You’d Be So Nice to Come Home To

~ Recording by Chet Baker & Bill Evans

Appears on releases

#TitleLengthTrack ArtistRelease TitleRelease ArtistRelease Group TypeCountry/DateLabelCatalog#
Official
1.1You’d Be So Nice to Come Home To4:33Chet BakerPlays for LoversChet BakerAlbum + Compilation
  • MX2006-02-27
Concord Records (for copyrights, use Concord Records, Inc. instead)
1.1You’d Be So Nice to Come Home To4:33Chet BakerPlays for LoversChet BakerAlbum + Compilation
Riverside (50s jazz label, now controlled by the Concord Music Group)RCD-6025-2
1.7You'd Be So Nice to Come Home To4:33Chet Baker & Bill EvansThe Complete Legendary SessionsChet Baker & Bill EvansAlbum + Compilation
  • GB2010-02-01
American Jazz ClassicsAJC99005

Relationships

recorded in:New York, United States (on 1958-12-30)
recording engineer:Jack Higgins (recording engineer)
producer:Orrin Keepnews
baritone saxophone:Pepper Adams (baritone saxophonist) (on 1958-12-30)
double bass:Paul Chambers (US jazz bassist) (on 1958-12-30)
drums (drum set):Connie Kay (on 1958-12-30)
flute:Herbie Mann (on 1958-12-30)
piano:Bill Evans (pianist) (on 1958-12-30)
trumpet:Chet Baker (on 1958-12-30)
phonographic copyright (℗) by:Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (from 2006 to present)
recorded at:Reeves Sound Studios in New York, New York, United States (on 1958-12-30)
recording of:You’d Be So Nice to Come Home To (on 1958-12-30: instrumental)

You’d Be So Nice to Come Home To

lyricist and composer:Cole Porter (composer) (in 1943)
publisher:Chappell & Co.
Chappell & Co., Inc. (USA)
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
later translated versions:Koma Heim