Der Messias: No. 36 Arie
~ Recording by Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner
Appears on releases
| # | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 2.17 | Der Messias: No. 36 Arie | 2:52 | Georg Friedrich Händel | Der Messias | Georg Friedrich Händel; Neville Marriner, Lucia Popp, Brigitte Fassbaender, Robert Gambill, Robert Holl, Südfunkchor, Radio-Sinfonie-Orchester Stuttgart | Album + Compilation |
| His Master’s Voice | 17 301 3 |
Relationships
| bass vocals: | Robert Holl (bass-baritone) (from 1984-05-24 until 1984-07-19) |
|---|---|
| orchestra: | Radio‐Sinfonieorchester Stuttgart des SWR (from 1984-05-24 until 1984-07-19) |
| conductor: | Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-07-19) |
| recorded at: | Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-07-19) |
|---|
| recording of: | Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass) (from 1984-05-24 until 1984-07-19: partial) |
|---|
Related works
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass)
| composer: | George Frideric Handel (German‐British baroque composer) (in 1741) |
|---|
| later versions: | Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden |
|---|---|
| part of: | Messiah, HWV 56: Part II (order: 19) |
| arrangements: | Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together? (Goossens-Beecham Edition) Messiah, HWV 56: Part II. Aria: Why Do the Nations So Furiously Rage Together? (bass) (Wilberg Edition) |