| instruments |
---|
| Goldberg Variations, BWV 988: Aria | harpsichord | Bruno Procopio | 3:54 |
| Goldberg Variations, BWV 988: Aria da Capo e fine | harpsichord | Bruno Procopio | 4:07 |
| Goldberg Variations, BWV 988: Variation 1 a 1 clav | harpsichord | Bruno Procopio | 1:53 |
| Goldberg Variations, BWV 988: Variation 2 a 1 clav | harpsichord | Bruno Procopio | 1:20 |
| Goldberg Variations, BWV 988: Variation 3 a 1 clav. Canone all'Unisono | harpsichord | Bruno Procopio | 1:45 |
| Goldberg Variations, BWV 988: Variation 4 a 1 clav | harpsichord | Bruno Procopio | 0:58 |
| Goldberg Variations, BWV 988: Variation 5 a 1 ovvero 2 clav | harpsichord | Bruno Procopio | 1:43 |
| Goldberg Variations, BWV 988: Variation 6 a 1 clav. Canone alla Seconda | harpsichord | Bruno Procopio | 1:09 |
| Goldberg Variations, BWV 988: Variation 7 a 1 ovvero 2 clav. Al tempo di Giga | harpsichord | Bruno Procopio | 1:51 |
| Goldberg Variations, BWV 988: Variation 8 a 2 clav | harpsichord | Bruno Procopio | 2:07 |
| Goldberg Variations, BWV 988: Variation 9 a 1 clav. Canone alla Terza | harpsichord | Bruno Procopio | 1:23 |
| Goldberg Variations, BWV 988: Variation 10 a 1 clav. Fughetta | harpsichord | Bruno Procopio | 1:29 |
| Goldberg Variations, BWV 988: Variation 11 a 2 clav | harpsichord | Bruno Procopio | 2:00 |
| Goldberg Variations, BWV 988: Variation 12, Canone alla Quarta | harpsichord | Bruno Procopio | 2:26 |
| Goldberg Variations, BWV 988: Variation 13 a 2 clav | harpsichord | Bruno Procopio | 4:24 |
| Goldberg Variations, BWV 988: Variation 14 a 2 clav | harpsichord | Bruno Procopio | 2:19 |
| Goldberg Variations, BWV 988: Variation 15 a 1 clav. Canone alla Quinta, Andante | harpsichord | Bruno Procopio | 3:01 |
| Goldberg Variations, BWV 988: Variation 16 a 1 clav. Ouverture | harpsichord | Bruno Procopio | 3:01 |
| Goldberg Variations, BWV 988: Variation 17 a 2 clav | harpsichord | Bruno Procopio | 1:55 |
| Goldberg Variations, BWV 988: Variation 18 a 1 clav. Canone alla Sesta | harpsichord | Bruno Procopio | 1:13 |
| Goldberg Variations, BWV 988: Variation 19 a 1 clav | harpsichord | Bruno Procopio | 1:04 |
| Goldberg Variations, BWV 988: Variation 20 a 2 clav | harpsichord | Bruno Procopio | 2:19 |
| Goldberg Variations, BWV 988: Variation 21, Canone alla Settima | harpsichord | Bruno Procopio | 1:55 |
| Goldberg Variations, BWV 988: Variation 22 a 1 clav. Alla breve | harpsichord | Bruno Procopio | 1:08 |
| Goldberg Variations, BWV 988: Variation 23 a 2 clav | harpsichord | Bruno Procopio | 2:18 |
| Goldberg Variations, BWV 988: Variation 24 a 1 clav. Canone all'Ottava | harpsichord | Bruno Procopio | 2:35 |
| Goldberg Variations, BWV 988: Variation 25 a 2 clav. Adagio | harpsichord | Bruno Procopio | 5:37 |
| Goldberg Variations, BWV 988: Variation 26 a 2 clav | harpsichord | Bruno Procopio | 2:28 |
