| holds phonographic copyright (℗) for |
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2002 | Bullet to Binary | | mewithoutYou | 2:45 |
2002 | Creating Something Out of Nothing, Only to Destroy It | | Norma Jean | 6:22 |
2002 | Face:Face | | Norma Jean | 3:31 |
2002 | Gentlemen | | mewithoutYou | 2:48 |
2002 | I Used to Hate Cell Phones but Now I Hate Car Accidents | | Norma Jean | 4:45 |
2002 | I Used to Hate Cell Phones but Now I Hate Car Accidents | | Norma Jean | 5:02 |
2002 | It Was as If the Dead Man Stood Upon the Air | | Norma Jean | 1:30 |
2002 | Memphis Will Be Laid to Waste | | Norma Jean | 4:56 |
2002 | Organized Beyond Recognition | | Norma Jean | 7:28 |
2002 | Pretty Soon, I Don’t Know What, but Something Is Going to Happen | | Norma Jean | 15:49 |
2002 | Sometimes It’s Our Mistakes That Make for the Greatest Ideas | | Norma Jean | 3:15 |
2002 | The Entire World Is Counting on Me, and They Don’t Even Know It | | Norma Jean | 3:10 |
2002 | The Human Face, Divine | | Norma Jean | 5:41 |
2002 | The Shotgun Message | | Norma Jean | 1:37 |
2002 | The Shotgun Message | | Norma Jean | 1:47 |
2004 | A Boy Brushed Red… Living in Black and White | | Underoath | 4:28 |
2004 | And Then, Came Then | | The Chariot | 5:20 |
2004 | Before There Was Atlanta, There Was Douglasville | | The Chariot | 2:15 |
2004 | Dialogue With a Question Mark | | The Chariot | 2:12 |
2004 | Die Interviewer (I Am Only Speaking in German) | | The Chariot | 2:41 |
2004 | Down, Set, Go | | Underoath | 3:44 |
2004 | Good Night My Lady, and a Forever Farewell | | The Chariot | 5:29 |
2004 | I Don’t Feel Very Receptive Today | | Underoath | 3:42 |
2004 | I’m Content With Losing | | Underoath | 3:55 |
2004 | If Wishes Were Horses, More Beggars Would Ride Them | | The Chariot | 3:10 |
2004 | It’s Dangerous Business Walking Out Your Front Door | | Underoath | 3:59 |
2004 | Reinventing Your Exit | | Underoath | 4:23 |
2004 | Some Will Seek Forgiveness, Others Escape | | Underoath | 4:21 |
2004 | Someday, in the Event That Mankind Actually Figures Out What It Is That This World Revolves Around, Thousands of People Are Going to Be Shocked and Perplexed to Find Out That It Was Not Them. Sometimes This Includes Me. | | The Chariot | 1:59 |
2004 | The Blue Note | | Underoath | 0:51 |
2004 | The Bullet Never Lies, and Time Will Prove All Things. (An Allegory of Unfaithful Jerusalem) | | The Chariot | 2:57 |
2004 | The Company, the Comfort, the Grave | | The Chariot | 2:26 |
2004 | The Impact of Reason | | Underoath | 3:24 |
2004 | Yellow Dress: Locked Knees | | The Chariot | 1:59 |
2004 | Young and Aspiring | | Underoath | 3:05 |
2005 | [untitled] | | Norma Jean | 2:18 |
2005 | Absentimental: Street Clam | | Norma Jean | 3:12 |
2005 | Bayonetwork: Vultures in Vivid Color | | Norma Jean | 3:29 |
2005 | Charactarantula: Talking to You and the Intake of Glass | | Norma Jean | 4:17 |
2005 | Coffinspire: Multitudes, Multitudes in the Valley of Decision! | | Norma Jean | 4:25 |
2005 | Dilemmachine: Coalition, Hoax | | Norma Jean | 2:12 |
2005 | Disconnecktie: The Faithful Vampire | | Norma Jean | 10:03 |
2005 | Liarsenic: Creating a Universe of Discourse | | Norma Jean | 4:08 |
2005 | Murderotica: An Avalanche in D Minor | | Norma Jean | 1:58 |
2005 | Pretendeavor: In Reference to a Sinking Ship | | Norma Jean | 4:27 |
2005 | Scientifiction: I. A Clot of Tragedy II. A Swarm of Dedication | | Norma Jean | 6:22 |
2005 | ShaunLuu | | Norma Jean | 3:43 |
2005 | Vertebraille: Choke That Thief Called Dependence | | Norma Jean | 3:12 |
2006 | Donnie Cash (The Company, the Comfort, the Grave) | | The Chariot | 2:26 |
2006 | Kenny Gibler (Play the Piano Like a Disease) | | The Chariot | 4:07 |
2006 | Phil Cosby (Before There Was Atlanta, There Was Douglasville) | | The Chariot | 2:13 |
2006 | Sargeant Savage (Die Interviewer [Germanickly Speaking]) | | The Chariot | 1:56 |
2006 | Vin Affleck (Goodnight My Lady and a Forever Farewell) | | The Chariot | 2:43 |
2006 | Yanni Depp | | The Chariot | 2:41 |
2007 | And Shot Each Other | | The Chariot | 4:01 |
2007 | Back to Back | | The Chariot | 1:33 |
2007 | Forgive Me Nashville | | The Chariot | 3:11 |
2007 | Heard This Noise | | The Chariot | 2:44 |
2007 | The Deaf Policeman | | The Chariot | 2:43 |
2007 | The Trumpet | | The Chariot | 3:18 |
2007 | The Two Dead Boys | | The Chariot | 2:37 |
2007 | Then Came to Kill | | The Chariot | 5:00 |
2007 | They Drew Their Swords | | The Chariot | 2:32 |
2007 | They Faced Each Other | | The Chariot | 2:01 |
2008 | …Discipline Your Daughters | | Norma Jean | 4:16 |
2008 | A Boy Brushed Red, Living in Black and White | | Underoath | 4:56 |
2008 | A Fault Line, a Fault of Mine | | Underoath | 3:22 |
2008 | A Moment Suspended in Time | | Underoath | 3:54 |
2008 | And There Will Be a Swarm of Hornets | | Norma Jean | 9:19 |
2008 | Anyone Can Dig a Hole but It Takes a Real Man to Call It Home | | Underoath | 3:16 |
2008 | Birth of the Anti Mother | | Norma Jean | 2:47 |
2008 | Breathing in a New Mentality | | Underoath | 2:37 |
2008 | Casting Such a Thin Shadow | | Underoath | 6:14 |
2008 | Coming Down Is Calming Down | | Underoath | 3:15 |
2008 | Death of the Anti Mother | | Norma Jean | 4:06 |
2008 | Desolate Earth :: The End Is Here | | Underoath | 4:07 |
2008 | Desperate Times Desperate Measures | | Underoath | 3:28 |
2008 | Emergency Broadcast :: The End Is Near | | Underoath | 5:44 |
2008 | Everyone Looks So Good From Here | | Underoath | 5:02 |
2008 | In Regards to Myself | | Underoath | 3:01 |
2008 | It’s Dangerous Business Walking Out Your Front Door | | Underoath | 3:50 |
2008 | Moving for the Sake of Motion | | Underoath | 3:20 |
2008 | Murphy Was an Optimist | | Norma Jean | 4:18 |
2008 | Opposite of Left and Wrong | | Norma Jean | 3:14 |
2008 | Returning Empty Handed | | Underoath | 6:49 |
2008 | Robots 3 Humans 0 | | Norma Jean | 4:29 |
2008 | Self Employed Chemist | | Norma Jean | 3:12 |
2008 | Surrender Your Sons… | | Norma Jean | 4:40 |
2008 | The Created Void | | Underoath | 4:02 |
2008 | The Only Survivor Was Miraculously Unharmed | | Underoath | 3:09 |
2008 | To Whom It May Concern | | Underoath | 5:39 |
2008 | Too Bright to See, Too Loud to Hear | | Underoath | 4:31 |
2008 | Vipers, Snakes, and Actors | | Norma Jean | 4:13 |
2008 | We Are the Involuntary | | Underoath | 4:10 |
2008 | Writing on the Walls | | Underoath | 4:07 |
2008 | You’re Ever So Inviting | | Underoath | 4:09 |
2008 | Young and Aspiring | | Underoath | 2:50 |
2009 | Abandon. | | The Chariot | 3:01 |
2009 | Daggers | | The Chariot | 3:43 |
2009 | Evolve: | | The Chariot | 2:59 |
| See all 219 relationships |
| holds copyright (©) for |
---|
2002 | Norma Jean / mewithoutYou | | Norma Jean and mewithoutYou | |
2004 | Everything Is Alive, Everything Is Breathing, Nothing Is Dead and Nothing Is Bleeding | | The Chariot | |
2005 | O’ God, the Aftermath | | Norma Jean | |
2006 | Unsung EP | | The Chariot | |
2007 | The Fiancée | | The Chariot | |
2008 | Survive, Kaleidoscope | | Underoath | |
2008 | The Anti Mother | | Norma Jean | |
2009 | Wars and Rumors of Wars | | The Chariot | |
2011 – | Death, a Destination | | Demon Hunter | |
2012 | Find Your Worth, Come Home | | To Speak of Wolves | |
2012 | We Search, We Dig | | The Overseer | |
2014 | Midnight Clear | | Various Artists | |
2016 | Polar Similar | | Norma Jean | |
2018 | Dark Skies | | Fit for a King | |
2018 | When the End Began | | Silent Planet | |
2019 | All Hail | | Norma Jean | |
2019 | Eclipse | | Wolves at the Gate | |
2019 | The Act | | The Devil Wears Prada | |
2020 | The Night God Slept (instrumental) | | Silent Planet | |
2020 | The Night God Slept Redux | | Silent Planet | |
2021 | Lowborn | | Wolves at the Gate | |
2021 | Stop the Bleeding | | Wolves at the Gate | |
2021 | Stop the Bleeding (deluxe single) | | Wolves at the Gate | |
2022 | :Signal: | | Silent Planet | |
2022 | Call for the Blood | | Norma Jean | |
2022 | Eulogies | | Wolves at the Gate | |
2022 | Lowborn | | Wolves at the Gate | |
| holds phonographic copyright (℗) for |
---|
2011 – | Death, a Destination | | Demon Hunter | |
2017 | Outlive | | Demon Hunter | |
2018 | Dark Skies | | Fit for a King | |
2018 | When the End Began | | Silent Planet | |
2019 | All Hail | | Norma Jean | |
2019 | Eclipse | | Wolves at the Gate | |
2019 | The Act | | The Devil Wears Prada | |
2019 | War | | Demon Hunter | |
2022 | Color Decay | Solid State Records | The Devil Wears Prada | |
2022 | Deathrattle Sing for Me | Solid State Records | Norma Jean | |
| licensed |
---|
2022 | :Signal: | | Silent Planet | |
| licensee for |
---|
| The Blueprint Dives | | Extol | |
| manufactured |
---|
| Death, a Destination | | Demon Hunter | |
| Find Your Worth, Come Home | | To Speak of Wolves | |
| Polar Similar | | Norma Jean | |
| The Anti Mother | | Norma Jean | |
| The Fiancée | | The Chariot | |
| Unsung EP | | The Chariot | |
| Wars and Rumors of Wars | | The Chariot | |
| We Search, We Dig | | The Overseer | |