Leipziger Weihnachtskantaten - Cantates De Noël À Leipzig

~ Release by J. S. Bach; Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 2 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:58
2Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Soprano) "Der Glanz der höchsten Herrlichkeit"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:51
3Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenore) "Gott, dem der Erden Kreis zu klein"
tenor vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:47
4Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Basso) "O Christenheit!"
bass vocals:
Peter Kooij (baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:16
5Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Soprano, Alto) "Die Armut, so Gott auf sich nimmt"
alto vocals:
Ingeborg Danz (mezzo soprano)
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach6:54
6Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Coro "Das hat er alles uns getan"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (in 2001-12)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach0:58
7Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:43
8Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenore) "O du von Gotte erhöhte Kreatur"
tenor vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:39
9Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alto) "Der Gnade unermeßlichs Wesen"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:18
10Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Basso) "Johannis freudenvolles Springen"
bass vocals:
Peter Kooij (baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach7:27
11Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Soprano) "Doch wie erblickt es dich in deiner Krippen"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:57
12Kantate, BWV 121 "Christum wir sollen loben schon": VI. Coro "Lob, Ehr und Dank sei dir gesagt"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (in 2001-12)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:07
13Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:14
14Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alto) "Getrost! es faßt ein heiliger Leib"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:34
15Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenore) "Ein Adam mag sich voller Schrecken"
tenor vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:04
16Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Soprano) "Wie lieblich klingt es in den Ohren"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:35
17Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Basso) "Wohlan! Des Todes Furcht und Schmerz"
bass vocals:
Peter Kooij (baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (in 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
18Kantate, BWV 133 "Ich freue mich in dir": VI. Coro "Wohlan, so will ich"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Conservatoire royal de Liège in Liège, Liège, Wallonie, Belgium (in 2001-12)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (in 2001-12)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:09
▼CD 2
#TitleArtistRatingLength
1Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag"
choir vocals:
Collegium Vocale Gent
soprano vocals:
Carolyn Sampson (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach5:24
2Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute"
solo alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach2:32
3Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
solo bass vocals:
Sebastian Noack (bass-baritone)
soprano vocals:
Carolyn Sampson (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:57
4Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid"
solo tenor vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
5Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an"
alto vocals:
Ingeborg Danz (mezzo soprano)
solo tenor vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:46
6Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
solo bass vocals:
Sebastian Noack (bass-baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach1:06
7Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:51
8Magnificat in E-flat major, BWV 243a: I. Coro "Magnificat anima mea"
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:58
9Magnificat in E-flat major, BWV 243a: IIa. Aria (Soprano II) "Et exsultavit spiritus meus"
soprano vocals:
Carolyn Sampson (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:24
10Magnificat in E-flat major, BWV 243a: IIb. Aria (Soprano II) "Vom Himmel"
soprano vocals:
Carolyn Sampson (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:47
11Magnificat in E-flat major, BWV 243a: III. Aria (Soprano I) "Quia respexit humilitatem"
soprano vocals:
Carolyn Sampson (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:29
12Magnificat in E-flat major, BWV 243a: IV. Coro "Omnes generationes"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:19
13Magnificat in E-flat major, BWV 243a: Va. Aria (Basso) "Quia fecit mihi magna"
solo bass vocals:
Sebastian Noack (bass-baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:00
14Magnificat in E-flat major, BWV 243a: Vb. Aria (Basso) "Freut euch und jubiliert"
solo bass vocals:
Sebastian Noack (bass-baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:16
15Magnificat in E-flat major, BWV 243a: VI. (Duetto: Alto, Tenore) "Et misericordia"
alto vocals:
Ingeborg Danz (mezzo soprano)
solo tenor vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:16
16Magnificat in E-flat major, BWV 243a: VIIa. Coro "Fecit potentiam"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:51
17Magnificat in E-flat major, BWV 243a: VIIb. Coro "Gloria in excelsis Deo"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:08
18Magnificat in E-flat major, BWV 243a: VIII. Aria (Tenore) "Deposuit potentes"
solo tenor vocals:
Mark Padmore (British tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:05
19Magnificat in E-flat major, BWV 243a: IXa. Aria (Alto) "Esurientes implevit bonis"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:55
20Magnificat in E-flat major, BWV 243a: IXb. Aria (Alto) "Virga Jesse floruit"
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:19
21Magnificat in E-flat major, BWV 243a: X. (Soprano I & II, Alto) "Suscepit Israel"
alto vocals:
Ingeborg Danz (mezzo soprano)
soprano vocals:
Carolyn Sampson (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:40
22Magnificat in E-flat major, BWV 243a: XI. Coro "Sicut locutus est"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:28
23Magnificat in E-flat major, BWV 243a: XII. Coro "Gloria Patri"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (in 2002-12)
premiered in:
Leipzig, Sachsen, Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:12