| vocals |
|---|
| 1978-05-31 – 1978-08-01 | Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) | bass vocals [Carceriere] | Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | 4:25 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena I. “Oh! quale alta d’intorno” | bass vocals [Melchthal] | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Sherrill Milnes, Luciano Pavarotti, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 6:37 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena III. “Contro l’ardor del giorno” | bass vocals [Melchthal] | Sherrill Milnes, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 1:06 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena VI. “Delle antiche virtudi l’esempio rinnovate” | bass vocals [Melchthal] | Elizabeth Connell, Della Jones, Sherrill Milnes, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 3:11 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena VI. “O smania!” | bass vocals [Melchthal] | Ambrosian Opera Chorus, Della Jones, Sherrill Milnes, Luciano Pavarotti, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 4:08 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena VIII. “Ecco là, tremante, e reggendosi appena” | bass vocals [Melchthal] | Richard van Allan, Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Sherrill Milnes, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 3:47 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena XI. “Che sento!.. ohimè!” | bass vocals [Melchthal] | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Piero de Palma, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 2:46 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena XI. “Ciò ch’ei fece l’oserebbe” | bass vocals [Melchthal] | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Piero de Palma, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 4:10 |
| 1978-09 – 1979-08 | Guglielmo Tell: Atto I, Scena XI. “Nume pietoso, Dio di bontà!” | bass vocals [Melchthal] | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Piero de Palma, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | 3:16 |
| 1979-02 | Motet: “Jehova, quam multi sunt hostes meil” | bass vocals | John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists | 6:55 |
| 1979-11 | La traviata: Atto I. “Che è ciò?” (Coro, Violetta, Alfredo) | bass vocals [Marchese d'Obigny] | London Opera Chorus, Joan Sutherland, Luciano Pavarotti | 2:10 |
| 1979-11 | La traviata: Atto I. “Dell'invito trascorsa” (Coro, Violetta, Alfredo) | bass vocals [Marchese d'Obigny] | London Opera Chorus, Joan Sutherland, Luciano Pavarotti | 4:39 |
| 1979-11 | La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta) | bass vocals [Marchese d'Obigny] | Luciano Pavarotti, Joan Sutherland | 8:50 |
| 1979-11 | La traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti) | bass vocals [Marchese d'Obigny] | Della Jones, John Tomlinson, Giorgio Tadeo, Zingare | 6:58 |
| 1979-11 | La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) | bass vocals [Marchese d'Obigny] | Matteo Manuguerra, Luciano Pavarotti, Joan Sutherland | 6:28 |
| 1980-01 | La sonnambula: Atto I, scena 1. “Io più di tutti, o Amina” (Alessio) | bass vocals [Alessio] | Terry Edwards, Isobel Buchanan, Della Jones, London Opera Chorus, Piero de Palma, Joan Sutherland, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 2:08 |
| 1980-01 | La sonnambula: Atto I, scena 1. “Viva Amina!” (Contadini, Alessio, Lisa) | bass vocals [Alessio] | Terry Edwards, Isobel Buchanan, London Opera Chorus, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 4:07 |
| 1980-01 | La sonnambula: Atto I, scena 2. “Non più nozze” (Elvino) | bass vocals [Alessio] | Terry Edwards, Isobel Buchanan, Della Jones, London Opera Chorus, Luciano Pavarotti, Joan Sutherland, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 2:42 |
| 1980-01 | La sonnambula: Atto II, scena 2. “De'lieti auguri a voi son grata” (Lisa) | bass vocals [Alessio] | Terry Edwards, Isobel Buchanan, London Opera Chorus, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 2:41 |
| 1980-01 | La sonnambula: Atto II, scena 2. “E fia pur vero, Elvino” (Lisa) | bass vocals [Alessio] | Terry Edwards, Isobel Buchanan, Nicolaï Ghiaurov, Della Jones, London Opera Chorus, Luciano Pavarotti, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 7:06 |
| 1980-01 | La sonnambula: Atto II, scena 2. “Lisa mendace anch'essa!” (Elvino) | bass vocals [Alessio] | Terry Edwards, Isobel Buchanan, Nicolaï Ghiaurov, Della Jones, London Opera Chorus, Luciano Pavarotti, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 4:01 |
