| holds phonographic copyright (℗) for |
|---|
| 1959 | Berceuse héroïque | Royal Concertgebouw Orchestra, Eduard van Beinum | 4:08 |
| 1961 | L'isle joyeuse | Werner Haas | 5:14 |
| 1961 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso - | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 5:14 |
| 1961 | Piano Concerto no. 1 in E-flat, S. 124: IIa. Quasi adagio | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 5:00 |
| 1961 | Piano Concerto no. 1 in E-flat, S. 124: IIb. Allegretto vivace - Allegro animato | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 3:59 |
| 1961 | Piano Concerto no. 1 in E-flat, S. 124: III. Allegro marziale animato | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 4:16 |
| 1961 | Piano Concerto no. 2 in A, S. 125: Adagio sostenuto assai - Allegro agitato assai | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 7:18 |
| 1961 | Piano Concerto no. 2 in A, S. 125: Allegro animato | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 1:53 |
| 1961 | Piano Concerto no. 2 in A, S. 125: Allegro deciso - Marziale un poco meno allegro | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 6:41 |
| 1961 | Piano Concerto no. 2 in A, S. 125: Allegro moderato | Sviatoslav Richter, London Symphony Orchestra, Kirill Kondrashin | 4:57 |
| 1963 | Children's Corner, L. 113 No. 1: Doctor Gradus ad Parnassum | Werner Haas | 2:07 |
| 1963 | Children's Corner, L. 113 No. 2: Jimbo's Lullaby | Werner Haas | 3:25 |
| 1963 | Children's Corner, L. 113 No. 3: Serenade for the Doll | Werner Haas | 2:41 |
| 1963 | Children's Corner, L. 113 No. 4: The Snow is Dancing | Werner Haas | 2:14 |
| 1963 | Children's Corner, L. 113 No. 5: The Little Shepherd | Werner Haas | 2:34 |
| 1963 | Children's Corner, L. 113 No. 6: Golliwogg's Cake-Walk | Werner Haas | 2:50 |
| 1963 | Danse bohémienne, L 9 | Werner Haas | 1:53 |
| 1963 | Das kleine Negerlein | Werner Haas | 1:36 |
| 1963 | Deux Arabesques, L. 66: I. Andantino con moto | Werner Haas | 3:53 |
| 1963 | Deux Arabesques, L. 66: II. Allegretto scherzando | Werner Haas | 2:53 |
| 1963 | Estampes, L. 100 No. 1: Pagodes | Werner Haas | 4:03 |
| 1963 | Estampes, L. 100 No. 2: Soirée dans Grenade | Werner Haas | 4:38 |
| 1963 | Estampes, L. 100 No. 3: Jardins sous la pluie | Werner Haas | 3:26 |
| 1963 | Préludes Livre II, L 123: XII. Feux d'artifice | Werner Haas | 3:56 |
| 1963 | Préludes, Livre I, L 117: V. Les collines d'Anacapri | Werner Haas | 2:58 |
| 1963 | Préludes, Livre I, L 117: VIII. La fille aux cheveux de lin | Werner Haas | 2:40 |
| 1963 | Préludes, Livre I, L 117: XII. Minstrels | Werner Haas | 2:09 |
| 1963 | Rêverie, L 68 | Werner Haas | 3:47 |
| 1963 | Suite Bergamasque, L 75: I. Prélude | Werner Haas | 3:50 |
| 1963 | Suite Bergamasque, L 75: II. Menuet | Werner Haas | 3:43 |
| 1963 | Suite Bergamasque, L 75: III. Clair de lune | Werner Haas | 4:50 |
| 1963 | Suite Bergamasque, L 75: IV. Passepied | Werner Haas | 3:53 |
| 1963 – | Violin Concerto in D: I. Toccata | David Oistrakh, Orchestre des Concerts Lamoureux, Bernard Haitink | 5:39 |
| 1963 – | Violin Concerto in D: II. Aria I | David Oistrakh, Orchestre des Concerts Lamoureux, Bernard Haitink | 4:18 |
| 1963 – | Violin Concerto in D: III. Aria II | David Oistrakh, Orchestre des Concerts Lamoureux, Bernard Haitink | 4:54 |
| 1963 – | Violin Concerto in D: IV. Capriccio | David Oistrakh, Orchestre des Concerts Lamoureux, Bernard Haitink | 6:09 |
