| art direction |
|---|
| Le songe d'une nuit d'été, Op. 21 Ouverture (Allegro di molto) | Felix Mendelssohn | 12:34 |
| Le songe d'une nuit d'été, Op. 61 Air avec choeurs: « You spotted snakes with double tongue » | Felix Mendelssohn | 4:37 |
| Le songe d'une nuit d'été, Op. 61 Bergamasque, danse des clowns (Allegro di molto) | Felix Mendelssohn | 1:32 |
| Le songe d'une nuit d'été, Op. 61 Entée d'Obéron et Titania (Allegro vivace) | Felix Mendelssohn | 1:10 |
| Le songe d'une nuit d'été, Op. 61 Entr'acte (Allegro appassionato - Allegro molto commodo) | Felix Mendelssohn | 3:07 |
| Le songe d'une nuit d'été, Op. 61 Finale (Allegro di molto): «Through this house give glimmering light » | Felix Mendelssohn | 5:31 |
| Le songe d'une nuit d'été, Op. 61 Marche nuptiale | Felix Mendelssohn | 5:37 |
| Le songe d'une nuit d'été, Op. 61 Nocturne (Con moto tranquillo) | Felix Mendelssohn | 6:34 |
| Le songe d'une nuit d'été, Op. 61 Scherzo (Allegro vivace) | Felix Mendelssohn | 4:42 |
| Peer Gynt musique de scène, Op. 23 Berceuse de Solveig | Edvard Grieg | 7:46 |
| Peer Gynt musique de scène, Op. 23 Chanson de Solveig | Edvard Grieg | 6:03 |
| Peer Gynt musique de scène, Op. 23 Dans la cour nuptiale | Edvard Grieg | 4:48 |
| Peer Gynt musique de scène, Op. 23 Dans le château du roi de la montagne | Edvard Grieg | 2:41 |
| Peer Gynt musique de scène, Op. 23 Danse arabe | Edvard Grieg | 4:59 |
| Peer Gynt musique de scène, Op. 23 Danse d'Anitra | Edvard Grieg | 3:53 |
| Peer Gynt musique de scène, Op. 23 Danse de la fille du roi de la montagne | Edvard Grieg | 1:37 |
| Peer Gynt musique de scène, Op. 23 Le matin | Edvard Grieg | 3:51 |
| Peer Gynt musique de scène, Op. 23 Le rapt de la fiancée. La plainte d'Ingrid | Edvard Grieg | 5:07 |
| Peer Gynt musique de scène, Op. 23 Le retour de Peer Gynt. Soirée orageuse sur la mer | Edvard Grieg | 2:21 |
| Peer Gynt musique de scène, Op. 23 Mort d'Aase | Edvard Grieg | 4:56 |
| Peer Gynt musique de scène, Op. 23 Peer Gynt à la statue de Memmon | Edvard Grieg | 2:27 |
| Peer Gynt musique de scène, Op. 23 Peer Gynt et les filles des pâturages | Edvard Grieg | 3:55 |
| Peer Gynt musique de scène, Op. 23 Psaume de la Pentecôte | Edvard Grieg | 1:26 |
| Peer Gynt musique de scène, Op. 23 Scène nocturne | Edvard Grieg | 7:34 |
| Peer Gynt musique de scène, Op. 23 Sérénade de Peer Gynt | Edvard Grieg | 2:48 |
| Peer Gynt musique de scène, Op. 23 Solveig chante à l'intérieur de la cabane | Edvard Grieg | 2:07 |
| produced |
|---|
| 1988-01-07 – 1988-01-08 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): I. Maestoso | Berliner Philharmoniker, Riccardo Muti | 17:13 |
| 1988-01-07 – 1988-01-08 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): II. Adagio (Sehr feierlich) | Berliner Philharmoniker, Riccardo Muti | 17:27 |
| 1988-01-07 – 1988-01-08 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): III. Scherzo (Nicht schnell) & Trio (Langsam) | Berliner Philharmoniker, Riccardo Muti | 7:54 |
| 1988-01-07 – 1988-01-08 | Symphony no. 6 in A major, WAB 106 (Nowak Edition): IV. Finale (Bewegt, doch nicht zu schnell) | Berliner Philharmoniker, Riccardo Muti | 14:23 |
| 1991 | Concerto for Violin in E major, K. 261: Adagio | Academy of St Martin in the Fields, Sir Neville Marriner, Anne‐Sophie Mutter | 7:01 |
| 1991 | Concerto for Violin no. 1 in B-flat, K. 207: I. Allegro moderato | Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | 7:12 |
| 1991 | Concerto for Violin no. 1 in B-flat, K. 207: II. Adagio | Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | 8:14 |
| 1991 | Concerto for Violin no. 1 in B-flat, K. 207: III. Presto | Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | 5:45 |
| 1991 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso | Anne‐Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | 13:06 |
| 1991 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante | Anne‐Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | 11:36 |
| 1991 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Anne‐Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | 6:09 |
| 1997-07 | The Lark Ascending | Nigel Kennedy, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 17:38 |
| 1998-06 | Danny Boy | Terry Edwards, London Voices, Liam O’Flynn, Osian Ellis, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | 4:14 |
| 1998-06 | Preludes, Book I, L. 117 No. 8: La fille aux cheveux de lin | Nigel Kennedy, English Chamber Orchestra, Paul Barritt | 2:59 |
| 1998-06 | Scarborough Fair | Terry Edwards, London Voices, Greg Knowles, Liam O’Flynn, David Heath, Doug Boyle, Nigel Kennedy, Rory McFarlane, English Chamber Orchestra, Paul Barritt | 4:41 |
