| holds phonographic copyright (℗) for |
|---|
| 1942 | White Christmas | | Vera Lynn | 3:24 |
| 1953 | Swedish Rhapsody | | Mantovani & His Orchestra | 2:50 |
| 1954 | Ebb Tide | | Frank Chacksfield & His Orchestra | 2:46 |
| 1955 | Christmas Alphabet | | Dickie Valentine | 2:08 |
| 1955 | Christmas Alphabet | | Dickie Valentine | 2:09 |
| 1955 | Così fan tutte, K. 588: Act I, Scene I. No. 1 Terzetto "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) | | Wiener Philharmoniker, Karl Böhm | 3:05 |
| 1955 | Così fan tutte, K. 588: Act I, Scene I. No. 2 Terzetto "E la fede delle femmine" (Ferrando, Guglielmo, Don Alfonso) | | Wiener Philharmoniker, Karl Böhm | 2:32 |
| 1955 | Così fan tutte, K. 588: Act I, Scene I. No. 3 Terzetto "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso) | | Wiener Philharmoniker, Karl Böhm | 2:17 |
| 1955 | Così fan tutte, K. 588: Act I, Scene II. No. 5 Aria "Vorrei dir, e cor non ho" (Don Alfonso) | | Wiener Philharmoniker, Karl Böhm | 1:40 |
| 1955 | Così fan tutte, K. 588: Act I, Scene IV. No. 6 Quintetto "Sento, oh Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | | Wiener Philharmoniker, Karl Böhm | 3:57 |
| 1955 | Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina) | | Wiener Philharmoniker, Karl Böhm | 2:41 |
| 1955 | Così fan tutte, K. 588: Act I, Scene V. No. 8 Coro "Bella vita militar!" (Coro, Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 1:36 |
| 1955 | Così fan tutte, K. 588: Act I, Scene V. Quintetto con Coro "Di scrivermi ogni giorno" (Dorabella, Don Alfonso, Fiordiligi) | | Wiener Philharmoniker, Karl Böhm | 3:39 |
| 1955 | Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | | Wiener Philharmoniker, Karl Böhm | 2:51 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XI. Recitativo "Temerari! Sortite fuori di questo loco!" (Fiordiligi) | | Wiener Philharmoniker, Karl Böhm | 6:33 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XI. Sestetto "Alla bella Despinetta" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | | Wiener Philharmoniker, Karl Böhm | 6:44 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XII. No. 16 Terzetto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 1:29 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XII. No. 17 Aria "Un'aura amorosa" (Ferrando) | | Wiener Philharmoniker, Karl Böhm | 4:54 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XIV. No. 18 Finale I "Ah, che tutta in un momento" (Fiordiligi, Dorabella) | | Wiener Philharmoniker, Karl Böhm | 3:16 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XV. Finale I "Si mora, sì, si mora" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) | | Wiener Philharmoniker, Karl Böhm | 5:15 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XVI. Finale I "Dammi un bacio, oh mio tesoro" (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Alfonso) | | Wiener Philharmoniker, Karl Böhm | 3:07 |
| 1955 | Così fan tutte, K. 588: Act I, Scene XVI. Finale I "Eccovi il medico" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | | Wiener Philharmoniker, Karl Böhm | 3:17 |
| 1955 | Così fan tutte, K. 588: Act II, Scene I. No.19 Aria "Una donna a quindici anni" (Despina) | | Wiener Philharmoniker, Karl Böhm | 4:39 |
| 1955 | Così fan tutte, K. 588: Act II, Scene II. No. 20 Duetto "Prenderò quel brunettino" (Fiordiligi, Dorabella) | | Wiener Philharmoniker, Karl Böhm | 2:55 |
| 1955 | Così fan tutte, K. 588: Act II, Scene IV. Duetto con coro "Secondate, aurette amiche" (Ferrando, Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 4:11 |
| 1955 | Così fan tutte, K. 588: Act II, Scene IV. No. 22 Quartetto "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) | | Wiener Philharmoniker, Karl Böhm | 5:30 |
