Come Sunday
~ Recording by Duke Ellington and His Orchestra
Appears on releases
Relationships
recording engineer: | Ed Begley (sound engineer in RCA Victor) |
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producer: | Brad McCuen (producer) |
alto saxophone: | Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26) Johnny Hodges (on 1965-12-26) Russell Procope (on 1965-12-26) |
baritone saxophone: | Harry Carney (on 1965-12-26) |
clarinet and reeds: | Harry Carney (on 1965-12-26) Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26) Russell Procope (on 1965-12-26) |
double bass: | John Lamb (on 1965-12-26) |
drums (drum set): | Louie Bellson (on 1965-12-26) |
piano: | Duke Ellington (US composer, pianist & jazz bandleader) (on 1965-12-26) |
saxophone: | Harry Carney (on 1965-12-26) Paul Gonsalves (on 1965-12-26) Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1965-12-26) Johnny Hodges (on 1965-12-26) Russell Procope (on 1965-12-26) |
tenor saxophone: | Paul Gonsalves (on 1965-12-26) |
trombone: | Lawrence Brown (jazz trombonist) (on 1965-12-26) Charles Connors (on 1965-12-26) Buster Cooper (on 1965-12-26) Quentin Jackson (on 1965-12-26) |
trumpet: | William “Cat” Anderson (on 1965-12-26) Mercer Ellington (on 1965-12-26) Herbie Jones (on 1965-12-26) Cootie Williams (on 1965-12-26) |
vocals: | Esther Marrow (on 1965-12-26) |
orchestra: | Duke Ellington and His Orchestra (on 1965-12-26) |
recorded at: | Fifth Avenue Presbyterian Church in Midtown Manhattan, New York, New York, United States (on 1965-12-26) |
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recording of: | Come Sunday (on 1965-12-26) |
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Related works
Come Sunday
composer: | Duke Ellington (US composer, pianist & jazz bandleader) |
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part of: | Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite) (order: 4) |
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arrangements: | Come Sunday (Hamiet Bluiett/World Saxophone Quartet arrangement) |