Appears on releases
| # | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 3.3 | 38. Aria (Basse/Bass) : Why Do The Nations | 2:40 | Handel | Messiah | Handel; Kweksilber, Bowman, Elliott, Reinhart, The Sixteen, Amsterdam Baroque Orchestra, Ton Koopman | Album |
| Erato | 2292-45960-2 |
Relationships
| orchestra: | Amsterdam Baroque Orchestra |
|---|---|
| conductor: | Ton Koopman (conductor, organist and harpsichordist) |
| recording of: | Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass) |
|---|
Related works
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass)
| composer: | George Frideric Handel (German‐British baroque composer) (in 1741) |
|---|
| later versions: | Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden |
|---|---|
| part of: | Messiah, HWV 56: Part II (order: 19) |
| arrangements: | Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together? (Goossens-Beecham Edition) Messiah, HWV 56: Part II. Aria: Why Do the Nations So Furiously Rage Together? (bass) (Wilberg Edition) |