| 1955 | Così fan tutte, K. 588: Act II, Scene V. No. 23 Duetto "Il core vi dono, bell'idolo mio" (Dorabella, Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 4:15 |
| 1955 | Così fan tutte, K. 588: Act II, Scene VI. Recitativo "Barbara, perché fuggi?" (Ferrando, Fiordiligi) | | Wiener Philharmoniker, Karl Böhm | 1:25 |
| 1955 | Così fan tutte, K. 588: Act II, Scene VIII. No. 26 Aria "Donne mie, la fate a tanti" (Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 2:34 |
| 1955 | Così fan tutte, K. 588: Act II, Scene VIII. Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 2:55 |
| 1955 | Così fan tutte, K. 588: Act II, Scene XII. No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) | | Wiener Philharmoniker, Karl Böhm | 7:14 |
| 1955 | Così fan tutte, K. 588: Act II, Scene XII. No. 30 Aria "Tutti accusan le donne" (Don Alfonso, Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 0:59 |
| 1955 | Così fan tutte, K. 588: Act II, Scene XV. Finale "Fate presto, oh cari amici" (Despina, Coro, Don Alfonso) | | Wiener Philharmoniker, Karl Böhm | 1:44 |
| 1955 | Così fan tutte, K. 588: Act II, Scene XVI. Finale, Coro "Benedetti i doppi conjugi" (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 4:07 |
| 1955 | Così fan tutte, K. 588: Act II, Scene XVII. Finale "Miei Signori, tutto e fatto" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina) | | Wiener Philharmoniker, Karl Böhm | 3:39 |
| 1955 | Così fan tutte, K. 588: Appendix. No. 15 Aria "Non siate ritrosi" (Guglielmo) | | Wiener Philharmoniker, Karl Böhm | 1:27 |
| 1955 | Così fan tutte, K. 588: Ouverture | | Wiener Philharmoniker, Karl Böhm | 4:30 |
| 1955 | Così fan tutte, KV 588: Atto I, Scena 2 "Ah, guarda, sorella" | | Wiener Philharmoniker, Karl Böhm | 5:06 |
| 1955 | Così fan tutte, KV 588: Atto I, Scena 8 "Che vita maledetta" | | Wiener Philharmoniker, Karl Böhm | 1:00 |
| 1955 | Così fan tutte, KV 588: Atto I, Scena 9 "Ah, scostati! ... Smanie implacabili" | | Wiener Philharmoniker, Karl Böhm | 4:36 |
| 1955 | Così fan tutte, KV 588: Atto I, Scena 10 "Che silenzio! Che aspetto di tristezza" | | Wiener Philharmoniker, Karl Böhm | 2:09 |
| 1955 | Così fan tutte, KV 588: Atto I, Scena 16 "Dove son? Che loco è questo" | | Wiener Philharmoniker, Karl Böhm | 2:31 |
| 1955 | Così fan tutte, KV 588: Atto II, Scena 1 "Trattar l'amore en bagatelle" | | Wiener Philharmoniker, Karl Böhm | 1:35 |
| 1955 | Così fan tutte, KV 588: Atto II, Scena 7 "Ei parte ... Per pietà, ben mio, perdona" | | Wiener Philharmoniker, Karl Böhm | 7:51 |
| 1955 | Così fan tutte, KV 588: Atto II, Scena 10 "Ora vedo che siete" | | Wiener Philharmoniker, Karl Böhm | 2:18 |
| 1955 | Così fan tutte, KV 588: Atto II, Scena 18 "Richiamati da regio contrordine" | | Wiener Philharmoniker, Karl Böhm | 8:13 |
| 1955 | Jump for Jeff | The Decca Record Co. | Tony Crombie | 7:15 |
| 1955 | Très gai | The Decca Record Co. | Tony Crombie | 8:21 |
| 1955 | Turandot: Atto I. "Fermo! Che fai? T'arresta" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 6:25 |
| 1955 | Turandot: Atto I. "Figlio, che fai?" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:46 |
| 1955 | Turandot: Atto I. "Gira la cote!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 7:23 |
| 1955 | Turandot: Atto I. "Non piangere, Liù" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 5:17 |
| 1955 | Turandot: Atto I. "O giovinetto! Grazia, grazia!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 5:14 |
| 1955 | Turandot: Atto I. "Popolo di Pekino!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 5:50 |
| 1955 | Turandot: Atto I. "Signore, ascolta!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 2:36 |
| 1955 | Turandot: Atto II, Scena 2. "Gloria, gloria, o vincitore!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:13 |
