| arranged |
---|
| Sonata for Piano and Cello in D major, op. 78: I. Vivace ma non troppo | | | Dejan Lazić, Pieter Wispelwey | 10:45 |
| Sonata for Piano and Cello in D major, op. 78: II. Adagio: più andante: adagio | | | Dejan Lazić, Pieter Wispelwey | 7:17 |
| Sonata for Piano and Cello in D major, op. 78: III. Allegro molto moderato | | | Dejan Lazić, Pieter Wispelwey | 8:34 |
| Violin Partita no. 2 in D minor, BWV 1004 (arr. J. Brahms): V. Chaconne | | | Jean Rondeau | 11:48 |
| orchestrated |
---|
| Hungarian Dance no. 1 in G minor | | | Vienna Philharmonic Orchestra, Fritz Reiner | 3:23 |
| Hungarian Dance No. 1 in G minor: Allegro molto | | | London Symphony Orchestra, Michael Tilson Thomas | 2:56 |
| Hungarian Dance No. 3 in F major: Allegretto | | | London Symphony Orchestra, Michael Tilson Thomas | 2:23 |
| Hungarian Dance No. 10 in F major: Presto | | | London Symphony Orchestra, Michael Tilson Thomas | 1:47 |
| composed |
---|
| Brahms Meets Jazz | | | Max Grosch Quartet | |
| Brahms: Piano Works Vol. 4 | | | Hardy Rittner | |
| Pablo Casals - Brahms, Dvorak | | | Pau Casals | |
| arranged |
---|
1860 | Theme and Variations in D minor, op. 18b | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 1 in G minor: Allegro molto | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 2 in D minor: Allegro non assai - Vivo | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 3 in F major: Allegretto | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 4 in F minor: Poco sostenuto - Vivace - Molto Allegro | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 5 in F-sharp minor: Allegro | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 6 in D-flat major: Vivace - Molto sostenuto | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 7 in F major: Allegretto | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 8 in A minor: Presto | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 9 in E minor: Allegro non troppo - Poco sostenuto | | | | |
1872 | Hungarian Dance for Solo Piano, WoO 1 no. 10 in E major: Presto | | | | |
1873 | Hungarian Dances for Solo Piano, WoO 1 | | | | |
| 20 Ländler, Anh. Ia/6 | | | | |
| 20 Ländler, Anh. Ia/6: No. 1 | | | | |
| 20 Ländler, Anh. Ia/6: No. 2 | | | | |
| 20 Ländler, Anh. Ia/6: No. 3 | | | | |
| 20 Ländler, Anh. Ia/6: No. 4 | | | | |
| 20 Ländler, Anh. Ia/6: No. 5 | | | | |
| 20 Ländler, Anh. Ia/6: No. 6 | | | | |
| 20 Ländler, Anh. Ia/6: No. 7 | | | | |
| 20 Ländler, Anh. Ia/6: No. 8 | | | | |
| 20 Ländler, Anh. Ia/6: No. 9 | | | | |
| 20 Ländler, Anh. Ia/6: No. 10 | | | | |
| 20 Ländler, Anh. Ia/6: No. 11 | | | | |
| 20 Ländler, Anh. Ia/6: No. 12 | | | | |
| 20 Ländler, Anh. Ia/6: No. 13 | | | | |
| 20 Ländler, Anh. Ia/6: No. 14 | | | | |
| 20 Ländler, Anh. Ia/6: No. 15 | | | | |
| 20 Ländler, Anh. Ia/6: No. 16 | | | | |
| 20 Ländler, Anh. Ia/6: No. 17 | | | | |
| 20 Ländler, Anh. Ia/6: No. 18 | | | | |
| 20 Ländler, Anh. Ia/6: No. 19 | | | | |
| 20 Ländler, Anh. Ia/6: No. 20 | | | | |
| Akademische Fest-Ouvertüre, op. 80 | | | | |
| Ein deutsches Requiem, op. 45 | | | | |
| Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | | | | |
| Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras | | | | |
| Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich | | | | |
| Ein deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen | | | | |
| Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit | | | | |
| Ein deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt | | | | |
| Ein deutsches Requiem, op. 45: VII. Selig sind die Toten | | | | |
| Hamlet Overture, op. 4 | | | | |