| 1981-01 – 1981-02 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto—Allegro ma non troppo—Vivace—Adagio cantabile—Allegro—Allegro moderato—Allegro | bass vocals | Heinz Mende, Sheila Armstrong, Linda Finnie, Robert Tear, John Tomlinson, Philharmonia Orchestra, Kurt Sanderling | 26:12 |
| 1982-08 | Hercules, HWV 60, Act 1: Recit: "Now farewell, arms!": Aria: "The god of battle quits the boody field" | bass vocals [Hercules, surnamed Alcides] | English Baroque Soloists, Sir John Eliot Gardiner | 3:43 |
| 1982-08 | Hercules, HWV 60, Act 1: Recit: "Thanks to the powers above" | bass vocals [Hercules, surnamed Alcides] | English Baroque Soloists, Sir John Eliot Gardiner | 2:04 |
| 1982-08 | Hercules, HWV 60, Act 2: Recit: "Yes, I congratulate": Aria: "Alcides' name" | bass vocals [Hercules, surnamed Alcides] | English Baroque Soloists, Sir John Eliot Gardiner | 5:52 |
| 1982-08 | Hercules, HWV 60, Act 2: Recit: "You are deceived! Some villain has belied" | bass vocals [Hercules, surnamed Alcides] | English Baroque Soloists, Sir John Eliot Gardiner | 1:34 |
| 1982-08 | Hercules, HWV 60, Act 3: Recit: "Great Jove! relieve his pains!" | bass vocals [Hercules, surnamed Alcides] | English Baroque Soloists, Sir John Eliot Gardiner | 2:14 |
| 1982-08 | Hercules, HWV 60, Act 3: Recit. acc: "O Jove! what land is this" | bass vocals [Hercules, surnamed Alcides] | English Baroque Soloists, Sir John Eliot Gardiner | 2:25 |
| 1982-09-07 | Die sieben Todsünden: I. Faulheit (Sloth) | bass vocals | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | 3:49 |
| 1982-09-07 | Die sieben Todsünden: II. Stolz (Pride) | bass vocals | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | 4:28 |
| 1982-09-07 | Die sieben Todsünden: III. Zorn (Anger) | bass vocals | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | 4:24 |
| 1982-09-07 | Die sieben Todsünden: IV. Völlerei (Gluttony) | bass vocals | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, Simon Rattle | 3:25 |
| 1982-09-07 | Die sieben Todsünden: V. Unzucht (Lust) | bass vocals | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | 5:37 |
| 1982-09-07 | Die sieben Todsünden: VI. Habsucht (Covetousness) | bass vocals | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | 3:10 |
| 1982-09-07 | Die sieben Todsünden: VII. Neid (Envy) | bass vocals | Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle | 4:31 |
| 1983 | Rigoletto: Act I, Scene II. “The old man laid his curse on me!” (Rigoletto, Sparafucile) | bass vocals [Sparafucile] | John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 5:11 |
| 1983 | Rigoletto: Act III. “Eighty dollars you were asking” (Rigoletto, Sparafucile, Duke, Maddalena) | bass vocals [Sparafucile] | Arthur Davies, John Rawnsley, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:22 |
| 1983 | Rigoletto: Act III. “He’s such a young man, handsome and friendly” (Maddalena, Duke, Sparafucile) | bass vocals [Sparafucile] | Arthur Davies, English National Opera Chorus, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:33 |
| 1983 | Rigoletto: Act III. “I cannot think clearly” (Gilda, Maddalena, Sparafucile) | bass vocals [Sparafucile] | English National Opera Chorus, Helen Field, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 6:22 |
| 1983 | Rigoletto: Act III. “Now for my vengeance, now the moment is ready” (Rigoletto, Sparafucile) | bass vocals [Sparafucile] | John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:53 |
| 1983 | Rigoletto: Act III. “Women abandon us” (Duke, Sparafucile, Rigoletto) | bass vocals [Sparafucile] | Arthur Davies, John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 3:04 |
| 1983 | Rigoletto: Act III. “You love him?” (Rigoletto, Gilda, Duke, Sparafucile) | bass vocals [Sparafucile] | Arthur Davies, Helen Field, John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:24 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena II. "L'amo tanto, e m'e si cara" (Tebaldo, Capellio, Capuleti, Lorenzo) | bass vocals [Lorenzo] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 4:19 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena II. "Si, m'abbraccia" (Capellio, Lorenzo, Capuleti) | bass vocals [Lorenzo] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 1:06 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "O di Capellio, generosi amici" (Tebaldo, Capuleti, Capellio, Lorenzo) | bass vocals [Lorenzo] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 2:29 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena VIII. Finale primo "Deh! per pietà, t'arresta" (Lorenzo, Romeo, Capuleti) | bass vocals [Lorenzo] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 2:50 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena XI. "Accorriam...Romeo!" / "Se ogni speme è a noi rapita" (Giulietta, Romeo, Tebaldo, Capellio, Montecchi, Lorenzo) | bass vocals [Lorenzo] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 4:33 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena XI. "Che miro?" (Tebaldo, Lorenzo, Giulietta, Romeo, Capellio) | bass vocals [Lorenzo] | Agnes Baltsa, Edita Gruberová, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 1:57 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena XI. "Soccorso, sostegno accordagli" (Giulietta, Romeo, Tebaldo, Capellio, Lorenzo) | bass vocals [Lorenzo] | Agnes Baltsa, Edita Gruberová, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 2:56 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena I. Scena ed Aria "Né alcun ritorna!" (Giulietta, Lorenzo) | bass vocals [Lorenzo] | Edita Gruberová, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 4:14 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena II. "Morte io non temo, il sai" (Giulietta, Lorenzo) | bass vocals [Lorenzo] | Edita Gruberová, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 3:03 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena III. "Deh! padre mio" (Giulietta, Capellio, Lorenzo, Capuleti) | bass vocals [Lorenzo] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 5:23 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena III. "Prendi, gl'istanti volano" (Lorenzo, Giulietta, Capellio, Capuleti) | bass vocals [Lorenzo] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 1:21 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena X. "Ah! crudel! che mai facesti?" (Giulietta, Romeo, Montecchi, Capellio, Lorenzo, Capuleti) | bass vocals [Lorenzo] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 5:02 |
| 1985-12 | L'Orfeo: Atto quarto. "Qual onor di te" / "O dolcissimi lumi" / "Rotto haila legge" | bass vocals [Spirito III] | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, John Tomlinson | 3:15 |
| 1985-12 | L'Orfeo: Atto terzo. "Ben mi lusinga" | bass vocals [Caronte] | John Eliot Gardiner, Anthony Rolfe Johnson, Nicolas Robertson | 5:21 |
| 1985-12 | L'Orfeo: Atto terzo. "O tu, ch'inanzi morte" (Caronte) | bass vocals [Caronte] | The English Baroque Soloists, John Tomlinson | 2:13 |
| 1985 | La forza del destino: Atto I. “Buona notte, mia figlia” (Marchese, Leonora) | bass vocals [Marchese] | Rosalind Plowright, John Tomlinson, Philharmonia Orchestra, Giuseppe Sinopoli | 2:43 |
| 1985 | La forza del destino: Atto I. “È tardi ... Vil seduttor!” (Leonora, Don Alvaro, Curra, Marchese) | bass vocals [Marchese] | José Carreras, Rosalind Plowright, Jean Rigby, John Tomlinson, Philharmonia Orchestra, Giuseppe Sinopoli | 2:19 |
| 1988-01 | Messiah, HWV 56: XL. Air (Bass) "Why Do the Nations So Furiously Rage" | bass vocals | John Tomlinson, The English Concert, Trevor Pinnock | 2:56 |
| 1988-08-30 – 1988-09-09 | Symphony no. 9 in D minor, op. 125: IVa. Presto - Presto "O Freude, nicht diese Tone!" - | bass vocals | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Walter Weller, Josephine Barstow, Linda Finnie, David Rendall, John Tomlinson | 6:36 |
| 1988-08-30 – 1988-09-09 | Symphony no. 9 in D minor, op. 125: IVb. Allegro assai | bass vocals | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Walter Weller, Josephine Barstow, Linda Finnie, David Rendall, John Tomlinson | 18:19 |
| 1989-11-03 – 1989-11-12 | Così fan tutte, K. 599: Terzettino "Soave sia il vento" | bass vocals [Don Alfonso] | Lella Cuberli, Cecilia Bartoli, John Tomlinson, Berliner Philharmoniker, Daniel Barenboim | 3:01 |
| 1991-08 | Acis und Galatea, K. 566: Act II. Recitative: Ich ras, ich schmelz, ich brenne! / Aria: Du röter als die Kirsche | bass vocals | The English Concert, Trevor Pinnock | 4:41 |
| 1991-08 | Acis und Galatea, K. 566: Act II. Recitative: Lass, lass ab, Geliebtester / Terzetto: Eh' lässt den Berg die Herde | bass vocals | The English Concert, Trevor Pinnock | 2:39 |
| 1991-08 | Acis und Galatea, K. 566: Act II. Recitative: Schönste, was eilst du von hinnen / Aria: Fleh nicht mehr zur stolzen Schönheit! | bass vocals | The English Concert, Trevor Pinnock | 6:34 |
| 1991-12 | Cantata Profana “The Enchanted Stags”, Sz. 94: I. There was once an old man | baritone vocals | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | 7:00 |
| 1991-12 | Cantata Profana “The Enchanted Stags”, Sz. 94: II. But their father grew impatient | baritone vocals | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | 8:00 |
| 1991-12 | Cantata Profana “The Enchanted Stags”, Sz. 94: III. There was once an old man | baritone vocals | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | 3:17 |