| 1955 | Turandot: Atto II, Scena 2. "Straniero, ascolta" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 7:27 |
| 1955 | Turandot: Atto II, Scena 2. "Tre enigmi m'hai proposto" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:59 |
| 1955 | Turandot: Atto II, Scena I. “Ho una casa nell’ Honan” | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:07 |
| 1955 | Turandot: Atto II, Scena II. “In questa reggia” | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 6:16 |
| 1955 | Turandot: Atto II. "Gravi enormi ed imponenti" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:01 |
| 1955 | Turandot: Atto II. "O mondo..." | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:41 |
| 1955 | Turandot: Atto II. "Olà, Pang! Olà, Pong!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:24 |
| 1955 | Turandot: Atto II. "Popolo di Pekino!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:50 |
| 1955 | Turandot: Atto II. "Un giuramento atroce mi costringe" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:25 |
| 1955 | Turandot: Atto II. Introduzione | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:23 |
| 1955 | Turandot: Atto III, Scena 1. "Che è mai di me?" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 2:44 |
| 1955 | Turandot: Atto III, Scena 1. "Del primo pianto" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:30 |
| 1955 | Turandot: Atto III, Scena 1. "Liù! Liù! Sorgi!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 4:49 |
| 1955 | Turandot: Atto III, Scena 1. "Nessun dorma!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 6:47 |
| 1955 | Turandot: Atto III, Scena 1. "Principessa di morte" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:04 |
| 1955 | Turandot: Atto III, Scena 1. "Principessa Divina!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 7:13 |
| 1955 | Turandot: Atto III, Scena 1. "So il tuo nome!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 1:25 |
| 1955 | Turandot: Atto III, Scena 1. "Tu che di gel sei cinta" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 2:55 |
| 1955 | Turandot: Atto III, Scena 1. Introduzione - Così comanda Turandot | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:43 |
| 1955 | Turandot: Atto III, Scena 2. "Diecimila anni al nostro Imperatore!" | | Borkh, Tebaldi, del Monaco, Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | 3:19 |
| 1955 – | Symphony no. 3 in A minor: I. Moderato assai | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 7:18 |
| 1955 – | Symphony no. 3 in A minor: II. Scherzo: Vivo – Moderato | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 8:45 |
| 1956 | Dawn & Siegfried’s Rhine Journey | | Wiener Philharmoniker, Hans Knappertsbusch | 12:40 |
| 1956 | Symphony №5 in B‐flat major: 1. Adagio – Allegro | | Wiener Philharmoniker, Hans Knappertsbusch | 18:50 |
| 1956 | Symphony №5 in B‐flat major: 2. Adagio | | Wiener Philharmoniker, Hans Knappertsbusch | 13:23 |
| 1956 | Symphony №5 in B‐flat major: 3. Scherzo. Molto vivace | | Wiener Philharmoniker, Hans Knappertsbusch | 9:36 |
| 1956 | Symphony №5 in B‐flat major: 4. Finale. Adagio – Allegro molto | | Wiener Philharmoniker, Hans Knappertsbusch | 18:50 |
| 1958 | By-Pass | The Decca Record Co. | Don Rendell Jazz Six | 4:09 |
| 1958 | Die lustige Witwe: Akt I. Nr. 2.b „Ich bin eine anstän’dge Frau“ | Decca | Waldemar Kmentt, Emmy Loose, Orchester der Wiener Staatsoper, Robert Stolz | 3:10 |
| 1958 | Die lustige Witwe: Akt I. Nr. 3. Entreelied „Bitte, meine Herr’n! welche Galantrie’n“ | Decca | Chor der Wiener Staatsoper, Kurt Equiluz, Hilde Güden, Peter Klein, Orchester der Wiener Staatsoper, Robert Stolz | 2:57 |
| 1958 | Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!“ | Decca | Chor der Wiener Staatsoper, Kurt Equiluz, Per Grundén, Hilde Güden, Peter Klein, Orchester der Wiener Staatsoper, Robert Stolz | 3:02 |