| Liebeslieder Waltzes, op. 52a | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 1 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 2 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 3 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 4 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 5 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 6 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 7 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 8 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 9 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 10 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 11 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 12 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 13 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 14 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 15 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 16 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 17 | | | | |
| Liebeslieder Waltzes, op. 52a: Liebeslieder Waltz no. 18 | | | | |
| Neue Liebeslieder, op. 65: Nr. 1. Vezicht, o Herz, auf Rettung | | | | |
| Neue Liebeslieder, op. 65: Nr. 2. Finstere Schatten der Nacht | | | | |
| Neue Liebeslieder, op. 65: Nr. 3. An jeder Hand die Finger | | | | |
| Neue Liebeslieder, op. 65: Nr. 4. Ihr schwarzen Augen | | | | |
| Neue Liebeslieder, op. 65: Nr. 5. Wahre, wahre deinen Sohn | | | | |
| Neue Liebeslieder, op. 65: Nr. 6. Rosen steckt mir an die Mutter | | | | |
| Neue Liebeslieder, op. 65: Nr. 7. Vom Gebirge Well' auf Well' | | | | |
| Neue Liebeslieder, op. 65: Nr. 8. Weiche Gräser im Revier | | | | |
| Neue Liebeslieder, op. 65: Nr. 9. Nagen am Herzen fühl ich | | | | |
| Neue Liebeslieder, op. 65: Nr. 10. Ich kose süss mit der und der | | | | |
| Neue Liebeslieder, op. 65: Nr. 11. Alles, alles in den Wind | | | | |
| Neue Liebeslieder, op. 65: Nr. 12. Schwarzer Wald | | | | |
| Neue Liebeslieder, op. 65: Nr. 13. Nein, Geliebter, setze dich | | | | |
| Neue Liebeslieder, op. 65: Nr. 14. Flammenauge, dunkles Haar | | | | |
| Neue Liebeslieder, op. 65: Nr. 15. Nun, ihr Musen, genug! | | | | |
| Neue Liebeslieder, op. 65a | | | | |
| Piano Quartet in E-flat major, op. 47 | | | | |
| Piano Quartet in E-flat major, op. 47: I. Sostenuto assai - Allegro ma non troppo | | | | |
| Piano Quartet in E-flat major, op. 47: II. Scherzo. Molto vivace - Trio I - Trio II | | | | |
| Piano Quartet in E-flat major, op. 47: III. Andante cantabile | | | | |
| Piano Quartet in E-flat major, op. 47: IV. Finale. Vivace | | | | |
| Quintet for 2 Violins, 2 Violas, and Cello in B minor, op. 115 | | | | |
| Scherzo in E-flat major, Anh. Ia/7 | | | | |
| Serenade no. 1 in D major, op. 11 | | | | |
| Serenade no. 1 in D major, op. 11: I. Allegro molto | | | | |
| Serenade no. 1 in D major, op. 11: II. Scherzo. Allegro non troppo - Trio. Poco più moto | | | | |
| Serenade no. 1 in D major, op. 11: III. Adagio non troppo | | | | |
| Serenade no. 1 in D major, op. 11: IV. Menuetto I – Menuetto II | | | | |
| Serenade no. 1 in D major, op. 11: V. Scherzo. Allegro | | | | |
| Serenade no. 1 in D major, op. 11: VI. Rondo. Allegro | | | | |
| Serenade no. 2 in A major, op. 16 | | | | |
| Serenade no. 2 in A major, op. 16: I. Allegro moderato | | | | |
| Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace – Trio | | | | |
| Serenade no. 2 in A major, op. 16: III. Adagio non troppo | | | | |
| Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto – Trio | | | | |
| Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | | | | |
| Sinfonie Nr. 1 c-Moll, op. 68 | | | | |
| Sinfonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto – Allegro | | | | |
| See all 138 relationships |
| composed |
---|
1851 | 6 Gesänge, op. 7: Nr. 6. Heimkehr | | | | |
1851 | Scherzo in E-flat minor, op. 4 | | | | |
1851 – 1853 | 6 Gesänge, op. 7 | | | | |
1852-11 | Sonata for Piano no. 2 in F-sharp minor, op. 2 | | | | |
1852 | 6 Gesänge, op. 3: Nr. 5. In der Fremde | | | | |
1852 | 6 Gesänge, op. 6: Nr. 1. Spanisches Lied | | | | |
1852 | 6 Gesänge, op. 6: Nr. 2. Der Frühling | | | | |
1852 | 6 Gesänge, op. 6: Nr. 3. Nachwirkung | | | | |
1852 | 6 Gesänge, op. 6: Nr. 4. Juchhe! | | | | |
1852 | 6 Gesänge, op. 7: Nr. 4. Volkslied "Die Schwälble" | | | | |
1852 | 6 Gesänge, op. 7: Nr. 5. Die Trauernde | | | | |
1852 – 1853 | 6 Gesänge, op. 3 | | | | |
1852 – 1853 | 6 Gesänge, op. 6 | | | | |
1852 – 1853 | 6 Gesänge, op. 7: Nr. 1. Treue Liebe | | | | |
1853 | 6 Gesänge, op. 3: Nr. 1. Liebestreu | | | | |
1853 | 6 Gesänge, op. 3: Nr. 1. Liebestreu | | | | |
1853 | 6 Gesänge, op. 3: Nr. 2. Liebe und Frühling I "Wie sich Rebenranken schwingen" | | | | |
1853 | 6 Gesänge, op. 3: Nr. 3. Liebe und Fruhling II "Ich muß hinaus, ich muß zu dir" | | | | |
1853 | 6 Gesänge, op. 3: Nr. 4. Lied aus dem Gedicht "Ivan" | | | | |
1853 | 6 Gesänge, op. 3: Nr. 6. Lied | | | | |
1853 | 6 Gesänge, op. 6: Nr. 5. Wie die Wolke nach der Sonne | | | | |
1853 | 6 Gesänge, op. 6: Nr. 6. Nachtigallen schwingen | | | | |
1853 | 6 Gesänge, op. 7: Nr. 2. Parole | | | | |
1853 | 6 Gesänge, op. 7: Nr. 3. Anklänge | | | | |
1853 | Albumblatt a-Moll | | | | |
1853 | F-A-E Sonata: III. Scherzo c-moll | | | | |
1853 | F-A-E Sonata: III. Scherzo c-moll | | | | |
1853 | Hymne zur Verherrlichung des grossen Joachim | | | | |
1853 | Sonata for Piano no. 1 in C major, op. 1 | | | | |
1853 | Sonata for Piano no. 1 in C major, op. 1: I. Allegro | | | | |
1853 | Sonata for Piano no. 1 in C major, op. 1: II. Andante (nach einem altdeutschen Minneliede) | | | | |
1853 | Sonata for Piano no. 1 in C major, op. 1: III. Scherzo. Allegro molto e con fuoco - Più mosso | | | | |
1853 | Sonata for Piano no. 1 in C major, op. 1: IV. Finale. Allegro con fuoco | | | | |
1853 | Sonata for Piano no. 2 in F-sharp minor, op. 2: I. Allegro non troppo ma energico | | | | |
1853 | Sonata for Piano no. 2 in F-sharp minor, op. 2: II. Andante con espressione | | | | |
1853 | Sonata for Piano no. 2 in F-sharp minor, op. 2: III. Scherzo. Allegro - Poco più moderato | | | | |
1853 | Sonata for Piano no. 2 in F-sharp minor, op. 2: IV. Finale. Introduzione. Sostenuto - Allegro non troppo e rubato - Molto sostenuto | | | | |
1853 | Sonata for Piano no. 3 in F minor, op. 5 | | | | |
1853 | Sonata for Piano no. 3 in F minor, op. 5: I. Allegro maestoso | | | | |
1853 | Sonata for Piano no. 3 in F minor, op. 5: II. Andante. Andante espressivo - Andante molto | | | | |
1853 | Sonata for Piano no. 3 in F minor, op. 5: III. Scherzo. Allegro energico | | | | |
1853 | Sonata for Piano no. 3 in F minor, op. 5: IV. Intermezzo. Andante molto | | | | |
1853 | Sonata for Piano no. 3 in F minor, op. 5: V. Finale. Allegro moderato ma rubato | | | | |
1853 – 1857 | Two Sets of Variations for piano, op. 21 | | | | |
1854 | Ballades, op. 10 | | | | |
1854 | Ballades, op. 10: No. 1 in D minor "Edward" | | | | |
1854 | Ballades, op. 10: No. 2 in D major. Andante | | | | |
1854 | Ballades, op. 10: No. 3 in B minor. Intermezzo. Allegro | | | | |
1854 | Ballades, op. 10: No. 4 in B major. Andante con moto | | | | |