| 1992-06 – 1992-07 | Die Walküre, Act III, Scene 3: “In festen Schlaf” | bass-baritone vocals | John Tomlinson, Anne Evans, Bayreuther Festival Orchestra, Daniel Barenboim | 8:03 |
| 1994-03-01 | Messa da requiem: I. Requiem & Kyrie | bass vocals | Brighton Festival Chorus, Elizabeth Connell, Edmund Barham, Ameral Gunson, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 9:57 |
| 1994-03-01 | Messa da requiem: II. Dies irae. Confutatis | bass vocals | Elizabeth Connell, Edmund Barham, Ameral Gunson, Brighton Festival Chorus, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 5:20 |
| 1994-03-01 | Messa da requiem: II. Dies irae. Lacrymosa | bass vocals | Brighton Festival Chorus, Elizabeth Connell, Edmund Barham, Ameral Gunson, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 6:27 |
| 1994-03-01 | Messa da requiem: II. Dies irae. Mors stupebit | bass vocals | Elizabeth Connell, Edmund Barham, Ameral Gunson, Brighton Festival Chorus, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 1:30 |
| 1994-03-01 | Messa da requiem: II. Dies irae. Rex tremendae | bass vocals | Brighton Festival Chorus, Elizabeth Connell, Edmund Barham, Ameral Gunson, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 4:08 |
| 1994-03-01 | Messa da requiem: II. Dies irae. Tuba mirum | bass vocals | Elizabeth Connell, Edmund Barham, Ameral Gunson, Brighton Festival Chorus, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 1:45 |
| 1994-03-01 | Messa da requiem: III. Offertorio. Domine Jesu Christe | bass vocals | Brighton Festival Chorus, Elizabeth Connell, Edmund Barham, Ameral Gunson, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 4:26 |
| 1994-03-01 | Messa da requiem: III. Offertorio. Hostias | bass vocals | Brighton Festival Chorus, Elizabeth Connell, Edmund Barham, Ameral Gunson, Royal Choral Society, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 5:41 |
| 1994-03-01 | Messa da requiem: VI. Lux aeterna | bass vocals | Brighton Festival Chorus, Elizabeth Connell, Royal Choral Society, Edmund Barham, Ameral Gunson, John Tomlinson, Royal Philharmonic Orchestra, Owain Arwel Hughes | 6:41 |
| Act 1 | bass vocals and solo | Bohuslav Martinů | 28:31 |
| Act 2 | bass vocals and solo | Bohuslav Martinů | 24:35 |
| Act 3 | bass vocals and solo | Bohuslav Martinů | 33:56 |
| Act 4 | bass vocals and solo | Bohuslav Martinů | 27:49 |
| Billy Budd: Act I, Scene I. "First man forward!" | bass vocals | Benjamin Britten | 2:17 |
| Billy Budd: Act I, Scene I. "I hear, your honour!" | bass vocals | Benjamin Britten | 3:30 |
| Billy Budd: Act I, Scene I. "What's that? What's those whistles?" | bass vocals | Benjamin Britten | 1:16 |
| Billy Budd: Act I, Scene III. "Come here" | bass vocals | Benjamin Britten | 6:22 |
| Billy Budd: Act I, Scene III. "Over the water..." | bass vocals | Benjamin Britten | 7:29 |
| Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms." | bass vocals | Benjamin Britten | 5:01 |
| Billy Budd: Act II, Scene I. "With great regret I must disturb your honour." | bass vocals | Benjamin Britten | 1:04 |
| Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman..." | bass vocals | Benjamin Britten | 3:19 |
| Billy Budd: Act II, Scene IV. "According to the Articles of War..." | bass vocals | Benjamin Britten | 2:18 |
| Bluebeard's Castle: 1st Door: What's there? What's there? | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 4:11 |
| Bluebeard's Castle: 2nd Door: Trembling seizes all my castle | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 1:54 |
| Bluebeard's Castle: 2nd Door: What's there? | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 2:35 |
| Bluebeard's Castle: 5th Door: Look! Brightness has filled my castle | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 2:58 |
| Bluebeard's Castle: 6th Door: My last door will stay unopened | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 1:39 |
| Bluebeard's Castle: 7th Door: Daybreak - when I found the first one | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 2:05 |
| Bluebeard's Castle: 7th Door: Look upon the other woman | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 2:37 |
| Bluebeard's Castle: 7th Door: Midnight - when I found the fourth one | bass vocals | John Tomlinson, Orchestra of Opera North, Richard Farnes | 5:22 |
| See all 149 relationships |
| vocals |
|---|
| Ercole amante | bass vocals | Cavalli; Yvonne Minton, Patricia Miller, Felicity Palmer, Ulrik Cold, English Bach Festival Chorus & Baroque Orchestra, Michel Corboz | |
| La traviata: Highlights | bass vocals | Verdi; Sutherland, Pavarotti, Manuguerra, National Philharmonic Orchestra, Richard Bonynge | |
