You’d Be So Nice to Come Home To
~ Recording by Lee Konitz
Appears on releases
# | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
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Official | |||||||||
1.4 | You’d Be So Nice to Come Home To | 10:38 | Lee Konitz | Motion | Lee Konitz | Album |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | V-8399 |
1.4 | You’d Be So Nice to Come Home To | 10:45 | Lee Konitz | Motion | Lee Konitz | Album |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | 440 065 510-2, V6-8399 |
1.4 | You’d Be So Nice to Come Home To | 10:38 | Lee Konitz | Motion (Jazz на виниле) | Lee Konitz | Album |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | V-8399 |
Relationships
recording engineer: | Dick Olmstead (on 1961-08-29) |
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producer: | Creed Taylor |
alto saxophone: | Lee Konitz (jazz saxophonist) (on 1961-08-29) |
double bass: | Sonny Dallas (on 1961-08-29) |
drums (drum set): | Elvin Jones (jazz drummer) (on 1961-08-29) |
recorded at: | Olmstead Sound Studios in New York, New York, United States (on 1961-08-29) |
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recording of: | You’d Be So Nice to Come Home To (on 1961-08-29: instrumental) |
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Related works
You’d Be So Nice to Come Home To
lyricist and composer: | Cole Porter (composer) (in 1943) |
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publisher: | Chappell & Co. Chappell & Co., Inc. (USA) Warner Chappell Music Ltd. (no slash; used 1988–1996) Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) |
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later translated versions: | Koma Heim |
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