| published |
|---|
| Die Forelle, D 550 | | Franz Schubert | 2:01 |
| Liederkreis, Op. 39, No. 12 "Frühlingsnacht" | | Robert Schumann | 1:18 |
| Now sleeps the crimson petal (Tennyson) | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 3:02 |
| Oliver Cromwell | | [anonymous] | 0:46 |
| Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet" | | Henry Purcell | 2:52 |
| Orpheus Britannicus: "Let sullen discorn smile" | | Henry Purcell | 2:07 |
| Orpheus Britannicus: "So when the glittering Queen of Night" | | Henry Purcell | 4:07 |
| Orpheus Britannicus: "Thou tun'st this world" | | Henry Purcell | 2:11 |
| Orpheus Britannicus: "Why should men quarrel?" | | Henry Purcell | 1:31 |
| Rossini Suite: I. March. Allegro brillante | | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | 1:59 |
| Rossini Suite: II. Canzonetta. Allegretto | | Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | 2:11 |
| Rossini Suite: III. Allegretto | | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | 2:06 |
| Rossini Suite: IV. Bolero. Allegro moderato | | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | 2:02 |
| Rossini Suite: V. Allegro con brio | | Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | 1:17 |
| Serenade for tenor, horn & strings Op 31: 01 Prologue | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 1:21 |
| Serenade for tenor, horn & strings Op 31: 02 Pastoral (Cotton) | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 3:26 |
| Serenade for tenor, horn & strings Op 31: 03 Nocturne (Tennyson) | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 3:29 |
| Serenade for tenor, horn & strings Op 31: 04 Elegy (Blake) | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 4:09 |
| Serenade for tenor, horn & strings Op 31: 05 Dirge (Anon) | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 3:38 |
| Serenade for tenor, horn & strings Op 31: 06 Hymn (Jonson) | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 2:02 |
| Serenade for tenor, horn & strings Op 31: 07 Sonnet (Keats) | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 3:43 |
| Serenade for tenor, horn & strings Op 31: 08 Epilogue | | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 1:24 |
| The Bonny Earl o' Moray | | [anonymous] | 2:40 |
| published |
|---|
| Piano Concertos: No. 2, op. 16 / No. 5, op. 55 | | Prokofiev; Kun Woo Paik, Polish National Radio Symphony Orchestra, Antoni Wit | |
| published |
|---|
| 1934 | Rhapsody on a Theme of Paganini, op. 43 | | | |
| 1937 | Concerto for Oboe and Strings no. 1 in C | | | |
| 1945 | Concerto for Orchestra, Sz. 116, BB 123 | | | |
| 1946 | Folksong Arrangements, Volume II: France, for voice & piano | | | |
| 1957 | The Holly and the Ivy | | | |
| 1965 | King Herod and the Cock | | | |
| A Mass of Life | | | |
| A Tapestry of Life | | | |
| All This Night, op. 33 | | | |
| April Lines | | | |
| Arnold Book of Old Songs | | | |
| Balada | | | |
| Ballad of Heroes, op. 14 | | | |
| Bless This House | Boosey & Hawkes Music Pub. Ltd. | | |
| Book of Visions | | | |
| Carlo | | | |
| Cello Concerto no. 2 "Towards The Horizon" | | | |
| Ceremonial Fanfare | | | |
| Christmas Carol | | | |
| Collage sur B-A-C-H: I. Toccata | | | |
| Collage sur B-A-C-H: II. Sarabande | | | |
| Collage sur B-A-C-H: III. Ricercar | | | |
| Concerto for piano and strings: I. Tiento. Allegro | | | |
| Concerto for piano and strings: II. Diferencias. Adagio | | | |
| Concerto for piano and strings: III. Folia. Molto mosso | | | |
| Concerto in D for Double Bass and Orchestra | | | |
| Die Forelle, D. 550 | | | |
| Double Concerto for Cello and Double Bass | | | |
| Elektra: "Agamemnon hört dich!" (Elektra, Aegisth, Crysothemis) | | | |