| Goldberg Variations, BWV 988: Variation 27 a 2 clav. Canone alla Nona | harpsichord | Bruno Procopio | 1:46 |
| Goldberg Variations, BWV 988: Variation 28 a 2 clav | harpsichord | Bruno Procopio | 2:48 |
| Goldberg Variations, BWV 988: Variation 29 a 1 ovvero 2 clav | harpsichord | Bruno Procopio | 2:18 |
| Goldberg Variations, BWV 988: Variation 30 a 1 clav. Quodlibet | harpsichord | Bruno Procopio | 1:45 |
| produced |
---|
| 1’33 « Hommage à John Cage » | | Silas Bassa | 1:33 |
| A Neat Slice to Tango | | Silas Bassa | 5:03 |
| Ahi, che quest’occhi miei ch’erano lieti | | Alla Francesca | 2:34 |
| Al primo vostro sguardo | | Alla Francesca | 3:53 |
| Andante & Variations in G major, KV. 501 | | Knut Jacques, Morgane Le Corre | 8:24 |
| Anima mia, che pensi | | Alla Francesca | 2:09 |
| Aus der Tiefen rufe ich, Herr zu dir, BWV 131: Aria con Corale: Meine Seele wartet auf den Herrn von einer Morgenwache | | Thomas Hobbs, William Shelton, Alia Mens, Olivier Spilmont | 6:05 |
| Aus der Tiefen rufe ich, Herr zu dir, BWV 131: Aria con Corale: So du willst, Herr, Sünde zurechnen | | Romain Bockler, Élodie Fonnard, Alia Mens, Olivier Spilmont | 4:22 |
| Aus der Tiefen rufe ich, Herr zu dir, BWV 131: Coro: Ich harre des Herrn, meine Seele harret | | Alia Mens, Olivier Spilmont | 3:35 |
| Aus der Tiefen rufe ich, Herr zu dir, BWV 131: Coro: Israel hoffe auf den Herrn; denn bei dem Herrn | | Alia Mens, Olivier Spilmont | 3:52 |
| Aus der Tiefen rufe ich, Herr zu dir, BWV 131: Sinfonia e Coro: Aus der Tiefen rufe ich, Herr, zu dir | | Alia Mens, Olivier Spilmont | 4:28 |
| Clair de Lune | | Mara Dobresco | 4:23 |
| Da così dotta man se’ stato fatto | | Alla Francesca | 1:52 |
| Degli occhi il dolce giro | | Alla Francesca | 3:46 |
| Elegy, op. 23 | | Trio Atanassov | 5:46 |
| Ephémères : Dans l’air du soir | | Mara Dobresco | 2:06 |
| Ephémères : Lune voilée | | Mara Dobresco | 1:49 |
| Épigraphes Antiques à 4 mains : Pour invoquer Pan, dieu du vent d’été | | Romain Hervé, Véra Tsybakov | 2:26 |
| Estampes : Jardins sous la pluie | | Véra Tsybakov | 4:03 |
| Folías | | Marco Brescia | 4:04 |
| Four Impromptus, D. 935, op. posth. 142: Impromptu no. 1 in F minor, Allegro moderato | | Ferenc Vizi | 11:05 |
| Four Impromptus, D. 935, op. posth. 142: Impromptu no. 2 in A-flat major, Allegretto | | Ferenc Vizi | 6:15 |
| Four Impromptus, D. 935, op. posth. 142: Impromptu no. 3 in B-flat major, “Rosamunde”Andante | | Ferenc Vizi | 11:56 |
| Four Impromptus, D. 935, op. posth. 142: Impromptu no. 4 in F minor, Allegro scherzando | | Ferenc Vizi | 6:48 |
| Geistervariationen, WoO 24: Theme – Leise, innig | | Suzana Bartal | 1:55 |
| Geistervariationen, WoO 24: Variation I | | Suzana Bartal | 1:41 |
| Geistervariationen, WoO 24: Variation II – Canonisch | | Suzana Bartal | 1:51 |
| Geistervariationen, WoO 24: Variation III – Etwas belebter | | Suzana Bartal | 2:00 |
| Geistervariationen, WoO 24: Variation IV | | Suzana Bartal | 2:16 |