| 2000-01 | Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto | Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker | 6:36 |
| 2000-08 | Es ist genug, so nimm, Herr (Cantata: O Ewigkeit, du Donnerwort) | Nigel Kennedy, Reinhard Armleder, Robert Brophy, Jonathan Gandelsman | 2:34 |
| 2000-08 | Sonata for Solo Violin No. 3 in C major, BWV 1005: IV. Allegro assai | Nigel Kennedy | 5:14 |
| 2012-09 | Die Meistersinger von Nürnberg, Act 1 - "Am stillen Herd" | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 3:47 |
| 2012-09 | Die Walküre, Erster Aufzug - "Ein Schwert verhieß mir der Vater" | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 6:27 |
| 2012-09 | Lohengrin, Act 3 "In fernem Land, unnahbar euren Schritten" | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 10:25 |
| 2012-09 | Rienzi, Act 5 "Allmächt'ger Vater, blick herab" | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 9:47 |
| 2012-09 | Siegfried, Zweiter Aufzug - "Daß der mein Vater nicht ist...Du holdes Voglein!" | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 10:44 |
| 2012-09 | Tannhäuser, Act 3 "Inbrunst im Herzen" | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 13:08 |
| 2012-09 | Wesendonck Lieder - Der Engel | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 3:11 |
| 2012-09 | Wesendonck Lieder - Im Treibhaus | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 6:07 |
| 2012-09 | Wesendonck Lieder - Schmerzen | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 2:23 |
| 2012-09 | Wesendonck Lieder - Stehe still | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 3:49 |
| 2012-09 | Wesendonck Lieder - Träume | Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | 4:26 |
| ’s gibt nur a Kaiserstadt, ’s gibt nur a Wien, Polka schnell op. 291 | Wiener Philharmoniker, Riccardo Muti | 4:00 |
| "Africa" Fantaisie, op. 89 | Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn | 10:49 |
| "Wedding Cake" - Caprice-Valse, op. 76 | Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn | 6:24 |
| 1812 Overture, op. 49 (original version with chorus) | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 16:27 |
| Adagio for Strings, op. 11 | London Symphony Orchestra, Michael Tilson Thomas | 8:42 |
| Adagio in E, for Violin and Orchestra, K. 261 | Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner | 7:05 |
| Agnus Dei (Litaniae Lauretanae, K. 195) | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | 6:25 |
| Agnus Dei (Messe du Couronnement, K. 317) | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | 6:10 |
| Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” (Radamès) | Roberto Alagna, Berliner Philharmoniker, Claudio Abbado | 0:55 |
| Aida: Atto I, scena 1. Romanza “Celeste Aida” (Radamès) | Roberto Alagna, Berliner Philharmoniker, Claudio Abbado | 3:32 |
| Albion-Polka, Op. 102 | Wiener Philharmoniker, Riccardo Muti | 3:53 |
| All In Twilight, I: 1/8=80 | Julian Bream | 3:07 |
| All In Twilight, II: 1/8=68 (Dark) | Julian Bream | 3:19 |
| All In Twilight, III: 3/32=46 | Julian Bream | 2:18 |
| All In Twilight, IV: 3/8=100 (Slightly fast) | Julian Bream | 2:59 |
| Allegro appassionato, op. 70 | Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn | 6:14 |
| Alma redemptoris mater (3-part Marian antiphon) | Guillaume Dufay | 3:57 |
| An der schönen blauen Donau (Walzer), Op. 314 | Wiener Philharmoniker, Riccardo Muti | 10:04 |
| An der schönen blauen Donau, Walzer, op. 314 | Wiener Philharmoniker, Riccardo Muti | 10:45 |
| Andante et variations en si bémol majeur pour 2 pianos, 2 violoncelles et cor, op. 46: I. Sostenuto | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | 8:07 |
| Andante et variations en si bémol majeur pour 2 pianos, 2 violoncelles et cor, op. 46: II. Più lento | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | 4:50 |
| Andante und Variationen, op. 46: Doppio movimento - Tempo primo - Più adagio | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | 5:29 |
| Anna Bolena: Act II. Aria "Al dolce guidami" | Angela Gheorghiu, London Symphony Orchestra, Evelino Pidò | 4:46 |
| Anna Bolena: Act II. Scena "Piangete voi?" | Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Evelino Pidò | 5:00 |
| Arabesque no. 1 | Cécile Ousset | 3:39 |
| Arabesque no. 2 | Cécile Ousset | 3:36 |
| Ave Maria | David Heath, Nigel Kennedy, Fabio Zanon, English Chamber Orchestra & Paul Barritt | 2:32 |
| Ballade no. 1 in G minor, op. 23 | Cécile Ousset | 8:10 |
| Ballade no. 2 in F major, op. 38 | Cécile Ousset | 6:54 |
| Ballade no. 3 in A-flat major, op. 47 | Cécile Ousset | 6:47 |
| Ballade no. 4 in F minor, op. 52 | Cécile Ousset | 9:58 |
