Symphony no. 7 in A major, op. 92: II. Allegretto
~ Recording by Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Appears on releases
Relationships
recording engineer: | Ulrich Vette (engineer) |
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executive producer: | Dr. Andreas Holschneider Charlotte Kriesch |
producer: | Arend Prohmann (producer / editor) |
orchestra: | Orchestre Révolutionnaire et Romantique (in 1992-12) |
conductor: | Sir John Eliot Gardiner (in 1992-12) |
phonographic copyright (℗) by: | Deutsche Grammophon (in 1994) |
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recorded at: | All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12) |
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recording of: | Symphony no. 7 in A major, op. 92: II. Allegretto (in 1992-12) |
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Related works
Symphony no. 7 in A major, op. 92: II. Allegretto
composer: | Ludwig van Beethoven (German composer) (from 1811 until 1812) |
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referred to in medleys: | Quodlibet for Small Orchestra: Allegro (3rd movement) (order: 7) |
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later versions: | Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) |
part of: | Symphony no. 7 in A major, op. 92 (movement) (order: 2) |
is the basis for: | Acid Serum (Electronic derivative of Beethoven’s 7th) Dieron las doce Etüden in Form freier Variationen über ein Thema von Beethoven, WoO 31 Figlio perduto La Sainte Ligue (La nuit est sombre): I. La nuit est sombre |
arrangements: | Symphony no. 7 in A major, op. 92, S. 464 no. 7: II. Allegretto (for piano solo, Liszt) Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) |