| Geistervariationen, WoO 24: Variation V | | Suzana Bartal | 2:05 |
| Gnossienne no. 4 | | Silas Bassa | 2:53 |
| Gottes Zeit ist die allerbeste Zeit « Actus tragicus », BWV 106: Aria: Bestelle dein Haus; denn du wirst sterben | | Romain Bockler, Alia Mens, Olivier Spilmont | 1:01 |
| Gottes Zeit ist die allerbeste Zeit « Actus tragicus », BWV 106: Aria: In deine Hände befehl ich meinen Geist | | William Shelton, Alia Mens, Olivier Spilmont | 2:27 |
| Gottes Zeit ist die allerbeste Zeit « Actus tragicus », BWV 106: Arioso e Chorale: Heute wirst du mit mir; Im Paradies sein | | Romain Bockler, William Shelton, Alia Mens, Olivier Spilmont | 3:58 |
| Gottes Zeit ist die allerbeste Zeit « Actus tragicus », BWV 106: Arioso: Ach, Herr, lehre uns bedenken | | Thomas Hobbs, Alia Mens, Olivier Spilmont | 2:07 |
| Gottes Zeit ist die allerbeste Zeit « Actus tragicus », BWV 106: Chorus: Es ist der alte Bund | | Alia Mens, Olivier Spilmont | 3:42 |
| Gottes Zeit ist die allerbeste Zeit « Actus tragicus », BWV 106: Chorus: Glorie, Lob, Ehr und Herrlichkeit | | Alia Mens, Olivier Spilmont | 2:45 |
| Gottes Zeit ist die allerbeste Zeit « Actus tragicus », BWV 106: Chorus: Gottes Zeit ist die allerbeste Zeit | | Alia Mens, Olivier Spilmont | 1:52 |
| Gottes Zeit ist die allerbeste Zeit, BWV 106: Sonatina | | Alia Mens, Olivier Spilmont | 2:32 |
| Il ballerino | | Alla Francesca | 2:45 |
| Il risentito | | Alla Francesca | 1:18 |
| Images, I cahier : III. Mouvement | | Silas Bassa | 3:39 |
| Images, livre 1 : Reflets dans l’eau | | Véra Tsybakov | 5:27 |
| Keyboard Sonata in A major, K. 208: Adagio e cantabile | | Lillian Gordis | 4:43 |
| Keyboard Sonata in B major, K. 262: Vivo | | Lillian Gordis | 4:38 |
| Keyboard Sonata in B minor, K. 87 | | Lillian Gordis | 6:06 |
| Keyboard Sonata in B-flat major, K. 248: Allegro | | Lillian Gordis | 4:45 |
| Keyboard Sonata in D major, K. 119: Allegro | | Lillian Gordis | 5:50 |
| Keyboard Sonata in D major, K. 122: Allegro | | Lillian Gordis | 4:07 |
| Keyboard Sonata in D minor, K. 516: Allegretto | | Lillian Gordis | 5:34 |
| Keyboard Sonata in E major, K. 215: Andante | | Lillian Gordis | 8:20 |
| Keyboard Sonata in E major, K. 264: Vivo | | Lillian Gordis | 6:41 |
| Keyboard Sonata in E minor, K. 402: Andante | | Lillian Gordis | 13:37 |
| Keyboard Sonata in E-flat major, K. 253: Allegro | | Lillian Gordis | 3:27 |
| Keyboard Sonata in E-flat major, K. 474: Andante e cantabile | | Lillian Gordis | 8:43 |
| Keyboard Sonata in F-sharp minor, K. 25: Allegro | | Lillian Gordis | 5:33 |
| Kreisleriana, op. 16: Äußerst bewegt | | Suzana Bartal | 3:08 |
| Kreisleriana, op. 16: Schnell und spielend | | Suzana Bartal | 3:42 |
| Kreisleriana, op. 16: Sehr aufgeregt | | Suzana Bartal | 4:50 |
| Kreisleriana, op. 16: Sehr innig und nicht zrasch | | Suzana Bartal | 9:06 |
| Kreisleriana, op. 16: Sehr langsam | | Suzana Bartal | 4:33 |
