Appears on releases

#TitleLengthTrack ArtistRelease TitleRelease ArtistRelease Group TypeCountry/DateLabelCatalog#
Official
2.11Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Osanna in excelsis2:42Johann Sebastian BachMass in B minorBach; The Choir of Trinity College, Cambridge, Orchestra of the Age of Enlightenment, Stephen LaytonAlbum
  • GB2018-03-02
Hyperion (UK classical)CDA68181/2
2.11Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Osanna in excelsis2:42Johann Sebastian BachMass in B minorBach; The Choir of Trinity College, Cambridge, Orchestra of the Age of Enlightenment, Stephen LaytonAlbum
  • XW2018-03-02
Hyperion (UK classical)CDA68181/2

Relationships

recording engineer:David Hinitt (UK recording engineer, early 21c)
producer:Adrian Peacock (bass vocalist, producer)
choir vocals:Choir of Trinity College (Cambridge) (from 2017-01-12 until 2017-01-16)
orchestra:Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 2017-01-12 until 2017-01-16)

h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis

composed in:Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:Johann Sebastian Bach (German Baroque period composer & musician)
part of:h-Moll-Messe, BWV 232 (order: 23)
is based on:Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"