| 1963 – | Violin Concerto no. 1 in B-flat, K. 207: 1. Allegro moderato | David Oistrakh, Orchestre des Concerts Lamoureux, Bernard Haitink | 7:55 |
| 1963 – | Violin Concerto no. 1 in B-flat, K. 207: 2. Adagio | David Oistrakh, Orchestre des Concerts Lamoureux, Bernard Haitink | 8:03 |
| 1963 – | Violin Concerto no. 1 in B-flat, K. 207: 3. Presto | David Oistrakh, Orchestre des Concerts Lamoureux, Bernard Haitink | 6:15 |
| 1964 | Apollon Musagète, Scene 1: (Prologue) Birth of Apollo | London Symphony Orchestra, Igor Markevitch | 5:23 |
| 1964 | Apollon Musagète, Scene 2: Apotheosis | London Symphony Orchestra, Igor Markevitch | 3:50 |
| 1964 | Apollon Musagète, Scene 2: Coda (Apollo and the Muses) | London Symphony Orchestra, Igor Markevitch | 3:20 |
| 1964 | Apollon Musagète, Scene 2: Pas d’action (Apollo and the three Muses: Calliope, Polyhymnia and Terpsichore) | London Symphony Orchestra, Igor Markevitch | 5:23 |
| 1964 | Apollon Musagète, Scene 2: Pas de deux (Apollo and Terpsichore) | London Symphony Orchestra, Igor Markevitch | 4:23 |
| 1964 | Apollon Musagète, Scene 2: Variation of Apollo | London Symphony Orchestra, Igor Markevitch | 2:43 |
| 1964 | Apollon Musagète, Scene 2: Variation of Apollo (Apollo and the Muses) | London Symphony Orchestra, Igor Markevitch | 2:52 |
| 1964 | Apollon Musagète, Scene 2: Variation of Calliope (the Alexandrine) | London Symphony Orchestra, Igor Markevitch | 1:31 |
| 1964 | Apollon Musagète, Scene 2: Variation of Polyhymnia | London Symphony Orchestra, Igor Markevitch | 1:16 |
| 1964 | Apollon Musagète, Scene 2: Variation of Terpsichore | London Symphony Orchestra, Igor Markevitch | 1:33 |
| 1964 | Sonate Nr. 8 c-Moll op. 13 »Pathétique«: 1. Grave – Allegro di molto e con brio | Claudio Arrau | 9:06 |
| 1964 | Sonate Nr. 8 c-Moll op. 13 »Pathétique«: 2. Adagio cantabile | Claudio Arrau | 6:21 |
| 1964 | Sonate Nr. 8 c-Moll op. 13 »Pathétique«: 3. Rondo (Allegro) | Claudio Arrau | 4:37 |
| 1966 | Piano Sonata No. 14 in C Sharp Minor, Op. 27 No. 2 "Moonlight" (Adagio sostentuto) | Claudio Arrau | 6:48 |
| 1966 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 2. Allegretto | Claudio Arrau | 2:27 |
| 1966 | Sonate Nr. 14 cis-Moll op. 27,2 »Mondschein-Sonate«: 3. Presto agitato | Claudio Arrau | 7:51 |
| 1966 | String Quartet in F major: I. Moderato très doux | Quartetto Italiano | 8:37 |
| 1966 | String Quartet in F major: II. Assez vif - Très rythmé | Quartetto Italiano | 6:35 |
| 1966 | String Quartet in F major: III. Très lent | Quartetto Italiano | 9:04 |
| 1966 | String Quartet in F major: IV. Vif et agité | Quartetto Italiano | 5:30 |
| 1966 | String Quartet in G minor, op. 10: I. Animé et très décidé | Quartetto Italiano | 6:26 |
| 1966 | String Quartet in G minor, op. 10: II. Assez vif et bien rythmé | Quartetto Italiano | 3:57 |
| 1966 | String Quartet in G minor, op. 10: III. Andantino - doucement expressif | Quartetto Italiano | 8:40 |
| 1966 | String Quartet in G minor, op. 10: IV. Très modéré - très animé | Quartetto Italiano | 7:47 |
| 1967 | Sonate Nr. 23 f-Moll op. 57 »Appassionata«: 1. Allegro assai | Claudio Arrau | 11:16 |
| 1967 | Sonate Nr. 23 f-Moll op. 57 »Appassionata«: 2. Andante con moto – | Claudio Arrau | 7:18 |
| 1967 | Sonate Nr. 23 f-Moll op. 57 »Appassionata«: 3. Allegro ma non troppo | Claudio Arrau | 8:21 |
| 1967 | Symphony no. 1 in C minor, op. 11: Allegro con fuoco | New Philharmonia Orchestra, Wolfgang Sawallisch | 8:35 |
| 1967 | Symphony no. 1 in C minor, op. 11: Allegro di molto | New Philharmonia Orchestra, Wolfgang Sawallisch | 7:45 |
| 1967 | Symphony no. 1 in C minor, op. 11: Andante | New Philharmonia Orchestra, Wolfgang Sawallisch | 6:46 |
| 1967 | Symphony no. 1 in C minor, op. 11: Menuetto (Allegro molto) | New Philharmonia Orchestra, Wolfgang Sawallisch | 6:19 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Alles was Odem hat, lobe den Herrn - Lobt den Herrn mit Saitenspiel - Lobe den Herrn, meine Seele | Wilhelm Pitz, Helen Donath, Rotraud Hansmann, New Philharmonia Chorus, New Philharmonia Orchestra, Wolfgang Sawallisch | 7:08 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Die Nacht ist vergangen | Wilhelm Pitz, New Philharmonia Chorus, New Philharmonia Orchestra, Wolfgang Sawallisch | 4:23 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Drum sing ich mit meinem Liede | Helen Donath, Rotraud Hansmann, Waldemar Kmentt, New Philharmonia Orchestra, Wolfgang Sawallisch | 4:37 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Ich harrete des Herrn | Wilhelm Pitz, Helen Donath, Rotraud Hansmann, New Philharmonia Chorus, New Philharmonia Orchestra, Wolfgang Sawallisch | 5:19 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Ihr Völker! bringet her dem Herrn - Alles danke dem Herrn - Alles was Odem hat, lobe den Herrn | Wilhelm Pitz, New Philharmonia Chorus, New Philharmonia Orchestra, Wolfgang Sawallisch | 5:46 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Nun danket alle Gott - Lob, Ehr’ und Preis sei Gott | Wilhelm Pitz, New Philharmonia Chorus, New Philharmonia Orchestra, Wolfgang Sawallisch | 3:58 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Saget es, die ihr erlöset seid | Wilhelm Pitz, New Philharmonia Chorus, New Philharmonia Orchestra, Wolfgang Sawallisch | 2:07 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Saget es, die ihr erlöst seid - Er zählet unsre Tränen | Waldemar Kmentt, New Philharmonia Orchestra, Wolfgang Sawallisch | 2:56 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Sinfonia: Maestoso con moto - Allegro - Allegretto un poco agitato - Adagio religioso | New Philharmonia Orchestra, Wolfgang Sawallisch | 25:31 |
| 1967 | Symphony no. 2 in B-flat, op. 52 "Hymn of Praise": Stricke des Todes hatten uns umfangen | Helen Donath, Rotraud Hansmann, Waldemar Kmentt, New Philharmonia Orchestra, Wolfgang Sawallisch | 4:13 |
| 1967 | Symphony no. 3 in A minor, op. 56 "Scottish": Adagio | New Philharmonia Orchestra, Wolfgang Sawallisch | 9:28 |
| 1967 | Symphony no. 3 in A minor, op. 56 "Scottish": Vivace non troppo | New Philharmonia Orchestra, Wolfgang Sawallisch | 4:17 |
| 1967 | Symphony no. 3 in A minor, op. 56: Allegro vivacissimo - Allegro maestoso assai | New Philharmonia Orchestra, Wolfgang Sawallisch | 9:47 |
| 1967 | Symphony no. 3 in A minor, op. 56: Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | New Philharmonia Orchestra, Wolfgang Sawallisch | 15:24 |
| 1967 | Symphony no. 4 in A, op. 90 "Italian": 2. Andante con moto | New Philharmonia Orchestra, Wolfgang Sawallisch | 6:24 |
| 1967 | Symphony no. 4 in A, op. 90 "Italian": 3. Con moto moderato | New Philharmonia Orchestra, Wolfgang Sawallisch | 6:38 |
| 1967 | Symphony no. 4 in A, op. 90 "Italian": 4. Saltarello | New Philharmonia Orchestra, Wolfgang Sawallisch | 5:54 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - I, Allegro con brio - Part 1 | Koninklijk Concertgebouworkest, George Szell | 0:46 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - I, Allegro con brio - Part 2 | Koninklijk Concertgebouworkest, George Szell | 2:08 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - I, Allegro con brio - Part 3 | Koninklijk Concertgebouworkest, George Szell | 1:24 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - I, Allegro con brio - Part 4 | Koninklijk Concertgebouworkest, George Szell | 0:57 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - I, Allegro con brio - Part 5 | Koninklijk Concertgebouworkest, George Szell | 0:43 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - I, Allegro con brio - Part 6 | Koninklijk Concertgebouworkest, George Szell | 1:36 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - II, Andante con moto - Part 1 | Koninklijk Concertgebouworkest, George Szell | 0:53 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - II, Andante con moto - Part 2 | Koninklijk Concertgebouworkest, George Szell | 1:05 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - II, Andante con moto - Part 2 | Koninklijk Concertgebouworkest, George Szell | 1:31 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - II, Andante con moto - Part 3 | Koninklijk Concertgebouworkest, George Szell | 2:05 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - II, Andante con moto - Part 3 | Koninklijk Concertgebouworkest, George Szell | 1:56 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - II, Andante con moto - Part 4 | Koninklijk Concertgebouworkest, George Szell | 1:15 |
| 1967 | Symphony No. 5 in C minor, Op. 67 - II, Andante con moto - Part 5 | Koninklijk Concertgebouworkest, George Szell | 1:33 |
| See all 929 relationships |
| holds copyright (©) for |
|---|
| 1988 | Der Ring des Nibelungen: Höhepunkte | Richard Wagner; Bayreuther Festspiele, Pierre Boulez | |
| 1989 | Carmina Burana | Carl Orff; Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knaben des Staats‐ und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa | |
| 1989 | I Lombardi | Verdi; Deutekom, Domingo, Raimondi, Ambrosian Singers, Royal Philharmonic Orchestra, Lamberto Gardelli | |
| 1989 | The Mozart Experience | Mozart; Academy of St. Martin-in-the-Fields, Sir Neville Marriner | |
| 1990 | Ein Deutsches Requiem | Brahms; Janowitz, Krause, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Bernard Haitink | |
| 1990 | Lloyd Webber Plays Lloyd Webber | Andrew Lloyd Webber; Julian Lloyd Webber | |
| 1991 | Ives: Three Places in New England / Symphony no. 3 / Schuman: New England Triptych / Mennin: Symphony no. 5 | Charles Ives, William Schuman, Peter Mennin; Eastman-Rochester Orchestra, Howard Hanson | |
| 1991 | Les Jeux interdits d’Alexandre Lagoya | Alexandre Lagoya | |
| 1991 | The Firebird / Scherzo à la russe | Stravinsky; Berliner Philharmoniker, Bernard Haitink | |
| 1991 | The Firebird / Scherzo à la russe | Stravinsky; Berliner Philharmoniker, Bernard Haitink | |
| 1991 – | Mozart: Violin Concerto no. 1, KV 207 / Stravinsky: Violin Concerto in D | Mozart, Stravinsky; David Oistrakh, Orchestra des Concerts Lamoureux, Bernard Haitink | |
| 1992 – | Cello Concertos | Prokofiev, Khatchaturian; Christine Walevska, Orchestre National de l’Opéra de Monte‐Carlo, Eliahu Inbal | |
| 1992 – | Mozart: Violin Concerto no. 1, KV 207 / Stravinsky: Violin Concerto in D | Mozart, Stravinsky; David Oistrakh, Orchestra des Concerts Lamoureux, Bernard Haitink | |
| 1993 | 12 Clavier-Konzerte op. 1 & op. 7 | Johann Christian Bach; Ingrid Haebler, Capella Academica Wien, Eduard Melkus | |
| 1993 | BBC Music, Volume 1, Number 10: Haydn Operatic Arias | Joseph Haydn | |
| 1993 | Concertos for 2 Pianos and Orchestra | Mendelssohn, Bruch; Katia & Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov | |
| 1993 | Eszterhàza Opera Cycle: Highlights | Joseph Haydn | |
| 1993 | Frederick Fennell Conducts Cole Porter & George Gershwin: The Studio Recordings | Cole Porter, George Gershwin; Frederick Fennell | |
| 1993 | Pique Dame | Tchaikovsky; Kirov Opera and Orchestra, Valery Gergiev | |
| 1993 | The Best of the Classical Bits | Gary Davies | |
| 1993 | The Great Ballets | Stravinsky; London Philharmonic Orchestra, Bernard Haitink, London Symphony Orchestra, Igor Markevitch | |
| 1993 | Violin Concertos / Cello Concertos | Haydn; Salvatore Accardo, Christine Walevska, English Chamber Orchestra, Edo de Waart | |
| 1993 – | Dido & Aeneas / Ode for St. Cecilia's Day | Purcell; Carolyn Watkinson, George Mosley, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | |
| 1994 | Broadway: The Music of Richard Rodgers | Julie Andrews | |
| 1994 – | Broadway: The Music of Richard Rodgers | Julie Andrews | |
| 1994 – | The Art of Fugue / Musical Offering | Bach; Academy of St Martin in the Fields, Sir Neville Marriner | |
| 1995 | Boléro / La Valse / Rapsodie espagnole / Pavane pour une infante défunte / Ma mère l’Oye | Ravel; London Symphony Orchestra, Pierre Monteux | |
| 1995 | Die Teufel von Loudun | Krzysztof Penderecki; Hamburg State Opera, Marek Janowski | |
| 1995 | Il barbiere di Siviglia | Gioachino Rossini; Thomas Allen, Agnes Baltsa, Francisco Araiza, Robert Lloyd, Neville Marriner | |
| 1995 | Il trovatore | Verdi; Katia Ricciarelli, José Carreras, Stefania Toczyska, Yuri Masurok, Orchestra and Chorus of the Royal Opera House, Covent Garden, Sir Colin Davis | |
| 1995 | Symphony no. 8 in E-flat “Symphony of a Thousand” | Mahler; Royal Concertgebouw Orchestra, Bernard Haitink | |
| 1996 | Complete Symphonies / Cockaigne Overture / Pomp And Circumstance Marches Nos. 1-5 | Elgar; Royal Philharmonic Orchestra, London Symphony Orchestra, André Previn | |
| 1996 | Emotion: Trumpet Solo Pieces | Berio, Henze, Ligeti, Kagel, Takemitsu; Håkan Hardenberger | |
| 6 Concertos | Antonio Vivaldi; Philidor Ensemble | |
| A Strauss Gala. The Blue Danube / Wine, Women and Song / Roses from the South / Emperor Waltz / Voices of Spring | Johann Strauss; Vienna Symphony Orchestra, Wolfgang Sawallisch, Paul Walter | |
| Boléro / Ma mère l’Oye / La Valse | Ravel; London Symphony Orchestra, Pierre Monteux | |
| Händel / Schubert / Schumann | Händel, Schubert, Schumann; Jessye Norman, Geoffrey Parsons | |
| Introducing Mozart: The Complete Mozart Edition (Highlights) | Wolfgang Amadeus Mozart | |
| Orgelmessen | Joseph Haydn; Wiener Sängerknaben, Chorus Viennensis, Martin Haselböck, Wiener Symphoniker, Uwe Christian Harrer | |
| Piano Concerto no. 2 / ‘Krakowiak’, op. 14 / Andante spianato & Grand polonaise brillante | Chopin; Claudio Arrau, London Symphony Orchestra, Eliahu Inbal | |
| Sacred Choral Music, Volume 1 | Vivaldi; John Alldis Choir, English Chamber Orchestra, Vittorio Negri | |
