Tracklist

CD 25
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:36
2Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:40
3Carmina Burana: I. Primo vere: Veris leta facies
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff3:28
4Carmina Burana: I. Primo vere: Omnia Sol temperat
producer:
Hans Hirsch (producer at Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:03
5Carmina Burana: I. Primo vere: Ecce Gratum
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:40
6Carmina Burana: Uf dem anger: Tanz
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:43
7Carmina Burana: Uf dem anger: Floret silva nobilis
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:02
8Carmina Burana: Uf dem anger: Chramer, gip die varwe mir
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff2:59
9Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:59
10Carmina Burana: Uf dem anger: Were diu werlt alle min
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:58
11Carmina Burana: II. In Taberna: Estuans interius
producer:
Hans Hirsch (producer at Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:13
12Carmina Burana: II. In Taberna: Olim lacus colueram
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
tenor vocals:
Gerhard Stolze (German tenor) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:25
13Carmina Burana: II. In Taberna: Ego sum abbas
producer:
Hans Hirsch (producer at Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1967-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:31
14Carmina Burana: II. In Taberna: In taberna quando sumus
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:10
15Carmina Burana: III. Cour d’amours: Amor volat undique
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Schöneberger Sängerknaben (in 1967-10)
soprano vocals:
Gundula Janowitz (soprano) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Gerhard Hellwig (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:02
16Carmina Burana: III. Cour d’amours: Dies, nox et omnia
producer:
Hans Hirsch (producer at Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:58
17Carmina Burana: III. Cour d’amours: Stetit puella
producer:
Hans Hirsch (producer at Deutsche Grammophon)
soprano vocals:
Gundula Janowitz (soprano) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:50
18Carmina Burana: III. Cour d’amours: Circa mea pectora
producer:
Hans Hirsch (producer at Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1967-10)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:11
19Carmina Burana: III. Cour d’amours: Si puer cum puellula
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:58
20Carmina Burana: III. Cour d’amours: Veni, veni, venias
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:00
21Carmina Burana: III. Cour d’amours: In trutina
producer:
Hans Hirsch (producer at Deutsche Grammophon)
soprano vocals:
Gundula Janowitz (soprano) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:54
22Carmina Burana: III. Cour d’amours: Tempus est iocundum
producer:
Hans Hirsch (producer at Deutsche Grammophon)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1967-10)
choir vocals:
Schöneberger Sängerknaben (in 1967-10)
soprano vocals:
Gundula Janowitz (soprano) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Gerhard Hellwig (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:09
23Carmina Burana: III. Cour d’amours: Dulcissime
producer:
Hans Hirsch (producer at Deutsche Grammophon)
soprano vocals:
Gundula Janowitz (soprano) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:34
24Carmina Burana: Blanziflor et Helena: Ave, formosissima
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff1:39
25Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:32

