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1950-12-24 | Die Fledermaus: Act I. No. 5 Finale I: “What a lovely rendezvous” (Alfred, Rosalinda, Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 11:08 |
1950-12-24 | Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Eugene Ormandy | 3:39 |
1950-12-24 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:27 |
1950-12-29 | Die Fledermaus: Act I. No. 5 Finale I: “What a lovely rendezvous” (Alfred, Rosalinda, Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 11:08 |
1950-12-29 | Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Eugene Ormandy | 3:39 |
1950-12-29 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:27 |
1951-01-07 | Die Fledermaus: Act I. No. 5 Finale I: “What a lovely rendezvous” (Alfred, Rosalinda, Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 11:08 |
1951-01-07 | Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Eugene Ormandy | 3:39 |
1951-01-07 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | voix de baryton [Frank] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:27 |
1951-06-04 – 1951-06-05 | Pagliacci: Atto I. “Cammina adagio e li sorprenderai” | voix de baryton [Silvio] | Lucine Amara, Clifford Harvuot, Richard Tucker, Giuseppe Valdengo, Metropolitan Opera Orchestra, Fausto Cleva | 4:48 |
1951-06-04 – 1951-06-05 | Pagliacci: Atto I. “E allor perche, di', tu m'hai stregato” | voix de baryton [Silvio] | Lucine Amara, Clifford Harvuot, Metropolitan Opera Orchestra, Fausto Cleva | 3:42 |
1951-06-04 – 1951-06-05 | Pagliacci: Atto I. “Nedda! Silvio, a quest'ora, che imprudenza” | voix de baryton [Silvio] | Lucine Amara, Clifford Harvuot, Metropolitan Opera Orchestra, Fausto Cleva | 5:39 |
1951-06-04 – 1951-06-05 | Pagliacci: Atto II. “Ohe!... Ohe! Presto, affrettiamoci” | voix de baryton [Silvio] | Lucine Amara, Clifford Harvuot, Metropolitan Opera Chorus, Giuseppe Valdengo, Metropolitan Opera Orchestra, Fausto Cleva | 3:00 |
1951-06-04 – 1951-06-05 | Pagliacci: Atto II. Final Scene: “No, Pagliaccio non son” | voix de baryton [Silvio] | Lucine Amara, Clifford Harvuot, Thomas Hayward, Metropolitan Opera Chorus, Richard Tucker, Giuseppe Valdengo, Metropolitan Opera Orchestra, Fausto Cleva | 6:00 |
1952-02-16 | Carmen : Acte I. « Sur la place, chacun passe » | voix de baryton [Moralès] | Clifford Harvuot, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner | 5:51 |
1952-02-16 | Carmen : Acte II. « Messieurs, Pastia me dit » … « Vivat, vivat le Torèro ! » | voix de baryton [Moralès] | Lucine Amara, Clifford Harvuot, Osie Hawkins, Metropolitan Opera Chorus, Margaret Roggero, Risë Stevens, Metropolitan Opera Orchestra, Fritz Reiner | 2:05 |
1952-02-16 | Carmen : Acte II. « Votre toast, je peux vous le rendre » … « Torèador, en garde ! » | voix de baryton [Moralès] | Lucine Amara, Clifford Harvuot, Osie Hawkins, Metropolitan Opera Chorus, Margaret Roggero, Paolo Silveri, Risë Stevens, Metropolitan Opera Orchestra, Fritz Reiner | 4:57 |
1952-02-16 | Carmen : Acte IV. « À deux cuartos ! » | voix de baryton [Moralès] | Lucine Amara, Clifford Harvuot, Osie Hawkins, Metropolitan Opera Chorus, Margaret Roggero, Metropolitan Opera Orchestra, Fritz Reiner | 1:52 |
1952-03-15 | La bohème: Atto I. “Abbasso, abbasso l’autore” | voix de baryton [Schaunard] | Giuseppe Di Stefano, Frank Guarrera, Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:40 |
1952-03-15 | La bohème: Atto I. “Ehi! Rodolfo!” | voix de baryton [Schaunard] | Licia Albanese, Frank Guarrera, Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 0:46 |
1952-03-15 | La bohème: Atto I. “Ho pagato il trimestre” | voix de baryton [Schaunard] | Giuseppe Di Stefano, Frank Guarrera, Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 1:44 |
1952-03-15 | La bohème: Atto I. “Si può?” | voix de baryton [Schaunard] | Lorenzo Alvary, Giuseppe Di Stefano, Frank Guarrera, Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 4:11 |
1952-03-15 | La bohème: Atto II. “Aranci, datteri! Caldi i marroni!” | voix de baryton [Schaunard] | Licia Albanese, Giuseppe Di Stefano, Frank Guarrera, Clifford Harvuot, Metropolitan Opera Chorus, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:23 |
1952-03-15 | La bohème: Atto II. “Ch’io beva del tossico!” | voix de baryton [Schaunard] | Licia Albanese, Giuseppe Di Stefano, Frank Guarrera, Hilde Güden, Clifford Harvuot, Metropolitan Opera Chorus, Alessio de Paolis, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:15 |
1952-03-15 | La bohème: Atto II. “Quando men vo’” | voix de baryton [Schaunard] | Licia Albanese, Frank Guarrera, Hilde Güden, Clifford Harvuot, Alessio de Paolis, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:08 |
1952-03-15 | La bohème: Atto II. “Questa è Mimì, giaia fioraia” | voix de baryton [Schaunard] | Giuseppe Di Stefano, Paul Franke, Frank Guarrera, Clifford Harvuot, Metropolitan Opera Chorus, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 2:26 |
1952-03-15 | La bohème: Atto II. “Signorina Mimì, che dono raro” | voix de baryton [Schaunard] | Licia Albanese, Frank Guarrera, Clifford Harvuot, Metropolitan Opera Chorus, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 1:58 |
1952-03-15 | La bohème: Atto IV. “C’è Mimì” | voix de baryton [Schaunard] | Licia Albanese, Giuseppe Di Stefano, Frank Guarrera, Hilde Güden, Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 5:14 |
1952-03-15 | La bohème: Atto IV. “Che ora sia?” | voix de baryton [Schaunard] | Giuseppe Di Stefano, Frank Guarrera, Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:54 |
1952-03-15 | La bohème: Atto IV. “O Dio! Mimì” | voix de baryton [Schaunard] | Licia Albanese, Giuseppe Di Stefano, Frank Guarrera, Hilde Güden, Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 5:46 |
1952-03-15 | La bohème: Atto IV. “Vecchia zimarra, senti” | voix de baryton [Schaunard] | Clifford Harvuot, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:10 |
1955-02-26 | Arabella, op. 79: Act II. "And now you must say farewell" (Und jetzt sag' ich Adieu) (Arabella) | voix de baryton [Dominik] | Lawrence Davidson, Clifford Harvuot, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 1:28 |
1955-02-26 | Arabella, op. 79: Act II. "But now you must go home" (Jetzt aber fahren Sie nach Haus) (Arabella, Mandryka) | voix de baryton [Dominik] | Clifford Harvuot, George London, Roberta Peters, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 3:36 |
1956-01-07 | Tosca: Atto I. “Ah!... Finalmente!” (Angelotti) | voix de baryton [Cesare Angelotti] | Clifford Harvuot, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:05 |
1956-01-07 | Tosca: Atto I. “E' buona la mia Tosca” (Cavaradossi, Angelotti, il Sagrestano) | voix de baryton [Cesare Angelotti] | Fernando Corena, Clifford Harvuot, Richard Tucker, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:48 |
