Danse macabre op. 40 (Totentanz)

~ Recording by Boston Pops Orchestra, Arthur Fiedler

Appears on releases

#TitleLengthTrack ArtistRelease TitleRelease ArtistRelease Group TypeCountry/DateLabelCatalog#
Official
1.3Danse macabre op. 40 (Totentanz)7:07Camille Saint‐SaënsEine Nacht auf dem kahlen Berge / Ouvertüre »1812« / Der Zauberlehrling / Der Feuervogel u.a.Various ArtistsAlbum + Compilation
Deutsche Grammophon, Deutsche Grammophon Favorit (Read the annotation!)427 016-2
1.3Danse macabre7:12Camille Saint‐SaënsNight on Bald Mountain / “1812” Overture / The Sorcerer’s ApprenticeBoston Pops, Arthur FiedlerAlbum + Compilation
Deutsche Grammophon, Deutsche Grammophon Special427 016-2
1.3Danse macabre7:12Camille Saint‐SaënsNight on Bald Mountain / “1812” Overture / The Sorcerer’s ApprenticeBoston Pops, Arthur FiedlerAlbum + CompilationDeutsche Grammophon, Deutsche Grammophon Musikfest (Read the annotation!)413 689-2

Relationships

producer:Thomas Mowrey
solo violin:Jerome Rosen (in 1971-06)
orchestra:Boston Pops Orchestra (in 1971-06)
conductor:Arthur Fiedler (conductor) (in 1971-06)
balance engineer:Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:Polydor International GmbH (not for release label use!) (in 1976)
recording of:Danse macabre, op. 40 (in 1971-06)

Danse macabre, op. 40

composer:Camille Saint‐Saëns (composer) (in 1874)
later versions:D2
Danse Macabre, op. 40 (arrangement for orchestrion)
is based on:Danse macabre (song for voice and piano)
is the basis for:Danse Macabre: Remix
arrangements:Danse Macabre (for five pianos, Anderson)
Danse macabre, op 40 (for Brass Quintet / David Marlatt)
Danse macabre, op. 40 (arr. for organ / Edwin Lemare)
Danse macabre, op. 40 (catch-all for arrangements)
Danse macabre, op. 40 (for piano 4 hands, Guiraud)
Danse Macabre, op. 40 (for violin and piano)
Danse macabre, S. 555, R. 240 (for piano, Liszt)