| Kreisleriana, op. 16: Sehr langsam | | Suzana Bartal | 3:34 |
| Kreisleriana, op. 16: Sehr lebhaft | | Suzana Bartal | 3:17 |
| Kreisleriana, op. 16: Sehr rasch | | Suzana Bartal | 2:20 |
| L’invaghito | | Alla Francesca | 1:41 |
| La Liste de Schindler : Oyfn Pripetshik | | Isabelle Durin, Michaël Ertzscheid | 4:22 |
| La Mer : De l’Aube à Midi sur La Mer | | Romain Hervé, Véra Tsybakov | 7:49 |
| La Mer : Dialogue du Vent et de La Mer | | Romain Hervé, Véra Tsybakov | 8:34 |
| La Mer : Jeux de Vagues | | Romain Hervé, Véra Tsybakov | 6:37 |
| La pastorella si leva per tempo | | Alla Francesca | 3:20 |
| La Rafle : Le Concerto de l’Adieu | | Isabelle Durin, Michaël Ertzscheid | 9:22 |
| La Violetta | | Alla Francesca | 2:10 |
| Madonna, io v’amo e taccio | | Alla Francesca | 2:27 |
| Meine Seufzer, meine Tränen, BWV 13: Aria: Ächzen und erbärmlich Weinen | | Romain Bockler, Alia Mens, Olivier Spilmont | 7:55 |
| Meine Seufzer, meine Tränen, BWV 13: Aria: Meine Seufzer, meine Tränen | | Thomas Hobbs, Alia Mens, Olivier Spilmont | 7:39 |
| Meine Seufzer, meine Tränen, BWV 13: Choral: Der Gott, der mir hat versprochen | | Alia Mens, Olivier Spilmont | 2:44 |
| Meine Seufzer, meine Tränen, BWV 13: Choral: So sein nun, Seele, deine | | Alia Mens, Olivier Spilmont | 0:47 |
| Meine Seufzer, meine Tränen, BWV 13: Recitativo: Mein Kummer nimmet zu | | Élodie Fonnard, Alia Mens, Olivier Spilmont | 1:12 |
| Meine Seufzer, meine Tränen, BWV 13: Recitativo: Mein liebster Gott | | William Shelton, Alia Mens, Olivier Spilmont | 1:07 |
| Metamorphosis no. 2 | | Silas Bassa | 7:26 |
| Metamorphosis no. 3 | | Silas Bassa | 5:37 |
| Musica Ricercata no. 1 | | Silas Bassa | 2:40 |
| Nell’apparir del sempiterno sole | | Alla Francesca | 2:02 |
| Night Piece (Notturno) | | Mara Dobresco | 5:04 |
| Nocturne | | Mara Dobresco | 5:51 |
| Nocturne en fa dièse mineur | | Mara Dobresco | 5:14 |
| Nocturne Nr. 6 en Sol majeur | | Mara Dobresco | 2:59 |
| Nocturne, op. 6 Nr. 2 | | Mara Dobresco | 4:57 |
| Nocturne, op. 19 Nr. 4 | | Mara Dobresco | 4:15 |
| Nocturne, op. posth. en Do dièse mineur | | Mara Dobresco | 4:43 |
| Notturno | | Mara Dobresco | 4:21 |
| Nuit | | Mara Dobresco | 1:16 |
| Obra de I tono | | Marco Brescia | 2:44 |
| Occhi dolci e soavi | | Alla Francesca | 2:22 |
| Oscillations | | Silas Bassa | 2:32 |
| Paris-Villepinte | | Silas Bassa | 1:30 |
| Perchè fuggi anima mia | | Alla Francesca | 1:46 |
| Petite Suite à 4 mains : En Bateau | | Romain Hervé, Véra Tsybakov | 3:18 |
| Phantasiestücke, op. 12 : Nr. 5. In der Nacht | | Mara Dobresco | 3:54 |
| Piano 4 : Berceuse | | Mara Dobresco | 2:33 |
| See all 249 relationships |
| produced |
---|
| Complete Sonatas | executive | Chopin; Véronique Bonnecaze | |
| Enharmonique Rameau | | Rameau; Constance Luzzati | |
| The Art of Fugue | | Johann Sebastian Bach; Kenneth Weiss | |