1956-01-07 | Tosca: Atto I. “Eccellenza, vado” (Il Sagrestano, Cavaradossi, Angelotti) | voix de baryton [Cesare Angelotti] | Fernando Corena, Clifford Harvuot, Richard Tucker, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 1:47 |
1962-02-03 | Madama Butterfly: Atto I. “Ah! … Quanto cielo! … quanto mar!” | voix de baryton [Sharpless] | Clifford Harvuot, Metropolitan Opera Chorus, Gabriella Tucci, Metropolitan Opera Orchestra, Fausto Cleva | 2:58 |
1962-02-03 | Madama Butterfly: Atto I. “Amore o grillo” | voix de baryton [Sharpless] | Carlo Bergonzi, Clifford Harvuot, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:09 |
1962-02-03 | Madama Butterfly: Atto I. “Dovunque al mondo” | voix de baryton [Sharpless] | Carlo Bergonzi, Clifford Harvuot, Metropolitan Opera Orchestra, Fausto Cleva | 3:00 |
1962-02-03 | Madama Butterfly: Atto I. “Ed è bella la sposa?” | voix de baryton [Sharpless] | Carlo Bergonzi, Clifford Harvuot, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 1:02 |
1962-02-03 | Madama Butterfly: Atto I. “Gran ventura” | voix de baryton [Sharpless] | Carlo Bergonzi, Clifford Harvuot, Metropolitan Opera Chorus, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:28 |
1962-02-03 | Madama Butterfly: Atto I. “L’Imperial Commissario” | voix de baryton [Sharpless] | Carlo Bergonzi, Clifford Harvuot, Metropolitan Opera Chorus, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 2:11 |
1962-02-03 | Madama Butterfly: Atto II. “C’è. Entrate” | voix de baryton [Sharpless] | George Cehanovsky, Clifford Harvuot, Gabriella Tucci, Helen Vanni, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:30 |
1962-02-03 | Madama Butterfly: Atto II. “Due cose potrei far” | voix de baryton [Sharpless] | Clifford Harvuot, Gabriella Tucci, Metropolitan Opera Orchestra, Fausto Cleva | 4:23 |
1962-02-03 | Madama Butterfly: Atto II. “Goro, appena F.B. Pinkerton” | voix de baryton [Sharpless] | George Cehanovsky, Clifford Harvuot, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 2:27 |
1962-02-03 | Madama Butterfly: Atto II. “Io scendo al piano” | voix de baryton [Sharpless] | Clifford Harvuot, Gabriella Tucci, Metropolitan Opera Orchestra, Fausto Cleva | 1:35 |
1962-02-03 | Madama Butterfly: Atto II. “Ora a noi. Sedete qui” | voix de baryton [Sharpless] | Clifford Harvuot, Gabriella Tucci, Metropolitan Opera Orchestra, Fausto Cleva | 2:56 |
1962-02-03 | Madama Butterfly: Atto II. “Si sa che aprir la porta” | voix de baryton [Sharpless] | George Cehanovsky, Clifford Harvuot, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:11 |
1962-02-03 | Madama Butterfly: Atto III. “Addio, fiorito asil” | voix de baryton [Sharpless] | Carlo Bergonzi, Clifford Harvuot, Metropolitan Opera Orchestra, Fausto Cleva | 3:05 |
1962-02-03 | Madama Butterfly: Atto III. “Io so che alle sue pene” | voix de baryton [Sharpless] | Carlo Bergonzi, Clifford Harvuot, Helen Vanni, Metropolitan Opera Orchestra, Fausto Cleva | 3:24 |
| Tosca: Atto I. "Ah! Finalmente" | voix de baryton [Angelotti] | Clifford Harvuot, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:06 |
| Tosca: Atto I. "È buona la mia Tosca" | voix de baryton [Angelotti] | Clifford Harvuot, Richard Tucker, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:48 |
| Tosca: Atto I. "Gente là dentro!" | voix de baryton [Angelotti] | Clifford Harvuot, Renata Tebaldi, Richard Tucker, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 1:06 |