1854 | Variations in F-sharp minor on a Theme by Robert Schumann, op. 9 | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Thema: Ziemlich langsam | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation I | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation II: Poco più moto, espressivo/staccato e leggiero | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation III: Tempo di tema | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation IV: Poco più moto, espressivo/leggiero | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation IX: Schnell | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation V: Allegro capriccioso | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation VI: Allegro | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation VII: Andante | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation VIII: Andante (non troppo lento), espressivo | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation X: Poco adagio, espressivo dolce | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation XI: Un poco più animato, sempre pianissimo dolcissimo | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation XII: Allegretto, poco scherzando, staccato e leggiero | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation XIII: Non troppo presto, molto leggiero | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation XIV: Andante, espressivo/staccato e leggiero | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation XV: Poco adagio, espressivo | | | | |
1854 | Variations on a Theme of Robert Schumann, op. 9: Variation XVI: Adagio | | | | |
1854 – 1859 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15 | | | | |
1854 – 1859 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | | | | |
1854 – 1859 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | | | | |
1854 – 1859 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | | | | |
1855 | Sarabande in A minor, WoO posth. 5 no. 1 | | | | |
1855 | Zwei Giguen für Klavier | | | | |
1855 | Zwei Sarabanden für Klavier | | | | |
1855 – 1875 | Piano Quartet no. 3 in C minor, op. 60 | | | | |
1855 – 1875 | Piano Quartet no. 3 in C minor, op. 60: I. Allegro non troppo | | | | |
1855 – 1875 | Piano Quartet no. 3 in C minor, op. 60: II. Scherzo. Allegro | | | | |
1855 – 1875 | Piano Quartet no. 3 in C minor, op. 60: III. Andante | | | | |
1855 – 1875 | Piano Quartet no. 3 in C minor, op. 60: IV. Finale. Allegro comodo | | | | |
1855 – 1876 | Sinfonie Nr. 1 c-Moll, op. 68 | | | | |
1855 – 1876 | Sinfonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto – Allegro | | | | |
1855 – 1876 | Sinfonie Nr. 1 c-Moll, op. 68: II. Andante sostenuto | | | | |
1855 – 1876 | Sinfonie Nr. 1 c-Moll, op. 68: III. Un poco allegretto e grazioso | | | | |
1855 – 1876 | Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio | | | | |
1856 | Geistliches Lied, op. 30 | | | | |
1856 | O Heart Subdued With Grieving | | | | |
1856 – 1861 | Piano Quartet no. 1 in G minor, op. 25 | | | | |
1856 – 1861 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | | | | |
1856 – 1861 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo. Allegro ma non troppo – Trio. Animato | | | | |
1856 – 1861 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | | | | |
1856 – 1861 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla Zingarese. Presto | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Thema. Poco larghetto, poco forte, molto espressivo e legato | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation I | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation II | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation III | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation IV | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation IX: Dolce | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation V: Con espressione | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation VI | | | | |
1857 | Variations on a Hungarian Song, op. 21 no. 2: Variation VII: Poco più lento, dolce espressivo/quasi pizzicato | | | | |
| See all 1,838 relationships |
| dedicated works |
---|
| An Irish Lullaby | | | | |
| Die Kunst einer Fuge: III. Alt-Rhapsodie für Johannes Brahms | | | | |
| Elegy for Brahms | | | | |