| 1958 | Die lustige Witwe: Akt II. „Wie eine Rosenknospe“ | Decca | Waldemar Kmentt, Emmy Loose, Orchester der Wiener Staatsoper, Robert Stolz | 4:32 |
| 1958 | Die lustige Witwe: Akt II. Heia, Mädel... Dummer, dummer Reitersmann (Hanna, Danilo) | Decca | Per Grundén, Hilde Güden, Orchester der Wiener Staatsoper, Robert Stolz | 3:12 |
| 1958 | Die lustige Witwe: Akt III. Ja, das Studium der Weiber ist schwer (Hanna & cast) | Decca | Chor der Wiener Staatsoper, Karl Dönch, Hilde Güden, Orchester der Wiener Staatsoper, Robert Stolz | 1:21 |
| 1958 | Die lustige Witwe: Akt III. Ja, wir sind es, die Grisetten (Valencienne & cast) | Decca | Chor der Wiener Staatsoper, Emmy Loose, Orchester der Wiener Staatsoper, Robert Stolz | 2:47 |
| 1958 | Die lustige Witwe: Akt III. Lippen schweigen (Hanna, Danilo) | Decca | Per Grundén, Hilde Güden, Orchester der Wiener Staatsoper, Robert Stolz | 2:20 |
| 1958 | Die lustige Witwe: O Vaterland – Da geh’ ich zu Maxim | Decca | Per Grundén, Orchester der Wiener Staatsoper, Orchester der Wiener Volksoper, Robert Stolz | 2:18 |
| 1958 | Die lustige Witwe: Vilja‐Lied | Decca | Chor der Wiener Staatsoper, Hilde Güden, Orchester der Wiener Staatsoper, Orchester der Wiener Volksoper, Robert Stolz | 5:19 |
| 1958 | Dolly Mixture | The Decca Record Co. | Don Rendell Jazz Six | 4:27 |
| 1958 | Funeral March | | Wilhelm Kempff | 7:12 |
| 1958 | God Bless the Prince of Wales | | Morriston Orpheus Choir | 3:29 |
| 1958 | God Rest Ye Merry Gentlemen | | Mantovani & His Orchestra | 2:59 |
| 1958 | Hen Wlad fy Nhadau | | Morriston Orpheus Choir | 1:57 |
| 1958 | High Noon (Do Not Forsake Me) | The Decca Record Co. Ltd. | The Mantovani Orchestra | 3:30 |
| See all 2,433 relationships |
| holds copyright (©) for |
|---|
| 1959 | Adeste fideles | Decca Record Co. Ltd. | John McCormack | |
| 1960 | Tosca | | Puccini; Renata Tebaldi, Mario del Monaco, George London, Molinari‐Pradelli | |
| 1961 | Marching With the Grenadier Guards | | Band of the Grenadier Guards conducted by Lt. Col., F. J. Harris, M.B.E., A.R.C.M., p.s.m. | |
| 1963 | Die Fledermaus | | Strauss; Vienna Philharmonic Orchestra, Herbert von Karajan | |
| 1967 | Days of Future Passed | | The Moody Blues with The London Festival Orchestra conducted by Peter Knight | |
| 1967 | How to Give Yourself a Stereo Check-Out | The Decca Record Company Limited | Jack de Manio and Elizabeth Knight | |
| 1968 | David Bowie | | David Bowie | |
| 1969 | The World of Wales in Song | The Decca Record Company Limited | Various Artists | |
| 1970 | Chacksfield Plays the Beatles’ Song Book | The Decca Record Company Limited | Frank Chacksfield and His Orchestra | |
| 1970 | David Bowie | | David Bowie | |
| 1971 | Every Good Boy Deserves Favour | The Decca Record Company Limited, London | The Moody Blues | |
| 1975 | Focus on Mantovani | The Decca Record Company Limited | Mantovani | |
| 1976 | Das Rheingold | | Richard Wagner; London, Flagstad, Svanholm, Neidlinger, Vienna Philharmonic Orchestra, Solti | |
| 1976 | Lachrimae 1604 | | Dowland - The Consort Of Musicke | |
| 1977 | Violin Concerto | | Elgar; Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti | |
| 1978 | The World of Vivaldi | | Various Artists | |
| 1980 | Bravo Pavarotti | | Luciano Pavarotti | |
| 1981 | Symphony no. 14 | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink, Júlia Várady, Dietrich Fischer‐Dieskau | |
| 1982 | Concierto de Aranjuez / Fantasia para un Gentilhombre | | Rodrigo; Carlos Bonell, Orchestre symphonique de Montréal, Charles Dutoit | |
| 1983 | David Bowie | | David Bowie | |
| 1983 | David Bowie | | David Bowie | |
| 1983 | Pachelbel: Canon / Handel / Vivaldi / Gluck | The Decca Record Company Limited, London | Pachelbel, Handel, Vivaldi, Gluck; The Academy of Ancient Music, Christopher Hogwood | |
| 1983 | Pines of Rome / Fountains of Rome / Roman Festival | | Ottorino Respighi; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1983 | Symphony no. 5 | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1983 | Violin Concertos | | Tchaikovsky, Mendelssohn; Orchestre symphonique de Montréal, Charles Dutoit, Kyung Wha Chung | |
| 1984 | Goyescas: Volumes 1 & 2 / El pelele | | Granados; Alicia de Larrocha | |
| 1984 | La Mer / Nocturnes / Prélude à lʼaprès-midi dʼun faune | | Claude Debussy; Ernest Ansermet, L’Orchestre de la Suisse Romande | |
| 1984 | Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales | | Ravel; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1984 | Mamma | | Luciano Pavarotti | |
| 1984 | Offenbach: Gaîté parisienne / Gounod: Faust Ballet | | Offenbach, Gounod; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1984 | Piano Concerto no. 2 | | Brahms; Vladimir Ashkenazy, Vienna Philharmonic, Bernard Haitink | |
| 1984 | Piano Concerto no. 2 | | Brahms; Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | |
| 1984 | Symphony no. 1 | | Mahler; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1984 | Symphony no. 4 in G major | The Decca Record Company Limited | Gustav Mahler; Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | |
| 1984 – | Sinfonia Concertante / Violin Concerto No. 2 | | Wolfgang Amadeus Mozart; Academy of St Martin in the Fields, Iona Brown, Josef Suk | |
| 1984 – | Slavonic Dances / American Suite | The Decca Record Company Limited | Dvořák; Royal Philharmonic Orchestra, Antal Dorati | |
| 1985 | Rigoletto | | Verdi; Sutherland, Pavarotti, Milnes, Tourangeau, Talvela, London Symphony Orchestra, Bonynge | |
| 1985 | Symphonie Fantastique | | Hector Berlioz; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1985 | Symphony no. 8 | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1985 | Symphony no. 25 / Symphony no. 29 | | Mozart; The Academy of Ancient Music, Jaap Schröder, Christopher Hogwood | |
| 1985 | Symphony no. 94 “Surprise” / Symphony no. 96 “Miracle” | The Decca Record Company Limited | Haydn; The Academy of Ancient Music, Christopher Hogwood | |
| 1985 | Virtuoso Recorder Music | | Amsterdam Loeki Stardust Quartet | |
| 1985 – | Porgy and Bess | | Gershwin; Cleveland Orchestra & Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks | |
| 1985 – | Symphony No. 2 / Tragic Overture | | Brahms; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1985 – | Utrecht Te Deum / Jubilate | | Handel; Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music | |
| 1986 | Guglielmo Tell | | Rossini; Milnes, Pavarotti, Freni, Ghiaurov, National Philharmonic Orchestra, Chailly | |
| 1986 | Holy, Holy, Holy | The Decca Record Company Limited | King’s College Choir, Stephen Cleobury | |
| 1986 | Lalo, Saint‐Saëns: Cello Concertos / Fauré: Élégie | | Lalo, Saint‐Saëns, Fauré; Lynn Harrell, Radio-Symphonie-Orchester Berlin, Riccardo Chailly | |
| 1986 | Les Contes d’Hoffmann | | Offenbach; Joan Sutherland, Plácido Domingo, Gabriel Bacquier, L’Orchestre de la Suisse Romande, Richard Bonynge | |
| 1987 | Blue Jays | | Justin Hayward & John Lodge | |
| 1987 | Carmina Burana | The Decca Record Company, London | New London Consort, Philip Pickett | |
| 1987 | Madama Butterfly | | Puccini; Freni, Pavarotti, Ludwig, Kerns, Wiener Philharmoniker, Herbert von Karajan | |
| 1987 | Madama Butterfly (Highlights) | | Puccini; Tebaldi, Bergonzi, Cossotto, Sordello, Orchestra e Coro dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | |
| 1987 | Songwriter | The Decca Record Co. Ltd. | Justin Hayward | |
| 1987 | Symphony no. 1 | The Decca Record Company Limited | Mahler; London Symphony Orchestra, Sir Georg Solti | |
| 1987 | Symphony no. 1 | The Decca Record Company Limited | Mahler; Georg Solti, London Symphony Orchestra | |
| 1987 | Symphony no. 6 ‘Pathétique’ | The Decca Record Company Limited | Tchaikovsky; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1987 | The Glory of Venice | | Giovanni Gabrieli; King’s College Choir, Cambridge, Philip Jones Brass Ensemble, Stephen Cleobury | |
| 1987 | The Planets | | Holst; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1987 – | La bohème | | Puccini; Freni, Pavarotti, Harwood, Panerai, Maffeo, Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | |
| 1987 – | Piano Concerto no. 5 “Emperor” / Piano Concerto no. 2 | | Beethoven; Chicago Symphony Orchestra, Sir Georg Solti, Vladimir Ashkenazy | |
| 1988 | Aida: Highlights | The Decca Record Company Limited | Verdi; Wiener Philharmoniker, Herbert von Karajan, Renata Tebaldi, Carlo Bergonzi, Giulietta Simionato, Cornell MacNeil | |
| 1988 | Die Zauberflöte: Highlights | | Wolfgang Amadeus Mozart; Wiener Philharmoniker, Staatsopernchor, Sir Georg Solti | |
| 1988 | Matthew & Son | | Cat Stevens | |
| 1988 | Matthew & Son | | Cat Stevens | |
| 1988 | Souvenirs | The Decca Record Co. Ltd. | Django Reinhardt & Stéphane Grappelly with The Quintet of the Hot Club of France | |
| 1988 | Suvenires | The Decca Record Co. Ltd. | Django Reinhardt & Stéphane Grappelly | |
| 1988 | Violin Concertos | | Tchaikovsky, Mendelssohn; Ruggiero Ricci | |
| 1988 – | Symphony no. 1 / Academic Festival Overture | | Brahms; Concertgebouw Orchestra, Riccardo Chailly | |
| 1989 | Aida | | Verdi; Tebaldi, Simionato, Bergonzi, MacNeil, Wiener Philharmoniker, Herbert von Karajan | |
| 1989 | Albert Herring | | Britten | |
| 1989 | Jussi Björling | | Jussi Björling | |
| 1989 | New Masters | | Cat Stevens | |
| 1989 | Piano Concerto / Violin Concerto | The Decca Record Company Limited | Benjamin Britten; Sviatoslav Richter, Mark Lubotsky, English Chamber Orchestra, Benjamin Britten | |
| 1989 | Piano Concerto no. 1 / 2 Rhapsodies | | Brahms; Radu Lupu, London Philharmonic Orchestra, Edo de Waart | |
| 1989 | Songs of Inspiration | The Decca Record Company Limited | Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel | |
| 1989 | Spanish Guitar Favourites | | John Williams | |
| 1989 | Symphonies 1 & 2 / Julius Caesar | | Schumann; Sir Georg Solti, Wiener Philharmoniker | |
| 1989 | Symphony no. 6 | | Beethoven; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1989 | Verdi Weekend: Arias, Duets, Choruses | | Giuseppe Verdi | |
| 1990 | Arias and Duets: Tosca / La bohème / Guglielmo Tell / Mefistofele | | Luciano Pavarotti, Mirella Freni | |
| 1990 | In Concert | The Decca Record Company Limited, London | Carreras, Domingo, Pavarotti, Mehta | |
| 1990 | Mahler 1 | | Mahler; The Cleveland Orchestra, Christoph von Dohnányi | |
| 1990 | Orchestral Favourites | | Boston Pops Orchestra, Arthur Fiedler | |
| 1990 | Pavarotti Sings Caruso | | Pavarotti | |
| 1990 | Piano Concertos 1 & 2 | | Beethoven; Israel Philharmonic Orchestra, Zubin Mehta, Radu Lupu | |
| 1990 | Piano Works, Vol. 4: Phantasiestücke / Blumenstück / Davidsbündlertänze | | Schumann; Vladimir Ashkenazy | |
| 1990 | Rachmaninov plays Rachmaninov: The Ampico Piano Recordings (1919–29) | | Rachmaninov | |
| 1990 | St Luke Passion | | Penderecki; Warsaw National Philharmonic Chorus, National Radio Symphony Orchestra, Krzysztof Penderecki | |
| 1990 | Szenen aus Goethes Faust | | Schumann; Fischer‐Dieskau, Harwood, Pears, Shirley‐Quirk, Benjamin Britten | |
| 1990 | The Essential Pavarotti | | Luciano Pavarotti | |
| 1990 | The World of King’s | | Allegri, Handel, Byrd, Tallis, Palestrina, Bach, Vivaldi, Gibbons; King’s College Choir, Cambridge, Sir David Willcocks | |
| 1990 – | In Concert | | Carreras, Domingo, Pavarotti, Mehta | |
| 1990 – | In Concert | | Carreras, Domingo, Pavarotti, Mehta | |
| 1991 | Aida: Highlights | | Verdi; Chiara, Pavarotti, Dimitrova, Nucci, Burchuladze, Orchestra e Coro del Teatro alla Scala, Lorin Maazel | |
| 1991 | Bruckner: String Quintet / Schmidt: Piano Quintet | | Bruckner, Schmidt; Vienna Philharmonia Quintet | |
| 1991 | Orchestral Suites 1 - 4 | | J. S. Bach; Academy of St Martin in the Fields, Neville Marriner | |
| 1991 | Palmarès du cinéma | The Decca Records Company Ltd. (London) | Various Artists | |
| 1991 | Romeo and Juliet / Chout: Ballet Suites | | Prokofiev; London Symphony Orchestra, Claudio Abbado | |
| 1991 | The Essential Mozart | The Decca Record Company Limited | Mozart; Solti, Marriner, Boskovsky, Lupu, Schiff, Tuckwell | |
| See all 171 relationships |
| holds phonographic copyright (℗) for |
|---|
| 1964 – 1967 | She’s Not There | | The Zombies | |
| 1966 – 1967 | Sha-La-La-La-Lee | | Small Faces | |
| 1967 | David Bowie | | David Bowie | |
| 1967 | David Bowie | | David Bowie | |
| 1967 – 1969 | New Masters | | Cat Stevens | |
| 1968 | Lakmé: Highlights | The Decca Record Company Limited, London | Delibes; Sutherland, Vanzo, Bacquier, Bonynge | |
| 1968 | Nights in White Satin | | The Moody Blues | |
| 1970 | Nights in White Satin | | The Moody Blues | |
| 1970 | Symphonies 1 & 2 / Julius Caesar | | Schumann; Sir Georg Solti, Wiener Philharmoniker | |
| 1970 – | Anna Bolena | | Gaetano Donizetti; Elena Souliotis, Marilyn Horne, John Alexander, Nicolaï Ghiaurov, Wiener Staatsopernchor, Wiener Opernorchester, Silvio Varviso | |
| 1971 | Symphony No.7 | | Mahler; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1972 | Piano Concertos 1-4 | | Rachmaninov; Vladimir Ashkenazy, London Symphony Orchestra, André Previn | |
| 1975 | Concertos | | J. S. Bach; Academy of St Martin-in-the-Fields, Neville Marriner | |
| 1975 | Focus on Mantovani | The Decca Record Company Limited | Mantovani | |
| 1976 | Concertos | | J. S. Bach; Academy of St Martin-in-the-Fields, Neville Marriner | |
| 1976 | Lachrimae 1604 | | Dowland - The Consort Of Musicke | |
| 1976 – | Porgy and Bess | | Gershwin; Cleveland Orchestra & Chorus, Lorin Maazel, Willard White, Leona Mitchell, McHenry Boatwright, Florence Quivar, Francois Clemmons, Barbara Hendricks | |
| 1977 | Cat's Cradle | | Cat Stevens | |
| 1979 | Woolly Rhino: Sad to Be Alone | The Decca Record Company Ltd. (Argo Division) | Norman Shelley | |
| 1980 | Symphony no. 25 / Symphony no. 29 | | Mozart; The Academy of Ancient Music, Jaap Schröder, Christopher Hogwood | |
| 1980 – | Utrecht Te Deum / Jubilate | | Handel; Choir of Christ Church Cathedral, Oxford, The Academy of Ancient Music | |
| 1981 | Pachelbel: Canon / Handel / Vivaldi / Gluck | The Decca Record Company Limited, London | Pachelbel, Handel, Vivaldi, Gluck; The Academy of Ancient Music, Christopher Hogwood | |
| 1981 – | Symphony No. 2 / Tragic Overture | | Brahms; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1982 | David Bowie | | David Bowie | |
| 1983 | Batcave: Young Limbs and Numb Hymns | The Decca Record Co. Ltd. | Various Artists | |
| 1983 | Symphony no. 6 / Symphony no. 12 | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1985 | Symphony no. 6 / Symphony no. 12 | | Shostakovich; Concertgebouw Orchestra, Bernard Haitink | |
| 1985 | Virtuoso Recorder Music | | Amsterdam Loeki Stardust Quartet | |
| 1985 | Water | | Various Artists | |
| 1986 | Lalo, Saint‐Saëns: Cello Concertos / Fauré: Élégie | | Lalo, Saint‐Saëns, Fauré; Lynn Harrell, Radio-Symphonie-Orchester Berlin, Riccardo Chailly | |
| 1987 | The Planets | | Holst; Orchestre symphonique de Montréal, Charles Dutoit | |