| Salve Regina: Gregorian Chant | Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clervaux | |
| Symphony no. 5 / Marche Slav / Waltz & Polonaise From “Eugene Onegin” | Tchaikovsky; London Symphony Orchestra, Minneapolis Symphony Orchestra, Antal Doráti | |
| The Last Night of the Proms | Jessye Norman, BBC Chorus, BBC Choral Society, BBC Symphony Orchestra, Sir Colin Davis | |
| The Violin Concertos | J. S. Bach; Academy of St. Martin in the Fields, Sir Neville Marriner, Henryk Szeryng | |
| holds phonographic copyright (℗) for |
|---|
| 1967 | Concerti Grossi, op. 6 | Arcangelo Corelli; I Musici | |
| 1971 | Große Messe | Wolfgang Amadeus Mozart; Donath, Harper, Constable, Davies, Dean, Grant, London Symphony Orchestra and Chorus, Sir Colin Davis | |
| 1972 | I Lombardi | Verdi; Deutekom, Domingo, Raimondi, Ambrosian Singers, Royal Philharmonic Orchestra, Lamberto Gardelli | |
| 1981 | Der Ring des Nibelungen: Höhepunkte | Richard Wagner; Bayreuther Festspiele, Pierre Boulez | |
| 1989 | Violin Concerto / Overture «Egmont» | Beethoven; Herman Krebbers, Royal Concertgebouw Orchestra Amsterdam, Bernard Haitink | |
| 1990 | Introducing Mozart: The Complete Mozart Edition (Highlights) | Wolfgang Amadeus Mozart | |
| 1991 | Sämtliche Sinfonien | Mendelssohn; New Philharmonia Orchestra, Wolfgang Sawallisch | |
| 1992 | Concertos BWV 1041, 1042, 1043, 1060 | J.S. Bach; Gidon Kremer, Heinz Holliger | |
| 1992 | Eszterhàza Opera Cycle: Highlights | Joseph Haydn | |
| 1992 | Khovanshchina | Moussorgsky; Kirov Opera and Orchestra, Valery Gergiev | |
| 1992 – | Frederick Fennell Conducts the Music of Leroy Anderson | Leroy Anderson | |
| 1993 | 12 Clavier-Konzerte op. 1 & op. 7 | Johann Christian Bach; Ingrid Haebler, Capella Academica Wien, Eduard Melkus | |
| 1993 | Complete Overtures | Beethoven; Gewandhausorchester Leipzig, Kurt Masur, Academy of St Martin in the Fields, Neville Marriner | |
| 1993 | Eugene Onegin | Tchaikovsky; Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, St. Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | |
| 1993 | The Best of the Classical Bits | Gary Davies | |
| 1993 | The Great Ballets | Stravinsky; London Philharmonic Orchestra, Bernard Haitink, London Symphony Orchestra, Igor Markevitch | |
| 1993 | Violin Concertos / Cello Concertos | Haydn; Salvatore Accardo, Christine Walevska, English Chamber Orchestra, Edo de Waart | |
| 1994 | Symphony no. 3 / Symphony no. 6 | Mahler; Tanglewood Festival Chorus, American Boychoir, Boston Symphony Orchestra & Seiji Osawa | |
| 1994 – | The Art of Fugue / Musical Offering | Bach; Academy of St Martin in the Fields, Sir Neville Marriner | |
| 1995 | 100 Thèmes | Various Artists | |
| 1995 | Boléro / La Valse / Rapsodie espagnole / Pavane pour une infante défunte / Ma mère l’Oye | Ravel; London Symphony Orchestra, Pierre Monteux | |
| 1995 | Symphony no. 8 in E-flat “Symphony of a Thousand” | Mahler; Royal Concertgebouw Orchestra, Bernard Haitink | |
| 1995 | The Piano Trios | Arensky; Beaux Arts Trio | |
| 1996 | Complete Symphonies / Cockaigne Overture / Pomp And Circumstance Marches Nos. 1-5 | Elgar; Royal Philharmonic Orchestra, London Symphony Orchestra, André Previn | |
| Hightech Oper | Various Artists | |
| Symphony no. 4 in E minor / Haydn Variations | Johannes Brahms; Boston Symphony Orchestra, Bernard Haitink | |