Credits

Release Group

includes:21 Ungarische Tänze (Hungarian Dances) by Johannes Brahms; Wiener Philharmoniker, Claudio Abbado
24 Préludes, op. 28 by Frédéric Chopin; Martha Argerich
Adagio by Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Ah! mio cor: Handel Arias by George Frideric Handel; Magdalena Kožená, Venice Baroque Orchestra, Andrea Marcon
Boléro / La Valse / Pavane pour une infante défunte / Daphnis et Chloé: Suite no. 2 by Ravel; Orchestre de Paris, Daniel Barenboim
Carmina Burana (1967 recording) by Carl Orff; Gundula Janowitz, Gerhard Stolze, Dietrich Fischer‐Dieskau, Chor und Orchester der Deutschen Oper Berlin, Eugen Jochum
Christmette by Michael Praetorius; Gabrieli Consort & Players, Paul McCreesh
Cielo e mar by Rolando Villazón
Concertos by Bach; Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane
Concertos for Violin, Strings and Continuo by Antonio Vivaldi; Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
Credo by Hélène Grimaud, Swedish Radio Symphony Orchestra and Choir, Esa-Pekka Salonen
Die Stimme: Deutsche Opernarien by Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann
Dvořák: Cellokonzert / Tschaikowsky: Rokoko‐Variationen by Dvořák, Tschaikowsky; Berliner Philharmoniker, Mstislav Rostropovich, Herbert von Karajan
Études op. 10 & op. 25 by Chopin; Maurizio Pollini
First Piano Concertos by Tchaikovsky, Mendelssohn; Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim
Gala Opera Concert by Los Angeles Philharmonic, Carlo Maria Giulini, Plácido Domingo
Horowitz in Moscow by Владимир Самойлович Горовиц
Klavierkonzerte no. 1 / Klavierkonzerte no. 2 / Totentanz by Franz Liszt; Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman
Klavierkonzerte Nos. 4 & 5 by Beethoven; Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner
Lamenti by Anne Sofie von Otter
Le quattro stagioni / Concerto for Oboe and Violin RV 548 / Concerto for 2 Violins RV 516 by Antonio Vivaldi; The English Concert, Simon Standage, Trevor Pinnock
Messe in h‐moll by Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
Nocturnes by Chopin; Maria João Pires
Opera Arias by Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda
Orgelwerke BWV 525, 552, 565, 645-650, 768 by Johann Sebastian Bach; Helmut Walcha
Pachelbel: Kanon & Gigue / J.S. Bach / Handel / Vivaldi by Musica Antiqua Köln, Reinhard Goebel
Pétrouchka / Le Sacre du printemps by Stravinsky; The Cleveland Orchestra, Pierre Boulez
Piano Concerto no. 2 / 6 Préludes by Sergei Rachmaninoff; Warsaw National Philharmonic Orchestra, Stanisław Wisłocki, Sviatoslav Richter
Préludes, Vol. I / Images by Claude Debussy; Arturo Benedetti Michelangeli
Requiem (1953 Berlin recording) by Giuseppe Verdi; Ferenc Fricsay
Requiem in D minor, K. 626 by Wolfgang Amadeus Mozart; Wiener Philharmoniker, Karl Böhm, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch
Schumann: Dichterliebe / Schubert, Beethoven: Lieder by Schumann, Schubert, Beethoven; Fritz Wunderlich, Hubert Giesen
Sechs Suiten für Violoncello solo, BWV 1007–1012 (1960 recording) by Johann Sebastian Bach; Pierre Fournier
Sinfonie Nr. 4, d-moll, Op. 120 by Robert Schumann; Berliner Philharmoniker, Wilhelm Furtwängler
Sonaten by Domenico Scarlatti; Ivo Pogorelich
Sonaten: Waldstein / Les Adieux / Appassionata by Beethoven; Emil Gilels
Symphonie fantastique by Berlioz; Orchestre Lamoureux, Igor Markevitch
Symphonie no. 9 / Ouvertüre »Coriolan« by Beethoven; Berlin Philharmonic Orchestra, Herbert von Karajan
Symphonien nos. 5 & 7 by Ludwig van Beethoven; Wiener Philharmoniker, Carlos Kleiber
Symphonien nos. 8 & 9 »Aus der Neuen Welt« by Antonín Dvořák; Berliner Philharmoniker, Rafael Kubelík
Symphony no. 4 in A major, op. 90 “Italian” / Symphony no. 5 in D major, op. 107 “Reformation” by Felix Mendelssohn; Berliner Philharmoniker, Lorin Maazel
Symphony no. 5 by Mahler; Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel
Tchaikovsky: Violin Concerto / Wieniawski: Études‐Caprices / Sarasate: Navarra by Tchaikovsky, Wieniawski, Sarasate; David Oistrakh
The Art of Fugue by Bach; Emerson String Quartet
The Vagabond by Bryn Terfel, Malcolm Martineau
Une symphonie imaginaire by Jean-Philippe Rameau; Les Musiciens du Louvre, Marc Minkowski
Vespro della Beata Vergine by Claudio Monteverdi; Sir John Eliot Gardiner
Violinkonzert / Doppelkonzert by Johannes Brahms; Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
West Side Story (1984 studio cast) by Leonard Bernstein; Kiri Te Kanawa, José Carreras, Tatiana Troyanos, Kurt Ollmann, Marilyn Horne
Winterreise (1971 recording) by Schubert; Dietrich Fischer‐Dieskau, Gerald Moore
part of:111 Years of Deutsche Grammophon celebratory compilations (order: 2)