| 1988 | Souvenirs | The Decca Record Co. Ltd. | Django Reinhardt & Stéphane Grappelly with The Quintet of the Hot Club of France | |
| 1988 | Suvenires | The Decca Record Co. Ltd. | Django Reinhardt & Stéphane Grappelly | |
| 1989 | Aida: Highlights | | Verdi; Chiara, Pavarotti, Dimitrova, Nucci, Burchuladze, Orchestra e Coro del Teatro alla Scala, Lorin Maazel | |
| 1989 | Symphony no. 6 | | Beethoven; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1990 | The Essential Pavarotti | | Luciano Pavarotti | |
| 1990 – | In Concert | | Carreras, Domingo, Pavarotti, Mehta | |
| 1990 – | In Concert | | Carreras, Domingo, Pavarotti, Mehta | |
| 1991 | Famous Tenor Arias | The Decca Record Co. Ltd | Carlo Bergonzi, Giuseppe di Stefano and Bruno Prevedi | |
| 1991 | Palmarès du cinéma | The Decca Records Company Ltd. (London) | Various Artists | |
| 1991 | The Essential Mozart: Fifteen of His Most Popular Pieces | | Wolfgang Amadeus Mozart | |
| 1992 | Mein Vaterland | | Friedrich Smetana; Israel Philharmonic Orchestra, Walter Weller | |
| 1992 – | The Essential Michael Nyman Band | | Michael Nyman | |
| 1993 | Classic Commercials | | Various Artists | |
| 1993 – | Symphony no. 5 | | Anton Bruckner; The Cleveland Orchestra, Christoph von Dohnányi | |
| 1994 | The Essential Music of America | | Various Artists | |
| 1995 – | Pavarotti & Friends 2 | | Pavarotti & Friends | |
| 1996 | From the Beginning | | Small Faces | |
| 1996 | The Best of the Moody Blues | The Decca Records Co. Ltd. | The Moody Blues | |
| 1996 | The Decca Anthology: 1965–1967 | | Small Faces | |
| 1996 – | Pavarotti & Friends for War Child | | Pavarotti & Friends | |
| 1997 | Conversations with Bill Evans | The Decca Record Company Limited | Bill Evans; Jean‐Yves Thibaudet | |
| 1998 | Waking Ned Devine | | Shaun Davey | |
| 1999 | The Decca Years 1955–1975 | | Kenneth McKellar | |
| In From the Cold | | Ashkan | |
| Llllloco-Motion | | Little Eva | |
| Sinfonia Concertante / Violin Concerto No. 2 | | Wolfgang Amadeus Mozart; Academy of St Martin in the Fields, Iona Brown, Josef Suk | |
| Vexations | | Erik Satie; Alan Marks | |
| licensed |
|---|
| Christmas Through the Years | The Decca Record Co. Ltd. | Various Artists | |
| Don Quixote / Till Eulenspiegel / Don Juan | | Richard Strauss; Pierre Fournier, Ernst Moraweg, Vienna Philharmonic Orchestra, Clemens Krauss | |
| Film Favourites | | Mantovani and His Orchestra | |
| Love Like a Man / If You Should Love Me | | Ten Years After | |
| Luciano Pavarotti in Concert | Decca Record Co. Limited | Luciano Pavarotti | |
| Noël: A Celebration of Christmas Classical Music | The Decca Record Company Limited | Luciano Pavarotti, Kiri Te Kanawa, Joan Sutherland, Sir Georg Solti | |
| Playtime | The Decca Record Co. | Don Rendell Jazz Six | |
| Poor Boy | The Decca Record Company Limited | Chicken Shack | |
| Sugar Me / Storm in a Teacup | | Lynsey De Paul | |
| The Muffin Man | | World Of Oz | |
| The Puccini Collection | | Various Artists | |
| The Wonder of Christmas | The Decca Record Co. Ltd. | Various Artists | |
| Why, Oh Why, Oh Why | | Gilbert O’Sullivan | |
| manufactured |
|---|
| A Message to Martha (Kentucky Bluebird) / The Last One to Be Loved | | Lou Johnson | |
| Das Rheingold | | Richard Wagner; London, Flagstad, Svanholm, Neidlinger, Vienna Philharmonic Orchestra, Solti | |
| David Bowie | | David Bowie | |
| David Bowie | | David Bowie | |
| Francene / Down Brownie | The Decca Record Co. Ltd. | Z Z Top | |
| Francene / Down Brownie | The Decca Record Co Ltd. | Z Z Top | |
| From Genesis to Revelation | | Genesis | |
| I Hear You Knocking / Black Bill | | Dave Edmunds | |
| The Monkees | | The Monkees | |
| The New Beer Barrel Polka | The Decca Record Co. Ltd. | Will Glahé and His Orchestra | |
