# | Title | Rating | Length |
---|
1 | Heart Trouble- additional recording engineer:
- Mike Poole and Clarke Schleicher
- assistant recording engineer and assistant mixer:
- Anthony S. Martin
- recording engineer and mixer:
- Ed Seay
- editor:
- Don Cobb and Carlos Grier
- acoustic guitar:
- Bill Hullett and Paul Worley
- bass guitar:
- Joe Chemay
- drums (drum set):
- Lonnie Wilson
- electric guitar:
- Johnny Garcia, Brent Mason and Paul Worley
- fiddle:
- Larry Franklin
- keyboard:
- Steve Nathan
- background vocals:
- John Wesley Ryles and Dennis Wilson
- additionally recorded at:
- Javelina Studios in Nashville, Tennessee, United States, The Music Mill in Nashville, Tennessee, United States and The Sound Emporium in Nashville, Tennessee, United States
- mixed at and engineered at:
- The Money Pit in Nashville, Tennessee, United States
- recording of:
- Heart Trouble
- lyricist and composer:
- Paul Kennerly
- publisher:
- Irving Music and LittleMarch Music
| 4 | 3:20 |
2 | My Baby Loves Me | 4.35 | 2:37 |
3 | That Wasn't Me- additional recording engineer:
- Mike Poole and Clarke Schleicher
- assistant recording engineer and assistant mixer:
- Anthony S. Martin
- recording engineer and mixer:
- Ed Seay
- editor:
- Don Cobb and Carlos Grier
- acoustic guitar:
- Bill Hullett and Paul Worley
- bass guitar:
- Joe Chemay
- cello:
- Grace Mihi Bahng
- drums (drum set):
- Lonnie Wilson
- electric guitar:
- Brent Mason
- keyboard:
- Steve Nathan
- viola:
- Kristin Wilkinson
- violin:
- Mary Kathryn VanOsdale
- string trio arranger:
- Edgar Meyer
- additionally recorded at:
- Javelina Studios in Nashville, Tennessee, United States
- mixed at and engineered at:
- The Money Pit in Nashville, Tennessee, United States
- recording of:
- That Wasn’t Me
- writer:
- Gary Harrison and Tim Mensy
- publisher:
- Cross Keys Publishing Co., Miss Dot Music, Inc., Patrick Joseph Music, Inc., Songs of Universal, Inc., Sony/ATV Cross Keys Publishing and Warner–Tamerlane Publishing Corp.
| 5 | 3:44 |
4 | Independence Day | 5 | 3:25 |
5 | Where I Used to Have a Heart | 4 | 3:50 |
6 | Goin' to Work | 4 | 3:30 |
7 | She Ain't Seen Nothing Yet- additional recording engineer:
- Mike Poole and Clarke Schleicher
- assistant recording engineer and assistant mixer:
- Anthony S. Martin
- recording engineer and mixer:
- Ed Seay
- editor:
- Don Cobb and Carlos Grier
- acoustic guitar:
- Biff Watson and Paul Worley
- bass guitar:
- Joe Chemay
- drums (drum set):
- Lonnie Wilson
- electric guitar:
- Dan Huff and Paul Worley
- steel guitar:
- Charlie Whitten
- background vocals:
- Mary Ann Kennedy , Martina McBride and Pamela Rose
- additionally recorded at:
- Javelina Studios in Nashville, Tennessee, United States
- mixed at and engineered at:
- The Money Pit in Nashville, Tennessee, United States
- recording of:
- She Ain’t Seen Nothing Yet
- writer:
- Walt Aldridge and Anna Lisa Graham
- publisher:
- BMG Gold Songs, Bro 'n Sis Music, Inc., Hannah's Eyes Music, Inc., MPCA Lehsem Music, Publishing Two's Music, Rick Hall Music Co., Inc. and Watertown Music
| 5 | 3:27 |
8 | Life #9 | 3 | 4:04 |
9 | Strangers | 4 | 3:22 |
10 | Ashes- additional recording engineer:
- Mike Poole and Clarke Schleicher
- assistant recording engineer and assistant mixer:
- Anthony S. Martin
- recording engineer and mixer:
- Ed Seay
- editor:
- Don Cobb and Carlos Grier
- acoustic guitar:
- Bill Hullett and Paul Worley
- bass guitar:
- Joe Chemay
- drums (drum set):
- Lonnie Wilson
- electric guitar:
- Brent Mason
- fiddle:
- Larry Franklin
- keyboard:
- Steve Nathan
- steel guitar:
- Charlie Whitten
- background vocals:
- Brett Beavers and Deryl Dodd
- additionally recorded at:
- Javelina Studios in Nashville, Tennessee, United States
- mixed at and engineered at:
- The Money Pit in Nashville, Tennessee, United States
- recording of:
- Ashes
- writer:
- Charlotte Wilson, Chris Waters and Lonnie Wilson
- publisher:
- Bayou Blonde Music , Diamond Struck Music , Great Cumberland Music, Mike Curb Music, Music of Stage Three, Warner–Tamerlane Publishing Corp. and Zomba Enterprises, Inc.
| 3 | 2:57 |