| Etude en forme de variations, op. 17 | | | | |
| Piano Trio no. 1 in C major, op. 22 | | | | |
| Six morceaux pour le piano, op. 24: Nr. 6. Rhapsodie e-moll (Den Manen J.Brahms) | | | | |
| Smyčcový kvartet č. 9 d moll, op. 34, B. 75 | | | | |
| Symphony no. 1 in E-flat major, op. 28 | | | | |
| Trio for Violin, Horn, and Piano | | | | |
| Violin Concerto in D minor in the Hungarian Style, op. 11 | | | | |
| instruments arranged |
---|
1855 | Overture to Shakespeare's Henry IV, Anh. 1a/5 | | piano | | |
1869 | 5 Studies, Anh. 1a | | piano | | |
1877 | Five Studies, anh. Ia/1: 5. Chaconne by J. S. Bach | | piano | | |
1895 | Sonata in D minor, op. 120 no. 1 | | violin | | |
1895 | Sonata no. 1 in F minor, op. 120 no. 1 | | viola | | |
1895 | Sonata no. 1 in F minor, op. 120 no. 1: I. Allegro appassionato - Sostenuto ed espressivo | | viola | | |
1895 | Sonata no. 1 in F minor, op. 120 no. 1: II. Andante un poco adagio | | viola | | |
1895 | Sonata no. 1 in F minor, op. 120 no. 1: III. Allegretto grazioso | | viola | | |
1895 | Sonata no. 1 in F minor, op. 120 no. 1: IV. Vivace | | viola | | |
| Demetrius Overture, Anh. 1a/4 | | piano | | |
| Five Studies, Anh. Ia/1 no. 1: Study in F minor after Frédéric Chopin | | piano | | |
| Five Studies, Anh. Ia/1 no. 2: Rondo in C major after Carl Maria von Weber | | piano | | |
| Five Studies, Anh. Ia/1 no. 3: Presto after J. S. Bach, 1st version | | piano | | |
| Five Studies, Anh. Ia/1 no. 4: Presto after J. S. Bach, 2nd version | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 11 in D minor: Poco andante | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 12 in D minor: Presto | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 13 in D major: Andantino grazioso – Vivace | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 14 in D minor: Un poco andante | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 15 in B-flat major: Allegretto grazioso | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 3, No. 16 in F minor: Con moto | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 4, no. 18 in D major: Molto vivace | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 19 in B minor: Allegretto | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 20 in E minor: Poco allegretto – Vivace | | piano | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 21 in E minor: Vivace | | piano | | |
| Hungarian Dances for Solo Piano, WoO 1, Book 3 | | piano | | |
| Hungarian Dances for Solo Piano, WoO 1, Book 4 | | piano | | |
| Sonata in D minor, op. 120 no. 1: I. Allegro appassionato | | violin | | |
| Sonata in D minor, op. 120 no. 1: II. Andante un poco adagio | | violin | | |
| Sonata in D minor, op. 120 no. 1: III. Allegretto grazioso | | violin | | |
| Sonata in D minor, op. 120 no. 1: IV. Vivace | | violin | | |
| Study for the Left Hand, Anh. IV/2: Impromptu in E-flat major | | piano | | |
| orchestrated |
---|
1862 | Nachtstück, op. 36 no. 2, D. 672 | | | | |
1873 | Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto | | | | |
1873 | Hungarian Dances for orchestra, WoO 1, Book 1, no. 3 in F major: Allegretto | | | | |
1873 | Hungarian Dances for orchestra, WoO 1, Book 2, no. 10 in F major: Presto | | | | |
| An Schwager Kronos, D. 369 | | | | |
| Ellens Gesang II, op. 52 no. 2, D. 838 | | | | |
| Geheimes, D. 719 | | | | |
| Greisengesang, op. 60 no. 1, D. 778 | | | | |
| Gruppe aus dem Tartarus, D. 583 | | | | |
| Memnon, D. 541 | | | | |
| previous attribution |
---|
| Cadenza for Beethoven's Piano Concerto no. 3 in C minor (op. 37), Anh. 4/7 | | | | |
| wrote |
---|
| Емігранти (Emigranty)(Refugees) | Brahms | | | |
| Угорський Танець (Uhorskiy Tanets)(Hungarian Dance) | Brahms | | | |
| ハンズガリー舞曲 | Brahms | | | |