You’d Be So Nice to Come Home To (original LP mono mix)
~ Recording by Julian Cannonball Adderley
Appears on releases
| # | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.10 | You’d Be So Nice to Come Home To | ?:?? | Julian Cannonball Adderley | Julian Cannonball Adderley | Julian Cannonball Adderley | Album |
| EmArcy | MG 36043 |
| 1.10 | You'd Be So Nice to Come Home To | 3:36 | Julian Cannonball Adderley | Julian Cannonball Adderley | Julian Cannonball Adderley | Album |
| Verve Forecast (Verve’s folk and smooth-jazz subsidiary) | MG 36043 |
| 1.4 | You’d Be So Nice to Come Home To | 3:42 | Cannonball Adderley | Verve Jazz Masters 31 | Cannonball Adderley | Album + Compilation |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | |
| 1.4 | You’d Be So Nice to Come Home To | 3:39 | Cannonball Adderley | Verve Jazz Masters 31 | Cannonball Adderley | Album + Compilation |
| PolyGram Records | 314 522 651-2 |
| 1.4 | You’d Be So Nice to Come Home To | 3:39 | Cannonball Adderley | Verve Jazz Masters 31 | Cannonball Adderley | Album + Compilation |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | |
| 1.10 | You'd Be So Nice to Come Home To | 3:36 | Julian Cannonball Adderley | Julian Cannonball Adderley | Julian Cannonball Adderley | Album |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | 4228303812 |
| 1.10 | You'd Be So Nice to Come Home To | 3:36 | Julian Cannonball Adderley | Julian Cannonball Adderley | Julian Cannonball Adderley | Album |
| 天狼 | |
| 1.10 | You’d Be So Nice to Come Home To | 3:37 | Julian Cannonball Adderley | Julian Cannonball Adderley | Julian Cannonball Adderley | Album | EmArcy, Verve (jazz label, aka “Verve Records”, use this for release labels) | ||
Relationships
| recorded in: | New York, New York, United States (on 1955-07-29) |
|---|
| alto saxophone: | Julian “Cannonball” Adderley (on 1955-07-29) |
|---|---|
| baritone saxophone: | Cecil Payne (on 1955-07-29) |
| cornet: | Nat Adderley (on 1955-07-29) |
| double bass: | Paul Chambers (US jazz bassist) (on 1955-07-29) |
| drums (drum set): | Kenny Clarke (on 1955-07-29) |
| flute and tenor saxophone: | Jerome Richardson (on 1955-07-29) |
| piano: | John Williams (American jazz pianist) (on 1955-07-29) |
| trombone: | J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29) |
| arranger: | Quincy Jones |
| phonographic copyright (℗) by: | UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955) |
|---|
| recording of: | You’d Be So Nice to Come Home To (on 1955-07-29: cover, instrumental) |
|---|
Related works
You’d Be So Nice to Come Home To
| lyricist and composer: | Cole Porter (composer) (in 1943) |
|---|
| publisher: | Chappell & Co. Chappell & Co., Inc. (USA) Warner Chappell Music Ltd. (no slash; used 1988–1996) Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) |
|---|
| later translated versions: | Koma Heim |
|---|