhausorchester, Riccardo Chailly
- (show 21 more)
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Liebeslieder-Walzer, op. 52: Nr. 12. Schlosser auf, und mache Schlösser | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Kathleen Ferrier, Horst Günter, Julius Patzak, Irmgard Seefried, Clifford Curzon, Hans Gál
- (show 18 more)
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Liebeslieder-Walzer, op. 52: Nr. 13. Vöglein durchrauscht die Luft | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Kathleen Ferrier, Irmgard Seefried, Clifford Curzon, Hans Gál
- (show 18 more)
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Liebeslieder-Walzer, op. 52: Nr. 14. Sieh', wie ist die Welle klar | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Horst Günter, Julius Patzak, Clifford Curzon, Hans Gál
- (show 18 more)
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Liebeslieder-Walzer, op. 52: Nr. 15. Nachtigall, sie singt so schön | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Kathleen Ferrier, Horst Günter, Julius Patzak, Irmgard Seefried, Clifford Curzon, Hans Gál
- (show 18 more)
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Liebeslieder-Walzer, op. 52: Nr. 16. Ein dunkeler Schacht ist Liebe | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Kathleen Ferrier, Horst Günter, Julius Patzak, Irmgard Seefried, Clifford Curzon, Hans Gál
- (show 17 more)
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Liebeslieder-Walzer, op. 52: Nr. 17. Nicht wandle, mein Licht | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Daniel Sans, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Julius Patzak, Clifford Curzon, Hans Gál
- (show 19 more)
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Liebeslieder-Walzer, op. 52: Nr. 18. Es bebet das Gesträuche | | - Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel, Wolfgang Sawallisch
- Chamber Choir of Europe, Friederike Haug, Jürgen Meier, Nicol Matt
- NBC Symphony Orchestra, Arturo Toscanini
- Kathleen Ferrier, Horst Günter, Julius Patzak, Irmgard Seefried, Clifford Curzon, Hans Gál
- (show 17 more)
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Lux aeterna | | | | | | | |
Lux aeterna | | | | | | | |
Mon coeur | | | | Song | | | |
O schwöre nicht | | | | Song | | | |
Ohimè dovè il mio ben, dov’è il mio core, SV 140 | | | | Madrigal | | | |
Pastorale | | | | | | | |
Pièce sur des airs populaires flamands | | | | | | | |
Poème d’amour | | | | Song | | | |
Prière | | | | Song | | | |
Psalm XXIV: La terre appartient à l'Éternel | | - Sir John Eliot Gardiner, London Symphony Orchestra, Monteverdi Choir & Julian Podger
- BBC Philharmonic, City of Birmingham Symphony Orchestra Chorus, Yan Pascal Tortelier, Neil MacKenzie
- Martial Defontaine, Chœur Symphonique de Namur, Orchestre philharmonique de Luxembourg, Mark Stringer
- Chorale Elisabeth Brasseur, Orchestre Lamoureux, Igor Markevitch
- (show 3 more)
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Psaume 130 “Du fond de l’abîme” | | - Sir John Eliot Gardiner, London Symphony Orchestra, Monteverdi Choir, Julian Podger & Sally Bruce-Payne
- BBC Philharmonic, City of Birmingham Symphony Orchestra Chorus, Yan Pascal Tortelier, Neil MacKenzie, Ann Murray
- Sonia de Beaufort, Martial Defontaine, Chœur Symphonique de Namur, Orchestre philharmonique de Luxembourg, Mark Stringer
- Chorale Elisabeth Brasseur, Orchestre Lamoureux, Igor Markevitch
- (show 2 more)
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Requiem, op. 48: I. Introït et Kyrie | | - Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Choir of St John’s College, Cambridge, George Guest
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (show 67 more)
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Requiem, op. 48: II. Offertoire | | - Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Choir of St John’s College, Cambridge, George Guest
- Nicholas Gedge, Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (show 64 more)
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Requiem, op. 48: III. Sanctus | | - Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Choir of St John’s College, Cambridge, George Guest
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (show 80 more)
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Requiem, op. 48: IV. Pie Jesu | | | | | | | |
Requiem, op. 48: V. Agnus Dei et Lux Aeterna | | - Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
- Schola Cantorum of Oxford, Colm Carey, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- Choir of St John’s College, Cambridge, George Guest
- (show 76 more)
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Requiem, op. 48: VI. Libera me | | - Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- Choir of St John’s College, Cambridge, George Guest
- (show 76 more)
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Requiem, op. 48: VII. In Paradisum | | - Choir of King’s College, Cambridge, José‐Luis García, Peter Barley, English Chamber Orchestra, Stephen Cleobury
- Oxford Camerata, Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly
- [unknown]
- John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
- (show 112 more)
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Soir d’hiver | | | | Song | | | |
Soleils couchants | | | | Song | | | |
Trois Improvisations | | | | | | | |
Trois Improvisations: III. Improvisation | | | | | | | |
Trois pièces pour piano | | | | | | | |
Trois pièces pour piano : Pièce no. 1 in D minor | | | | | | | |
Trois pièces pour piano : Pièce no. 2 in D minor | | | | | | | |
Trois pièces pour piano : Pièce no. 3 in B minor | | | | | | | |
Trois Pièces: III. Fugue | | | | | | | |
Un grand sommeil noir | | | | Song | | | |