| Elektra: "Allein! Weh ganz allein" (Elektra) | | | |
| Elektra: "Elektra! Elektra" (Orest) | | | |
| Elektra: "He! Lichter! Lichter!" (Aegisth, Elektra) | | | |
| Elektra: "Ich habe keine guten Nächte" (Klytämnestra, Elektra) | | | |
| Elektra: "Ich kann nicht sitzen und ins Dunkel starren" (Chrysothemis, Elektra) | | | |
| Elektra: "Nun denn, allein!" (Elektra, Orest) | | | |
| Elektra: "Orest! Orest ist tot!" (Chrysothemis, Elektra, junger Diener, alter Diener) | | | |
| Elektra: "Orest!" (Elektra, Orest) | | | |
| Elektra: "Platz da! Wer lungert so vor einer Tür?" (Junger Diener, Alter Diener) | | | |
| Elektra: "Seid ihr von Sinnen?" (Pfleger, Elektra) | | | |
| Elektra: "Von jetzt an will ich deine Schwester sein" (Elektra, Chrysothemis) | | | |
| Elektra: "Was bluten muß? Dein eigenes Genick" (Elektra, Klytämnestra) | | | |
| Elektra: "Was willst du, fremder Mensch?" (Elektra) | | | |
| Elektra: "Wie stark du bist" (Elektra, Chrysothemis) | | | |
| Elektra: "Wir sind bei den Göttern" (Elektra, Chrysothemis) | | | |
| Elektra: "Wo bleibt Elektra?" (1., 2., 3. & 4. Magd) | | | |
| English Folk Song Suite: I. March “Seventeen Come Sunday” | | | |
| English Folk Song Suite: II. Intermezzo “My Bonny Boy” | | | |
| English Folk Song Suite: III. March “Folk Songs From Somerset” | | | |
| Feria | | | |
| Flying Home | | | |
| Folksong Arrangements, Volume I: The Bonny Earl o' Moray | | | |
| Four Sea Interludes from 'Peter Grimes', op. 33a | | | |
| From Ayrshire | | | |
| Graffiti | | | |
| Honeymoon Song | | | |
| In Slumber, Peaceful Slumber | | | |
| In Terra Pax, op. 39 | | | |
| In the Stream of Life | | | |
| Into the Heart of Light: Canto V | | | |
| Introit, op. 6 | | | |
| John Henry: A Railroad Ballad for Orchestra | | | |
| Jubilee Variations | | | |
| Liederkreis, op. 39, no. 12 "Frühlingsnacht" | | | |
| Lost Landscapes | | | |
| Manhattan Trilogy | | | |
| Now Sleeps the Crimson Petal | | | |
| Oliver Cromwell | | | |
| Open | | | |
| Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet" | | | |
| Orpheus Britannicus: "Let sullen discorn smile" | | | |
| Orpheus Britannicus: "So when the glittering Queen of Night" | | | |
| Orpheus Britannicus: "Thou tun'st this world" | | | |
| Orpheus Britannicus: "Why should men quarrel?" | | | |
| Partia | | | |
| Passionale | | | |
| Pastoral Symphony | | | |
| Percussion Concerto "Incantations" | | | |
| Piano Concerto, op. 38 | | | |
| Prelude and Idyll | | | |
| Requiem da camera: I. Prelude | | | |
| Requiem da camera: II. Quasi senza misura "How still this quiet cornfield is to-night" | | | |
| Requiem da camera: III. Con dignità "Only a man harrowing clods" | | | |
| Requiem da camera: IV. Crotchet = about 66 "We who are left" | | | |
| Rossini Suite: I. March. Allegro brillante | | | |
| Rossini Suite: II. Canzonetta. Allegretto | | | |
| Rossini Suite: III. Allegretto | | | |
| Rossini Suite: IV. Bolero. Allegro moderato | | | |
| Rossini Suite: V. Allegro con brio | | | |
| Rubáiyát | | | |
| Scherzo, H. 192 | | | |
| Seht die Sonne | | | |
| Serenade for Tenor, Horn and Strings, op. 31 | | | |
| Serenade for Tenor, Horn and Strings, op. 31: I. Prologue | | | |
| Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral | | | |
| Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne | | | |
| Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy | | | |
| Serenade for Tenor, Horn and Strings, op. 31: V. Dirge | | | |
| Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn | | | |
| Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet | | | |
| Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue | | | |
| See all 154 relationships |
