¡Ay triste que vengo! | Isabel Martin, David Mayoral, Taracea | | | 5:43 | instrument |
¡Oh, qué bien que baila Gil! | [anonymous] | | | 2:26 | instrument |
¿Que me queréis, cavallero? | Núria Rial, José Miguel Moreno | | | 1:14 | instrument |
'Conde Claros' con cierta diferencias | Toyohiko Satoh | | | 7:50 | instrument |
'Conde Claros' con diferencias | Toyohiko Satoh | | | 4:58 | instrument |
A la guerra a la guerra | Shirley Rumsey | | | 3:22 | instrument |
A tierras agenas | Núria Rial, José Miguel Moreno | | | 3:01 | instrument |
Absalon fili mi | John Potter | | | 3:33 | instrument |
Agnum Dei, from Missa “Surge Propera” | John Potter | | | 3:25 | instrument |
Amando e desiando | Benedetto Gareth | | | 3:24 | instrument |
Amarilli, mia bella | Michel Godard, Taracea | | | 6:29 | instrument |
Angelus ad virginem | Ensemble Unicorn | | | 1:55 | instrument (as “vihuela'd'arco”) |
Anónimo: A los maitinis era | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:57 | instrument |
Anónimo: Al alva venid | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 2:42 | instrument |
Anónimo: L'amor, dona, ch'io te porto | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 3:16 | instrument |
Anónimo: Niña y viña | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:11 | instrument |
Anónimo: Rodrigo Martines | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:02 | instrument |
Antidotum Tarantulae | Atrium Musicæ de Madrid | | | 4:10 | instrument |
Aquel cavallero madre | Montserrat Caballé | | | 2:51 | instrument (as “vihuela”) |
Arded coazon arded | Montserrat Caballé | | | 1:50 | instrument (as “vihuela”) |
Ave Maria | Jonatan Alvarado, Ariel Abramovich | | | 4:20 | instrument (as “alto vihuela”) |
Ay de mi, qu'en tierra agena | [anonymous] | | | 2:38 | instrument |
Ay luna que reluzes | Shirley Rumsey | | | 1:58 | instrument |
Batalla de Morales | Lorenzo Alpert, Sergi Casademunt, Bruce Dickey, Pedro Estevan, Roberto Gini, Paolo Grazzi, José Miguel Moreno, Paolo Pandolfo, Jordi Savall, Charles Toet, Hespèrion XXI | | | 5:26 | instrument |
Battaille (from Le secret des muses) | Lutz Kirchhof | | | 6:21 | instrument |
Baxa de Contrapunto | Lutz Kirchhof | | | 1:18 | instrument |
Beatus ille qui procul negociis | Núria Rial, José Miguel Moreno | | | 1:01 | instrument |
Benedicta es | John Potter | | | 6:07 | instrument |
Benedictus de la missa de Mila regres, for voice & vihuela (after Morales) | Núria Rial, José Miguel Moreno | | | 1:49 | instrument |
Benedictus, from Missa “Surge Propera” | John Potter | | | 1:51 | instrument |
Bog se rodi va Betleme | Ensemble Oni Wytars | | | 3:57 | instrument (as “vihuela'd'arco”) |
Canción de emperador; Sobre 'Mille Regretz' de Josquin Des Prez | Toyohiko Satoh | | | 2:54 | instrument |
Canción del Emperador | José Miguel Moreno | | | 3:40 | instrument |
Cancion del emperador. Mille Regres | Lutz Kirchhof | | | 2:07 | instrument |
Cancion del primer Tono (after Nicolaus Gombert's Canzon) | Lutz Kirchhof | | | 1:35 | instrument |
Canción: Claros y frescos rios (Boscan) | Alonso Mudarra | | | 5:41 | instrument |
Canción: Recuerde el alma dormida (Manrique) | Alonso Mudarra | | | 4:35 | instrument |
Capriccio (clavecin) | Tarquinio Merula | | | 2:30 | instrument |
Chacona: Una sarao de la chacona | Piffaro, The Renaissance Band | | | 1:58 | instrument |
Chi me dara più pace | Marchetto Cara | | | 3:53 | instrument |
Chi vuol ch'io m'inamori (Canzonetta spirituale) | Tarquinio Merula | | | 3:11 | instrument |
Chiave, chiave (toccata instrumental) | Hespèrion XX | | | 1:29 | instrument (as “vihuela de mano”) |
Chorea 1 (from Noctes Musicae) | Lutz Kirchhof | | | 2:48 | instrument |
Claros y frescos rios | Alonso Mudarra | | | 3:44 | instrument |
Claros y frescos rios, for voice & vihuela | Núria Rial, José Miguel Moreno | | | 4:03 | instrument |
Collinetto | Hespèrion XX | | | 3:00 | instrument (as “vihuela de mano”) |
Come Again, Sweet Love Doth Now Invite | David Mayoral, Taracea | | | 5:12 | instrument |
Componidori | Vinicio Capossela | | | 5:13 | instrument |
Con que la lavare | Shirley Rumsey | | | 2:52 | instrument |
Con que la lavaré | Montserrat Caballé | | | 1:57 | instrument (as “vihuela”) |
Conde Claros | Toyohiko Satoh | | | 2:31 | instrument |
Conde Claros en doze maneras | Hopkinson Smith | | | 1:59 | instrument |
Courante I | Lutz Kirchhof | | | 1:29 | instrument |
Courante II | Lutz Kirchhof | | | 1:44 | instrument |
Credo, from Missa “Surge Propera” | John Potter | | | 10:24 | instrument |
Crystal Frontier | Calexico | | | ?:?? | instrument |
Crystal Frontier (Widescreen version) | Calexico | | | 3:59 | instrument |
Cuatro diferencias de Guárdame las vacas | José Miguel Moreno | | | 3:52 | instrument |
Cuchilleros | David Mayoral, Taracea | | | 4:53 | instrument |
De Antequera sale el moro | Shirley Rumsey | | | 3:13 | instrument |
De Antequera sale el moro, for voice & vihuela (after Morales) | Núria Rial, José Miguel Moreno | | | 3:01 | instrument |
De donde venis amore | Montserrat Caballé | | | 1:52 | instrument (as “vihuela”) |
De dònde venis, amore? | Núria Rial, José Miguel Moreno | | | 1:27 | instrument |
De los alamos vengo, madre | Montserrat Caballé | | | 2:38 | instrument (as “vihuela”) |
Del Enzina: Hoy comamos y bevamos | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:34 | instrument |
Del Enzina: Más vale trocar | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 3:52 | instrument |
Del Enzina: Qu'es de ti desconsolado | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 3:03 | instrument |
Del Enzina: Si habrá en este baldés | Ensemble La Romanesca, José Miguel Moreno & Marta Almajano | | | 1:14 | instrument |
Desilde al cavallero: Desilde al cavallero I | Martha McLorinan, Lynda Sayce | | | 1:00 | instrument |
Desilde al cavallero: Desilde al cavallero II | Martha McLorinan, Lynda Sayce | | | 1:05 | instrument |
Dezilde al caballero, for voice & vihuela | Núria Rial, José Miguel Moreno | | | 2:07 | instrument |
Diferencias de Conde Claros, for guitar | José Miguel Moreno | | | 4:52 | instrument |
Diferencias sobre 'Conde Claros' | Toyohiko Satoh | | | 10:09 | instrument |
Diferencias sobre 'Guardame Las Vacas' | Toyohiko Satoh | | | 3:08 | instrument |
Diferencias sobre 'Guárdame las vacas' | Lutz Kirchhof | | | 2:34 | instrument |
Diferencias sobre "La Dama le demanda" | Eunice Brandão, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Jordi Savall, Hespèrion XXI | | | 3:27 | instrument |
Diferencias sobre "Las Vacas" | Antonio de Cabezón | | | 4:19 | instrument |
Diferencias Sobre "Las Vacas" | Antonio de Cabezón | | | 2:34 | instrument |
Differencias sobre el 'Conde Claros' | Toyohiko Satoh | | | 3:12 | instrument |
Differencias sobre la gallarda Milanese | Piffaro, The Renaissance Band | | | 1:23 | instrument |
Dinaresade | Ensemble Oni Wytars | | | 13:50 | instrument (as “vihuela'd'arco”) |
Dindirín, dindirín | [anonymous] | | | 2:04 | instrument |
Dindirindin | Montserrat Caballé | | | 1:57 | instrument (as “vihuela”) |
Discantar sobre un punto | Toyohiko Satoh | | | 3:29 | instrument |
Dónde son estas serranas | Music from the Acoustic Neighbourhood | | | 5:17 | instrument |
Dónde son estas serranas II | Music from the Acoustic Neighbourhood | | | 3:08 | instrument |
Doulce memoire, recercada 4ª | Diego Ortiz | | | 2:27 | instrument |
Duélete de me, señora, for voice & vihuela (after Vasquez) | Núria Rial, José Miguel Moreno | | | 3:06 | instrument |
Duo Agnus Dei | Enríquez de Valderrábano | | | 1:10 | instrument |
Duo Benedictus | Enríquez de Valderrábano | | | 0:45 | instrument |
Duo de Josquin | Shirley Rumsey | | | 3:08 | instrument |
Duo Et misericordia eius | Enríquez de Valderrábano | | | 1:01 | instrument |
Duo Et resurrexit | Enríquez de Valderrábano | | | 0:52 | instrument |
Duo Per illud ave | Enríquez de Valderrábano | | | 1:16 | instrument |
Duo Pleni sunt | Enríquez de Valderrábano | | | 0:56 | instrument |
Duo. Pleni sunt | Enríquez de Valderrábano | | | 1:01 | instrument |
Durandarte | Montserrat Caballé | | | 4:38 | instrument (as “vihuela”) |
Edi be thu, Heven-Queene | Ensemble Unicorn | | | 4:09 | instrument (as “vihuela'd'arco”) |
El fuego | Mateu Fletxa | | | 10:46 | instrument |
El Maestro, Tome I. Musica de vihuela de mano: Tento IV. | Hopkinson Smith | | | 5:57 | instrument |