Relationship Types / Recording-Work / Performance

Description

This is used to link works to their recordings.

ID: 278
Cardinality of {entity0}: Few relationships (0)
Cardinality of {entity1}: Many relationships (1)
Orderable direction: Forward (1)
UUID: a3005666-a872-32c3-ad06-98af558e99b0

Link phrases

Attributes

The following attributes can be used with this relationship type:

cover

Indicates that one entity is a cover of another entity

instrumental

For works that have lyrics, this indicates that those lyrics are not relevant to this recording. Examples include instrumental arrangements, or "beats" from hip-hop songs which may be reused with different lyrics.

karaoke

This indicates that this is a karaoke recording of the work. This is different from an instrumental recording in that it is actively meant to sing on top of, and as such the lyrics info is still relevant. It might still contain backing vocals and other sections that would not be present in a true instrumental recording.

live

This indicates that the recording is of a live performance.

medley

This indicates that the recording is of a medley, of which the work is one part.

partial

This indicates that the recording is not of the entire work, e.g. excerpts from, conclusion of, etc.

start date

end date

Examples

A Day in the Life (original stereo studio mix) by The Beatles is a recording of A Day in the Life from 1967-01-19 until 1967-02-22

All Apologies (live, 1994-02-22: Palaghiaccio di Marino, Rome, Italy) by Nirvana is a live recording of All Apologies on 1994-02-22

Such Great Heights by Iron & Wine is a cover recording of Such Great Heights in 2002-11

The Planets: Mars, the Bringer of War (excerpt) by Gustav Holst is a partial recording of The Planets, op. 32: I. Mars, the Bringer of War

A Day in the Life by Affinity is a live instrumental cover recording of A Day in the Life

FREEDOM (KARAOKE) by 東京パフォーマンスドール is a karaoke recording of FREEDOM