Appears on releases
Relationships
| executive producer: | Dr. Ellen Hickmann (producer for Deutsche Grammophon) Dr. Hans Hirsch (producer at Deutsche Grammophon) |
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| producer: | Wolfgang Lohse |
| orchestra: | Wiener Philharmoniker (in 1971-05, in 1971-09) |
| conductor: | Karl Böhm (Austrian conductor) (in 1971-05, in 1971-09) |
| balance engineer: | Günter Hermanns (producer/engineer) |
| recorded at: | Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1971-05, in 1971-09) |
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| recording of: | Symphony no. 7 in A major, op. 92: II. Allegretto (from 1971-05 until 1971-09) |
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Related works
Symphony no. 7 in A major, op. 92: II. Allegretto
| composer: | Ludwig van Beethoven (German composer) (from 1811 until 1812) |
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| referred to in medleys: | Quodlibet for Small Orchestra: Allegro (3rd movement) (order: 7) |
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| later versions: | Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) |
| part of: | Symphony no. 7 in A major, op. 92 (movement) (order: 2) |
| is the basis for: | Acid Serum (Electronic derivative of Beethoven’s 7th) Dieron las doce Etüden in Form freier Variationen über ein Thema von Beethoven, WoO 31 Figlio perduto La Sainte Ligue (La nuit est sombre): I. La nuit est sombre |
| arrangements: | Symphony no. 7 in A major, op. 92, S. 464 no. 7: II. Allegretto (for piano solo, Liszt) Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) |