| Banjo and Fiddle | Nigel Kennedy, English Chamber Orchestra | 3:05 |
| Béatrice et Bénédict: Acte I, no. 7. "Ah! je vail l'aimer" | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 2:39 |
| Benvenuto Cellini: Acte I, 2e tableau, no. 7 "Une heure encore …" | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 1:51 |
| Benvenuto Cellini: Acte I, 2e tableau, no. 7 « La gloire était ma seule idole » | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 4:10 |
| Benvenuto Cellini: Acte II, 4e tableau, no. 25 "Seul pour lutter …" | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 3:18 |
| Benvenuto Cellini: Acte II, 4e tableau, no. 25 "Sur les monts les plus sauvages" | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 5:20 |
| Betracht dies Herz (Grabmusik, cantate, K. 42) | Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | 6:12 |
| Beyond Bach | Gabriela Montero | 4:23 |
| Bluette, Polka française, op. 271 | Wiener Philharmoniker, Riccardo Muti | 3:52 |
| Brandenburg Concerto No. 3 in G, BWV 1048: I. Allegro | Gabriela Montero | 6:03 |
| Cantata "Herz und Mund und Tat und Leben", BWV 147: Jesu, Joy of Man's Desiring | Gabriela Montero | 5:26 |
| Carmen: Acte II. "La fleur que tu m’avais jetée" (Don José) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | 4:04 |
| Carnival of the animals: Animals with Long Ears - Sycophants and Junior Ministers | The King’s Singers | 1:21 |
| Carnival of the animals: Aquarium - Drug Pedlars | The King’s Singers | 2:20 |
| Carnival of the animals: Aviary of Birds - Modern Women | The King’s Singers | 2:19 |
| Carnival of the animals: Chickens and Roosters - Sensationmongers | The King’s Singers | 1:39 |
| Carnival of the animals: Elephants - The Labour Force | The King’s Singers | 2:07 |
| Carnival of the animals: Finale | The King’s Singers | 2:23 |
| Carnival of the animals: Fossils - The Last Tribes | The King’s Singers | 3:08 |
| Carnival of the animals: Introduction | The King’s Singers | 0:55 |
| Carnival of the animals: Kangaroos - Idealists | The King’s Singers | 1:34 |
| Carnival of the animals: Pianists - Disciplinarians | The King’s Singers | 1:10 |
| Carnival of the animals: The Cuckoo - The Artist | The King’s Singers | 3:44 |
| Carnival of the animals: The Lion - Elder Statesmen | The King’s Singers | 2:45 |
| Carnival of the animals: The Swan - The Spurned Husband | The King’s Singers | 4:36 |
| Carnival of the animals: The Tortoise - Aspiring Hot Gossip Girl | The King’s Singers | 3:11 |
| Carnival of the animals: Wild Asses - The Jetset | The King’s Singers | 1:09 |
| Carrière, Polka schnell, op. 200 | Wiener Philharmoniker, Riccardo Muti | 2:33 |
| Cello Concerto: I. Allegro | Mario Brunello, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 16:23 |
| Cello Concerto: II. Adagio, ma non troppo | Mario Brunello, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 12:14 |
| Cello Concerto: III. Finale: Allegro moderato – Andante – Allegro vivo | Mario Brunello, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 13:56 |
| Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 4:54 |
| Concerto for French Horn no. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 3:43 |
| Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 6:49 |
| Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 3:44 |
| Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 3:40 |
| Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 6:59 |
| Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 5:10 |
| Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 3:40 |
| Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | 8:16 |
| See all 838 relationships |
| produced |
|---|
| 1993-01 | Symphonie 2 / Rosamunde: Ouvertüre (Die Zauberharfe) / Ballettmusiken | Schubert; Riccardo Muti, Wiener Philharmoniker | |
| America | The King’s Singers | |
| Berlioz Arias | Berlioz; Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden | |
| Classic Kennedy | Nigel Kennedy | |
| Diva | Angela Gheorghiu | |
| Horn Concertos nos. 1-4 / Concert Rondo | Mozart; Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | |
| Madama Butterfly | Puccini; Angela Gheorghiu, Jonas Kaufmann, Enkelejda Shkosa, Fabio Capitanucci, Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | |
| Messa da Requiem | Giuseppe Verdi; Angela Gheorghiu, Daniela Barcellona, Roberto Alagna, Julian Konstantinov, Berliner Philharmoniker, Claudio Abbado | |
| Missa Solemnis | Ludwig van Beethoven; Carol Vaness, Waltraud Meier, Hans Peter Blochwitz, Hans Tschammer, Tallis Chamber Choir, English Chamber Orchestra, Jeffrey Tate | |
| Romance | Han‐Na Chang, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | |
